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Relevant bibliographies by topics / Cold War in motion pictures

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Academic literature on the topic 'Cold War in motion pictures'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Cold War in motion pictures"

1

Laderman, Scott. "Hollywood's Vietnam, 1929––1964: Scripting Intervention, Spotlighting Injustice." Pacific Historical Review 78, no. 4 (2009): 578–607. http://dx.doi.org/10.1525/phr.2009.78.4.578.

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Before 1965 and the introduction of the .rst of.cial American combat troops, the political unrest and revolutionary insurgency in Vietnam had already appeared in nearly a dozen Hollywood .lms. Yet while the anti-communist politics of these productions was predictable, it would be a mistake to view them as mere vehicles for Cold War propaganda. Although they served that obvious function, early American filmmakers who set their pictures in Vietnam also constructed the area as a childlike place in need of U.S. tutelage and instruction. At the same time, Vietnam became, by the 1950s, ironically tr

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Vukoder, Bret. "Screening sovereignty: Cold War mediations of nationhood in USIA motion picture operations in the SWANA region." Journal of Contemporary Iraq & the Arab World 18, no. 1 (2024): 23–45. http://dx.doi.org/10.1386/jciaw_00118_1.

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This article explores how visible constructions and perceptions of sovereignty in the motion pictures of the United States Information Agency (USIA) factored into the dynamics of US Cold War foreign policy amidst the rise of the Non-Aligned Movement. Specifically, it focuses on agency films about and circulating within the Southwest Asian and North African (SWANA) region – such as the locally produced Iraq al-Youm newsreels (c.1956–58). By mapping the different policy contexts of the Eisenhower and Kennedy administrations onto the USIA films’ aesthetics and themes, the article illustrates cont

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Sangjoon Lee. "The Asia Foundation's Motion-Picture Project and the Cultural Cold War in Asia." Film History 29, no. 2 (2017): 108. http://dx.doi.org/10.2979/filmhistory.29.2.05.

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Gortat, Jakub. "Powrót do ruin. O atrakcyjności niemieckiego powojnia." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 333–62. http://dx.doi.org/10.21697/zk.2023.10.16.

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Return to the Ruins: The Appeal of Post-War Germany One of the most important dates in Germany’s postwar history was May 6, 1955, when the Federal Republic joined the North Atlantic Alliance, an event which perfectly reflected the dynamics of geopolitical changes that had taken place in the ten years since the end of World War II. The article focuses on the depictions of the German civilian population in selected motion pictures which, at least in theory, do not hold ordinary Germans responsible for war crimes. A look at the German war-torn landscape and its functionality will play an importan

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Black, Joel E. "Ferlinghetti on Trial." Boom 2, no. 4 (2012): 27–43. http://dx.doi.org/10.1525/boom.2012.2.4.27.

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In spring 1957 the Juvenile Division of the San Francisco Police Department seized copies of Howl and charged the poem's publisher, Lawrence Felinghetti, with obscenity. Tried in summer 1957 and defended by the American Civil Liberties Union, Ferlinghetti was exonerated by a District Court judge. Scholars typically place the Howl trial at the beginning of a cultural and social revolution that flourished in the 1960s or place it amid the personal lives and rebellions of the actors composing the Beat Generation. However, these treatments do not fully consider the ways the prosecution reflected t

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Frost, Jennifer. "Cinema as Cultural Diplomacy and the Cold War: U.S. Participation in International Film Festivals behind the Iron Curtain, 1959–1971." Journal of Cold War Studies 25, no. 1 (2023): 75–100. http://dx.doi.org/10.1162/jcws_a_01122.

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Abstract During the Cold War, international film festivals proliferated on both sides of the Iron Curtain. The United States and the Soviet Union recognized these festivals as important venues for “cinematic diplomacy” and the pursuit of broader foreign policy goals. This article explores how the U.S. government, together with the U.S. motion picture industry, made use of its participation in the Moscow and Karlovy Vary International Film Festivals in the 1950s and 1960s. It confirms many of the findings of earlier studies of Cold War cultural diplomacy but also expands our historical understa

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Paul, Andrew. "“Sometimes a Bee Can Move an Ox”: Biblical Epics and One Man's Quest to Promote Jewish Values in Blacklist-Era Hollywood." Modern American History 1, no. 2 (2018): 173–94. http://dx.doi.org/10.1017/mah.2018.11.

