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Relevant bibliographies by topics / Coatlicue

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Academic literature on the topic 'Coatlicue'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Coatlicue"

1

Boone, Elizabeth H. "THE “COATLICUES” AT THE TEMPLO MAYOR." Ancient Mesoamerica 10, no. 2 (July 1999): 189–206. http://dx.doi.org/10.1017/s0956536199102098.

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The colossal “Coatlicue” sculpture has usually been interpreted as a representation of the female supernatural Coatlicue (Serpents Her Skirt) who gave birth to the Mexica patron deity Huitzilopochtli, or it has been identified as the cult figure of Cihuacoatl (Woman Serpent) or Tlaltecuhtli (Earth Lord). This paper offers an alternative reading of the monumental statue, one that recognizes the existence of at least three nearly identical “Coatlicues” and thus recontextualizes the monument as one of a larger set. The iconography of these great stone females points to their identity as Tzitzimime, celestial demons who were understood to descend to devour humankind if the sun were to fail. According to the Mexican chroniclers, a cadre of these fearsome monoliths dominated the sculpture progam of the Templo Mayor.

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Ann De León. "Coatlicue or How to Write the Dismembered Body." MLN 125, no. 2 (2010): 259–86. http://dx.doi.org/10.1353/mln.0.0243.

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Staes, Toon. "The Coatlicue Complex in David Foster Wallace's INFINITE JEST." Explicator 72, no. 1 (January 2014): 67–71. http://dx.doi.org/10.1080/00144940.2013.876382.

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Pérez Amezcua, Luis Alberto. "Tecnopoïesis azteca: el mito de Coatlicue y la “nueva mexicanidad”." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 15, no. 1 (January 1, 2017): 63–87. http://dx.doi.org/10.7195/ri14.v15i1.1049.

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En este trabajo se analiza la influencia que ejerce el mito de Coatlicue (y de una de las esculturas de esta diosa) en la novela Tlacaelel, de Antonio Velasco Piña, uno de los fundadores de un grupo nativista e indianista denominado la “nueva mexicanidad”. A través de la revisión de algunos pasajes del texto literario, se reflexiona sobre la importancia de un estudio de los mitos —y del arte que los vehicula— mediante un método mitocrítico que considere como de la mayor relevancia su componente tecnológico en esta era postmoderna, una época intermedial que encara riesgos que habrán de ser superados con ayuda de un arte que permita una nueva sacralización de la vida cotidiana.

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Franco, Jean. "The return of Coatlicue: Mexican nationalism and the Aztec past." Journal of Latin American Cultural Studies 13, no. 2 (August 2004): 205–19. http://dx.doi.org/10.1080/1356932042000246977.

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De la Tejera Segura, Enrique. "Desde Aztlán a Wiricuta: la peregrinación viva de los Huicholes." ROTUR. Revista de Ocio y Turismo 3, no. 1 (November 10, 2010): 195–216. http://dx.doi.org/10.17979/rotur.2010.3.1.1250.

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Dentro de la mitología Mexicana, los aztecas elevaron sus procesiones a sus Dioses como Huitzilopochtli, Coatlicue, Tláloc, Quetzalcóatl y Tezcatlipoca. Pero existe un culto dominante sobre los demás Dioses Aztecas como el Dios Huitzilopochtli quien transmitió la revelación profética para emprender la gran peregrinación a Tenochtitlan y que inspiró este gran viaje a través de generaciones a la etnia Huichol del Estado de Nayarit, (origen de la antigua Aztlán).

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Gingerich, Willard. "Three Nahuatl Hymns on the Mother Archetype: An Interpretive Commentary." Mexican Studies/Estudios Mexicanos 4, no. 2 (1988): 191–244. http://dx.doi.org/10.2307/1051822.

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Sobre la base de la traducción de tres himnos rituales, de los veinte que Sahagún registró en los Códices de Madrid, el autor propone que 1) los cultos mexicas del siglo 15 de Teteo Innan y Coatlicue son instrumentos de una filosofía sincrética, la que motivaba y justificaba la ambición imperial, y 2) la crítica arquetípica revela el lenguaje simbólico inconsciente en el cual esta ideología se manifiesta.

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Anzaldo-González, Demetrio. "Coatlicue, la piedra, la palabra: somos indias. En Los recuerdos del porvenir y borderlands: la frontera. The new mestiza." Revista de Filología y Lingüística de la Universidad de Costa Rica 42 (October 7, 2016): 131. http://dx.doi.org/10.15517/rfl.v42i0.26470.

