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Journal articles on the topic 'Cold War Propaganda'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Sussman, Gerald. "Propaganda and the Cold War." Journalism & Communication Monographs 23, no. 1 (February 8, 2021): 70–75. http://dx.doi.org/10.1177/1522637920983768.

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2

Schwalbe, Carol B. "Jacqueline Kennedy and Cold War Propaganda." Journal of Broadcasting & Electronic Media 49, no. 1 (March 2005): 111–27. http://dx.doi.org/10.1207/s15506878jobem4901_7.

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3

Prescod-Weinstein, Chanda. "The legacy of Cold War science propaganda." Physics Today 72, no. 1 (January 2019): 54–56. http://dx.doi.org/10.1063/pt.3.4114.

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4

Hong, Seong Choul. "Propaganda leaflets and Cold War frames during the Korean War." Media, War & Conflict 11, no. 2 (March 29, 2017): 244–64. http://dx.doi.org/10.1177/1750635217698504.

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In the history of world wars, the Korean War (1950–1953) was not a forgotten war but the apogee of a propaganda war. By analyzing the contents of propaganda leaflets distributed during the Korean War, this study explored which frames were dominantly employed. The resulting findings were that the frames of ‘demoralization’ (25.7%) and ‘encouraging surrender’ (24.4%) were the most frequently used during the overall war period. Furthermore, the dominant frames varied depending upon the target audiences and language used. In terms of functional frames, the leaflet messages corresponded to definition and causal interpretation (22.8%), moral judgement (26.2%) and solution (49.9%). Interestingly, Chinese and North Korean leaflets preferred the imperialist frame to the Cold War frame even though the US and South Korean leaflets more heavily used the Cold War frame when they referred to foreign troops. Moreover, thematic frames (91.4%) were more widely used than episodic frames (8.6%) in the samples.
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5

Shaw, Tony. "Martyrs, Miracles, and Martians: Religion and Cold War Cinematic Propaganda in the 1950s." Journal of Cold War Studies 4, no. 2 (April 2002): 3–22. http://dx.doi.org/10.1162/152039702753649629.

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This article examines Cold War film propaganda in the 1950s, when the cin-ema was enjoying its last period as the dominant visual mass entertainment form in both the West and the East. I concentrates on the role that religion played as a theme of propaganda primarily in British and American movies, as well as some of the Soviet films released during the decade. The article ex-plores the relationship between film output and state propagandists to show how religious themes were incorporated into films dealing with Cold War is-sues, and considers how audiences received the messages contained within these films. The article therefore builds on recent scholarship that highlights the importance of ideas and culture during the Cold War by looking at the adoption and adaptation of religion as a tool of propaganda.
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6

Bishop, Donald M. "Propagandized Adversary Populations in a War of Ideas." Journal of Advanced Military Studies 12, no. 1 (April 30, 2021): 128–48. http://dx.doi.org/10.21140/mcuj.20211201006.

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Disinformation, the disruptive effects of social media, and the prospect of information warfare increasingly preoccupy national security thinkers. In the twentieth century, years of prewar and wartime propaganda by the Axis powers and the Soviet Union made the World Wars and the Cold War longer and more costly. In this century, China and North Korea represent two nations that have propagandized their populations for 70 years, hardening them against informational initiatives. What are the lessons? How should the United States assemble a strategy to counter propaganda’s effects?
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7

Palahan, Nattanop, and Ludmila P. Gromova. "Implementation and features of Soviet propaganda in Thailand in the Cold War period." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (December 15, 2020): 734–45. http://dx.doi.org/10.22363/2312-9220-2020-25-4-734-745.

