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Journal articles on the topic 'Cold war culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Doherty, Thomas. ":Hollywood's Cold War.(Culture, Politics, and the Cold War.)." American Historical Review 113, no. 5 (2008): 1578–79. http://dx.doi.org/10.1086/ahr.113.5.1578a.

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2

Carruthers, Susan L. (Susan Lisa). "American Cold War Culture (review)." Modernism/modernity 13, no. 1 (2006): 956–58. http://dx.doi.org/10.1353/mod.2006.0006.

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3

Grosser, Pierre, and Stephen J. Whitfield. "The Culture of the Cold War." Vingtième Siècle. Revue d'histoire, no. 63 (July 1999): 180. http://dx.doi.org/10.2307/3770747.

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4

Cummings, Robert, and Stephen J. Whitfield. "The Culture of the Cold War." Journal of American History 79, no. 1 (1992): 335. http://dx.doi.org/10.2307/2078611.

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5

Reid, Brian Holden. "The culture of the Cold War." International Affairs 67, no. 4 (1991): 843. http://dx.doi.org/10.2307/2622567.

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6

Smith, Gaaddis, and Stephen J. Whitfield. "The Culture of the Cold War." Foreign Affairs 70, no. 3 (1991): 169. http://dx.doi.org/10.2307/20044853.

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7

Knowles, Sebastian D. G., and Jon Lance Bacon. "Flannery O'Connor and Cold War Culture." Yearbook of English Studies 26 (1996): 315. http://dx.doi.org/10.2307/3508705.

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8

Ross, Andrew. "Containing culture in the Cold War." Cultural Studies 1, no. 3 (1987): 328–48. http://dx.doi.org/10.1080/09502388700490241.

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9

Wiener, Jon. "Culture Workers of Cold War Hollywood." Dissent 58, no. 4 (2011): 109–11. http://dx.doi.org/10.1353/dss.2011.0082.

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10

Shaw, Tony. "The Politics of Cold War Culture." Journal of Cold War Studies 3, no. 3 (2001): 59–76. http://dx.doi.org/10.1162/152039701750419510.

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This article examines the relationship between politics and culture in Great Britain and the United States during the Cold War, with particular emphasis on the period from the late 1940s to the early 1960s. The article critically examines several recent books on British and American Cold War cultural activities, both domestic and external. The review covers theatrical, cinematic, literary, and broadcast propaganda and analyzes the complex network of links between governments and private groups in commerce, education, labor markets, and the mass entertainment media. It points out the fundamenta

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11

Kalu, Kenneth. "The Cold War and Africa’s Political Culture." Vestnik RUDN. International Relations 20, no. 1 (2020): 11–21. http://dx.doi.org/10.22363/2313-0660-2020-20-1-11-21.

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Leadership and political systems in most of Africa have been described in several negative ways. Paternalism, clientelism, dictatorship, corruption and such pejorative labels have been used to described the type of politics prevalent in most of Africa today. A number of studies have explained Africa’s political challenges in the context of the choices of postcolonial African leaders. Others have pointed to European colonial exploitation and its destructive legacies as the foundations of the perverse political culture that define contemporary Africa. While these factors play important roles in

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12

Wang, Xiaojue. "Radio Culture in Cold War Hong Kong." Interventions 20, no. 8 (2018): 1153–70. http://dx.doi.org/10.1080/1369801x.2018.1460218.

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13

Goldstein, Robert Justin. "Civil Defense and American Cold War Culture." History: Reviews of New Books 24, no. 2 (1996): 66–67. http://dx.doi.org/10.1080/03612759.1996.9951179.

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14

Clymer, K. "Culture and Diplomacy in Cold War Laos." Diplomatic History 37, no. 5 (2013): 1168–70. http://dx.doi.org/10.1093/dh/dht062.

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15

Genter, R. "The Cold War Culture of Containment Revisited." American Literary History 26, no. 3 (2014): 616–26. http://dx.doi.org/10.1093/alh/aju033.

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16

Kirstein, Peter N., and Guy Oakes. "The Imaginary War: Civil Defense and American Cold War Culture." American Historical Review 101, no. 4 (1996): 1311. http://dx.doi.org/10.2307/2169840.

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17

Crockatt, Richard. "The imaginary war: civil defense and American Cold War culture." International Affairs 71, no. 4 (1995): 864–65. http://dx.doi.org/10.2307/2625151.