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Esta revalorización del arte de la Coatlicue reelabora mitos y desmitificaciones mantenidos al interior de una cultura mexicana colonizada que no ha sabido aprender del pasado ni ha podido apreciar lo que la gran piedra muestra desde sus orígenes. El México oficial sigue cavando su propia tumba, re-negando y eliminando a los millones de pobladores autóctonos que las constantes migraciones han llevado al ahora monstruoso territorio mexicano que comercializa y vende todo incluido el arte del pasado. Pero, los tiempos y miradas siguen cambiando; ahora existen pensadoras y escritoras que llegan al centro de las discusiones y acciones en el mundo de las artes y ciencias que comparten otras visiones. Estas palabras y piedra siguen tiñendo de rojo (sabiduría) y negro (escritura), los silencios sonoros en la historia; porque el mundo también es de las mujeres y no sólo de los monstruos misóginos. La fuerza escultural de Coatlicue y la literatura de Elena Garro junto a los planteamientos epistemológicos de Gloria Anzaldúa muestran que si algo tienen de monstruosas sus obras/personas es que se han alimentado de los monstruos que andan desatados. Las solidarias y diferentes sociedades que potencializan con sus textos siguen siendo desafíos que esperan mejores respuestas.

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Patrizia, Granziera. "Coatlicue and the “Holy Death”: Two Terrible Mothers of the Mexicans." Researcher. European Journal of Humanities & Social Sciences 2, no. 4 (November 2, 2019): 39–52. http://dx.doi.org/10.32777/r.2019.2.4.3.

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Carbonell, Ana Maria. "From Llorona to Gritona: Coatlicue in Feminist Tales by Viramontes and Cisneros." MELUS 24, no. 2 (1999): 53. http://dx.doi.org/10.2307/467699.

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Dissertations / Theses on the topic "Coatlicue"

1

Matousek, Amanda Leah. "Born of Coatlicue: Literary Inscriptions of Women in Violence from the Mexican Revolution to the Drug War." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366249191.

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Sánchez, Sierra. "Woman Hollering/la Gritona: The Reinterpretation of Myth in Sandra Cisneros’ The House On Mango Street and Woman Hollering Creek." Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617712283824549.

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Duncanson, Julia. "La búsqueda de Coatlicue en la formación de la consciencia mestiza." 2006. http://purl.galileo.usg.edu/uga%5Fetd/duncanson%5Fjulia%5F200612%5Fma.

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"Towards a Disruptive Theory of the Affectual: Queer Hemispheric Theories of Affect and Corporeality in the Americas." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.25954.

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abstract: At the heart of this dissertation is a push for critical genealogy that intervenes into two major theoretical bodies of work in rhetoric and composition -- affect studies and queer latina rhetorics. Chapter one intervenes into emerging discourses on publics and affect studies from seamlessly recovering "the body" as an always-already Western body of rhetoric in the advent of this renewed interest in emotion, embodiment, and structures of affect as rhetorical concepts showing the long history of theorizing by queer mestizas. Chapter two focuses on one register of affect: anger, which articulated from the works of writers such as Maria Lugones and Gloria Anzaldúa offers a complex theory of agency for the subaltern subject. Chapter three links emotions like anger and melancholia to the corporeal rhetorics of skin and face, metaphors that are abundant in the queer mestiza and chicana writers under discussion, revealing the dramatic inner-workings of a the queer mestiza subject and the inter-subjective dynamics between the racialized and gendered performance of that body. By re-rooting affect in the queer colonized, yet resistant body, the link between the writing subject and colonial violence is made clear. Chapter four looks at the autoethnographic process of creating an affective archive in the form of queer racial melancholia, while Chapter five concludes by taking writing programs to task for their view of the writing archive, offering a radical new historiography by means of a queer chicana methodology.
Dissertation/Thesis
Doctoral Dissertation English 2014

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López, Candace. "Walking contradictions : Latina lesbianas, immigration and citizenship." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2342.