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This article deals with features of Soviet propaganda activities in the Cold War period in Thailand. After abrupt changes of the former allies foreign policy, the Soviet Union after the Great Patriotic War dramatically reviewed and corrected its international propaganda work concept. The main role of this new confrontation between ideological camps belonged to the media, which were aimed at international audience, and systematically implemented their state policy on the informational and psychological front. From the USSR side, this role was fulfilled by the Soviet Information Bureau (Sovinformburo, later - Novosty Press Agensy, APN). After the Second World War the USSR began influencing the foreign policy of Thailand. This kind of work was organized in the condition of Thai anticommunist propaganda. In the article the implementation process of Soviet propaganda activities and features of the Soviet propaganda in complicated circumstances in Thailand and its neighbors, based on archive materials, is considered. During this research also analyzed the reports of local office of Sovinformburo (APN) in Thailand; activities of the Soviet media, featured in the local Soviet media publications in Thailand such as the local version of the Soviet Union magazine, pamphlets of Sovinformburo (APN); legal documents from the Soviet side (resolutions of the USSRs Peoples Commissars related to the foreign propaganda activities), and from Thailand side (acts, resolutions and transcripts of the Royal Thai Governments meetings). The academic works related to Soviet propaganda activities in Russian, Thai and English languages are studied. It is found out that innovations and strategies of the Soviet propaganda and counterpropaganda changed along with the development of diplomatic relations with Thailand. Regime changes and domestic policy development significantly affected the work of Sovinformburo (APN.) In the conclusion, the implementation of Soviet propaganda in Thailand depended on both domestic and international factors, impacting the position of Thailand on the international arena and the stability of the authority. Implementation of Soviet propaganda in various periods took place along the complicated condition of political life in Thailand and ideological confrontation of these political systems.
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8

Mohamed Maiddin, Sahul Hamid. "THE CAPITALIST VERSUS COMMUNIST PROPAGANDA DURING THE COLD WAR." SEJARAH 23, no. 1 (June 20, 2014): 123–46. http://dx.doi.org/10.22452/sejarah.vol23no1.6.

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9

Schwoch, James, and Nancy E. Bernhard. "U.S. Television News and Cold War Propaganda, 1947-1960." Journal of American History 87, no. 2 (September 2000): 734. http://dx.doi.org/10.2307/2568892.

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10

Brewer, S. A. "Pressing the Fight: Print, Propaganda, and the Cold War." Journal of American History 97, no. 4 (March 1, 2011): 1172–73. http://dx.doi.org/10.1093/jahist/jaq021.

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11

Modarressi, Matin. "Philatelic Propaganda: U.S. Postage Stamps during the Cold War." Journal of Cold War Studies 19, no. 3 (August 2017): 196–201. http://dx.doi.org/10.1162/jcws_a_00758.

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Throughout the Cold War, the leading powers used postage stamps to promote their foreign policy goals. This brief research note cites illustrative examples of U.S. and Cuban postage stamps and discusses how and why they were produced.
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12

Grieves, Kevin. "Pressing the Fight: Print, Propaganda, and the Cold War." American Journalism 30, no. 2 (January 2013): 285–86. http://dx.doi.org/10.1080/08821127.2013.790188.

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13

Foust, James C. "U.S. Television News and Cold War Propaganda, 1947-1960." American Journalism 18, no. 2 (April 2001): 107–8. http://dx.doi.org/10.1080/08821127.2001.10739314.

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14

Shaw, Donald L., and Nancy E. Bernhard. "U.S. Television News and Cold War Propaganda, 1947-1960." American Historical Review 106, no. 1 (February 2001): 208. http://dx.doi.org/10.2307/2652318.

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15

Brown, John. "The Perils of Propaganda: Lessons from the Cold War." Place Branding 2, no. 4 (October 2006): 341–44. http://dx.doi.org/10.1057/palgrave.pb.6000043.

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16

Shaw, Tony, and Denise J. Youngblood. "Cold War Sport, Film, and Propaganda: A Comparative Analysis of the Superpowers." Journal of Cold War Studies 19, no. 1 (January 2017): 160–92. http://dx.doi.org/10.1162/jcws_a_00721.

