Relevant bibliographies by topics / Coins, Parthian

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  2. Dissertations / Theses
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Academic literature on the topic 'Coins, Parthian'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Coins, Parthian"

1

Hajivaliei, M., and F. Khademi Nadooshan. "Compositional study of Parthian silver coins using PIXE technique." Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms 289 (October 2012): 56–58. http://dx.doi.org/10.1016/j.nimb.2012.07.039.

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Ghosh, Suchandra. "Iran and India in the early historic period: A preview of their politico-cultural interface." Studies in People's History 5, no. 2 (October 12, 2018): 154–65. http://dx.doi.org/10.1177/2348448918795741.

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The Achaemenid Empire’s expansion towards the Indus basin initiated a new confluence of Iranic and Indian cultures. Alexander’s conquests added a Greek component to this confluence, marked by Aśoka’s Aramaic and Greek edicts. The Seleucids and their successor Greek states in Bactria and other parts of Afghanistan, while continuing their homage to Greek divinities on coins, also incorporated concepts, customs and art inherited from the Achaemenids. Their Saka and Parthian successors continued the same policy as indicated by their cons. It was the Kushans beginning with Kanishka (with Huvishka continuing the practice) who shifted to Iranian gods and goddesses.
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Sinisi, Fabrizio. "Royal Imagery on Kushan Coins: Local Tradition and Arsacid Influences." Journal of the Economic and Social History of the Orient 60, no. 6 (November 17, 2017): 818–927. http://dx.doi.org/10.1163/15685209-12341439.

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Abstract This article deals with the development of Kushan royal imagery as known from coins in the period between the 1st and the 3rd centuries ad, i.e. from the so-called Heraios series to the coins of Vasudeva. The aim is to challenge the traditional interpretative models which ascribed a crucial role to a Roman contribution, and to highlight instead first the role of the local numismatic tradition, which stretched back to the Graeco-Bactrians, and then the influx of patterns of royal imagery of western Iranian—namely Arsacid Parthian—origin, around the time when Vima Kadphises inaugurated a new imperial coinage.
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Khademi Nadooshan, Farang, and Mostafa Khazaie. "Probable Sources and Refining Technology of Parthian and Sasanian Silver Coins." Interdisciplinaria Archaeologica - Natural Sciences in Archaeology II, no. 2/2011 (December 31, 2011): 101–7. http://dx.doi.org/10.24916/iansa.2011.2.3.

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Apakidze, A., and V. Nikolaishvili. "An Aristocratic Tomb of the Roman Period from Mtskheta, Georgia." Antiquaries Journal 74 (March 1994): 16–54. http://dx.doi.org/10.1017/s0003581500024392.

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In 1985, a stone-built tomb of the second or third centuries AD was found in the Samtavro cemetery on the outskirts of Mtskheta, the ancient capital of the Caucasian kingdom of Iberia. Its rich contents included a Mesopotamian cylinder- and an Achaemenid pyramidal stamp-seal, three sardonyx vessels, several pieces of silver plate bearing Greek and Parthian inscriptions, Roman coins and bronze vessels, and distinctive jewellery inlaid with carnelian and turquoise. The Society of Antiquaries is pleased to offer the hospitality of its pages to its Georgian colleagues
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Nikitin, A. K. "Coins of the Last Indo-Parthian King of Sakastan (A Farewell to Ardamitra)." South Asian Studies 10, no. 1 (January 1994): 67–69. http://dx.doi.org/10.1080/02666030.1994.9628477.

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Marciak, Michał, and Robert S. Wójcikowski. "IMAGES OF KINGS OF ADIABENE: NUMISMATIC AND SCULPTURAL EVIDENCE." Iraq 78 (October 19, 2016): 79–101. http://dx.doi.org/10.1017/irq.2016.8.

