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Relevant bibliographies by topics / Coleridege

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Academic literature on the topic 'Coleridege'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Coleridege"

1

Jasper, David. "N.F.S. Grundtvig, S.T Coleridge - The Hymnwriter and the Poet." Grundtvig-Studier 42, no. 1 (1991): 56–67. http://dx.doi.org/10.7146/grs.v42i1.16058.

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N.F.S. Grundtvig, S.T. ColeridgeSalmedigteren og den poetiske forfatter.Af David JasperI sin sammenligning mellem de to digtere viser David Jasper, at der er oplagte sammenligningspunkter, bl.a. i henseende til det omfattende forfatterskab og bredden af emner og stilformer. Men der er dog også åbenbare forskelle. Således omtaler Jasper, at Grundtvig fra sine tidlige år gennemgik en udvikling med brydnings- og afklaringsperioder, der førte frem mod en stadig tydeligere distance til hans romantiske udgangspunkt; mens Coleridge på sin side forblev inden for en romantisk bestemt horisont.Ligeledes

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2

Hashimoto, Takehiro. "The Reception of Milton’s Samson Agonistes in Coleridge’s Remorse." English Language and Literature Studies 6, no. 4 (2016): 1. http://dx.doi.org/10.5539/ells.v6n4p1.

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The present study explores the influences of Milton’s Samson Agonistes on Coleridge’s Remorse in terms of poetic dialogue. Poetic dialogue is an open-ended poetic collaboration between authors consisting of various poetic forms of literature (Magnuson, 1988). The study of such literary collaboration is usually concerned with contemporary authors. This study, however, proposes that poetic dialogue is possible between Coleridge and precedent poets. Magnuson (1988)’s theory of poetic dialogue found that there are two collaborative processes of the negation and application of the character. In the

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3

Edmundson, Mark. "Coleridge!" Literary Imagination 20, no. 2 (2018): 165–73. http://dx.doi.org/10.1093/litimag/imy050.

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Allchin, Arthur Macdonald. "Grundtvig and Coleridge: Heritage and Prophery." Grundtvig-Studier 50, no. 1 (1999): 162–72. http://dx.doi.org/10.7146/grs.v50i1.16338.

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Grundtvig og Coleridge. Arv og profetiAf Arthur Macdonald AllchinTitlen på denne afhandling refererer til en artikel samling, der blev udgivet i 1993 under redaktion af Allchin med flere. I en række afhandlinger, der dækkede meget forskelligartede emner, var det sigtet at gennemføre en samtale mellem forskere fra England /USA og fra Danmark om »Grundtvig og den engelsk-sprogede verden«, jvf. Bogens undertitel. Med udgivelsen af bogen nåede de bestræbelser, der gennem hele Grundtvigselskabets levetid har kendetegnet udgivelsen af denne årbog, og som yderligere er blevet accentueret ved oprettel

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5

Whissell, Cynthia. "Challenging an Authorial Attribution: Vocabulary and Emotion in a Translation of Goethe's Faust Attributed to Samuel Taylor Coleridge." Psychological Reports 108, no. 2 (2011): 358–66. http://dx.doi.org/10.2466/28.pr0.108.2.358-366.

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This article disputes the stylometric attribution of an anonymous English 1821 translation of Goethe's German verse drama Faust to the poet and critic Samuel Taylor Coleridge. The translation was compared to four known Coleridgean dramas, two of which were translations from German. Evidence challenging Coleridge's authorship came from words used proportionally more often by Coleridge, words used proportionally more often by the unknown translator, differential employment of parallel word forms (“O” and “hath” for Coleridge, “oh” and “has” for the translator), and differences in the undertones

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Lawley, Paul. "Failure and Tradition: Coleridge / Beckett." Samuel Beckett Today / Aujourd'hui 18, no. 1 (2007): 31–46. http://dx.doi.org/10.1163/18757405-018001003.

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Using a model of literary tradition derived from T. S. Eliot and mediated by J. L. Borges, this paper proposes a tradition of creative failure which would enable the work of Beckett to be read that of S. T. Coleridge, and vice-versa. Two texts by Coleridge are briefly considered in this context, and the problematic of creative failure in which they are implicated is related to key claims in Beckett's . A concluding statement suggests the benefits of reading Coleridge and Beckett within the common perspective of a literary tradition, the perception of which the two writers both shape and are sh

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Aljumily, Refat. "Who was the translator of the anonymous 1821 of Goethe’s Faustus? Could the translator have been Coleridge?" International Journal of English and Comparative Literary Studies 2, no. 2 (2021): 50–63. http://dx.doi.org/10.47631/ijecls.v2i2.205.

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The 1821 translation of Goethe’s Faustus is not signed by the translator. We know who translated Friedrich Schiller’shistorical dramas ThePiccolominiand The Death of Wallenstein, for example, not because the translator identified himself as Coleridge but based on evidence from within and without. This article offers a three-part review to ‘Faustus’ from the German of Goethe translated by Samuel Taylor Coleridge’ (Oxford University Press, 2007), edited by Frederick Burwick and James C. McKusick. It argues that there is no definitive evidence during Coleridge’s lifetime or for centuries after hi

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8

Jagger, Jasmine. "Wordsworth, Coleridge, and the Healing Powers of the Imagination." Romanticism 22, no. 1 (2016): 33–47. http://dx.doi.org/10.3366/rom.2016.0255.

