Academic literature on the topic 'Club Puertorriqueño de San Francisco (San Francisco, California)'

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Journal articles on the topic "Club Puertorriqueño de San Francisco (San Francisco, California)"

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Cameron, John L., Richard H. Bell, L. William Traverso, et al. "Pancreas Club Meeting May 19, 1996 San Francisco, California." American Journal of Surgery 173, no. 3 (1997): 153–58. http://dx.doi.org/10.1016/s0002-9610(97)89587-6.

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Elinson, Elaine. "Selina Solomons, Iconoclastic Suffragist of San Francisco." California History 97, no. 4 (2020): 151–60. http://dx.doi.org/10.1525/ch.2020.97.4.151.

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This essay describes the efforts of Selina Solomons, a San Francisco suffragist, and her perspectives on two California suffrage campaigns, the failed 1896 effort and the success in 1911. Born to a distinguished Jewish family that had fallen on hard times, Solomons felt the suffrage movement was hindered by its reliance on elite society women. She organized the Votes for Women Club and took bold public action to bring working-class women into the movement and to secure the votes of immigrant and laboring men.
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Elinson, Elaine. "Selina Solomons, Iconoclastic Suffragist of San Francisco." California History 97, no. 4 (2020): 151–60. http://dx.doi.org/10.1525/ch.2020.97.4.151.

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This essay describes the efforts of Selina Solomons, a San Francisco suffragist, and her perspectives on two California suffrage campaigns, the failed 1896 effort and the success in 1911. Born to a distinguished Jewish family that had fallen on hard times, Solomons felt the suffrage movement was hindered by its reliance on elite society women. She organized the Votes for Women Club and took bold public action to bring working-class women into the movement and to secure the votes of immigrant and laboring men.
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Görgen, Carolin. "« Des cendres à la nouvelle métropole ». Le California Camera Club et la reconstruction photographique de San Francisco au lendemain du tremblement de terre et de l’incendie de 1906." Transbordeur 2 (2018): 186–99. http://dx.doi.org/10.4000/12gwz.

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Le tremblement de terre et l’incendie qui ravagèrent San Francisco en avril 1906, au moment où la photographie amateur était en plein essor, suscitèrent un regain de productions au sein du club photographique le plus important de la région, le California Camera Club. Les membres du club œuvrèrent alors pour participer à la reconstruction de la ville à l’aide de la photographie. Il ne s’agissait pas uniquement d’une entreprise iconographique ou esthétique, mais plus exactement d’une « participation patriotique » au processus de reconstruction, qui donna matière à une histoire du « nouveau San F
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Graham, O. L. "History of the Sierra Club, 1892-1970. By Michael Cohen. San Francisco, California: Sierra Club Books, 1988. xvii + 550 pp. Footnotes, index. $29.95." Forest & Conservation History 34, no. 1 (1990): 42. http://dx.doi.org/10.2307/3983848.

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Görgen, Carolin. "“San Francisco on a thousand plates”: New perspectives on photo-historical research around 1900 through the lens of the California Camera Club." Interfaces, no. 41 (June 21, 2019): 7–24. http://dx.doi.org/10.4000/interfaces.644.

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Rosenthal, Robert. "A multi-platform approach to investigative journalism." Pacific Journalism Review 18, no. 1 (2012): 17. http://dx.doi.org/10.24135/pjr.v18i1.287.

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Robert Rosenthal began his career in journalism at The New York Times, where he was a news assistant on the foreign desk and an editorial assistant on the Pulitzer-Prize winning Pentagon Papers project. He later worked at the Boston Globe, and for 22 years at the Philadelphia Inquirer, starting as a reporter and eventually becoming its executive editor in 1998. He became managing editor of the San Francisco Chronicle in late 2002, and joined the Center for Investigative Reporting as executive director in 2008. Rosenthal has won numerous awards, including the Overseas Press Club Award for magaz
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Chatterjee, Sudipto. "SOUTH ASIAN AMERICAN THEATRE: (UN/RE-)PAINTING THE TOWN BROWN." Theatre Survey 49, no. 1 (2008): 109–17. http://dx.doi.org/10.1017/s0040557408000069.