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In the 1950s, the top American Jewish organizations chose a single man, John Stone, to represent their collective interests in Hollywood. Over the course of the decade, Stone's Motion Picture Project sought to prevent antisemitism on film and to inspire the creation of positive Jewish characters. Negotiating the cultural politics of the era, however, resulted in an increasing tendency to favor depictions of biblical Jews over contemporary American ones. In a strange twist, Stone endorsed no film with as much zeal asBen-Hur, a New Testament celebration of Jesus. By following Stone's tortuous at

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Hess, Agnieszka, and Joanna Najbor. "Promotion of Polish Cinema Abroad as an Element of Nation Branding. Case Study of “Cold War” (2018) by Pawel Pawlikowski." Sustainability 12, no. 14 (2020): 5621. http://dx.doi.org/10.3390/su12145621.

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The subject of this article is nation branding in the culture market, namely the role cinematography plays in creating a nation brand. Sustainability and sustainable development in the film industry is conditioned by variety in cultural promotion channels. The aim of the authors is to prove that appropriately organised cinematography promotion abroad can positively influence the image of a given country. The first section deals with the relationship between media and sustainable development, as well as with theoretical definitions of branding and the nation brand. Subsequently, cinematography

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Leafstedt, Carl. "Rediscovering Victor Bator, founder of the New York Bartók Archives." Studia Musicologica 53, no. 1-3 (2012): 349–72. http://dx.doi.org/10.1556/smus.53.2012.1-3.24.

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Bartók’s American estate dates its origins to 1943, when he entrusted his music manuscript collection to the care of two fellow Hungarian emigrés, Gyula Báron and Victor Bator, both then living in the United States. After his death in 1945 the estate devolved into their care, in accord with the legal provisions of the will. For the next 22 years it was carefully managed by Bator, a lawyer and businessman who lived in New York City for the rest of his life. The onset of Cold War politics in the late 1940s presented numerous challenges to the estate, out of which emerged the tangled thicket of r

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Schwester, Richard W. "Tenets of Public Management and the World War II Mot ion Picture Genre." Public Voices 11, no. 1 (2016): 41. http://dx.doi.org/10.22140/pv.100.

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The motion picture as an artistic medium amplifies emotions through the combination of imagery and sound. This medium has proven ideal for chronicling the American World War II experience. The World War II film genre has portrayed the American combat soldier as heroic and resourceful (Suid 2002). These portrayals of actions and leadership on the battlefield are, to some measure, applicable to contemporary public management. This paper examines select World War II motion pictures in the context of the following questions: (1) what tenets do these motion pictures convey and (2) to what extent do

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Dissertations / Theses on the topic "Cold War in motion pictures"

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Fisher, Kevin B. "Intimate elsewheres altered states of consciousness in post WWII American cinema /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1565346871&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lee, Shuk-man, and 李淑敏. "From cold war politics to moral regulation : film censorship in colonial Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197504.

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Through the case of film censorship in Hong Kong from the late 1940s to the 1970s, this thesis explores the local impact of the international Cold War. It argues that Cold War politics shaped the nature of local policy. The first chapter investigates the reasons for the rise of film censorship in the late 1940s and the 1950s. It argues that three levels of Cold War tensions led the Hong Kong government to focus on political censorship. Tensions within the British Empire, between the Hong Kong government and foreign governments, and those between local communists and the Hong Kong government le

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Hwang, Junghyun. "Specters of the Cold War in America's century the Korean War and transnational politics of national imaginaries in the 1950s /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3336473.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed December 16, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 206-219).

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Keehn, Robin S. "Dialectics of containment : mothers, moms, soldiers, veterans and the cold war mystique /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9913156.

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Poon, Ka Yan. "Co-producing a cold war cosmopolitan fantasy: collaboration and competition between Hong Kong and Japanese Cinema in the 1950s and 1960s." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/548.

