Relevant bibliographies by topics / Coderre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Coderre'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Coderre"

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Le Bel, Pierre-Mathieu, and Salvador David Hernandez. "Les mégaprojets à Montréal, de Drapeau à Coderre." Revue Organisations & territoires 23, no. 3 (November 1, 2014): 43–48. http://dx.doi.org/10.1522/revueot.v23i3.140.

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Canady, Valerie A. "Acting Assistant Secretary Coderre discusses recovery, SAMHSA priorities." Mental Health Weekly 31, no. 9 (February 27, 2021): 1–3. http://dx.doi.org/10.1002/mhw.32700.

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Birbaumer, Niels, and Herta Flor. "A leg to stand on: Learning creates pain." Behavioral and Brain Sciences 20, no. 3 (September 1997): 441–42. http://dx.doi.org/10.1017/s0140525x97251496.

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The persistence of both inflammatory and neuropathic pain can only be explained when learning processes are taken into account in addition to sensitizing mechanisms. Learning processes such as classical and operant conditioning create memories for pain that are based on altered synaptic connections in supraspinal structures and persist without peripheral input. [coderre & katz; dickenson; wiesenfeld-hallin et al.]
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Cleland, Corey L., and G. F. Gebhart. "Does central nervous system plasticity contribute to hyperalgesia?" Behavioral and Brain Sciences 20, no. 3 (September 1997): 444–45. http://dx.doi.org/10.1017/s0140525x97281495.

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Hyperalgesia can arise from peripheral sensitization, on-going peripheral activation, and central plasticity. In the target article, coderre & katz argue that all three mechanisms contribute to hyperalgesia. In contrast, we believe that existing experimental evidence suggests that central plasticity plays only an insignificant role in most experimental models and clinical presentations of hyperalgesia induced by tissue injury or chemical activation of sensory receptors.
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Gracely, Richard H. "Persistent pain: Trim the branches or fell the tree?" Behavioral and Brain Sciences 20, no. 3 (September 1997): 449–51. http://dx.doi.org/10.1017/s0140525x97331495.

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In patients with pain characterized by a painful focus and allodynia, the painful symptoms arise from altered central processing that is initiated and subsequently maintained by persistent input from nociceptive afferents. Treatments directed at this normal consequence of persistent input are inherently limited. The most efficacious treatments will target the pathology, the various sources of ongoing nociceptor input. [blumberg et al.; coderre & katz; dickenson]
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Hu, James W., and Barry J. Sessle. "Central excitation and inhibitory mechanisms and neuroplasticity are also manifested in trigeminal nociceptive pathways." Behavioral and Brain Sciences 20, no. 3 (September 1997): 453–54. http://dx.doi.org/10.1017/s0140525x97371490.

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Central sensitization and related neurochemical mechanisms are also induced in V nociceptive pathways after craniofacial injury or inflammation. Their characteristics raise additional possibilities that may explain some of the phenomena outlined by coderre & katz, dickenson, and wiesenfeld-hallin et al. They also underscore the need for therapeutic approaches to reduce nociceptive inputs to the CNS or their neuroplastic effects which can potentially enhance post-traumatic pain.
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Watkins, Linda R., and Steven F. Maier. "The case of the missing brain: Arguments for a role of brain-to-spinal cord pathways in pain facilitation." Behavioral and Brain Sciences 20, no. 3 (September 1997): 469–70. http://dx.doi.org/10.1017/s0140525x97561498.

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This commentary on coderre & katz, wiesenfeld-hallin et al., and dickenson focuses on: (a) the brain as an under-recognized contributor to pain facilitation at the spinal cord; (b) these brain-to-spinal pathways being activated by learning or by body infection/inflammation; and (c) the resultant spinal release of anti-analgesic neuropeptides, activators of the NMDA-NO cascade, and activators of glia.
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Clarke, Rob W. "More inhibition and less excitation needed in the fight against pain." Behavioral and Brain Sciences 20, no. 3 (September 1997): 443–44. http://dx.doi.org/10.1017/s0140525x97271499.

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Recent pain research has concentrated heavily on excitatory processes. However, noxious stimuli activate excitatory and inhibitory systems. As failure of inhibition could underlie some forms of pathological pain, it may be argued that a full understanding of the mechanisms underlying the development of pain states can only come from a consideration of all the central sequelae of injurious stimuli. [berkley; blumberg et al.; coderre & katz; dickenson; mcmahon; weisenfeld-hallin et al.]
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Hardcastle, Valerie Gray. "Pains are in the head, not the spine." Behavioral and Brain Sciences 20, no. 3 (September 1997): 451–52. http://dx.doi.org/10.1017/s0140525x97351498.