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18

Brown, JoAnne, and Guy Oakes. "The Imaginary War: Civil Defense and American Cold War Culture." Journal of American History 83, no. 4 (1997): 1480. http://dx.doi.org/10.2307/2953040.

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19

Chapman, Roger. "Cold War Legacies: The Migration and Transformation of Popular/Unpopular Culture." Journal of Cold War Studies 9, no. 3 (2007): 137–43. http://dx.doi.org/10.1162/jcws.2007.9.3.137.

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This article reviews two recent collections of essays that focus on the role of popular culture in the Cold War. The article sets the phenomenon into a wide international context and shows how American popular culture affected Europe and vice versa. The essays in these two collections, though divergent in many key respects, show that culture is dynamic and that the past as interpreted from the perspective of the present is often reworked with new meanings. Understanding popular culture in its Cold War context is crucial, but seeing how the culture has evolved in the post-Cold War era can illum

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20

Gillies, Malcolm. "Music Divided: Bartók's Legacy in Cold War Culture." Musicology Australia 30, no. 1 (2008): 86–89. http://dx.doi.org/10.1080/08145857.2008.10416736.

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21

Sugrue, Thomas J. "The Politics of Culture in Cold War America." Prospects 20 (October 1995): 451–54. http://dx.doi.org/10.1017/s0361233300006153.

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In march, 1994, the University of Pennsylvania held a conference to celebrate the opening of the Howard Fast papers at the university's library. To commemorate Fast's remarkable sixty-year career, a group of historians and literary critics gathered to reconsider the intellectual and cultural milieu of the United States in the early years of the Cold War. During the eventful years, from 1945 to 1960, Fast emerged as a leading Communist activist and a major literary figure who achieved great popular success. Fast, an unabashed member of the Communist Party, like many other oppositional writers o

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22

FOLLY, MARTIN H. "Cold War Dichotomies." Journal of American Studies 34, no. 3 (2000): 503–8. http://dx.doi.org/10.1017/s0021875851006474.

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James E. Cronin, The World The Cold War Made. Order, Chaos and the Return of History (New York and London: Routledge, 1996, £15.99). Pp. 344. ISBN 0 0415 90821 3.Richard M. Fried, The Russians Are Coming! The Russians Are Coming! Pageantry and Patriotism in Cold War America (Oxford and New York: Oxford University Press, 1998, £25.00). Pp. 220. ISBN 0 19 507020 8.Michael J. Hogan, A Cross of Iron. Harry S. Truman and the Origins of the National Security State, 1945–1954 (Cambridge and New York: Cambridge University Press, 1998, £25.00). Pp. 554. ISBN 0 521 64044 x.Michael Kort (ed.), The Columb

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23

Curtin, Michael. ":Cold War, Cool Medium: Television, McCarthyism, and American Culture.(Film and Culture.)." American Historical Review 110, no. 3 (2005): 824. http://dx.doi.org/10.1086/ahr.110.3.824.

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24

Junghaus, Tímea, Edit András, and Hedvig Turai. "Art, culture, and politics in the cold war era." Acta Historiae Artium 56, no. 1 (2015): 307–8. http://dx.doi.org/10.1556/170.2015.55.1.23.

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25

Reeves, Gareth, and Robert Hewison. "In Anger: Culture in the Cold War 1945-60." Modern Language Review 80, no. 4 (1985): 921. http://dx.doi.org/10.2307/3728989.

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26

Gienow-Hecht, Jessica. "‘How good are we?’ culture and the Cold War." Intelligence and National Security 18, no. 2 (2003): 269–82. http://dx.doi.org/10.1080/02684520412331306850.

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27

Zarobny, Stanisław. "CHANGES IN FRANCE’S STRATEGIC CULTURE AFTER THE COLD WAR." Kultura Bezpieczeństwa. Nauka – Praktyka - Refleksje 32, no. 32 (2018): 273–92. http://dx.doi.org/10.5604/01.3001.0012.8105.

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The author of the article attempted to examine the main conditions and characteristics of the French strategic culture, a country with huge arms traditions and the high social authority of the armed forces in society. All this means that France has made a huge contribution to the development of theory and practice in the field of military art and strategy, as well as in shaping the order of international security. The main strategic documents of France and its activity in the international arena confirm the traditional line of French security policy and strategic culture. It is a political cul

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28

Dean, R. "Manhood and American Political Culture in the Cold War." Journal of American History 93, no. 1 (2006): 276–77. http://dx.doi.org/10.2307/4486192.