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In his second year at the University of California, Berkeley, Arthur William Ryder (1877–1938), the Ohio-born Harvard scholar of Sanskrit language and literature, collaborated with the campus English Club and Garnet Holme, an English actor, to stage Ryder's translation of the Sanskrit classic Mrichchhakatikam, by Shudraka, as The Little Clay Cart. The 1907 production was described as “presented in true Hindu style. Under the direction of Garnet Holme, who … studied with Swamis of San Francisco … [and] the assistance of many Indian students of the university.” However, in the twenty-five-plus c
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Ingram, G. B. "Clearcut: The Tragedy of Industrial Forestry. Edited by Bill Devall. San Francisco, California: Sierra Club Books and Earth Island Press, 1993. 291 pp. Photographs. $50.00." Forest & Conservation History 39, no. 1 (1995): 43. http://dx.doi.org/10.2307/3983633.

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Perez, Vanessa Ovalle. "Toasting México in the American West: Brindis Poems and Political Loyalties of Women’s Mexican Patriotic Clubs." Letras Femeninas 43, no. 1 (2017): 60–77. http://dx.doi.org/10.14321/letrfeme.43.1.0060.

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Abstract Brindis poems were popular in the nineteenth century. Accompanied by the raise of a glass, their verses were meant to celebrate a person or event. Only two decades after the Mexican-American War, Latinas/os living in the newly annexed territories of the American West found themselves using the brindis genre to declare their loyalties to Mexico against a new invader, France. Among the most ardent supporters of the Mexican army’s fight against French imperialism were lower and middle-class Latinas who formed Mexican patriotic clubs exclusively for women in California and Nevada. This ar
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Dissertations / Theses on the topic "Club Puertorriqueño de San Francisco (San Francisco, California)"

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Görgen, Carolin. "Out here it is different - The California Camera Club and community imagination through collective photographic practices : toward a critical historiography, 1890-1915." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC010/document.

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Le California Camera Club, un collectif de photographes amateurs et professionnels actif à San Francisco notamment entre 1890 et 1915, est une organisation constamment marginalisée dans l’histoire de la photographie et de l’Ouest américain. En adoptant une double approche d’histoire culturelle et matérielle, cette thèse éclaire une gamme d’activités et de productions de ce club largement inconnu, qui ont contribué à forger l’identité d’une communauté éloignée de l’Ouest. Par son approche inclusive, réunissant plus de 400 membres en 1900, le club doit être considéré comme une organisation local
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Books on the topic "Club Puertorriqueño de San Francisco (San Francisco, California)"

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Club Puertorriqueño de San Francisco (San Francisco, Calif.). Records of Club Puertorriqueño de San Francisco, 1912-1969. University of California at Berkeley, Library Photogarphic Services, 2003.

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Ocean Climate Summit (1st 2008 The Presidio Golden Gate Club). First Biennial Ocean Climate Summit: Finding solutions for San Francisco Bay area's coast and ocean : proceedings of the Summit, April 29, 2008, Golden Gate Club, the Presidio, San Francisco, California. U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, National Ocean Service, Office of Ocean and Coastal Resource Management, Office of National Marine Sanctuaries, 2008.

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designer, Clark Jonathan book, Artichoke Press, and Cardoza-James Binding Company, eds. Fine hand bookbindings for Book Club of California publications: An exhibition at the Book Club of California, San Francisco, January 10-February 26, 2001. The Club, 2001.

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California, Book Club of. Fine hand bookbindings for Book Club of California publications: An exhibition at the Book Club of California, San Francisco, January 10-February 26, 2001. Book Club of California, 2001.

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Jonathan, Clark, Sonnichsen Joanne, Book Club of California, Artichoke Press, and Cardoza-James Binding Company, eds. 2001: Fine hand bookbindings for Book Club of California publications : an exhibition at the Book Club of California, San Francisco, January 10-February 26, 2001. Book Club of California, 2001.