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The authors presume that activity in the dorsal horn or nociceptors is well correlated with pain sensations and behavior. This overlooks the myriad of interactions between cortex and our spinothalamic tract. It is better to think of our nociceptors, the dorsal horn, and the pain centers in our brain as all components in one larger and complex pain sensory system. [berkley; blumberg et al.; coderre & katz; dickenson; mcmahon; wiesenfeld-hallin et al.]
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Jancsó, Gábor, Mária Dux, and Péter Sántha. "Role of capsaicin-sensitive afferent nerves in initiation and maintenance of pathological pain." Behavioral and Brain Sciences 20, no. 3 (September 1997): 454–55. http://dx.doi.org/10.1017/s0140525x97381497.

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This commentary provides experimental data in support of the critical role of capsaicin-sensitive primary afferent fibers in the initiation and maintenance of pathological pain. The demonstration of capsaicin-induced, centrally-evoked cutaneous hyperalgesia, and of neuroplastic changes elicited by the degeneration of C-fiber primary afferent terminals following peripheral nerve damage, indicates a significant contribution of capsaicin-sensitive sensory ganglion neurons in the development of pathological pain conditions. [coderre & katz]
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Dissertations / Theses on the topic "Coderre"

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Coderre, Guylaine. "Le poids de mer." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0007/MQ41873.pdf.

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Coderre, Daniel [Verfasser], James Lambrecht [Gutachter] Ritman, and Ulrich [Gutachter] Wiedner. "The branching ratio and CP-violating asymmetry of η → π+π- e+e- / Daniel Coderre ; Gutachter: James Lambrecht Ritman, Ulrich Wiedner ; Fakultät für Physik und Astronomie." Bochum : Ruhr-Universität Bochum, 2012. http://d-nb.info/1204255873/34.

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Toubol, Dominique. "Contribution à l'étude de codeurs prédictifs adaptatifs avec quantificateur vectoriel : codeur pleine bande et codeur en bande de base." Nice, 1990. http://www.theses.fr/1990NICE4371.

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Les travaux présentés dans cette thèse portent sur un codeur appartenant à la même famille qu'un système de compression numérique appelé CELP, proposé en 1985 par B. A. Atal et al. Le principe du CELP repose sur une analyse par synthèse utilisant des techniques de prédiction linéaire, et sur une quantification vectorielle du signal d'excitation. Le débit de transmission atteint est inferieur à 10 kbps, pour une qualité sub-téléphonique du signal reconstruit, mais avec une complexité proche de 40 mips. Nous proposons ici un codeur original baptisé ACELP (adaptive code excited linear predictive coder), atteignant le même ordre de qualité, pour une complexité de calculs et une mémoire de stockage cinq fois plus faible, à un débit de 8,5 kpbs. L’originalité de l'ACELP repose sur l'utilisation d'une technique particulière de masquage spectral du bruit de codage, et sur l'emploi d'un répertoire linéaire adaptatif. La structure linéaire permet de réduire la taille de la mémoire de stockage, et le caractère adaptatif accroît les performances du codeur dans une large mesure. Nous présentons une analyse de l'ACELP fonctionnant sur la totalité de la bande de fréquences utile, ainsi qu'une application de notre technique à un codeur à excitation résiduelle en bande de base, le BB-ACELP (base-band ACELP), qui permet de réduire davantage la complexité, sans dégradation préjudiciable de la qualité sur le plan de la perception auditive. En conclusion, nous retiendrons que pour un débit de transmission de 8. 5 kbits/s, des tests d'écoute ont permis d'évaluer la qualité de l'ACELP, comme étant équivalente à celle du GSM fonctionnant à 13 kbps. La complexité, estimée dans ce cas à 8 mips, ne vaut plus que 5 mips dans le cas du BB-ACELP fonctionnant au même débit, et délivrant un signal de qualité équivalente
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Ghenania, Mohamed. "Techniques de conversion de format entre codeurs CELP normalisés : Speech coding format conversion between standardized CELP coders." Rennes 1, 2005. http://www.theses.fr/2005REN11038.

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Cette thèse porte sur la conversion de format en codage de la parole (CELP), ou transcodage. La solution classique de conversion de format, appelée tandem, nécessite la mise en cascade d'une opération de décodage et d'une opération de re-codage. Cette approche par défaut utilisée aujourd'hui dans les réseaux de communications présente des inconvénients en terme de complexité, de délai et de qualité. Pour pallier ces problèmes, l'idée de transcodages dits « intelligents » a été étudiée. En s'appuyant sur les caractéristiques du modèle commun utilisé par les codeurs CELP, la conversion de format peut être rendue plus efficace. Les codeurs CELP extraient du signal puis quantifient et transmettent quatre jeux de paramètres: les coefficients LPC, l'excitation adaptative, l'excitation fixe et les gains associés. Dans cette thèse, on se propose de développer pour ces paramètres des techniques efficaces de conversion entre les principaux codeurs CELP utilisés aujourd'hui
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Aouadi, Imed. "Optimisation de JPEG 2000 sur système sur puce programmable." Paris 11, 2005. https://pastel.archives-ouvertes.fr/pastel-00001658.