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29

Kanet, Roger E. "Russian strategic culture, domestic politics and Cold War 2.0." European Politics and Society 20, no. 2 (2018): 190–206. http://dx.doi.org/10.1080/23745118.2018.1545184.

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30

Fishwick, Marshall W. "Cold War, Cool Medium: Television, McCarthyism, and American Culture." Journal of American Culture 29, no. 1 (2006): 66–67. http://dx.doi.org/10.1111/j.1542-734x.2006.00282.x.

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31

Ezrahi, Christina. "Dance as a Lens on American Cold War Culture." Dance Chronicle 38, no. 2 (2015): 250–54. http://dx.doi.org/10.1080/01472526.2015.1042949.

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32

Lawrence, John Shelton. "Cold War, Cool Medium: Television, McCarthyism, and American Culture." Journal of American Culture 27, no. 2 (2004): 230–33. http://dx.doi.org/10.1111/j.1537-4726.2004.133_7.x.

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33

Schaub, Thomas. "Flannery O'Connor and Cold War Culture (review)." MFS Modern Fiction Studies 40, no. 2 (1994): 373–75. http://dx.doi.org/10.1353/mfs.0.0941.

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34

Ibarra, Carlos Figueroa. "The culture of terror and Cold War in Guatemala1." Journal of Genocide Research 8, no. 2 (2006): 191–208. http://dx.doi.org/10.1080/14623520600703081.

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35

Hyejeong Park. "Culture and the Cold War - The Cold War Historical Location of the Abendland Discourse in West Germany -." EWHA SAHAK YEONGU ll, no. 51 (2015): 327–60. http://dx.doi.org/10.37091/ewhist.2015..51.011.

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36

Nadel, Alan. "Cold War Friendships: Korea, Vietnam, and Asian American LiteratureAmbiguous Borderlands: Shadow Imagery in Cold War American Culture." American Literature 92, no. 1 (2020): 175–77. http://dx.doi.org/10.1215/00029831-8056679.

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37

Crouse, Eric R. "Popular Cold Warriors: Conservative Protestants, Communism, and Culture in Early Cold War America." Journal of Religion and Popular Culture 2, no. 1 (2002): 2. http://dx.doi.org/10.3138/jrpc.2.1.002.

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38

Elias-Bursać, Ellen. "The backstories of Cold War translations." Translation and Interpreting Studies 15, no. 3 (2020): 399–418. http://dx.doi.org/10.1075/tis.20073.eli.

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Abstract Ideological expectations coupled with opportunism, personal advancement, friendship, and the political and ideological loyalties held by those who served as patrons for publishing translations were the factors that informed decisions about what would be translated in the Cold War years between 1945 and 1989. This article considers the choices made by publishers Frederick A. Praeger, Harcourt Brace Jovanovich, and Vanguard Press when publishing the fiction and non-fiction of Milovan Djilas and Miroslav Krleža, writers from Yugoslavia. The backstories behind the publishing of the transl

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39

Nállim, Jorge A. "Culture, Politics and the Cold War: The Sociedad de Escritores de Chile in the 1950s." Journal of Latin American Studies 51, no. 03 (2019): 549–71. http://dx.doi.org/10.1017/s0022216x18000755.

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AbstractIn the 1950s, the Sociedad de Escritores de Chile experienced bitter disputes caused by the efforts of the Chilean Committee for Cultural Freedom, the local branch of a major institution in the US cultural Cold War, to gain control of the association. These disputes reveal the role played by the cultural Cold War in the breakdown of older political and intellectual alliances in Chile. They also highlight the transnational networks that connected Chilean writers during the Cold War, and the complex articulation of local and international contexts and agendas that influenced Chilean cult

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40

Mihelj, Sabina. "Negotiating Cold War Culture at the Crossroads of East and West: Uplifting the Working People, Entertaining the Masses, Cultivating the Nation." Comparative Studies in Society and History 53, no. 3 (2011): 509–39. http://dx.doi.org/10.1017/s0010417511000235.

