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Books on the topic 'Cognitive musicology'

Author: Grafiati

Published: 25 May 2024

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1

1958-, Leman Marc, and Joint International Conference on Cognitive and Systematic Musicology (1996 : Brugge, Belgium), eds. Music, gestalt, and computing: Studies in cognitive and systematic musicology. Springer, 1997.

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2

Leman, Marc. Music and schema theory: Cognitive foundations of systematic musicology. Springer, 1995.

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3

Estonia) Conference on Interdisciplinary Musicology (3rd 2007 Tallinn. CIM07: 3rd Conference on Interdisciplinary Musicology, Tallinn, Estonia, 15-19 August 2007 ; abstracts ; hosted by the Estonian Academy of Music and Theatre with the University of Tartu ; in collaboration with: European Society for the Cognitive Sciences of Music, European Seminar in Ethnomusicology and International Musicological Society. Estonian Academy of Music and Theatre, 2009.

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4

Wewers, Julia. Under construction: trans- and interdisciplinary routes in music research: Proceedings of SysMus 11, Cologne 2011. Electronic Publishing, 2012.

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5

Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Viking, 1985.

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6

Hofstadter, Douglas R. Metamagical themas: questing for the essence of mind and pattern. Penguin, 1985.

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7

Hofstadter, Douglas R. Metamagical Themas: Questing for the Essence of Mind and Pattern. Basic Books, 1985.

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8

Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Penguin, 1993.

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9

Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Penguin, 1986.

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10

Leman, Marc. Music and Schema Theory: Cognitive Foundations of Systematic Musicology. Springer London, Limited, 2012.

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11

Leman, Marc. Music and Schema Theory: Cognitive Foundations of Systematic Musicology. Springer, 2011.

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12

Leman, Marc, A. Camurri, and J. Louhivuori. Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology. Springer, 2014.

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13

(Assistant), A. Camurri, J. Louhivuori (Assistant), R. Parncutt (Assistant), A. Schneider (Assistant), and Marc Leman (Editor), eds. Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology (Lecture Notes in Computer Science). Springer, 1997.

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14

Leman, Marc. Music and Schema Theory: Cognitive Foundations of Systematic Musicology (Springer Series in Information Sciences). Springer, 1996.

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15

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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16

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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17

Honing, Henkjan. Illiterate Listener: On Music Cognition, Musicality and Methodology. Amsterdam University Press, 2011.

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18

Honing, Henkjan. Illiterate Listener: On Music Cognition, Musicality and Methodology. Amsterdam University Press, 2011.

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19

Honing, Henkjan. Illiterate Listener: On Music Cognition, Musicality and Methodology. Amsterdam University Press, 2011.

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20

Honing, Henkjan. The Illiterate Listener: On Music Cognition, Musicality and Methodology. Amsterdam University Press, 2011.

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21

Buhler, James. Neoformalism and Four Models of the Soundtrack. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.003.0005.

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Chapter 5 considers the topic of formal theories and models, starting with the movement of so-called neoformalism in film studies. It opens by examining Kristin Thompson’s manifesto for the analytical approach of neoformalism, David Bordwell’s use of an analogy to musicology to formulate a research program for film studies, and Noël Carroll’s account of how music serves to modify the narrative situation. The chapter then considers four models of how the music subsystem works in relation to the other subsystems of film: Kathryn Kalinak’s “working model” for film music; Nicholas Cook’s model of

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22

Wallmark, Zachary. Nothing but Noise. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190495107.001.0001.

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This book explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, it advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested—that is, in polarizing contexts of reception, where the evaluation of “musical” timbre by some listeners collides headlong into a competing claim that it is just “noise.” Taking this commonplace reaction

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23

Music in the Body –The Body in Music. Georg Olms Verlag, 2022. http://dx.doi.org/10.25366/2022.84.

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The body matters in the humanities and within social and cultural studies. It is variously understood as a knowledge store and transmitter, as a node of perception and cognition, as a site of discipline and power and as a locus of identity and agency. But how is the body integral to our concept of music? With increasing interest, Musicology is discovering the epistemological role of the body and its potential as analytical tool, pursuing avenues such as affect studies, performance studies, gender in music and musical perception and cognition. This volume of collected works draws on an internat

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24

Hofstadter, Douglas R. Metamagical Themas. Bantam, 1986.

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25

Hofstadter, Douglas R. Metamagical Themas: Questing for the Essence of Mind and Pattern. Bantam, 1986.

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26

Christopher, Nicholas. Metamagical Themas. Penguin Putnam~trade, 1995.

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27

Christopher, Nicholas. Metamagical Themas. Penguin Putnam~trade, 1995.

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28

Hofstadter, Douglas R. Metamagicum: Fragen nach der Essenz von Geist und Struktur. Dtv, 1994.

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29

Metamagische Thema's: Op zoek naar de essentie van geest en patroon. Contact, 1988.

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30

Hofstadter, Douglas R. Metamagical Themas: Questing for the Essence of Mind and Pattern. Basic Books, 1996.

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