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Récemment le domaine du traitement de l’image, de la vidéo, et l’audio a connu plusieurs évolutions importantes au niveau des algorithmes et des architectures. L’une de ces évolutions est l’apparition du nouveau standard ISO/IEC de compression d’image JPEG2000 qui succède à JPEG. Ce nouveau standard présente de nombreuses fonctionnalités et caractéristiques qui lui permettent d’être adapté à une large panoplie d’applications. Mais ces caractéristiques se sont accompagnées d’une complexité algorithmique beaucoup plus élevée que JPEG et qui le rend très difficile à optimiser pour certaines implémentations ayant des contraintes très sévères en terme de surface, de temps d’exécution ou de consommation d’énergie ou de l’ensemble de ces contraintes. L’une des étapes clé dans le processus de compression JPEG2000 est le codeur entropique qui constitue à lui seul environ 70% du temps de traitement global pour la compression d’une image. Il est donc essentiel d’analyser les possibilités d’optimisation d’implémentations de JPEG2000. Les circuits FPGA sont aujourd’hui les principaux circuits reconfigurables disponibles sur le marché. S’ils ont longtemps été utilisés uniquement pour le prototypage des ASIC, ils sont aujourd’hui en mesure de fournir une solution efficace à la réalisation matérielle d’applications dans de nombreux domaines. Vu le progrès que connaît l’industrie des composants FPGA du point de vue capacité d’intégration et fréquence de fonctionnement, les architectures reconfigurables constituent aujourd’hui une solution efficace et compétitive pour répondre aussi bien aux besoins du prototypage qu’à ceux des implémentations matérielles
Recently the field of video, image and audio processing has experienced several significant progresses on both the algorithms and the architectures levels. One of these evolutions is the emergence of the new ISO/IEC JPEG2000 image compression standard which succeeds to JPEG. This new standard presents many functionalities and features which allows it to be adapted to a large spectrum of applications. However, these features bring up new algorithmic complexities of higher degree than those of JPEG which in turn makes it very difficult to be optimized for certain implementations under very hard constraints. Those constraints could be area, timing or power constraints or more likely all of them. One of the key steps during the JPEG2000 processing is entropy coding that takes about 70 % of the total execution time when compressing an image. It is therefore essential to analyze the potentialities of optimizations of implementations of JPEG2000. FPGA devices are currently the main reconfigurable circuits available on the market. Although they have been used for a long time only for ASIC prototyping, they are able today to provide an effective solution to the hardware implementation of applications in many fields. Considering the progress experienced by the FPGA semiconductor industry on integration capacity and working frequency, reconfigurable architectures are now an effective and competitive solution to meet the needs of both prototyping and final hardware implementations. In this work we propose a methodology for the study of the possibilities of implementation of JPEG2000. This study starts with the evaluation of software implementations on commercial platforms
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de, Rentería Cano Ma Isabel. "Detalles en la arquitectura de J.A. Coderch." Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/127187.