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James, Patterson. The 6th Target (Women's Murder Club, #6). Charnwood, 2008.

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Tan, Amy. The Joy Luck Club. Ivy Books, 1990.

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Tan, Amy. The Joy Luck Club. Thorndike Press, 1989.

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Tan, Amy. The Joy Luck Club. Heinemann, 1989.

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Tan, Amy. The Joy Luck Club. Vintage Books, 1991.

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Book chapters on the topic "Club Puertorriqueño de San Francisco (San Francisco, California)"

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"Roy Wilkins: “The Clock Will Not Be Turned Back”." In Schlager Anthology of Black America. Schlager Group Inc., 2021. https://doi.org/10.3735/9781935306627.book-part-189.

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“The Clock Will Not Be Turned Back” was a speech given by Roy Wilkins as head of the National Association for the Advancement of Colored People (NAACP), the oldest and largest civil rights organization in the United States. The speech was delivered in San Francisco at the Commonwealth Club of California on November 1, 1957, just over a month after the end of the school desegregation crisis in Little Rock, Arkansas. Founded in 1903 by a group of leading Californians—including the San Francisco Chronicle editorial writer Edward F. Adams and Frederick Burk, president of what would become San Fran
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"Roy Wilkins: “The Clock Will Not Be Turned Back” 1957." In Milestone Documents in African American History. Schlager Group Inc., 2010. https://doi.org/10.3735/9781935306153.book-part-091.

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“The Clock Will Not Be Turned Back” was a speech given by Roy Wilkins as head of the National Association for the Advancement of Colored People (NAACP), the oldest and largest civil rights organization in the United States. The speech was delivered in San Francisco at the Commonwealth Club of California on November 1, 1957, just over a month after the end of the school desegregation crisis in Little Rock, Arkansas. Founded in 1903 by a group of leading Californians––including the San Francisco Chronicle editorial writer Edward F. Adams and Frederick Burk, president of what would become San Fra
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Chapman, Dale. "The “Yoshi’s Effect”." In Jazz Bubble. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520279377.003.0007.

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In a bid to atone for its midcentury actions, the San Francisco Redevelopment Agency, beginning in the 1980s, set about planning a “jazz preservation district” to be located in the Fillmore neighborhood. Along with a program for small-business loans, the SFRA initiative originally took the form of a combined multiplex and jazz venue, pairing AMC Theaters with an outpost of the New York-based Blue Note club. While this first proposal was never realized, the SFRA did later succeed in launching a different mixed-use project that mixed affordable and market-rate housing with a branch of the Oaklan
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Strandmark, Matthew. "“Lean, Mean, Vote-Gettin’ Machine”." In Gatewood. University Press of Kentucky, 2023. http://dx.doi.org/10.5810/kentucky/9780813198415.003.0008.

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This chapter begins with Gatewood's travel to California for that states vote on Proposition 215, which legalized medical marijuana. He describes his meeting with Dennis Peron and touring the San Francisco buyer's club in advance of the vote. It also includes the case of Rev. Mary Thomas-Spears, and Gatewood's involvement in that legal saga. It follows Gatewood's 1999 run as part of the Reform Party with running mate Kathy Lyons, as well as the changing political landscape of Kentucky during these times. It concludes with the resolution of the Spears case and Gatewood's run for U.S. Congress i
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Kowsky, Francis R. "Country life in comparison with city life ... A question of delicate adjustment 1866-1872." In Country, Park, & City. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114959.003.0008.

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Abstract With theCentral Park and Prospect Park positions secured, and content in the knowledge of Olmsted’s eminent return, Vaux set off for a month’s vacation with his family in the Adirondacks. While there, he must have been putting together in his mind details of the report that was due to the Prospect Park commissioners in December. Left behind to work on various office projects was Bloor, who also minded the Vauxes’ house in their absence. Meanwhile, Olmsted made preparations in California for tying up his affairs and returning to New York, a process that included finishing plans for Mou
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