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Films and sports played central roles in Cold War popular culture. Each helped set ideological agendas domestically and internationally while serving as powerful substitutes for direct superpower conflict. This article brings film and sport together by offering the first comparative analysis of how U.S. and Soviet cinema used sport as an instrument of propaganda during the Cold War. The article explores the different propaganda styles that U.S. and Soviet sports films adopted and pinpoints the political functions they performed. It considers what Cold War sports cinema can tell us about political culture in the United States and the Soviet Union after 1945 and about the complex battle for hearts and minds that was so important to the East-West conflict.
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17

Haddadian-Moghaddam, Esmaeil. "The Cultural Cold War and the Circulation of World Literature." Journal of World Literature 1, no. 3 (2016): 371–90. http://dx.doi.org/10.1163/24056480-00103006.

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Historians of the Cold War are often quick to dismiss the role of books and translation programs of the era as propaganda. To contest this, we combine insights from cultural Cold War studies, Translation Studies and World Literature, illustrating the circulation of books and world literature through a Cold War book program. Documentary evidence from the Franklin Book Programs indicate that although Franklin men were engaged in a soft mode of promoting American culture and values, they were not simply Cold War warriors nor was the program a pure propaganda project. The complexity of obtaining and negotiating copyright, the various roles of the local Franklin men and the program’s impact on translation and on publishing contest a propagandist reading. Interdisciplinary research on the impact and legacy of the Franklin Book Programs in a non-aligned context can contribute to a better understanding of the global patterns of the circulation of world literature in their local manifestations.
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18

O’Kelly, Len. "Cold War on the Airwaves: The Radio Propaganda War Against East Germany." American Journalism 33, no. 3 (July 2, 2016): 350–51. http://dx.doi.org/10.1080/08821127.2016.1204157.

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19

Classen, Christoph. "Cold war on the airwaves. The radio propaganda war against East Germany." Journal of Contemporary Central and Eastern Europe 27, no. 2-3 (September 2, 2019): 288–90. http://dx.doi.org/10.1080/25739638.2019.1694253.

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20

Maulucci, Thomas W. "Cold War on the Airwaves: The Radio Propaganda War against East Germany." Journal of American History 104, no. 1 (June 2017): 241–42. http://dx.doi.org/10.1093/jahist/jax101.

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21

Bobbio, Norberto. "“Paz e Propaganda de Paz”/ “Peace and Peace Propaganda”." Brazilian Journal of International Relations 4, no. 1 (May 7, 2015): 135–45. http://dx.doi.org/10.36311/2237-7743.2015.v4n1.09.p135.

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O texto analisa a paz como um valor no discurso pacifista do bloco soviético, no âmbito da guerra fria entre EUA e URSS, especialmente a partir de declarações dadas por Stálin, analisadas sob dois pontos de vista lógicos, a sua natureza e a sua eficácia. Palavras-chave: paz, propaganda de paz, valor. Abstract: This paper examines the peace as a value in the pacifist discourse of the Soviet bloc within the Cold War between USA and USSR, especially from statements given by Stalin, analyzed from two logical points of view, its nature and its effectiveness.Keywords: peace, peace propaganda, value. DOI: 10.20424/2237-7743/bjir.v4n1p135-145
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22

Shaw, Tony. "The Politics of Cold War Culture." Journal of Cold War Studies 3, no. 3 (September 2001): 59–76. http://dx.doi.org/10.1162/152039701750419510.

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This article examines the relationship between politics and culture in Great Britain and the United States during the Cold War, with particular emphasis on the period from the late 1940s to the early 1960s. The article critically examines several recent books on British and American Cold War cultural activities, both domestic and external. The review covers theatrical, cinematic, literary, and broadcast propaganda and analyzes the complex network of links between governments and private groups in commerce, education, labor markets, and the mass entertainment media. It points out the fundamental differences between Western countries and the Soviet bloc and provides a warning to those inclined to view Western culture solely through a Cold War prism.
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23

Armstrong, Charles K. "The Cultural Cold War in Korea, 1945–1950." Journal of Asian Studies 62, no. 1 (February 2003): 71–99. http://dx.doi.org/10.2307/3096136.