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La tesi aborda l’obra de J.A.Coderch des del detall constructiu. Coderch posa especial èmfasi en la seva definició, i sense abandonar una forta afecció a la tradició, provoca una ruptura de solucions a l’ús, que contribueixen a transformar la imatge dels seus edificis. El treball parteix de la base de que els detalls són inseparables del procés del projecte i acaben sent l’expressió material d’una idea de lloc implícita en la proposta arquitectònica. S’han seguit dues línies d’estudi simultàniament: per una banda s’ha procedit a l’anàlisi de deu projectes de l’arquitecte, des del lloc on s’ubiquen fins la seva materialització en el detall, i per altra banda s’ha estudiat l’entorn dels seus començaments, les referències d’on sorgeixen el camí que emprèn i l’origen del sentit espaial de la seva obra. En l'anàlisi dels projectes s’ha anat veient com Coderch arrenca des del posicionament en el lloc, amb una proposta espaial que es va modelant des del interior i acaba en la definició del detall en el que confia la unitat del conjunt. Posa l'èmfasi en la solució repetitiva i singular d'un detall especial del tancament, del que se serveix per a eliminar les excepcions que poden sorgir d'un treball modelat des d’un interior. En l'origen, en el seu anys d'escola, i liderada des del Gatepac, està la defensa d'una arquitectura autòctona mediterrània i els valors que en ella es reivindiquen des d’una visió moderna. En els inicis de la seva carrera professional, Coderch comença des d'una voluntat de modernitzar l'arquitectura des de la tradició, i s’involucra en els moviments locals i internacionals. La modernitat a la qual s’aproxima Coderch - ja superada l’ortodòxia – s’acosta a les premisses i enunciats orgànics de F.Ll.Wright, on conviuen els progressos i els mitjans tradicionals. El principi plàstic de la continuïtat proclamada per Wright és motor de canvi que transforma l'espai, i que s'expressa a través de la construcció; especialment a través del detall. En Coderch, els elements constructius desapareixen en un continu, del que és difícil d'aïllar-los en la seva funció fragmentada del conjunt, i estan subjectes a la consecució d'un sentit espaial: a aquesta missió està sotmesa la tècnica, sobrepassant la individualitat d'una finestra, una paret, una porta, un sostre. Si l'arquitectura té com a finalitat la construcció d'un lloc, és en la manera de percebre aquell lloc i entendre els límits, on l’arquitecte plasma una manera d'entendre l'arquitectura, on la definició del detall juga un paper essencial. Coderch estableix una determinada relació interior - exterior , on plasma aquesta recerca d’un lloc vinculat a la tradició mediterrània (relacionats amb les referències dels seus anys de formació): la manera de resoldre la finestra, d’establir una particular transició entre interior i exterior i el límit entre ells, serà repetit en tots els projectes de Coderch.
La tesis aborda la obra de J.A.Coderch desde el detalle constructivo. Coderch pone especial énfasis en su definición, y sin abandonar un fuerte arraigo en la tradición, provoca cambios en las soluciones al uso, que contribuyen a transformar la imagen de sus edificios. El trabajo parte de la base de que los detalles son inseparables del proceso de proyecto, cuyos objetivos comparten; y acaban siendo la expresión material de una idea de lugar implícita en la propuesta arquitectónica. Se han seguido dos líneas de estudio simultáneas: por un lado el análisis de los proyectos (desde el lugar donde se ubican a su materialización en el detalle), sobre un muestreo de 10 obras elegidas, y por otro el del entorno de sus comienzos, las referencias donde basa el camino que emprende, y donde se busca el origen del sentido espacial de su obra. En el análisis de los proyectos se ha ido viendo cómo Coderch arranca desde el posicionamiento en el sitio, con una propuesta espacial que va moldeando desde el interior y termina en la definición del detalle en el que confía la unidad del conjunto. Pone el énfasis en la solución repetitiva y singular de un detalle especial del cerramiento, del que se sirve para eliminar las excepciones que pueden surgir de un trabajo moldeado desde un interior. En el origen, en sus años de escuela, y liderada desde el Gatepac, está la defensa de una arquitectura autóctona mediterránea y los valores que en ella se reivindican desde una visión moderna. Pronto en su carrera profesional, Coderch arranca desde una voluntad de modernizar la arquitectura desde la tradición, y se involucra en los movimientos locales e internacionales. La modernidad a la que se aproxima Coderch - superada ya la ortodoxia- se acerca a las premisas y enunciados orgánicos de F.Ll.Wright, donde avances y medios tradicionales conviven. El principio plástico de la continuidad proclamado por Wright es motor de cambio que transforma el espacio, y que se expresa a través de la construcción; especialmente a través del detalle. En Coderch, los elementos constructivos desaparecen en un continuo, del que es difícil aislarlos en su función desgajada del conjunto, y se supeditan a la consecución de un sentido espacial: a esta misión se somete la técnica, sobrepasando la individualidad de una ventana, una puerta, una pared, un techo. Si la arquitectura tiene como fin la construcción de un lugar, es en la manera de percibir ese lugar y de establecer los límites, donde el arquitecto plasma una forma de entender la arquitectura, en cuya definición el detalle juega un papel esencial. Coderch establece una determinada relación interior - exterior, donde plasma esa búsqueda de un lugar vinculado a la tradición mediterránea (relacionado con las referencias de sus años de formación): la forma particular de solucionar el cerramiento y la ventana, y con ello de establecer la transición entre interior y exterior y el límite entre ellos, se verá repetida en todos sus proyectos.
This thesis dissertation deals with the construction detailing of the work of J.A.Coderch. Coderch placed a special emphasis on its definition, and even though he never abandoned the traditional roots on which he based his architecture, he transformed the traditional approach to detailing in a way that had a very strong impact on the image of his buildings. Construction detailing is an important part of the design project, whose objectives share, and end up becoming the physical expression of the goals it pursues. Two parallel lines have conducted this thesis: one, an analysis of a number of buildings, from the beginning of their placement on the site to their eventual construction finishing and detailing, and the other, a study of the architectural context in which Coderch lived in his beginnings, in order to find the references which most influenced him; it is in that context where we find the bases of his personal career. Through the analysis of the design process of his buildings, it has been observed that Coderch starts a project from the placement on the site, develops his proposal moulding the interior space, and finishes it with the detailing, in which he strongly relies on the overall unity of the final result. He emphasizes a special detail of the facade, by repeating it throughout the whole building, as a solution to avoid any exceptions that may flourish from a design that, because it is conducted from interior space, keeps the outside appearance flexible throughout the process. In the years that Coderch was at the School of Architecture in Barcelona, the GATEPAC led the expansion of modern architecture in Spain, and highlighted the presence of modern values in traditional Mediterranean architecture. Early in his professional career, Coderch shared this concern to relate traditional and modern architecture and to get actively involved in national and international movements. Coderch approached modern architecture –once the orthodoxy of it was over– and got closer to F.Ll.Wright’s premises of organic architecture, where traditional and advanced means were living together. The plasticity was claimed by Wright as continuity, and this led him to change his perception of space and its construction detailing. In Coderch architecture, the construction elements disappear within a continuous solution, in which they are very difficult to understand when isolated from the whole creation. They all undertake a role in the definition of a sense of space, an important reason which makes all the architectural elements work together, overcoming the individual role of a wall, a roof, a door or a window. Given that architecture pursuits the goal of constructing a place, the perception of that specific place through the enclosure and its limits is where the architect shows his or her individual form of making architecture, and where detailing plays an essential role. Coderch focuses on the interior-exterior relationship, and therefore it is mainly through windows where one may see the specific concept of a place. The way he opens a window on the wall, and establishes the limits between the interior and outside, is linked to the Mediterranean tradition, (very much related to references from his years as a student), and it is sought in all his projects.
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Asteborg, Marcus. "Flexible Audio Coder." Thesis, KTH, Ljud- och bildbehandling, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-55344.