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In immigration and sexuality research there is new and emerging literature that understands the convergence of these two topics. However, scholarship primarily examining Latina lesbian immigrants is not as visible. This thesis examines the lives of Latina lesbian immigrants residing in Texas and California to understand greater meanings of immigration, sexuality and citizenship. Ten Latina lesbian immigrants participated in in-depth interviews, answering questions about growing up, sexuality, migration, citizenship and meanings of home. The research questions asked the following: What affect does immigration have on the sexualities and sex lives of Latina lesbian immigrants? How does their age of migration impact their sexualities? How do these women define and conceptualize citizenship? How do immigration and sexuality converge in the lives and on the bodies of Latina lesbian immigrants? The interviews revealed that the age in which the women migrated and their resettlement in urban areas contribute to their conceptualizations of a “sexually open” United States and a not-as-queer-friendly home country. Second, the women interviewed categorize citizenship in local and global ways. While some saw citizenship as part of every day practice, others found it to be connected with a sense of global community. Migration also developed a consciousness surrounding citizenship, as many of them were confronted with the concept upon migrating to the United States. Finally, immigration and sexuality unfolds in my participant’s lives in contradictory and non-linear ways. While many of the women felt a connection to their local gay and lesbian communities in positive ways, their lives are met with adversities in other ways that are affected by their immigrant status – including inability to obtain a driver’s license and obligations to become United State’s citizens. The women also conceptualize home in fluid and unfixed ways. Home and the body collapse when discussing migration, citizenship and nation. The research presented attempts to offer a conversation about the historical and current relationship between immigrants and LGBT people. It is also my objective to further conversations about multiple levels of oppression and how Latina lesbian immigrant women use their circumstances to gain a better awareness of themselves, and hopefully improve their rights and living conditions as human beings.
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Alon, Andrea. "Ďábel strážný: téma identity v mexickém románu na přelomu tisíciletí." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-326898.

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The theme of the dissertation submitted is the novel Devil Guardian, whose author is a Mexican writer Xavier Velasco. This dissertation is the very first theoretical work in the Czech environment, devoted to the above-mentioned piece of literature published in 2004. In a sense, Devil Guardian represents a characteristic Mexican novel of the early 21st century, combining tradition and novelty in a surprising and original manner. A significant feature of the contemporary Mexican literature is a departure from the theme of Mexicanity, generally from a programmatic indulging in so-called national literature. Velasco's novel is an exemplary, however, not only piece of literature proving that the literary break-up with Mexico is neither an exclusive nor a dominant attribute of the contemporary Mexican fiction. In Devil Guardian Velasco focuses his mind on the theme of personal and national identity, which he treats in a considerably nontraditional manner, giving an ironical turn to speak to a hypermodern girl moving in the globalized world. The dissertation is divided into six parts. The first part "Originality Rooted in Tradition" refers to Devil Guardian ensuing the tradition of Mexican novel and innovating it. The second part "Xavier Velasco" briefly introduces the author's life and work. The issues...

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Books on the topic "Coatlicue"

1

Las piedras negadas: De la Coatlicue al Templo Mayor. México, D.F: Consejo Nacional para la Cultura y las Artes, 1998.

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2

Moctezuma, Eduardo Matos. La piedra del sol: Calendario azteca. México: [s.n.], 1992.

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The return to Coatlicue: Goddesses and warladies in Mexican folklore. [LaVergne, TN]: Xlibris, 2010.

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Coatlicue en Paz: La imagen sitiada : la diosa madre azteca como imago mundi y el concepto binario de analogía/ironía en el acto de ver : un estudio de los textos de Octavio Paz sobre arte. Puebla, Pue., México: Benemérita Universidad Autónoma de Puebla, Dirección General de Fomento Editorial, Facultad de Filosofía y Letras, Maestría en Literatura Mexicana, 2003.

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1520-1605, Valeriano Antonio ca, ed. Tonantzin Guadalupe: Pensamiento náhuatl y mensaje cristiano en el "Nicān mopōhua". México: Colegio Nacional, 2000.

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6

Coatlicue Girl. Vidaurre, Edward, 2020.

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The Wanderings of Chela Coatlicue: Touring Califaztlan. Transgress Press, 2018.

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Esteva, Ananda. The Wanderings of Chela Coatlicue Alvarez: Touring Califaztlan. Transgress Press, 2017.

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9

Apolo Y Coatlicue : Ensayos Mexicanos De Espina Y Flor. Editorial Universitaria, 2002.

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O’Gorman, Edmundo. Art or Monstrosity (1960). Translated by Cecilia Beristáin and Robert Eli Sanchez. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190601294.003.0015.

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In this essay, Edmundo O’Gorman questions the historian’s effort to make sense of “art” from another culture. Before the art historian can theorize about the meaning of art in an “exotic” or “strange” culture, she first must identify which artifacts are genuine works of art (for that culture) and which are not. It could turn out, O’Gorman suggests, that none of the artifacts typically called works of art (pottery, sculpture, painting) is in fact a work of art for that culture. Contemplating the Aztec statue of Coatlique, O’Gorman then suggests that, aside from the historical project of “getting inside the mind of the creator,” one might imagine, as a literary exercise, that rather than representing “beauty” in the Western sense, the ancient statue represents “the monstrous,” which reveals the mythical fluidity of the universe and the mythical foundation of art.