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This article discusses a medical link between Wordsworth and Coleridge during and around the composition of The Prelude. Looking closely at popular medical treatises on the imagination and its specific powers over the human mind and body in the late 1700s and early 1800s, it identifies a medical ‘strand’ within the The Prelude, particularly in relation to its address to an ailing Coleridge. Through biographical tracking and close attention to certain poetic emphases and motifs, it identifies a special motive for Wordsworth's writing of his poem, as well as an emergent dynamic between the two p

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9

Woodring, Carl. "Talking Coleridge." Wordsworth Circle 27, no. 1 (1996): 55–57. http://dx.doi.org/10.1086/twc24042485.

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10

Fogell, Martin. "Coleridge-Taylor." Musical Times 129, no. 1742 (1988): 170. http://dx.doi.org/10.2307/965308.

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Dissertations / Theses on the topic "Coleridege"

1

Vigus, James Edward. "Platonic Coleridge." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614304.

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Vigus, James. "Platonic Coleridge /." London : Legenda, 2009. http://catalogue.bnf.fr/ark:/12148/cb413640637.

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Epp, Leonard Lawrence. "Coleridge and romantic obscurity." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432090.

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Vickers, Neil. "Coleridge and medicine, 1795-1806." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326837.

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Marotta, Donald John. "Samuel Taylor Coleridge and Opium." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2181.

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Coleridge's usual use of opium was through laudanum, a mixture of opium and alcohol. This thesis presents the history of and criticism regarding the poet's use of laudanum and the physical and emotional consequences the drug held for him and his writing career.

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Murley, Susan. "Coleridge, collaboration, and the higher criticism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0003/NQ41254.pdf.

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7

Bugnon-Mordant, Michel. "Strange power of speech : Coleridge and the poetic use of language /." Fribourg : M. Bugnon-Mordant, 1990. http://catalogue.bnf.fr/ark:/12148/cb355044767.

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8

Sysak, Janusz Aleksander. "The natural philosophy Of Samuel Taylor Coleridge." Connect to thesis, 2000. http://repository.unimelb.edu.au/10187/2866.

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This thesis aims to show that Coleridge's thinking about science was inseparable from and influenced by his social and political concerns. During his lifetime, science was undergoing a major transition from mechanistic to dynamical modes of explanation. Coleridge's views on natural philosophy reflect this change. As a young man, in the mid-1790s, he embraced the mechanistic philosophy of Necessitarianism, especially in his psychology. In the early 1800s, however, he began to condemn the ideas to which he had previously been attracted. While there were technical, philosophical and religious rea

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Wright, Luke S. H. "Samuel Taylor Coleridge and the Anglican Church." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248997.

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Stokes, Christopher Richard. "Coleridge and the sublime language, subjectivity, aesthetics." Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488570.

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Working from sublimity's contested place in recent thought - critiqued by some as an outmoded desire for transcendence and yet invoked by others as an experience of finitude - this thesis traces types of sublimity in Coleridge's poetry. It contends that he was always drawn to strong, transcendent modes of the sublime, modes associated with the Romantic ideology.

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Books on the topic "Coleridege"

1

Bate, W. Jackson. Coleridge. Harvard University Press, 1987.

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2

Coleridge. Harvard University Press, 1987.

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3

Platonic Coleridge. Legenda, 2009.

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4

Taylor, Anya. Erotic Coleridge. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979179.

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Evans, Murray J. Sublime Coleridge. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137121547.

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Barbeau, Jeffrey W. Sara Coleridge. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137430854.

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Keanie, Andrew. Hartley Coleridge. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612778.

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8

Vardy, Alan D. Constructing Coleridge. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283091.

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9

Coleridge: Early visions. HarperCollins, 1998.

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Coleridge: Early visions. Viking, 1990.

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Book chapters on the topic "Coleridege"

1

Austin, Frances. "Coleridge." In The Language of Wordsworth and Coleridge. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20001-6_6.

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2

Holmes, Stephen R. "Coleridge." In The Blackwell Companion to Nineteenth-Century Theology. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319972.ch4.

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3

Swaab, Peter. "Sara Coleridge on Sara Coleridge." In The Regions of Sara Coleridge’s Thought. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011602_1.

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Swaab, Peter. "Coleridge, Sara." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_35-1.

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Vardy, Alan D. "Collecting Coleridge." In Constructing Coleridge. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283091_9.

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Swaab, Peter. "Sara Coleridge on Samuel Taylor Coleridge and on Editing Samuel Taylor Coleridge." In The Regions of Sara Coleridge’s Thought. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011602_2.

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Swaab, Peter. "Sara Coleridge in Editions of Samuel Taylor Coleridge." In The Regions of Sara Coleridge’s Thought. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011602_3.

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8

Purton, Valerie. "A Coleridge Chronology." In A Coleridge Chronology. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230372993_1.

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9

Paley, Morton D. "Coleridge." In Apocalypse and Millenium in English Romantic Poetry. Oxford University Press, 2003. http://dx.doi.org/10.1093/acprof:oso/9780199262175.003.0003.

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10

Aers, David, Jonathan Cook, and David Punter. "Coleridge." In Romanticism and Ideology. Routledge, 2016. http://dx.doi.org/10.4324/9781315638836-6.

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