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As modern communications networks are heterogeneous and, therefore, highly variable, the design of source coders should reflect this network variability. It is desired that source coders are able to adapt instantly to any bit-rate constraint. Source coders that possess this property offer coding flexibility that facilitates optimal utilization of the available communication channel within a heterogeneous network. Flexible coders are able to utilize feedback information and therefore perform an instant re-optimization. This property implies that flexible audio coders are better suited for networks with high variability due to the fact a single configuration of the flexible coder can operate at continuum of bit-rates. The aim of the thesis is to implement a flexible audio coder in a real-time demonstrator (VoIP application) that facilitates instant re-optimization of the flexible coding scheme. The demonstrator provides real-time full-duplex communications over a packet network and the operating bit-rate may be adjusted on the fly. The coding performance of the flexible audio coding scheme should remain comparable to non-flexible schemes optimized at their operating bitrates. The report provides a background for the thesis work and describes the real-time implementation of the demonstrator. Finally, test results are provided. The coder is evaluated by means of a subjective MUSHRA test. The performance of the flexible audio coder is compared to relevant state-of-the-art codecs.
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Weynandt, Marie Élisabeth. "Drogue et médicament, les deux visages de la codéine." Nancy 1, 1988. http://www.theses.fr/1988NAN1A049.

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Pitrey, Yohann. "Stratégies d'encodage pour codeur vidéo scalable." Phd thesis, INSA de Rennes, 2009. http://tel.archives-ouvertes.fr/tel-00461631.

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Les travaux de cette thèse ont pour but de développer des stratégies de régulation de débit pour le codage vidéo scalable MPEG-4 SVC. Plusieurs approches sont proposées, en fonction des besoins en termes de précision et de la complexité désirée. La qualité du flux vidéo décodé est également prise en compte afin d'améliorer l'impression visuelle. La multiplication des moyens de transmission et la diversification des appareils capables de lire du contenu vidéo contraignent les diffuseurs à dépenser beaucoup de temps et de moyens pour être en mesure de fournir une qualité de vidéo optimale quel que soit le contexte. La vidéo scalable a été développée en réponse à ce besoin d'adaptation des contenus vidéo aux différents contextes de diffusion. Le standard H.264/MPEG-4 SVC (Scalable Video Coding) propose trois types de scalabilité (spatiale, temporelle et en qualité), qui permettent d'adapter la résolution, le nombre d'images par seconde et la qualité du flux en fonction des besoins. Un flux vidéo unique est encodé, contentant plusieurs couches de résolution différentes codées les unes par rapport aux autres, de façon à rendre le codage de l'ensemble plus efficace. La régulation de débit permet d'adapter le débit en sortie de l'encodeur pour respecter des contraintes liées à la transmission ou au décodage du flux vidéo. À partir d'une consigne donnée, le budget à respecter est réparti entre les différents éléments du flux. Un modèle de débit est ensuite utilisé pour anticiper le comportement du débit en fonction des paramètres d'encodage afin de respecter les contraintes imposées au flux. À partir de cette problématique, deux approches sont proposées. La première se base sur un pré-encodage de chaque image pour fournir une base de calcul au modèle de débit. Elle permet d'obtenir une régulation très précise, avec une erreur entre le budget alloué et le débit effectif inférieure à 7\% sur les trois types de scalabilité. La seconde approche utilise les informations rassemblées dans les images précédentes comme base pour le modèle de débit de l'image à encoder. Elle ne requiert pas de pré-encodage, et ne pénalise pas la complexité du processus d'encodage. En outre, la perte de performances par rapport à l'approche en deux passes est minime et la consigne de débit par seconde est respectée de manière précise. Enfin, une méthode permettant de réduire les variations de la qualité est proposée pour améliorer l'impression visuelle ressentie par l'utilisateur. Les résultats montrent que la méthode présentée est capable de réguler le débit avec une grande précision sur les trois types de scalabilité, tout en réduisant les variations de la qualité et en conservant une complexité de calculs très faible. Ces atouts la rendent non seulement intéressante du point de vue des performances, mais également applicable dans des contextes pratiques où les ressources en temps sont limitées.
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Alfós, Bernad Joan Ramon. "El hotel de mar de J. A. Coderch." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/386316.