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Book chapters on the topic "Coatlicue"

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Lara, Irene. "Daughter of Coatlicue: An Interview with Gloria Anzaldúa." In EntreMundos/AmongWorlds, 41–55. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403977137_5.

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Candel, Sandra L., and Norma A. Marrun. "US Immigration Policy and Its Impact on Immigrants: Reassembling the Stories of Deported Mothers and Their Transnational Children Through the Healing Spirit of Coatlicue and Coyolxauhqui." In Handbook on Promoting Social Justice in Education, 2223–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-14625-2_59.

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Candel, Sandra L., and Norma A. Marrun. "US Immigration Policy and Its Impact on Immigrants: Reassembling the Stories of Deported Mothers and Their Transnational Children Through the Healing Spirit of Coatlicue and Coyolxauhqui." In Handbook on Promoting Social Justice in Education, 1–21. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-74078-2_59-1.

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"Chapter Three. Coatlicue." In Nonbinary, 14–23. Columbia University Press, 2019. http://dx.doi.org/10.7312/raju18532-005.

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"Coatlicue, the mother goddess." In Companion to Literary Myths, Heroes and Archetypes, 259–72. Routledge, 2015. http://dx.doi.org/10.4324/9781315677095-33.

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Franco, Jean. "The Return of Coatlicue: Mexican Nationalism and the Aztec Past." In Latin American Cultural Studies: A Reader, 106–19. Routledge, 2018. http://dx.doi.org/10.4324/9781315227238-7.

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"Mythische Frauenfiguren auf der Bühne: Malinche, Coatlicue, Las vírgenes und La madre patria." In Geschlechter. Performance / Pathos / Politik, 199–218. Vervuert Verlagsgesellschaft, 1998. http://dx.doi.org/10.31819/9783964564078-013.

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"Personajes míticos femeninos en el escenario: Malinche, Coatlicue, „Las vírgenes" y „La madre patria"." In Performance, Pathos, Política de los Sexos, 195–214. Vervuert Verlagsgesellschaft, 1999. http://dx.doi.org/10.31819/9783964564788-012.

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"In the shadow of Coatlicue’s smile: Reconstructing indigenous female subjectivity in the Spanish colonial record." In Women's Negotiations and Textual Agency in Latin America, 1500-1799, 97–117. Routledge, 2016. http://dx.doi.org/10.4324/9781315401027-18.

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Conference papers on the topic "Coatlicue"

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Pérez Crespo, José Armando, and Mukhopadhyay Tirtha Prasad. "Proporciones infradinámicas de Jay Hambidge en las imágenes de la escultura prehispánica Coatlicue." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9569.

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En el contexto del tema de la conferencia, que es Imagen [n] visible, presentamos una metodología para el análisis de imágenes sobre el tema prehispánico en la escultura de la divinidad Coatlicue, a través de una descomposición algorítmica programada de acuerdo con los principios de efectos visuales definidos por Jay Hambidge, de una manera que se ajusta a las proporciones matemáticas del rectángulo infradinámico o invisible del autor, quien incorpora la serie de Fibonacci. Este algoritmo explica varios aspectos del arte prehispánico, así como las formas omnipresentes en el arte americano. Nuestro objetivo básico es demostrar cómo la programación dinámica explica ahora las formaciones de Hambidge y que por lo tanto, puede utilizarse para explicar un corpus extenso de arte que queda fuera de los objetos estéticos comunes en la práctica de las artes visuales contemporáneas. La escultura de la diosa Coatlicue presenta cotas de 350, 130 y 45 centímetros en altura, frontalidad y profundidad respectivamente, fue descubierta en la segunda mitad del siglo XVIII en el antiguo gran recinto ceremonial de la urbe Tenochtitlan ahora el Zócalo de la Ciudad de México; Coatlicue posee sus orígenes en lo femenino por conducto del dios Ometeotl generador del universo y de los principios dualistas, y a partir de Omecihuatl, símbolo de tierra, fertilidad y alumbramiento.

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Chan, K. S., and N. S. Cheruvu. "Field Validation of a TBC Life-Prediction Model for Land-Based Gas Turbines." In ASME Turbo Expo 2010: Power for Land, Sea, and Air. ASMEDC, 2010. http://dx.doi.org/10.1115/gt2010-22226.