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This paper offers the first ever discussion of all extant images of Abdissar, Monobazos I and ’tlw (Attalos), Kings of Adiabene. In analysing the numismatic and sculptural data, a few conclusions on the historical context are suggested. First, it is argued that stylistic features of the coinage of Abdissar suggest a date in the first half of the second centuryb.c.e., and this dating bears upon the question of the historical origin of the Kingdom of Adiabene. Adiabene originated as one of many “post-Seleucid” states which arose in the Near East when the Seleucid kingdom started to crumble, before the advent of the Parthians. This suggestion is also corroborated by stylistic features of the coinage which accentuate the divine investiture of royal power in Abdissar. It is also held that the Batas-Herir monument depicts King Abdissar. Second, the images on the coin of Monobazos I clearly reflect the time of Adiabene's economic prosperity and political rise to significance among Parthian “lesser kings” in the first half of the first centuryc.e. Third, the reign of King ’tlw (Attalos) remains largely obscure, but the placement of his sculpture in Hatra clearly shows good political relations and close cultural ties between the kingdoms of Adiabene and Hatra in the first half of the third centuryc.e. Additionally, the authors argue that the images of Oriental kings on the coins of Septimius Severus do not represent any particular Oriental rulers (of Edessa, Adiabene or Hatra), but are merely stereotypical images of what the Romans considered to be typical Oriental royal outfits.
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Markaryan, Hasmik Z. "Marble relief ‘Nero and Armenia’ from the Sebasteion at aPhrodisias in Caria (Asia Minor)." Światowit 57 (December 17, 2019): 185–206. http://dx.doi.org/10.5604/01.3001.0013.6816.

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The article is devoted to an artistic and historical study of a marble relief with a symbolic scene of Nero’s victory over Armenia from the Sebasteion sanctuary complex in the ancient town of Aphrodisias in Asia Minor. The temple complex was dedicated to the cult of the Julio-Claudian imperial dynasty. The artistic and stylistic analysis of the relief was performed in the context of the sculptural program and decoration of the whole complex, and took into consideration other images of Nero in the Sebasteion. Through a comparative analysis of the figure personifying Armenia depicted on the marble relief in Aphrodisias, as well as a series of images on coins and small statuary samples, characteristic iconographic traits of Armenia in the Roman imperial art were revealed. Along with this, the paper presents an in-depth ‘reading’ of this scene within the context of specific epi- sodes from the history of the Parthian-Roman conflict and the Roman struggle for Armenia during the period of 54–68 AD.
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BURNETT, ANDREW. "ZELA, ACCLAMATIONS, CARACALLA – AND PARTHIA?" Bulletin of the Institute of Classical Studies 59, no. 1 (June 1, 2016): 72–110. http://dx.doi.org/10.1111/j.2041-5370.2016.12020.x.

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Abstract A coin which has lain unrecognized in the BM, which can be identified as an unpublished coin of Zela, proclaims that if ‘the emperors are victorious the world is happy’. The formula is analysed in the context of imperial acclamations and their language, which differs from that normally found on coinage. It is suggested that the coin may have been struck in connection with an otherwise unknown visit by Caracalla to the East in AD 207, for which other evidence is assembled. A catalogue of acclamations on Roman coins, medallions, and tokens is provided.
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Pugachenkova, G. A. "The Antiquities of Transoxiana in the Light of Investigations in Uzbekistan (1985-1990)." Ancient Civilizations from Scythia to Siberia 2, no. 1 (1996): 1–38. http://dx.doi.org/10.1163/157005795x00010.

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AbstractThe archaeological study of pre-Islamic Uzbekistan (Bactria, Sogdiana) has been intensified since. World War II and this survey presents the most important recent results of this work. Bronze Age sites show a process of cultural change in Bactria, particularly the settlement of the area by farmers and the emergence in proto-cities of new urban forms of social organisation and systems of belief. The Iron Age sees the assimilation of new ethnic groups into the region, the expansion of a strong (Achaemenid) state, the development of defended cities and administrative centres and the beginnings of specialised craft industries. In the Classical period the Macedonian conquest brought about the sharp decline of existing urban centres, but the centralised states that followed were able to establish (e.g. through irrigation projects) new cities in new agricultural zones. Excavation into the lower levels of medieval cities has revealed several previously unknown ancient cities, many of which seem to have been derelict in the period before or during the Arab conquest. Bactrian cities of the Classical period have been shown to be extensive in area, well defended by strong walls and a citadel, and to have performed administrative, economic, religious as well as military functions. Cult buildings discovered show the presence of Avestan religion (although not the orthodox Zoroastrianism of Iran), cults of the Great Mother Goddess, and Buddhism (though limited to a few remarkable centres), and in the North of Sarmatian totemic cults using zoomorphic representations, finds of art, sculpture and wall-painting reveal a process in Bactria in which a native substratum was synthesized with Hellenistic, Indian and Sako-Sarmatian elements to produce work of high quality and originality. Epigraphical finds include ostraca, graffiti, inscriptions, and even papyri, representing scripts and languages from Bactrian to Pahlavi, to Greek and Latin. Finds of coins, including Greco-Bactrian and Parthian, help to date archaeological layers and produce accurate chronologies. Scholars from Uzbekistan have also contributed to the "Great Silk Road" programme, which is showing that routes crossing the region were formed in the 1st mill. B.C. and constituted a dense branched network by the end of the Classical period.
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Dissertations / Theses on the topic "Coins, Parthian"

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Magub, Alexandra. "Political and religious ideologies on Parthian coins of the 2nd-1st centuries BC." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30283/.