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This dissertation is a study of how Hong Kong and Japanese cinema constructed an imaginary of cosmopolitanism in films for a global market through co-production during the Cold War. Co-production examined in the dissertation is not limited to co-produced films. In the mid-1950s to the late 1960s, Hong Kong and Japanese cinema had frequent contact, which included co-organizing a film festival, exchanging film talents, and adapting films. Neutral terms like collaboration and cooperation describing the interchange between Japanese and Hong Kong cinema often disguised their competition in an uneve

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Girotto, Breno. "A vitória dos vencidos : política e identidade no filme O Álamo, de John Wayne /." Assis, 2019. http://hdl.handle.net/11449/181854.

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Orientador: Carlos Alberto Sampaio Barbosa<br>Banca: José Luis Bendicho Beired<br>Banca: Mary Anne Junqueira<br>Resumo: Em 1960 era lançado o filme O Álamo, dirigido, produzido e protagonizado por John Wayne, um dos maiores atores de Hollywood. O Álamo tratava da história de 180 combatentes que tomaram o forte de mesmo nome para lutar contra as tropas mexicanas lideradas pelo presidente General Antonio Lopes de Santa Anna. O filme de Wayne retrata um evento controverso da história compartilhada entre México e Estados Unidos. A Batalha do Álamo, como ficou conhecido o conflito revivido pelo fil

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McDiarmid, Tracy. "Imagining the war /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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Ferguson, Laura Elizabeth. "Kicking the Vietnam syndrome? : collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2672/.

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This thesis analyses the concept of the “Vietnam Syndrome” and its continuing manifestation in fictional American films produced after the 1991 Gulf War, with reference to depictions of the Vietnam, Gulf and Iraq Wars. Based on contemporary press reports as source material and critical analysis, it identifies the “Vietnam Syndrome” as a flexible and altering national psychological issue characterised initially as a simple aversion to military engagement, but which grew to include collective feelings of shame, guilt and a desire to rewrite history. The thesis argues that the “Syndrome” was not

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Gonzalez, Felix M. Kendrick James. ""What's the matter with bigamy?" the American family in the wartime comedies of Preston Sturges /." Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5314.

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Archibald, David. "The Spanish Civil War in cinema." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1089/.

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In this thesis I present a case study of the Spanish civil war in cinema. I examine how this period has been represented in cinema through time, in different countries and in various cinematic forms. I reject the postmodern prognosis that the past is a chaotic mass, made sense of through the subjective narrativisation choices of historians working in the present. On the contrary, I argue that there are referential limits on what histories can be legitimately written about the past. I argue that there are different, often contradictory, representations of the Spanish civil war in cinema which i

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Books on the topic "Cold War in motion pictures"

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Shaw, Tony. Hollywood's Cold War. University of Massachusetts Press, 2007.

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Shaw, Tony. British cinema and the Cold War: The state, propaganda and consensus. I.B. Tauris ; distributed in U.S. by St. Martin's Press, 2001.

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Falk, Andrew Justin. Upstaging the Cold War: American dissent and cultural diplomacy, 1940-1960. University of Massachusetts Press, 2010.

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Falk, Andrew Justin. Upstaging the Cold War: American dissent and cultural diplomacy, 1940-1960. University of Massachusetts Press, 2010.

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Matthews, Melvin E. Duck and cover: Civil defense images in film and television from the Cold War to 9/11. McFarland, 2011.

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Shaw, Tony. Hollywood's Cold War. Edinburgh University Press, 2007.

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Cold War on Film. Bloomsbury Publishing Plc, 2024.

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Frazier, Paul. Cold War on Film. ABC-CLIO, LLC, 2021.

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Shaw, Tony. Hollywood's Cold War (Volume in the Series Culture, Politics, and the Cold War. fo) (Culture, Politics, and the Cold War). Univ. of Massachusetts Press, 2007.

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The Cold War on Film. ABC-CLIO, 2021.

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Book chapters on the topic "Cold War in motion pictures"

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Iordanova, Dina. "Migration and Cinematic Process in Post-Cold War Europe." In European Cinema in Motion. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230295070_3.

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Dussel, Inés. "7. Growing up in Cold War Argentina." In (An)Archive. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0383.07.

