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1

Jordan, Guy. "Thomas Cole's Intemperate Empire." Visual Resources 28, no. 4 (2012): 340–54. http://dx.doi.org/10.1080/01973762.2012.732095.

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2

Cole, Robert E. "Cole's Response to Commentaries." Quality Management Journal 8, no. 4 (2001): 33. http://dx.doi.org/10.1080/10686967.2001.11918981.

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3

Parry, Ellwood C. "Thomas Cole's "The Hunter's Return"." American Art Journal 17, no. 3 (1985): 2. http://dx.doi.org/10.2307/1594431.

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4

Gleeson, Scott K. "Fitness, Reproductive Value, and Cole's Result." Oikos 48, no. 1 (1987): 116. http://dx.doi.org/10.2307/3565698.

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5

Khoali, B. T. "Cole's Dokean Model: Issues and implications." South African Journal of African Languages 13, no. 1 (1993): 29–32. http://dx.doi.org/10.1080/02572117.1993.10586960.

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6

Humphrey, P., L. Humphrey, and L. J. Humphrey. "Cole's precancerous hyperplasia of the breast." Journal of Surgical Oncology 30, no. 3 (2006): 161–63. http://dx.doi.org/10.1002/jso.2930300308.

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7

Jackson, Randall W., Moss Madden, and Harry A. Bowman. "CLOSURE IN COLE'S REFORMULATED LEONTIEF MODEL." Papers in Regional Science 76, no. 1 (2005): 21–28. http://dx.doi.org/10.1111/j.1435-5597.1997.tb00679.x.

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8

Byrne, Edmund F. "Comments On Phillip Cole's Philosophies Of Exclusion." Social Philosophy Today 18 (2002): 185–89. http://dx.doi.org/10.5840/socphiltoday20021813.

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9

Oots, Kent Layne. "Review of Cole's The Clouds of Secrecy." Politics and the Life Sciences 7, no. 2 (1989): 224–25. http://dx.doi.org/10.1017/s0730938400004329.

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10

Borgatti, Jean. "Willie Cole's Africa Remix: Trickster and “Tribe”." African Arts 42, no. 2 (2009): 12–23. http://dx.doi.org/10.1162/afar.2009.42.2.12.

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11

Meshcheryakov, B. G., and I. V. Ponomariov. "Michael Cole as the Mediator and Integrator of Cultural-Historical Psychology." Cultural-Historical Psychology 14, no. 4 (2018): 52–63. http://dx.doi.org/10.17759/chp.2018140407.

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The article describes the ideas and tuning points of M. Cole's career — the famous American psychologist, his theoretical, methodological and empirical contribution to modern psychology. It is composed of three sections. The first one considers Cole—Luria's cooperation for many years: scientific as well as personal interactions in the process of acquiring Cultural-Historical Psychology of Russia. It summarizes the outcomes and methodological problems of interdisciplinary cross-cultural studies that M. Cole and his colleagues conducted in Africa and on the Yucatan Peninsula. The second one outl
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12

Park, Yun-Joo. "A Study of Babette Cole's English Picture Books." New Studies of English Language & Literature 63 (February 29, 2016): 151. http://dx.doi.org/10.21087/nsell.2016.02.63.151.

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13

Wallach, Alan. "Thomas Cole's "River in the Catskills" as Antipastoral." Art Bulletin 84, no. 2 (2002): 334. http://dx.doi.org/10.2307/3177272.

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14

Montag, Warren. "Shattered Syllogisms: Andrew Cole's The Birth of Theory." PMLA/Publications of the Modern Language Association of America 130, no. 3 (2015): 768–75. http://dx.doi.org/10.1632/pmla.2015.130.3.768.