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This thesis approaches the study of seaside hotels as imagined by Jose Antonio Coderch at the beginning of mass tourism in Spain, when small, traditional, family-run hotels scattered along the coastline were transformed into large, tourist hotel chains. These chained-brand hotels popped up exponentially after the implementation of a financial stabilization plan in 1959, remodelling the Mediterranean landscape, and theywere socially rejected, including the only hotel Coderch ever built: Hotel de Mar. The architect said "I always thought this hotel was not worlhy [...], it's my worst work", showing his dissatisfaction. However, this hotel is one of his best-known works, an essential reference in hotel architecture literature. Hotel de Mar shows his evolution as an architect, from previous unknown projects in Sitges to his most successful work, Torre Valentina. When analyzing his projects, based on rethinking previous works by himself or by other architects, we realize that Coderch repeatedly shows some concerns, which are reflected in his architectural proposals and are sketched in his hotel conception. The existing literature about Torre Valentina and Hotel de Mar deal with these two works separately, as independent projects, whereas this thesis is based on the idea that both works are fruit of the same hotel conception, following Coderch's ideals but adapted to the owner's dream hotel (as it is the case of Hotel Buadas, later on renamed Hotel de Mar). Both projects were developed in the same period of time (from 1956 to 1962), on the same landscape (the Catalan coast and the Balearic coast), for the same target clients (first-class hotels) and under the same laws (an incipient, lax tourist and urban legislation). Therefore, Coderch's proposals respond to the same problems -the only differences between the two projects are the plot of land and the owner's requirements .Coderch's iconic step-like buildings featuring setbacks become a malleable calligraphy seen in his subsequent works .His hotel designs rewal a recurring concern to treat guests as individuals and hosts as a collectivity. These concerns are present in his seaside hotels ,which differ from the classic tourist hotels like Hilton lnternational hotels built during the 1950s -consumer goods made in America which colonised the Caribbean, the Mediterranean shores and even the published literature to the point that they became a reference for developers during Spanish developmentalism under Franco's dictatorship. With the aim of highlighting Coderch's unique models, his hotel buildings are chronologically analysed and compared with other hotels built by different architects, including Gio Ponti Bernard Rudofsky, Josep Lluis Sert, Alejandro de la Sota, Richard Neutra, Georges Candilis, Luis Gutiérrez Soto and Fernando Higueras. Coderch's works are compared to hotels with different locations and different construction years, which present a different approach to Coderch's concerns. Torre Valentina and Hotel de Mar became model buildings for would-be architects who later on built hotels during the "sun and sand" tourism boom. This thesis aims at sketching the concept of seaside hotels as designed by Coderch.
La tesis aborda el estudio del modelo de hotel de mar imaginado por Jose Antonio Coderch a inicios del turismo de masas en España, un período de transición entre los pequeños y tradicionales alojamientos familiares que salpican la costa y los grandes hoteles turísticos de sociedades mercantiles que la transformaron. Estos alojamientos de nueva planta,que crecieron exponencialmente con el Plan Nacional de Estabilización de 1959, construyeron el paisaje mediterráneo, lo cual generó un rechazo social similar al que produjo en Coderch su único hotel construido, "siempre he considerado que el Hotel de Mar no valía nada.[...] para mí es la peor obra". Buscando las razones de su insatisfacción frente a una de sus obras más divulgadas, un referente ineludible en publicaciones de arquitectura hotelera, vemos que el Hotel de Mar es el último eslabón de un proceso que se inicia con sus desconocidos proyectos hoteleros de Sitges y continúa con su obra más exitosa, Torre Valentina. El análisis de los proyectos del proceso basado en su praxis de reelaboración de obras anteriores -populares o propias-, muestra una serie de preocupaciones repetidas que subyacen tras sus propuestas, invariables que bosquejan su concepto de hotel. A diferencia de las publicaciones existentes sobre Torre Valentina y el Hotel de Mar, donde los proyectos se estudian aisladamente, la tesis entiende estas obras como la materialización de un concepto de hotel, variaciones que transitan desde la definición del ideal de Coderch hasta la construcción del hotel imaginado por la propiedad, el Hotel Buadas (posteriormente denominado Hotel de Mar). El proceso que se desarrolla en un mismo marco temporal (de 1956 a 1962), físico (la costa catalana y balear), social (hoteles de primera categoría dirigidos a una elite), y normativo (la incipiente y laxa legislación turística y urbanística prácticamente no varía), facilita la aproximación al modelo pues sus propuestas responden a un mismo problema, cuyo hecho diferencial será el solar y las particularidades de la propiedad. Tras las icónicas formas escalonadas que caracterizan sus hoteles, retranqueos aparecidos durante el proceso que se convierten en la caligrafía dúctil que marcará sus obras posteriores, existen preocupaciones recurrentes dirigidas al huésped como individuo y al anfitrión como colectivo. Estas inquietudes moldean el hotel de mar y lo distancian del paradigma de hotel turístico, los hoteles que Hilton Internacional construye en la década de los cincuenta, un producto de consumo de la industria americana que colonizó el Caribe, el Mediterráneo y las publicaciones especializadas, convirtiéndose en un modelo referencial de los promotores turísticos del desarrollismo franquista. A fin de establecer la especificidad del modelo se han analizado cronológicamente sus hoteles por capítulos y se han comparado con hoteles de arquitectos tan dispares como Gio Ponti y Bernard Rudofsky, Josep Lluis Sert, Alejandro de la Sota, Richard Neutra, Georges Candilis, Luis Gutiérrez Soto y Fernando Higueras, hoteles situados en entornos y tiempos diversos escogidos por su enfoque diferencial a los problemas planteados por Coderch. Torre Valentina y el Hotel de Mar han devenido proyectos referenciales para las generaciones posteriores de arquitectos que construyeron los hoteles del boom turístico español de sol y playa. Dibujar el concepto de hotel de mar que traslucen las formas de sus alojamientos turísticos será el objeto de la tesis.
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Books on the topic "Coderre"