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This chapter sets out to present some exercises on childhood memories from Cold War Argentina. Combining written texts with drawings and pictures, it seeks to navigate the tensions between an ‘I’ of personal memories and a ‘we’ emerging in the collective-biography workshops. It invites a journey through an (an)archive of childhood memories produced in the interstitial space between memory and forgetting, not looking for healing but trying to ‘excavate a wound’. What does one remember from one’s childhood? Where or when does a childhood start and end? Do traumatic events cast their ominous shadows on every recollection of the past? Do these memories speak about the past or about the present in which they emerge? Memory seems to be a tricky lane, which morphs as one moves. The text aims to work through these memory exercises and materials to discuss how we connect with children’s memories and experiences.

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Espena, Darlene Machell de Leon. "Choreographing neutrality: dance in Cambodia's Cold War diplomacy in Asia, 1953–1970." In Inter-Asia in Motion. Routledge, 2023. http://dx.doi.org/10.4324/9781003434160-4.

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Tholas-Disset, Clémentine. "Johanna Enlists (1918): An Elliptic and Comic Portrayal of the Great War in Motion Pictures." In Humor, Entertainment, and Popular Culture during World War I. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137436436_5.

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Murphy, William T. "The United States Government and the Use of Motion Pictures During World War II." In The Japan/America Film Wars. Routledge, 2021. http://dx.doi.org/10.4324/9781003205289-3.

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Greco, Albert N. "The US Government and the Entertainment Industries Confront the War: Motion Pictures, Music, and Book Publishing." In The Marketing of World War II in the US, 1939-1946. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39519-3_4.

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Gough, Noel, and Simon Gough. "Watchmen, Scientific Imaginaries, and the Capitalocene: The Media and Their Messages for Science Educators." In Palgrave Studies in Education and the Environment. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79622-8_17.

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AbstractThis chapter explores the generativity of comics/graphic novels and their filmic adaptations as contributions to the “cultural literacy” of science educators by examining: (i) representations of science in Alan Moore and Dave Gibbons’ graphic novel Watchmen; (ii) the unique capability of sequential art to depict key scientific imaginaries, such as complexity and simultaneity; (iii) the treatment of these imaginaries in Zack Snyder’s (Watchmen. Universal Pictures, 2009) filmic adaptation of Watchmen; and (iv) the shift from the novel’s threats of Cold War nuclear annihilation toward the film’s concern with contemporary fears of a climate crisis. Many science educators treat comics/graphic novels (and much science fiction) with suspicion, tending to focus on their fidelity (or lack thereof) with canonical “textbook science” and the im/plausibility of their narratives. We argue that both versions of Watchmen constitute distinctively generative media resources (with cross-generational relevance) for rethinking science education in the Capitalocene.

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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visual and, later, audiovisual resources where verbal presentations previously dominated. As radio broadcasting grew in the 1930s and then television in the 1950s, these mass media were perceived as ways to reach audiences, in and out of school, with educative audiovisual programs. In the 1960s, the wave of interest in teaching machines incorporating behaviorist psychological technology engendered a shift in identity from audiovisual technologies to all technologies, including psychological ones. As computers became ubiquitous in the 1990s, they became the dominant delivery system, due to their interactive capabilities. With the global spread of the World Wide Web after 1995, networked computers took on communication functions as well as storage and processing functions, giving new momentum to distance education. Meanwhile, research during and after World War II prompted a technology of planning – systems analysis. In the 1960s, educators adapted the systems approach to instructional planning, starting the development of instructional systems design (ISD). Since the 1980s, ISD has been the reigning paradigm for instructional design, while instructional design has become the central activity of instructional technology professionals.

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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visual and, later, audiovisual resources where verbal presentations previously dominated. As radio broadcasting grew in the 1930s and then television in the 1950s, these mass media were perceived as ways to reach audiences, in and out of school, with educative audiovisual programs. In the 1960s, the wave of interest in teaching machines incorporating behaviorist psychological technology engendered a shift in identity from audiovisual technologies to all technologies, including psychological ones. As computers became ubiquitous in the 1990s, they became the dominant delivery system, due to their interactive capabilities. With the global spread of the World Wide Web after 1995, networked computers took on communication functions as well as storage and processing functions, giving new momentum to distance education. Meanwhile, research during and after World War II prompted a technology of planning – systems analysis. In the 1960s, educators adapted the systems approach to instructional planning, starting the development of instructional systems design (ISD). Since the 1980s, ISD has been the reigning paradigm for instructional design, while instructional design has become the central activity of instructional technology professionals.

