Academic literature on the topic 'Codex Mendoza'

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Journal articles on the topic "Codex Mendoza"

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Anawalt, Patricia Rieff, and Frances F. Berdan. "The Codex Mendoza." Scientific American 266, no. 6 (1992): 70–79. http://dx.doi.org/10.1038/scientificamerican0692-70.

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Harvey, H. R., Frances F. Berdan, and Patricia Rieff Anawalt. "The Codex Mendoza." Ethnohistory 41, no. 2 (1994): 358. http://dx.doi.org/10.2307/482853.

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Schwaller, John F., Frances F. Berdan, and Patricia Rieff Anawalt. "The Codex Mendoza." Hispanic American Historical Review 74, no. 1 (1994): 128. http://dx.doi.org/10.2307/2517443.

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Schwaller, John F. "The Codex Mendoza." Hispanic American Historical Review 74, no. 1 (1994): 128–29. http://dx.doi.org/10.1215/00182168-74.1.128.

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Zoumaras, Thomas, Frances F. Berdan, and Patricia Rieff Anawalt. "The Essential Codex Mendoza." Sixteenth Century Journal 29, no. 2 (1998): 522. http://dx.doi.org/10.2307/2544537.

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Marcus, Joyce, Frances F. Berdan, and Patricia Rieff Anawalt. "The Essential Codex Mendoza." Journal of the Royal Anthropological Institute 4, no. 2 (1998): 365. http://dx.doi.org/10.2307/3034523.

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Barker-Benfield, B. C. "The Bindings of Codex Mendoza." Bodleian Library Record 17, no. 2 (2000): 96–105. http://dx.doi.org/10.3828/blr.2000.17.2.357.

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Hammond, Norman. "Clarifying Color in the Codex Mendoza." Latin American Antiquity 16, no. 4 (2005): 467–68. http://dx.doi.org/10.2307/30042510.

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AbstractColor differences between the original illustrations in the Codex Mendoza and the facsimile most widely used by scholars can be calibrated using a standard set of Munsell soil color charts. The discrepancies are potentially misleading about the presence and origin of some pigments used and the cultural significance of what is being shown in the document.
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Rosado, Juan José Batalla. "THE SCRIBES WHO PAINTED THE MATRÍCULA DE TRIBUTOS AND THE CODEX MENDOZA." Ancient Mesoamerica 18, no. 1 (2007): 31–51. http://dx.doi.org/10.1017/s0956536107000077.

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AbstractThis article presents an analysis of the tlacuiloque (scribes) who participated in the production of the Matrícula de Tributos and the Codex Mendoza. I show the relevance of palaeographic analysis for documents in which the writing system is logosyllabic or hieroglyphic and most of the information is iconographic. The Matrícula de Tributos is a pre-Columbian document that recorded the tribute paid to the Mexica empire by conquered towns. It was probably painted during the last decade of Moctezuma's II rulership, although some of its pages may have been produced earlier. Its production
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Gorobets Martins, Eduardo Henrique. "Mexica conquests, Castilian conquests: Castilian and native textual structures in the historical section of the Codex Mendoza." Revista Eletrônica da ANPHLAC, no. 26 (July 13, 2019): 9–35. http://dx.doi.org/10.46752/anphlac.26.2019.3363.

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After the conquest of Mexico-Tenochtitlan, the Mexica elites had to rethink their political role in the new society, which included rewriting their histories. One of the first colonial manuscripts containing Mexica histories was the Codex Mendoza, a document produced in 1541 by Mexica upon a request of Viceroy Antonio de Mendoza. The purpose of this article is to analyze the Codex Mendoza’s first section and highlight how the genre of European chronicles was used to structure the alphabetic texts, which are interspersed with the pictorial texts of native origin. It is argued here that the pict
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Dissertations / Theses on the topic "Codex Mendoza"

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Harwood, Joanne. "Disguising ritual : a re-assessment of Part 3 of the Codex Mendoza." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390990.

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Books on the topic "Codex Mendoza"

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Frances, Berdan, and Anawalt Patricia Rieff 1924-, eds. The Codex Mendoza. University of California Press, 1992.

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Anawalt, Patricia Rieff, and Frances Berdan. The essential Codex Mendoza. University of California Press, 1997.

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F, Berdan Frances, and Anawalt Patricia Rieff 1924-, eds. The essential Codex Mendoza. University of California Press, 1997.

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Schmid, Ulla Karla. Die Tributeinnahmen der Azteken nach dem Codex Mendoza. R.G. Fischer, 1988.

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Perri, Antonio. Il Codex Mendoza e le due paleografie. CLUEB, 1994.

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Linares, Frederico Navarrete, Nino Vallen, and Margarita Cossich Vielmann. Der Codex Mendoza: Das Meisterwerk aztekisch-spanischer Buchkultur. WBG Edition, 2021.

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Ríos, Juan Valle. Nuestro tesoro cultural del antiguo Anáhuac en las obras del arte mexicatl y en la imagen guadalupana. The Author, 2002.

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Farrera, Fernán Pavía. Ambar prehispánico en Chiapas?: El Virrey de Mendoza y Bernardino de Sahagún convirtieron en historia el mito del ambar. Editorial Cáscara de los Pensamientos, 2001.

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Constantino, Medina Lima, ed. Toponimia náhuatl en los códices Azoyú 1 y 2: Un estudio crítico. CIESAS, 2008.

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Mohar, Luz María. La escritura en el México antiguo. Plaza y Valdés, 1990.

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Book chapters on the topic "Codex Mendoza"

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"Codex Mendoza." In Schlager Anthology of Hispanic America. Schlager Group Inc., 2023. https://doi.org/10.3735/9781935306856.book-part-005.

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The Codex Mendoza is an Aztec codex, or pictorial manuscript, created roughly two decades after the 1521 Spanish conquest of Mexico. It was written in the Nahuatl language using Aztec pictograms. Since the primary audience for codices were Spanish colonial officials, these pictograms were accompanied by Spanish translations and explanatory notes.
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"DESCRIPTION OF Codex Mendoza©." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-004.

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"The Tlamatque and Codex Mendoza." In Mesoamerican Manuscripts. BRILL, 2018. http://dx.doi.org/10.1163/9789004388116_005.

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"Folios 34v-35r: The Province of Xocotitlan." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-031.

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"Folios 26v-27r: The Province of Axocopan." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-022.

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"Folios 43v-44r: The Province of Coyolapan." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-042.

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"Folios 54v-55r: The Province of Oxitipan." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-053.

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"Folios 49v-50r: The Province of Tlapacoyan." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-048.

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"Folios 56v-57r: The Naming and Dedication of a Child." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-054.

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"Folios 3v-4r: The Conquests of Huitzilihuitl's Reign: 1397-1417." In Description of the Codex Mendoza. University of California Press, 1997. http://dx.doi.org/10.1525/9780520405059-007.

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Conference papers on the topic "Codex Mendoza"

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Raffa, Cecilia, Matias Esteves, and Pablo Bianchi. "NORMATIVA, AGENTES Y OBRAS EN LA CONSTRUCCIÓN DEL PAISAJE URBANO." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2025. https://doi.org/10.5821/siiu.12908.

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In 1960, under the leadership of Enrico Tedeschi, the Special Planning and Building Code Commission prepared a report with a series of suggestions to think about the city in the future and define a definitive building code for the provincial capital. The city's first Building Code linked to architectural aspects and in relation to urban land uses, was approved a decade after that report and included some of its recommendations. We are interested in analyzing how the urban landscape changed from the implementation of that norm that intensified the construction of high-rise buildings, a practice
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