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Since the Berlin Wall came down in 1989, our understanding of Cold War history has changed considerably. The wave of new research spurred by the opening of archives and opportunities for novel East-West comparisons threw into sharper relief aspects of the Cold War contest that had received little attention previously. It has become increasingly clear that the Cold War was not only a military, political, and economic conflict, but also one profoundly implicated in, and shaped by, key transformations in twentieth-century culture. Capitalizing on the increased accessibility of primary sources fro

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41

Baer, Brian James. "Gulag translations and Cold War antinomies." STRIDON: Studies in Translation and Interpreting 1, no. 1 (2021): 9–32. http://dx.doi.org/10.4312/stridon.1.1.9-32.

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This article examines the phenomenon of Gulag translations, or translations done by incarcerated political prisoners in the Soviet Union, and the discourse surrounding it in order to think past the traditional binary of official/dissident that has dominated western scholarship on communist culture for decades. Understanding the discursive overlap of official and non-official or intelligentsia discourse regarding Gulag translations suggests shared values and shared views on translation as noble, self-sacrificing work. This is not to say that the intelligentsia were necessarily mimicking officia

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42

Gökatalay, Semih. "Cinema Culture in Ankara in the Early Cold War Period." Journal of Ankara Studies 7, no. 1 (2019): 147–74. http://dx.doi.org/10.5505/jas.2019.39974.

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43

Holub, D. "Culture and Cold War as a problem of spy novel." Alfred Nobel University Journal of Philoligy, no. 14 (2017): 44–49. http://dx.doi.org/10.32342/2523-4463-2017-0-14-44-49.

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44

Travis, Trysh. "Middlebrow Culture in the Cold War: Books USA Advertisements, 1967." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 468–73. http://dx.doi.org/10.1632/pmla.2013.128.2.468.

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IN THE DECADES FOLLOWING WORLD WAR II, AMERICANS WHO BELIEVED IN THE BOOK'S TRANSFORMATIVE POWER ENJOYED SHARING THEIR literary wealth with readers in the developing world. Through the Darien Book Aid Project (founded in 1949), The Freedom House Bookshelf (founded in 1958), Books USA (BUSA; founded in 1962), and other programs, they sent bundles of American paperbacks to would-be readers in countries where books were scarce and expensive. Such experiments in what international-relations scholars call people-to-people diplomacy aimed to harness the energies of America's growing middlebrow readi

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45

Thorne, Christopher. "American Political Culture and the End of the Cold War." Journal of American Studies 26, no. 3 (1992): 303–30. http://dx.doi.org/10.1017/s002187580003108x.

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The ending of the Cold War, represented by the extraordinary changes that have been taking place within the international system since 1989, has finally, it seems, put an end to a situation wherein two armed and tightly organised blocs confronted one another and perceived each other as being, in essence, a threat that was immediate and potentially mortal. Given, too, that it was the Soviet bloc and then the Soviet Union itself that fell apart, it is understandable that this should be widely perceived as a victory for the West; and it is perhaps inevitable that attention should now fall on how

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46

Lazar, Marc. "The Cold War culture of the French and communist parties." Intelligence and National Security 18, no. 2 (2003): 213–24. http://dx.doi.org/10.1080/02684520412331306810.

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47

Vincent, Jonathan. "American Culture and the (Permanent, Global) Cold War (on Terror)." American Literary History 32, no. 2 (2020): 354–64. http://dx.doi.org/10.1093/alh/ajaa009.

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Abstract This review-essay considers recent scholarly work that, in contrast to our understanding of the Cold War’s demise 30 years ago, examines the lingering practices of permanent militarization that have nonetheless continued to flourish. Focusing especially on the cultural habits that normalize permanent war—a necessary supplement since the Cold War’s justifying logics no longer adhere—they together enlarge a picture of the dyadic or double-jointed projects of a transforming military–industrial complex occurring at all manner of points internationally as well as in a range of locales inte

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48

Falk, A. J. "Late Modernism: Art, Culture, and Politics in Cold War America." Journal of American History 98, no. 2 (2011): 577. http://dx.doi.org/10.1093/jahist/jar293.

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49

Pecknold, D. "Beatlemania: Technology, Business, and Teen Culture in Cold War America." Journal of American History 100, no. 1 (2013): 260–61. http://dx.doi.org/10.1093/jahist/jat043.

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50

Adams, Michael C. C. "Cold War, Cool Medium: Television, McCarthyism, and American Culture (review)." Film & History: An Interdisciplinary Journal of Film and Television Studies 34, no. 1 (2004): 83–84. http://dx.doi.org/10.1353/flm.2004.0003.

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