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Bibaud, J. G. Le pamphlet du Dr. Coderre. [Montréal: s.n., 1985.

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Sauvage, Claude. Laurent Coderre: Artiste peintre, dessinateur. Saint-Sauveur, Québec: M. Broquet, 2010.

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Foisy, Richard. Un poète et son double: Jean Narrache, Émile Coderre, 1893-1970. Montréal: L'Hexagone, 2015.

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Kane, Brigid M. Codeine. New York: Chelsea House, 2007.

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Fochs, Carles. Coderch, fotógrafo. [Barcelona]: Fundación Caja de Arquitectos, 2000.

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Fochs, Carles. Coderch, fotógrafo. [Barcelona]: Fundación Caja de Arquitectos, 2000.

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Coderch, José Antonio. Coderch: La Barceloneta. [Catalunya]: Col·legi d'Arquitectes de Catalunya, 1997.

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1913-1984, Coderch José Antonio, and Diez Barreñada Rafael 1964-, eds. José Antonio Coderch. [Barcelona]: Santa & Cole, 2008.

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Armesto, Antonio. José Antonio Coderch. [Barcelona]: Santa & Cole, 2008.

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Yang, Gene Luen. Secret coders. New York: Roaring Brook Press, 2015.

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Book chapters on the topic "Coderre"

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Hoyer, Daniel, Eric P. Zorrilla, Pietro Cottone, Sarah Parylak, Micaela Morelli, Nicola Simola, Nicola Simola, et al. "Codeine." In Encyclopedia of Psychopharmacology, 313. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-540-68706-1_1756.

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Lefebvre, Roch, and Philippe Gournay. "Speech Coders." In Handbook of Signal Processing in Acoustics, 587–620. New York, NY: Springer New York, 2008. http://dx.doi.org/10.1007/978-0-387-30441-0_31.

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Sinha, Priyabrata. "Waveform Coders." In Speech Processing in Embedded Systems, 101–12. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-75581-6_7.

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Sinha, Priyabrata. "Voice Coders." In Speech Processing in Embedded Systems, 113–25. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-75581-6_8.

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Christensen, Clint, Nathan G. Orgain, and Randal O. Dull. "Breaking the Codeine." In A Case Approach to Perioperative Drug-Drug Interactions, 285–88. New York, NY: Springer New York, 2015. http://dx.doi.org/10.1007/978-1-4614-7495-1_59.

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Seibel, Peter. "Jamie Zawinski." In Coders at Work, 1–48. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1949-1_1.

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Seibel, Peter. "Dan Ingalls." In Coders at Work, 373–412. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1949-1_10.