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In the birth of theory, Andrew Cole sets out to prove a thesis that is more audacious than it might first seem: “Theory, as we have known it and practiced it for a century or more, finds its origin in Hegel—and Hegel himself finds his theory, his dialectic, in the Middle Ages” (xiii). In the face of the prevailing indifference, if not hostility, to questions of origin, descent, and inheritance in theory today (although Cole's “today” often seems to refer less to the present than to the francophone sixties and the anglophone eighties), we cannot acknowledge Hegel as the real father of theory, l
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15

Bjelajac, David. "Thomas Cole's Oxbow and the American Zion Divided." American Art 20, no. 1 (2006): 60–83. http://dx.doi.org/10.1086/504062.

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16

Jackson, Randall W., and Moss Madden. "Closing the case on closure in Cole's model." Papers in Regional Science 78, no. 4 (2005): 423–27. http://dx.doi.org/10.1111/j.1435-5597.1999.tb00754.x.

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17

Oosterhaven, Jan. "Lessons from the debate on Cole's model closure*." Papers in Regional Science 79, no. 2 (2005): 233–42. http://dx.doi.org/10.1111/j.1435-5597.2000.tb00770.x.

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18

Chude-Sokei, Louis. "Johnnetta B. Cole's “Culture: Negro, Black and Nigger”." Black Scholar 44, no. 3 (2014): 58–61. http://dx.doi.org/10.1080/00064246.2014.11641242.

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19

Jackson, Randall W., and Moss Madden. "Closing the case on closure in Cole's model." Papers in Regional Science 78, no. 4 (1999): 423–27. http://dx.doi.org/10.1007/s101100050035.

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20

Oosterhaven, Jan. "Lessons from the debate on Cole's model closure." Papers in Regional Science 79, no. 2 (2000): 233–42. http://dx.doi.org/10.1007/s101100050045.

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21

Wallace, Walter L. "Progress in sociology: A reply to Cole's reply." Sociological Forum 11, no. 4 (1996): 631–37. http://dx.doi.org/10.1007/bf02425309.

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22

Sharrer, G. Terry, Lois G. Carr, Russell R. Menard, and Lorena S. Walsh. "Robert Cole's World: Agriculture and Society in Early Maryland." Technology and Culture 34, no. 3 (1993): 694. http://dx.doi.org/10.2307/3106731.

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23

Junker, Patricia. "Thomas Cole's "Prometheus Bound:" An Allegory for the 1840s." American Art Journal 31, no. 1/2 (2000): 32. http://dx.doi.org/10.2307/1594625.

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24

Rutman, Darrett B., Lois Green Carr, Russell R. Menard, and Lorena S. Walsh. "Robert Cole's World: Agriculture and Society in Early Maryland." Journal of American History 79, no. 1 (1992): 236. http://dx.doi.org/10.2307/2078493.

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25

Ulrich, Laurel Thatcher, Lois Green Carr, Russell R. Menard, and Lorena S. Walsh. "Robert Cole's World: Agriculture and Society in Early Maryland." Journal of Interdisciplinary History 23, no. 4 (1993): 810. http://dx.doi.org/10.2307/206316.

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26

Se-Ni Shin and Jo Hea-Soog. "An analysis of the humor in Babette Cole's picturebooks." Korean Journal of Early Childhood Education 28, no. 6 (2008): 229–52. http://dx.doi.org/10.18023/kjece.2008.28.6.011.

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27

Kukla, Jon, and Lois Green Carr. "Robert Cole's World: Agriculture and Society in Early Maryland." American Historical Review 98, no. 1 (1993): 231. http://dx.doi.org/10.2307/2166519.

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28

Imus, David. "Letters to the Editor: Response to Dan Cole's Review." Cartographic Perspectives, no. 74 (January 3, 2014): 7. http://dx.doi.org/10.14714/cp74.1197.

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29

Quitt, Martin H., Lois Green Carr, Russell R. Menard, and Lorena S. Walsh. "Robert Cole's World: Agriculture and Society in Early Maryland." William and Mary Quarterly 50, no. 1 (1993): 205. http://dx.doi.org/10.2307/2947252.

