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Relevant bibliographies by topics / Club scene

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Academic literature on the topic 'Club scene'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Club scene"

1

Purcell, John, and Kathryn Graham. "A Typology of Toronto Nightclubs at the Turn of the Millennium." Contemporary Drug Problems 32, no. 1 (2005): 131–67. http://dx.doi.org/10.1177/009145090503200109.

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The international trend for large, corporately owned nightclubs that are similar around the globe is changing and homogenizing the public drinking cultures in many large cities. To better understand this phenomenon, we examined the different types of clubs in Toronto, Canada. The typology is drawn from qualitative and quantitative data compiled by trained observers who conducted 1,056 nights of unobtrusive observations in 75 high-capacity nightclubs. Ten club “types” were constructed using the genre of music as the primary distinction: Dance, Superclub, Rave, Lounge, Upscale, Pop, Salsa, Regga

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Hunt, Geoffrey, Kristin Evans, Eileen Wu, and Alicia Reyes. "Asian American Youth, the Dance Scene, and Club Drugs." Journal of Drug Issues 35, no. 4 (2005): 695–731. http://dx.doi.org/10.1177/002204260503500403.

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The available research data on young Asian American drug use is relatively limited compared to the availability of research on other major ethnic groups. Today more published data have highlighted the extent to which drug use is significant and rising in Asian American communities. From our ongoing research on the social context of ecstasy and other club drug use in the San Francisco Bay Area, we analyze data from a total of 56 face-to-face interviews with young Asian American club and rave attendees. We explore the development of a distinctive Asian American experience, in order to understand

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3

Buszek, Maria Elena. "Ladies’ Auxiliary of the Lower East Side: Post-punk feminist art and New York’s Club 57." Punk & Post-Punk 9, no. 3 (2020): 425–42. http://dx.doi.org/10.1386/punk_00037_1.

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This article analyses the feminist art that emerged from New York City’s short-lived, post-punk venue Club 57 (1978–83), where music mixed with visual art, experimental film, performance and politics. A hub of New York’s ‘downtown scene’, Club 57 exemplified ways in which artists’ increasingly promiscuous experiments across media led them to abandon galleries and museums in favour of nightclubs, discos and bars. This tendency dovetailed with the practices of an emergent generation of feminist artists eager to both break out of the sexist art world and engage with popular culture and audiences.

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Zhao, Changjun. "Application of Virtual Reality and Artificial Intelligence Technology in Fitness Clubs." Mathematical Problems in Engineering 2021 (May 29, 2021): 1–11. http://dx.doi.org/10.1155/2021/2446413.

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With the continuous development and progress of virtual reality technology in recent years, the application of virtual reality technology in all aspects of real life is no longer limited to the military field, medical, or film production fields, but it gradually appears in front of the public, into the lives of ordinary people. The human-computer interaction method in virtual reality and the presentation effect of the virtual scene are the two most important aspects of the virtual reality experience. How to provide a good human-computer interaction method for virtual reality applications and h

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TONG, TRI, and EDWARD W. BOYER. "Club drugs, smart drugs, raves, and circuit parties: An overview of the club scene." Pediatric Emergency Care 18, no. 3 (2002): 216–18. http://dx.doi.org/10.1097/00006565-200206000-00017.

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Muñoz‐Laboy, Miguel, Hannah Weinstein, and Richard Parker. "The Hip‐Hop club scene: Gender, grinding and sex." Culture, Health & Sexuality 9, no. 6 (2007): 615–28. http://dx.doi.org/10.1080/13691050701528590.

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Kurtz, Steven P., Hilary L. Surratt, Maria A. Levi-Minzi, and Angela Mooss. "Benzodiazepine dependence among multidrug users in the club scene." Drug and Alcohol Dependence 119, no. 1-2 (2011): 99–105. http://dx.doi.org/10.1016/j.drugalcdep.2011.05.036.

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Vento, Alessandro Emiliano, Giovanni Martinotti, Eduardo Cinosi, et al. "Substance Use in the Club Scene of Rome: A Pilot Study." BioMed Research International 2014 (2014): 1–5. http://dx.doi.org/10.1155/2014/617546.

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Objective. Over the last few years, a wide number of unregulated substances have been marketed on the Web and in smart and head shops; they are usually advertised as legal alternatives to commonly known drugs and are defined as “smart drugs,” “legal highs,” and “novel psychoactive substances” (NPS). Aim of our work is to describe use habits and distribution of NPS in a population of young adults in Rome club scene.Methods. A self-administered questionnaire was proposed to subjects over 18 years of age at the entrance of 5 nightclubs in Rome. Socioeconomic characteristics and substance use were

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Hunt, Geoffrey, Molly Moloney, and Adam Fazio. "“A Cool Little Buzz”: Alcohol Intoxication in the Dance Club Scene." Substance Use & Misuse 49, no. 8 (2014): 968–81. http://dx.doi.org/10.3109/10826084.2013.852582.