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Seibel, Peter. "L Peter Deutsch." In Coders at Work, 413–48. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1949-1_11.

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Seibel, Peter. "Ken Thompson." In Coders at Work, 449–83. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1949-1_12.

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Seibel, Peter. "Fran Allen." In Coders at Work, 485–517. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1949-1_13.

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Conference papers on the topic "Coderre"

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Dawoud, Abdulilah A. "Fabrication of Fully Integrated Microfluidic Device With Carbon Sensing Electrode for the Detection of Forensic and Biomedical Targets." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-41454.

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Fabrication of fully integrated capillary electrophoresis (CE)-based microfluidic device with integrated carbon sensing electrode is described in this paper. A combination of microfabrication protocols were employed for fabricating the hybrid PDMS/glass microfluidic device including chemical wet etching, soft lithography, and micromolding techniques. The microdevice is comprised of glass substrate with integrated gold electrodes and carbon sensing electrode, and polydimethyl siloxane (PDMS) slab that encompasses the microchannels network. The carbon sensing electrode was physically characterized via atomic force microscopy (AFM) and Raman spectrometry. In addition, its quality was evaluated electrochemically and compared to commercial glassy carbon electrodes upon performing cyclic voltammetric analysis of two illicit drugs, morphine and codeine. The analytical performance of the stand-alone microdevice was evaluated upon testing the injection, separation and amperometric detection on the carbon sensing electrode. The carbon sensing electrode provides stable background current during applying high sensing potential, which is of particular necessity for sensing molecules that can be only detected at high potentials including morphine and codeine.
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Gligoric, Milos, Darko Marinov, and Sam Kamin. "CoDeSe." In the 2011 International Symposium. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2001420.2001456.

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Silveira, Dieison, Guilherme Povala, Livia Amaral, Bruno Zatt, Luciano Agostini, and Marcelo Porto. "A new differential and lossless Reference Frame Variable-Length Coder: An approach for high definition video coders." In 2014 IEEE International Conference on Image Processing (ICIP). IEEE, 2014. http://dx.doi.org/10.1109/icip.2014.7026141.

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Sturtevant, Dan. "Silverthread CodeMRI Care." In 2019 IEEE/ACM International Conference on Technical Debt (TechDebt). IEEE, 2019. http://dx.doi.org/10.1109/techdebt.2019.00019.

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Reshma, R., Roniya Jose, Thomas George, Joseph Chakola, Naveena Varghese, and Priyatha Mathew. "Coders hub." In 2016 International Conference on Circuit, Power and Computing Technologies (ICCPCT). IEEE, 2016. http://dx.doi.org/10.1109/iccpct.2016.7530278.

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Mohammadi-Aragh, Mahnas Jean, Phyllis J. Beck, Amy Barton, Donna Reese, Bryan A. Jones, and Monika Jankun-Kelly. "Coding the Coders." In SIGCSE '18: The 49th ACM Technical Symposium on Computer Science Education. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3159450.3162304.

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Withers, D. "The ELS-coder: a rapid entropy coder." In Proceedings DCC '97. Data Compression Conference. IEEE, 1997. http://dx.doi.org/10.1109/dcc.1997.582144.

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Mason-Blakley, Fieran, Jens Janke-Weber, Melanie Tory, and Cliff McCollum. "Visual coder." In the ACM international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1882992.1883117.

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Lü, Hao, and Yang Li. "Gesture coder." In the 2012 ACM annual conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2207676.2208693.

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Yoo, Hongseok, and Dongkyun Kim. "C2-CODER." In the 2013 Research in Adaptive and Convergent Systems. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2513228.2513307.

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Reports on the topic "Coderre"

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Vaidyanathan, P. P. Review of Recent Results on Optimal Orthonormal Subband Coders. Fort Belvoir, VA: Defense Technical Information Center, July 1997. http://dx.doi.org/10.21236/ada327784.

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Parhi, Keshab K. High-Speed and Low-Power VLSI Error Control Coders. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada426960.

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Drish, Edward W. Assessing the Value of Professional Coders in Ambulatory Healthcare Systems. Fort Belvoir, VA: Defense Technical Information Center, June 2002. http://dx.doi.org/10.21236/ada420997.

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Kirac, Ahmet, and P. P. Vaidyanathan. Efficient Design Methods of Optimal FIR Compaction Filters for M-channel FIR Subband Coders,. Fort Belvoir, VA: Defense Technical Information Center, November 1996. http://dx.doi.org/10.21236/ada327786.

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Nagra, Michael S. Improving Provider Productivity: Impact of Coder-Coaches on Provider Documentation and Coding. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada473582.

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Senecal, J. Design and Implementation of an In?Cache Archival Entropy Coder for the Sonoma Persistent Surveillance System. Office of Scientific and Technical Information (OSTI), October 2008. http://dx.doi.org/10.2172/945859.

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