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By definition, the cold war was understood on both sides of the conflict to be a global struggle that stopped short of direct military engagement between the superpowers (the U.S. and the USSR). In Europe, the putative center ofthat struggle, the geopolitical battle lines were fixed after the early 1950s, or they at least could not be altered by normal military means without provoking World War III—which would result in mutual annihilation. Therefore, each side hoped to make gains over the other by using more subtle, political, and often clandestine methods, winning the “hearts and minds” of people in the other bloc (as well as maintaining potentially wayward support in one's own bloc), hoping to subvert the other side from within. The cold war was an enormous campaign of propaganda and psychological warfare on both sides. A vast range of cultural resources, from propaganda posters and radio broadcasts to sophisticated literary magazines, jazz bands, ballet troupes, and symphony orchestras, were weapons in what has recently come to be called the “Cultural Cold War” (Saunders 1999). Studies of the cultural cold war have proliferated since the late 1990s, most of which focus on U.S. cultural policy and are concerned with the European “theater” of this conflict (Hixson 1997; Fehrenbach and Poiger 2000; Poiger 2000; Berghahn 2001).
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24

Wiener, Jon, and Brett Gary. "The Nervous Liberals: Propaganda Anxieties from World War I to the Cold War." Journal of American History 87, no. 4 (March 2001): 1542. http://dx.doi.org/10.2307/2674846.

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25

Kutulas, Judy, and Brett Gary. "The Nervous Liberals: Propaganda Anxieties from World War I to the Cold War." American Historical Review 106, no. 4 (October 2001): 1405. http://dx.doi.org/10.2307/2693051.

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26

Herman, Ellen. "The nervous liberals: Propaganda anxieties from World War I to the Cold War." Journal of the History of the Behavioral Sciences 37, no. 3 (2001): 285–86. http://dx.doi.org/10.1002/jhbs.1041.

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27

Striner, Richard. "The Nervous Liberals: Propaganda Anxieties from World War I to the Cold War." History: Reviews of New Books 28, no. 2 (January 2000): 53–54. http://dx.doi.org/10.1080/03612759.2000.10525352.

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28

Ellwood, D. W. "The 1948 elections in Italy: a cold war propaganda battle." Historical Journal of Film, Radio and Television 13, no. 1 (January 1993): 19–33. http://dx.doi.org/10.1080/01439689300260441.

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29

Osgood, Kenneth, and Laura A. Belmonte. "Selling the American Way: U.S. Propaganda and the Cold War." Journal of American History 96, no. 1 (June 1, 2009): 289. http://dx.doi.org/10.2307/27694869.

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30

Zeiler, Thomas W. "Cold War Games: Propaganda, the Olympics, and U.S. Foreign Policy." Journal of American History 104, no. 1 (June 2017): 245–46. http://dx.doi.org/10.1093/jahist/jax106.

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31

Esherick, Craig. "Cold war games: propaganda, the Olympics, and US foreign policy." Sport in History 38, no. 1 (January 2, 2018): 127–29. http://dx.doi.org/10.1080/17460263.2018.1435364.

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32

Mitrovich, Gregory. ":Selling the American Way: U.S. Propaganda and the Cold War." American Historical Review 114, no. 3 (June 2009): 791–92. http://dx.doi.org/10.1086/ahr.114.3.791.

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33

Schwoch, James. "Selling the American Way: US Propaganda and the Cold War." American Communist History 9, no. 2 (August 1, 2010): 227–29. http://dx.doi.org/10.1080/14743892.2010.498971.

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34

Massaro, John. "Press Box Propaganda? The Cold War and Sports Illustrated, 1956." Journal of American Culture 26, no. 3 (September 2003): 361–70. http://dx.doi.org/10.1111/1542-734x.00097.

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35

Chunikhin, Kirill. "At Home among Strangers: U.S. Artists, the Soviet Union, and the Myth of Rockwell Kent during the Cold War." Journal of Cold War Studies 21, no. 4 (October 2019): 175–207. http://dx.doi.org/10.1162/jcws_a_00910.