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Lee, Sangjoon. "The Rise and Demise of a Developmental State Studio." In Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0007.

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This chapter introduces five motion picture studios that stood out in Asia at the beginning of the 1960s, such as Shin Films in South Korea, GMP and CMPC in Taiwan, and Shaw Brothers and MP&GI in Hong Kong and Singapore. It examines how film studios in the region aspired to implement the rationalized and industrialized system of mass-producing motion pictures known as the Hollywood studio system. It also explains that the Hollywood studio system evolved in the United States to handle film production, distribution, and exhibition during the first three decades of the twentieth century. The chapter recounts how the studio system became a highly efficient system that produced feature films, newsreels, animations, and shorts to supply its mass-produced motion pictures to subsidized theaters. It describes Fordism as the famous American system of mass production with particular American circumstances.

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Conference papers on the topic "Cold War in motion pictures"

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Falzarano, Jeffrey M., and Chandan Lakhotia. "Effect of Icing on Ship Maneuvering Characteristics." In ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-57920.

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In this paper the effect of icing forward on the maneuvering characteristics of a small offshore supply vessel hull form, which was used for acoustic surveys in the North Atlantic by the US Navy during the Cold War, is studied. Icing is well known to compromise the roll motion stability of vessels but its effect on maneuvering and specifically path stability is not as well known. Using available empirical formulas for maneuvering coefficients and steady turning ability the effect of icing on the path stability and steady turning ability of this vessel are approximately evaluated. The results s

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Soni, Prashant K., and Carl M. Larsen. "Vortex Pattern Comparison for Periodic and Harmonic Combined Cross-Flow and In-Line Forced Oscillations." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-80089.

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For prediction of vortex-induced vibrations (VIV) the empirical models apply hydrodynamic coefficients to represent the fluid forces on the slender structures. The coefficients are in most cases found by measuring forces on a rigid cylinder under harmonic pure in-line (IL) or pure cross-flow (CF) forced motions, and are generally presented as functions of non-dimensional motion amplitude and frequency. The objective of the present work has been to find hydrodynamic coefficients for realistic combinations of CF and IL motions. Such trajectories were found from measured VIV of a flexible beam, a

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Kru¨ger, Oliver, Katharina Go¨ckeler, Sebastian Go¨ke, Christian Oliver Paschereit, Christophe Duwig, and Laszlo Fuchs. "Numerical Investigations of a Swirl-Stabilized Premixed Flame at Ultra-Wet Conditions." In ASME 2011 Turbo Expo: Turbine Technical Conference and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/gt2011-45866.

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The present study focuses on the numerical investigation of a generic swirl-stabilized burner operated with methane at ultra-wet conditions. The burner is fed with a preheated homogeneous mixture formed by steam and air. As a set of operating conditions atmospheric pressure, inlet temperature of 673K, equivalence ratio of 0.85 and a steam content of 30% is applied. Large eddy simulations have been performed to investigate the flow features. In a first step the non-reacting flow field was investigated with water as working medium. Comparison with Particle Image Velocimetry (PIV) and Laser-Doppl

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Hwang, Bao-tyan, and Shang-feng Chiu. "The Effect of a Computer Instructional Model in Bringing about a Conceptual Change in Students’ Understanding of Particulate Concepts of Gas." In InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2816.

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This study explores students’ misconceptions with the particulate concept of matter in gaseous state. Then, based on promoting students’ learning and understanding from a constructivist perspective, the effectiveness of instructional activities by presenting a demonstration with computer simulation was investigated. Students were expected to benefit from computer monitored instruction in a number of ways: by becoming more interested in physical phenomena and therefore more motivated; by acquiring a concrete example of a abstract concept that will aid them in reasoning; and by being able to eva

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Moe, Geir, and Kjell Hagatun. "Wave Induced VIV of Tubes in the Splash Zone." In ASME 2004 23rd International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/omae2004-51571.