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The coating life-prediction model, COATLIFE, was previously developed for estimating the lifetimes of first-stage blades and vanes in land-based power-generation gas turbines on the basis of degradation mechanisms observed in laboratory and field data. For first-stage blades with thermal barrier coatings (TBCs), degradation mechanisms treated in COATLIFE include thermo-mechanical fatigue (TMF), Al depletion due to bond coat oxidation, sintering of voids and microcracks in TBC, and curvature effects. Material constants in COATLIFE were evaluated using laboratory data and subsequently utilized with the model to predict the remaining life of first-stage blades in the field. In the present study, the predictive capabilities of COATLIFE were evaluated against field data obtained from first-stage blades with TBC extracted from land-based power generation gas turbines. The ex-service blades were sectioned to characterize the conditions of the TBC and bond coat after various times of service. For coating characterization, the Al content and volume fraction of the β phase in the bond coat, as well as the extent of oxidation and microcracking in the TBCs and along the TBC/bond coat interface at various locations of the blade were determined. These results were compared against model predictions generated by COATLIFE. Good agreement between the field data and model predictions validates the predictive capabilities of COATLIFE for estimating the oxidation lives for first-stage blades with TBCs.

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Chan, K. S., and N. S. Cheruvu. "Degradation Mechanism Characterization and Remaining Life Prediction for NiCoCrAlY Coatings." In ASME Turbo Expo 2004: Power for Land, Sea, and Air. ASMEDC, 2004. http://dx.doi.org/10.1115/gt2004-53383.

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The cyclic oxidation behaviors of two NiCoCrAlY coatings, which are PWA 286 and CT102 (GT33-like), were characterized using one-hour thermal cycles between ambient temperature and a peak temperature at either 1010°C or 1066°C. Weight change curves were generated as a function of thermal cycles. During cyclic oxidation testing, selected test specimens were removed and sectioned to characterize the coating degradation processes, such as oxidation attack, type and morphology of oxides, Al depletion, β-phase exhaustion, microstructural changes, and thermal fatigue crack formation. These experimental data were utilized in conjunction with a coating lifing model, called COATLIFE, to develop coating life diagrams that depicts the useful life of the coatings as a function of cycle time. Application of the COATLIFE approach and the coating life diagrams to predicting the remaining lives of GT33-like and PWA 286 coatings are demonstrated for turbine blades in land-based combustion gas turbines.

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Viswanathan, R., N. S. Cheruvu, and K. S. Chan. "Coatings for Advanced Large Frame Combustion Turbines for Power Generation." In ASME Turbo Expo 2003, collocated with the 2003 International Joint Power Generation Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/gt2003-38105.

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Use of metallic coatings for protecting hot section blades and vanes of combustion turbines for power generation has been a common practice for the last three decades. Since these coatings have to be optimized both with respect to different forms of corrosion and operation (base load vs. peak load) their performance can be machine specific. Power company users generally do not have sufficient knowledge of the failure mechanisms of the coatings and the basis for selecting coatings to suit their specific requirements. This paper describes the evolution of metallic coatings, discusses failure mechanisms, and describes a methodology for comparing and selecting machine-specific coatings. The methodology, which can be used to rank and predict the remaining life of coatings and for optimizing operation, forms the basis of a computer code known as COATLIFE. The ingredients of this methodology, i.e., degradation modeling and thermomechanical fatigue life (TMF) prediction, are reviewed in the paper.

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Cheruvu, N. S., K. S. Chan, and G. R. Leverant. "Cyclic Oxidation Behavior of Aluminide, Platinum Modified Aluminide, and MCrAlY Coatings on GTD-111." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-468.

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Cyclic oxidation behavior of aluminide, platinum modified aluminide, and MCrAlY coatings has been investigated at three temperatures. Aluminide and platinum modified coatings were deposited on GTD 111 material using an outward diffusion process. CoCrAlY coating was applied on GTD-111 by Electron Beam Physical Vapor Deposition (EB-PVD). The oxidation behavior of these coatings is characterized by weight change measurements and by the variation of β phase present in the coating. The platinum modified aluminide coating exhibited the highest resistance to oxide scale spallation (weight loss) during cyclic oxidation testing. Metallographic techniques were used to determine the amount of β phase and the aluminum content in a coating as a function of cycles. Cyclic oxidation life of these coatings is discussed in terms of the residual β and aluminum content present in the coating after exposure. These results have been used to calibrate and validate a coating life model (COATLIFE) developed at the Material Center for Combustion Turbines (MCCT).

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