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30

Nobles, Gregory H., Lois Green Carr, Russell R. Menard, and Lorena S. Walsh. "Robert Cole's World: Agriculture and Society in Early Maryland." Journal of Southern History 59, no. 2 (1993): 329. http://dx.doi.org/10.2307/2209784.

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31

Hill, Constance Valis. "From Bharata Natyam to Bop: Jack Cole's "Modern" Jazz Dance." Dance Research Journal 33, no. 2 (2001): 29. http://dx.doi.org/10.2307/1477802.

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32

Sargent, Mark L. "The Encounter on Cole's Hill: Cyrus Dallin's “Massasoit” and “Bradford”." Journal of American Studies 27, no. 3 (1993): 399–408. http://dx.doi.org/10.1017/s0021875800032096.

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33

MacEoin, Denis. "A few words in response to Cole's ‘reply to MacEoin’." British Society for Middle Eastern Studies. Bulletin 18, no. 1 (1991): 86–87. http://dx.doi.org/10.1080/13530199108705529.

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34

III, Ellwood C. Parry. "Overlooking the Oxbow: Thomas Cole's "View from Mount Holyoke" Revisited." American Art Journal 34 (2003): 6. http://dx.doi.org/10.2307/3451056.

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35

Parry, Ellwood C. "Thomas Cole's Early Drawings: In Search of a Signature Style." Bulletin of the Detroit Institute of Arts 66, no. 1 (1990): 6–17. http://dx.doi.org/10.1086/dia41504835.

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36

Zeineddine, Mohammed, and Vincent A. A. Jansen. "TO AGE, TO DIE: PARITY, EVOLUTIONARY TRACKING AND COLE'S PARADOX." Evolution 63, no. 6 (2009): 1498–507. http://dx.doi.org/10.1111/j.1558-5646.2009.00630.x.

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37

Pásztor, E., V. Loeschcke, and E. Pasztor. "The Coherence of Cole's Result and Williams' Refinement of Lack's Principle." Oikos 56, no. 3 (1989): 416. http://dx.doi.org/10.2307/3565627.

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38

Snowden, N. "Depression economics before the General Theory: the order in Cole's Chaos." Oxford Economic Papers 61, no. 3 (2008): 415–39. http://dx.doi.org/10.1093/oep/gpn025.

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39

Stanyek, Jason, and Benjamin Piekut. "Deadness: Technologies of the Intermundane." TDR/The Drama Review 54, no. 1 (2010): 14–38. http://dx.doi.org/10.1162/dram.2010.54.1.14.

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Posthumous duets—performances involving a dead singer and a living one—have become ubiquitous in popular music. As the case of Natalie and Nat “King” Cole's “Unforgettable” makes clear, all sound recording harnesses the productive capacities of both living and dead, patterned through specific forms of co-laboring, or “deadness.”
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40

Maver, Igor. "Teju Cole's Nigeria and the open cities of New York and Brussels." Acta Neophilologica 46, no. 1-2 (2013): 3–11. http://dx.doi.org/10.4312/an.46.1-2.3-11.

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The novel Open City (2011) by the Nigerian-born and raised author Teju Cole isset in New York City, where he has lived since 1992. The narrator and protagonist of the book, the young Nigerian doctor Julius in is a veritable flâneur in the Big Apple, who is observing the rapidly changing multiethnic character of the city and meditating on (his) history and culture, identity and solitude, and the world beyond the United States, with which it is interconnected through the global history of violence and pain. He is juxtaposing the past and the present, the seemingly borderless open city of New Yor
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41

Gaudio, Michael. "At the Mouth of the Cave: Listening to Thomas Cole's Kaaterskill Falls." Art History 33, no. 3 (2010): 448–65. http://dx.doi.org/10.1111/j.1467-8365.2010.00737.x.