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On semisubmersible production platforms often a number of Riser Guide Tubes (RGT) are used to protect the risers through the wave splash zone from the floater pontoon and up to a balcony at deck level. Then the question comes up as to whether Vortex Induced Vibrations (VIV) of the RGT’s may be a problem. The present paper reports on part of the effort to investigate that matter. Here a computer programme was developed to analyse the situation and since model tests were made to clarify the behaviour of the RGT’s, also data were available against which the computational predictions could be comp

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Kay, Elizabeth D., T. Bond Calloway, David C. Koopman, Robin L. Brigmon, and Russell E. Eibling. "Rheology Modifiers for Radioactive Waste Slurries." In ASME/JSME 2003 4th Joint Fluids Summer Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/fedsm2003-45496.

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One factor limiting the production rate of radioactive waste immobilization processes is the rheological limitations imposed by the design of remotely maintained slurry process equipment (i.e. pumps, piping). Rheology modifiers (dispersants/flocculants) that could potentially decrease the yield stress and/or plastic viscosity of radioactive waste slurries were tested on simulated waste to determine which provided the largest decrease in yield stress and plastic viscosity. The goals of this study were to: 1) determine if trace levels of chemical additives could be used to reduce the rheological

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Carcasci, Cosimo, Marco Sacco, Marco Landucci, and Marco Fiaschi. "From Piping Deformation to Pressure Pulsation Measurements to Solve LDPE Plants Vibration Issues." In ASME 2018 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/pvp2018-84666.

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Damages and failures in industrial plants are often related to vibration issues. Reciprocating compressors are typically affected by vibration phenomena due to the very nature of reciprocating motion as alternating forces and pressure pulsations are direct and inevitable consequences of reciprocation. Many preventive technical measures are undertaken in the detailed engineering design to avoid high levels of vibration, e.g. properly designed foundations, mass balancing, volume bottles, restriction orifices and piping supports. Nevertheless, vibration problems may still arise after a machine is

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Kurup, Nishu V., Shan Shi, Zhongmin Shi, Wenju Miao, and Lei Jiang. "Study of Nonlinear Internal Waves and Impact on Offshore Drilling Units." In ASME 2011 30th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2011. http://dx.doi.org/10.1115/omae2011-50304.

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Internal waves near the ocean surface have been observed in many parts of the world including the Andaman Sea, Sulu Sea and South China Sea among others. The factors that cause and propagate these large amplitude waves include bathymetry, density stratification and ocean currents. Although their effects on floating drilling platforms and its riser systems have not been extensively studied, these waves have in the past seriously disrupted offshore exploration and drilling operations. In particular a drill pipe was ripped from the BOP and lost during drilling operations in the Andaman sea. Drill

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Balestra, Amanda Fernandes de Sousa Oliveira, Flávia Pascoal Teles, and Karine Felipe Martins. "Fetal surgery in the context of myelomeningocele: repercussions and prognosis." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.055.

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Background: Myelomeningocele (MMC) is a congenital malformation of neural tube closure. The clinical picture comprises sensory and motor deficits at the point of spinal cord injury and below, in addition to ventriculomegaly, which requires ventriculo-peritoneal drains (DVP). Exposure of nervous tissue to amniotic fluid and trauma to the uterine wall, generates secondary damage. Intrauterine correction is the gold standard for MMC and aims to reduce organic and functional sequelae, improving the patient’s neurological prognosis. Objectives: The objective of this work is to identify the impact o

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Lowdon, Ross, Sjoerd Brands, Mahmoud ElGizawy, and Sheldon Rawlins. "Rotating 6 Axis Survey Measurement and it's Effect on True Vertical Depth Accuracy, a Study of Sag Correction and Misalignment While Drilling." In SPE Annual Technical Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/210184-ms.

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Abstract Definitive dynamic 6 axis surveys provide continuous MWD quality measurement while drilling. This poses a challenge in terms of misalignment (relative to the borehole) correction when compared to traditional static survey measurements where misalignments are well understood and can be easily compensated for. The increased frequency of surveys allows for the possibility of significant systematic TVD errors if a static misalignment (SAG) error is applied unilaterally to the definitive dynamic surveys. This paper outlines how we can measure misalignment in definitive dynamic surveys, wha

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