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Books on the topic "Coins, Parthian"

1

Shore, Fred B. Parthian coins & history: Ten dragons against Rome. Quarryville, Pa: Classical Numismatic Group, 1993.

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2

Akbarzādah, Dāriyūsh, 1968 or 1969-, ed. Sylloge nummorum Parthicorum: New York--Paris--London--Vienna--Tehran--Berlin. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2012.

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Sikkahʹhā-yi Ashkānī: Parthian coins. Tihrān: Muʼassasah-ʼi Farhangī-i Intishārāt-i Pāzīnah, 2013.

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Les tétradrachmes d'Orodès II et de Phraate IV: Étude du rythme de leur production monétaire à la lumière d'une grande trouvaille. Paris: Association pour l'avancement des études iraniennes, 1994.

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Livshit︠s︡, V. A. Parfi︠a︡nskai︠a︡ onomastika. Sankt-Peterburg: Peterburgskoe lingvisticheskoe ob-vo, 2010.

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Rider, Georges Le. Séleucie du tigre: Les monnaies séleucides et parthes. Firenze: Le Lettere, 1998.

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muzeumi, Sakʻartʻvelos saxelmcipʻo. Les monnaies parthes du Musée de Tbilissi (Géorgie). Wetteren: Moneta, 2007.

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Museum, J. Paul Getty, ed. A hoard of coins from eastern Parthia. New York: American Numismatic Society, 1990.

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The impact of Seleucid decline on the Eastern Iranian Plateau: The foundations of Arsacid Parthia and Graeco-Bactria. Stuttgart: Steiner, 1999.

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10

Errington, Elizabeth. From Persepolis to the Punjab: Exploring ancient Iran, Afghanistan and Pakistan. London: British Museum Press, 2007.

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Book chapters on the topic "Coins, Parthian"

1

SARKHOSH CURTIS, VESTA. "Religious Iconography on Ancient Iranian Coins." In After Alexander: Central Asia before Islam. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263846.003.0021.

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This chapter aims to draw attention to the importance of coin iconography in the Parthian and Sasanian periods and to suggest an alternative approach to the conventional reading of the symbolism. The iconography of Iranian coins after the conquest of Alexander shows similarity with the iconography of Seleucid coins, and in both cases the king on the obverse enjoys divine support. The chapter suggests that the iconography of pre-Islamic Iranian coins must therefore be understood not as part of the Hellenistic tradition but should be seen within its Iranian/Zoroastrian context.
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Invernizzi, Antonio. "A POLYVALENT IMAGE OF TYCHE ON A PARTHIAN COIN." In L'Orient est son jardin, 237–42. Peeters Publishers, 2018. http://dx.doi.org/10.2307/j.ctv1q26s47.26.

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Canepa, Matthew P. "The Rise of the Arsacids and a New Iranian Topography of Power." In Iranian Expanse, 68–94. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290037.003.0004.

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Chapter 4 argues that the Arsacids, through their tenure as the Iranian world’s longest-lived dynasty, created foundational architectural and cultural forms that shaped Iranian kingship through the early modern period. While they portrayed themselves in their coins in Persian satrapal costume, the early Arsacids were equally driven to engage and reinvent the traditions of Seleucid kingship. After initially taking over the topography that the Seleucids had established, the Arsacids began to claim Western Asia landscapes, rebuilding and reinvigorating ruined urban and sacred centers, such as Assur and Nippur and establishing new cities and parallel foundations, like Ctesiphon and Vologasias. With Nippur’s ziggurat standing as an important case study, the Parthians neither obliterated nor faithfully restored these ancient cityscapes, but harnessed and strategically reshaped them to serve their new imperial vision.
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Sinisi, Fabrizio. "Some Remarks on the Patterns of Coin Production in the Parthian Empire." In Infrastructure and Distribution in Ancient Economies, 473–96. Verlag der österreichischen Akademie der Wissenschaften, 2019. http://dx.doi.org/10.2307/j.ctvddzgz9.21.

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