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After World War II, Soviet institutions organized many exhibitions of the American artist Rockwell Kent that bypassed the U.S. government. Promotion of Kent's work in the USSR was an exclusively Soviet enterprise. This article sheds new light on the Soviet approach to the representation of U.S. visual art during the Cold War. Drawing on U.S. and Russian archives, the article provides a comprehensive analysis of the political and aesthetic factors that resulted in Kent's immense popularity in the Soviet Union. Contextualizing the Soviet representation of Kent within relevant Cold War contexts, the article shows that his art occupied a specific symbolic position in Soviet culture. Soviet propaganda reconceptualized his biography and established the “Myth of Rockwell Kent”—a myth that helped to legitimate Soviet ideology and anti-American propaganda.
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36

Osgood, Kenneth A. "Hearts and Minds: The Unconventional Cold War." Journal of Cold War Studies 4, no. 2 (April 2002): 85–107. http://dx.doi.org/10.1162/152039702753649656.

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Throughout the Cold War the task of winning “hearts and minds” around the world was of great importance to Soviet and American leaders. Both sides fought a cultural Cold War via radio waves, television transmissions, propa-ganda, and other forms of psychological pressure. A number of recent books that draw on declassified U.S. government records have provided valuable in-sights into the American side of the cultural Cold War. The U.S. government employed military, political, diplomatic, and cultural means to influence for-eign and domestic opinion. The study of this phenomenon requires interdis-ciplinary methodological approaches. Diplomatic historians need to integrate the cultural and propaganda issues into their narratives, and cultural histori-ans need to pay greater heed to the themes raised in diplomatic historical accounts.
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37

LoSasso, Michael A. "THE DEPICTION OF THE GREAT PATRIOTIC WAR ON AMERICAN TELEVISION DURING THE SECOND RED SCARE." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 2 (2021): 22–36. http://dx.doi.org/10.28995/2073-6339-2021-2-22-36.

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This article analyzes the portrayal of the Eastern Front of World War II on early American television, specifically the documentary anthology series The Twentieth Century . It explores how most early portrayals of World War II on television excised or minimized the Eastern Front in response to the Second Red Scare. Although The Twentieth Century was one of the first to display the Eastern Front in detail, its portrayal paralleled Cold War propaganda of the Soviet Union and its people. This work analyzes three episodes of the series devoted to the Soviet Union’s role in the war and notes how each utilized certain traits of U.S. anti-communist propaganda. Other matters considered are the mediators in the crafting the display of the war and the way the history was presented to satisfy the interests of the sponsor and the network. It concludes that the presentation of the Soviet people responded to Cold War imperatives with episodes produced in times when tensions were high having sharper criticism, whilst periods of eased relations leading to less propagandistic depictions.
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38

McKnight, David. "‘Not Attributable to Official Sources’: Counter-Propaganda and the Mass Media." Media International Australia 128, no. 1 (August 2008): 5–17. http://dx.doi.org/10.1177/1329878x0812800103.

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During the Cold War in Australia, the political agenda was dominated by the threat of communism. One factor in building this agenda was the ‘counter-propaganda operations’ of the Australian Security Intelligence Organisation (ASIO) which regularly released unattributable information to selected mass media outlets. In the period when these activities were most prevalent (1960–72), ASIO officers had regular contact with editors and with selected journalists on major newspapers and television. This formed part of a broader ‘cultural Cold War’ in which anti-communism was an organising principle. This article outlines new information on these activities, suggests that these operations were more extensive than previously thought, and discusses this relationship in terms of the scholarly work on media sources, government-sponsored intervention in the media and classical theories of propaganda. It suggests that one way to understand the controversial media role in counter-propaganda operations lies in the relationship between police and crime reporters.
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39

Parry‐Giles, Shawn J. "Propaganda, effect, and the cold war: Gauging the status of america's “war of words”." Political Communication 11, no. 2 (April 1994): 203–13. http://dx.doi.org/10.1080/10584609.1994.9963024.

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40

Ehrick, Christine. "Buenas Vecinas?" Feminist Media Histories 5, no. 3 (2019): 60–84. http://dx.doi.org/10.1525/fmh.2019.5.3.60.