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42

Pahl, Miriam. "Afropolitanism as critical consciousness: Chimamanda Ngozi Adichie's and Teju Cole's internet presence." Journal of African Cultural Studies 28, no. 1 (2015): 73–87. http://dx.doi.org/10.1080/13696815.2015.1123143.

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43

Solihu, Abdul Kabir Hussain. "The Earliest Yoruba Translation of the Qur'an: Missionary Engagement with Islam in Yorubaland." Journal of Qur'anic Studies 17, no. 3 (2015): 10–37. http://dx.doi.org/10.3366/jqs.2015.0210.

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This study analyses the first translation of the meaning of the Qur'an into Yoruba, a language spoken mainly in south-western Nigeria in West Africa. Yorubaland in the nineteenth and twentieth centuries was a theatre of serious engagement between Muslims and Christian missionaries, during which a proliferation of translations of religious texts played a major role. Long before the translation of the Qur'an was accepted by most Muslims in Africa, Christian missionaries had taken the initiative in rendering the Qur'an into local African languages. The first known translation of the Qur'an into a
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44

Miller, Angela. "Thomas Cole and Jacksonian America: The Course of Empire as Political Allegory." Prospects 14 (October 1989): 65–92. http://dx.doi.org/10.1017/s0361233300005706.

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Thomas Cole (1801–48), is best known for his role in placing the landscape genre in America on a secure artistic and intellectual foundation. Associating the beginnings of landscape art with the concurrent appearance of popular democracy, scholars have generally assumed that Cole shared the cultural and nationalistic premises of the native landscape school that developed under this influence. Other inaccurate assessments have followed, in particular the belief that Cole's political sympathies were democratic. To take this for granted, however, is to overlook not only the anti-Jacksonian sentim
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45

Bednarko-Młynarczyk, E., J. Szteyn, I. Białobrzewski, A. Wiszniewska-Łaszczych, and K. Liedtke. "Modeling the kinetics of survival of Staphylococcus aureus in regional yogurt from goat's milk." Polish Journal of Veterinary Sciences 18, no. 1 (2015): 39–45. http://dx.doi.org/10.1515/pjvs-2015-0005.

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Abstract The aim of this study was to determine the kinetics of the survival of the test strain of Staphylococcus aureus in the product investigated. Yogurt samples were contaminated with S. aureus to an initial level of 103-104 cfu/g. The samples were then stored at four temperatures: 4, 6, 20, 22°C. During storage, the number of S. aureus forming colonies in a gram of yogurt was determined every two hours. Based on the results of the analysis culture the curves of survival were plotted. Three primary models were selected to describe the kinetics of changes in the count of bacteria: Cole's mo
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46

Felker, Tracie. "First Impressions: Thomas Cole's Drawings of His 1825 Trip up the Hudson River." American Art Journal 24, no. 1/2 (1992): 60. http://dx.doi.org/10.2307/1594588.

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47

Goldberg, Robin Steier. "Discussion of Gilbert Cole's disclosure, HIV and the dialectic of sameness and difference." Journal of Gay & Lesbian Mental Health 10, no. 1 (2006): 27–33. http://dx.doi.org/10.1080/19359705.2006.9962422.

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48

Cunnar, Eugene R. "Ut Pictura Poesis: Thomas Cole's Painterly Interpretations of L 'Allegro and II Penseroso." Milton Quarterly 24, no. 3 (1990): 85–98. http://dx.doi.org/10.1111/j.1094-348x.1990.tb00419.x.

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49

Holthaus, Leonie. "G.D.H. Cole's International Thought: the Dilemmas of Justifying Socialism in the Twentieth Century." International History Review 36, no. 5 (2014): 858–75. http://dx.doi.org/10.1080/07075332.2014.900813.

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50

Cole, Sam. "The phantom of the matrix: Inverting the case on closure in Cole's model." Papers in Regional Science 78, no. 4 (2005): 429–36. http://dx.doi.org/10.1111/j.1435-5597.1999.tb00755.x.

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