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Antonelli, Mariana, Larissa Rafaela Galatti, Gisele Viola Machado, and Roberto Rodrigues Paes. "Pedagogia do esporte e basquetebol: considerações para a elaboração de programa esportivo a partir do clube divino Salvador, Jundiaí-SP." Conexões 10, no. 2 (2012): 49–65. http://dx.doi.org/10.20396/conex.v10i2.8637674.

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Resumo A pesquisa busca identificar a realidade da iniciação ao basquetebol feminino no Clube Divino Salvador (Jundiaí-SP), que é referência na modalidade no cenário nacional. Para isso, foi elaborado um referencial teórico que dialogou com: Pedagogia do Esporte, Iniciação Esportiva e Pedagogia do Basquetebol e foi realizado um Resgate Histórico do basquetebol na Instituição, através de pesquisa documental. Ademais, foram feitas entrevistas semi-estruturadas com professores de iniciação ao basquetebol e realizados diários de campo dos treinos. Após a Análise dos dados, verificou-se que o Progr

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Dissertations / Theses on the topic "Club scene"

1

Gibson, Alex M., and Alan R. Ogden. "Duggleby Howe, Burial J and the Eastern Yorkshire Club Scene." Yorkshire Archaeological Journal, 2008. http://hdl.handle.net/10454/4700.

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Richman, Lisa Helene. "From Subculture to Mass Culture: The Impact of Internet Photography on the New York Club Scene." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205860298.

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Šubrt, Daniel. "Promotion a management hudebních klubových scén vybraných států střední Evropy." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193569.

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The diploma thesis discusses the Czech club music scene in the context of the transformation of the music industry in recent years. The first section describes recent trends in the music market in the world and in the Czech Republic. The second part is devoted to the specifics of the management and promotion of Czech music scene at club level, defines classical models of contracts between artists, managers, record companies and other entities. The following chapter describes the possibilities of the multi-source financing of the club music scene. The next two chapters characterize cultural pol

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4

Sigvardson, Patric, and Zeggai Sara. "Vem bär ansvaret? : En studie om bokares roll som beslutsfattare i klubbscenen." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40538.

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Titel: "Kvinnliga akter drar inte lika mycket publik" - En studie om bokares roll som beslutsfattare i klubbscenen. Examensarbete, Musik & Event Management, HT 2014 Ekonomihögskolan vid Linnéuniversitetet i Kalmar, Organisation, 2FE74E Författare: Patric Sigvardson & Sara Zeggai Handledare: Kjell Arvidsson, Examinator: Mikael Lundgren Syftet med vår studie är att belysa klubbscenen ur ett jämställdhetsperspektiv. Det har vi gjort genom att studera ett antal bokare och hur de fattar sina beslut och se till vilken påverkan sociala nätverk, intressen och värderingar spelar in vid beslut

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Hutton, Fiona Clare. "Making out in the city : negotiating the feminine on club scenes in Manchester." Thesis, Manchester Metropolitan University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369077.

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Zaytseva, Anna. "En quête d'Altérité : pour une sociologie des acteurs, lieux et pratiques de la scène rock à Léningrad/Saint-Pétersbourg dans les années 1970-2000." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0019.

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Le rock émerge en URSS en tant que « forme culturelle contestable », dont la pratique est soumise à une gestion différentielle et aléatoire par les institutions soviétiques. Les façons de légitimer le rock, adoptées par ses acteurs dans les années 1970 et 1980 accusent une évolution liée à la fois à la dynamique internationale du genre, et à la contrainte nationale (propre au « régime » et à la culture soviétique officielle. L'oscillation du milieu rock à Léningrad entre les deux univers, induit des modes originaux d'adaptation et permet une forme d'autonomie spécifique aux acteurs. Se trouvan

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CHING, HSU YA, and 許雅菁. "A Study on the Writing of Lu Gang's Zhu-Zhi Ci and Eight Scenes Poetry in the Japanese Colonial Period ──Based on the Works of DaYe Poetry Recital Club." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/7vc28f.

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碩士<br>國立臺灣師範大學<br>台灣文化及語言文學研究所<br>97<br>This study is based on Zhu-Zhi Ci and Eight Scenes Poetry of DaYe Poetry Recital Club in Lu Gang, probing into the literary situation of Lu Gang during the Japanese colonial period. As DaYe Poetry Recital Club is the most important classic poem club in Lu Gang, many local scholars gathered together for their poetic creation, and so their works became more representational. It is not only important to understand the life style of Lu Gang during the Japanese colonial period, but also further think the representative meaning of Zhu-Zhi Ci and Eight Scenes P

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Books on the topic "Club scene"

1

Clare GAA: The club scene, 1887-2010. Seamus O'Reilly, 2010.