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During World War II, US–Latin American relations were shaped by the noninterventionist Good Neighbor policy and the projection of soft power via US government-orchestrated public relations and propaganda campaigns. This included extensive film and radio propaganda overseen by the US Office of Inter-American Affairs (OIAA) and disseminated throughout the region. One dimension of that campaign involved radio propaganda aimed specifically at women, who were regaled with stories of heroic Latin American women and carefully curated female perspectives on life in the United States during wartime. In much of this material, the United States was presented as a dominant yet gentlemanly hemispheric partner, offering Latin America protection and material abundance in exchange for loyalty and deference. As the war wound down, such propaganda took a sharp turn toward the Cold War, when Good Neighbor chivalry gave way to more strident rhetoric, prefiguring a return to US interventionist politics of the prewar era.
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41

Radulović, Tijana. "Film as a propaganda tool: USA and USSR during the Cold War." CM: Communication and Media 14, no. 45 (2019): 109–34. http://dx.doi.org/10.5937/comman14-19298.

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42

Rider, Toby C. "A Campaign of Truth: The State Department, Propaganda, and the Olympic Games, 1950–1952." Journal of Cold War Studies 18, no. 2 (April 2016): 4–27. http://dx.doi.org/10.1162/jcws_a_00636.

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Scholars who have examined the role of the Olympic Games in U.S. Cold War strategy have dealt mostly with the post-Stalin era, when the Olympic Games were a stage for “symbolic combat” between athletes from the East and West and a cultural force with a powerful and compelling message that could be used for political gain. The Games were overseen by the International Olympic Committee, which both influenced and was influenced by the actions of world leaders and states. Although U.S. officials generally refused to approve federal funds for the national Olympic team, they took steps to manipulate the Games for propaganda purposes. The Cold War origins of such activities have not yet been clearly delineated. This article shows that Harry Truman's administration in the late 1940s and early 1950s was the first to address and to take advantage of the propaganda potential of the Olympics in the Cold War era, and this transformative period coincided with, and was driven by, the government's much expanded information offensive, the “Campaign of Truth.”
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43

Broadwater, J. "Total Cold War: Eisenhower's Secret Propaganda Battle at Home and Abroad." Journal of American History 93, no. 3 (December 1, 2006): 933–34. http://dx.doi.org/10.2307/4486540.

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44

Yellen, Elizabeth, and Walter L. Hixson. "Parting the Curtain: Propaganda, Culture, and the Cold War, 1945-1961." Slavic and East European Journal 45, no. 3 (2001): 584. http://dx.doi.org/10.2307/3086397.

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Aldgate, T. "British Cinema and the Cold War: The State, Propaganda and Consensus." English Historical Review 118, no. 476 (April 1, 2003): 552–53. http://dx.doi.org/10.1093/ehr/118.476.552.

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46

Sarantakes, Nicholas Evan. "The Rhetorical Presidency, Propaganda, and the Cold War, 1945-1955 (review)." Rhetoric & Public Affairs 5, no. 4 (2002): 767–69. http://dx.doi.org/10.1353/rap.2003.0015.

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47

Ninkovich, Frank, and Walter L. Hixson. "Parting the Curtain: Propaganda, Culture, and the Cold War, 1945-1961." American Historical Review 103, no. 3 (June 1998): 998. http://dx.doi.org/10.2307/2650742.

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48

Kodosky, Robert J. "Total Cold War: Eisenhower's Secret Propaganda Battle at Home and Abroad." History: Reviews of New Books 34, no. 3 (March 2006): 103–4. http://dx.doi.org/10.1080/03612759.2006.10526902.

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49

Rosenberg, Emily S., Walter L. Hixson, and Richard Pells. "Parting the Curtain: Propaganda, Culture, and the Cold War, 1945-1961." Journal of American History 84, no. 4 (March 1998): 1576. http://dx.doi.org/10.2307/2568219.

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50

Deery, Phillip. "Covert Propaganda and the Cold War Britain and Australia 1948-1955." Round Table 90, no. 361 (September 2001): 607–21. http://dx.doi.org/10.1080/00358530120082869.

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