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2

The dead janitors club: Pathetically true tales of a crime scene cleanup king. Sourcebooks, 2010.

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3

Howard, Parker, and Aldridge Judith 1963-, eds. Dancing on drugs: Risk, health and hedonism in the British club scene. Free Association, 2001.

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4

Edmund, Miller. The go-go boy sonnets: Men of the New York club scene. Inkwater Press, 2005.

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5

Beeler, Stanley W. Dance, drugs, and escape: The club scene in literature, film, and television since the late 1980s. McFarland & Co., 2007.

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6

McIntosh, Kenneth. Things fall apart: Forensic engineering. Mason Crest Publishers, 2009.

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7

Canada, Bank of. Notes For A Luncheon Address by Gerald K. Bouey Governor of the Bank of Canada to the Canadian Club, Vancouver, B.C., June 20th, 1986. International Financial Scene. s.n, 1986.

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8

Gekoski, R. A. Staying up: A fan behind the scenes in the Premiership. Warner, 1999.

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9

Richards, Eugene. The Knife and Gun Club: Scenes from an emergency room. Atlantic Monthly Press, 1989.

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10

Arsenal confidential: An intimate look behind the scenes during 2007/2008. Hamlyn, 2008.

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Book chapters on the topic "Club scene"

1

Measham, Fiona, Judith Aldridge, and Howard Parker. "Unstoppable? Dance Drug Use in the UK Club Scene." In UK Drugs Unlimited. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9781403919861_5.

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2

Yiu, Alex. "Underground Club Music After Social Media: A Study of Hong Kong Underground Club Music Scene Through Absurd TRAX from 2016 to 2018, A Personal Perspective." In Fractured Scenes. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-5913-6_13.

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Kurtz, Steven P. "Arrest Histories, Victimization, Substance Use, and Sexual Risk Behaviors Among Young Adults in Miami’s Club Scene." In Crime, HIV and Health: Intersections of Criminal Justice and Public Health Concerns. Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-90-481-8921-2_8.

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Purkis, Charlotte. "The Other Gates: Anglo-American Influences on and from Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_5.

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Abstract An important influence on the foundation of the Dublin Gate Theatre in 1928 was the London Gate Theatre Studio. This chapter offers a historiographical survey concerning how the range of connections between these theatres have been treated by theatre commentators up to the present. Alongside this re-examination is a discussion of two other theatres that were also inspired by the London Gate, but established independently by the two London co-directors, Peter Godfrey and Velona Pilcher. Godfrey revived the early programming from London in 1943 at his ‘transplanted’ theatre in Hollywood, which also connected Los Angeles emigré culture back to Ireland. In London, Pilcher worked with a group of women associates to found a ‘new Gate’, the Watergate Theatre Club in 1949, which, with its avant-garde artistic ethos, had a cultural impact on the post-war London scene similar to the achievements of the earlier Gate theatres.

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Dunham, Richard. "The Music Scene (Revues, Clubs, and Concert Lighting)." In Stage Lighting. Routledge, 2018. http://dx.doi.org/10.4324/9781315562575-2.

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Eitel, Alexander, Katharina Scheiter, and Anne Schüler. "Getting a Clue: Gist Extraction from Scenes and Causal Systems." In Diagrammatic Representation and Inference. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14600-8_23.

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Norris Nicholson, Heather. "The amateur club scene." In Amateur film. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141187.00010.

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Heather Norris, Nicholson. "The amateur club scene." In Amateur film. Manchester University Press, 2012. http://dx.doi.org/10.7228/manchester/9780719077739.003.0002.

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Pini, Maria. "Women and the early British rave scene." In Electronica, Dance and Club Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315094588-21.

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Motrescu-Mayes, Annamaria, and Heather Norris Nicholson. "Webs of Production and Practice." In British Women Amateur Filmmakers. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420730.003.0002.

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Chapter 2 explores women’s strategic role as clubs grew up to support amateur activity. Unlike the early colonial cine club scene that was largely male dominated, Britain's cine club scene involved women from the outset and echoes other gendered patterns of associational and voluntary activity. Previously unavailable films, club records and interviews identify significant contributions by award-winning women practitioners, as mentors, adjudicators, writers, teachers and committee members that facilitate local to international events and bridge the transition from analogue into digital activity. Interviews reveal how healthier, personally wealthier and active retirees still sustain roles carved out by their pioneering predecessors. Background, education, marital status, paid employment and domestic roles contextualise how women maintained local groups during wartime, filmed club life and made films alone or with other members. Some became fundraisers, all became keen advocates and for some, film became part of their identity, whether working in non-fiction, fiction, experimental filmmaking or animation.

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