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Relevant bibliographies by topics / Coleridge

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Academic literature on the topic 'Coleridge'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Coleridge"

1

Whissell, Cynthia. "Challenging an Authorial Attribution: Vocabulary and Emotion in a Translation of Goethe's Faust Attributed to Samuel Taylor Coleridge." Psychological Reports 108, no. 2 (2011): 358–66. http://dx.doi.org/10.2466/28.pr0.108.2.358-366.

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This article disputes the stylometric attribution of an anonymous English 1821 translation of Goethe's German verse drama Faust to the poet and critic Samuel Taylor Coleridge. The translation was compared to four known Coleridgean dramas, two of which were translations from German. Evidence challenging Coleridge's authorship came from words used proportionally more often by Coleridge, words used proportionally more often by the unknown translator, differential employment of parallel word forms (“O” and “hath” for Coleridge, “oh” and “has” for the translator), and differences in the undertones

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Morrison, Robert. "‘Two faces, each of a confused countenance’: Coleridge, De Quincey, and Contests of Authority." Romanticism 27, no. 3 (2021): 322–34. http://dx.doi.org/10.3366/rom.2021.0525.

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Thomas De Quincey exploits his rivalry with Samuel Taylor Coleridge to structure many of the key features of his most famous work, ‘Confessions of an English Opium-Eater’ (1821). De Quincey's idolization of Coleridge began early and survived the anger and disappointment he felt after the collapse of their friendship and his discovery of Coleridge's intellectual duplicity. In ‘Confessions’, De Quincey's accounts of himself as a scholar of Greek literature, Ricardian economics, and Kantean philosophy are all galvanized by his knowledge that Coleridge too has worked in these areas. As opium addic

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Haider, Ali Jal. "DEJECTION : AN ODE--- COLERIDGE’S UNCONVENTIONAL TREATMENT OF THEME." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 10, no. 04 (2023): 13–16. http://dx.doi.org/10.54513/joell.2023.10403.

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Coleridge is influenced by the poetic ideas of Wordsworth. He has a firm faith in Pantheism. He is fascinated by the healing power of nature. He keenly observes nature in his own way. For, his Romanticism is a philosophy, a way of life and garret of optimism. But in Dejection: An Ode, Coleridge’s treatment of theme is unconventional. The poem is personal in tone. Coleridge's internal conflict makes him unaware to feel nature. He argues the he has lost his power, poetic creativity, he has lost his sources of secondary imagination. He wants an escape to abstract world. He wants to observe the ha

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Hashimoto, Takehiro. "The Reception of Milton’s Samson Agonistes in Coleridge’s Remorse." English Language and Literature Studies 6, no. 4 (2016): 1. http://dx.doi.org/10.5539/ells.v6n4p1.

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The present study explores the influences of Milton’s Samson Agonistes on Coleridge’s Remorse in terms of poetic dialogue. Poetic dialogue is an open-ended poetic collaboration between authors consisting of various poetic forms of literature (Magnuson, 1988). The study of such literary collaboration is usually concerned with contemporary authors. This study, however, proposes that poetic dialogue is possible between Coleridge and precedent poets. Magnuson (1988)’s theory of poetic dialogue found that there are two collaborative processes of the negation and application of the character. In the

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Murray, Chris. "“Death in his hand”." Nineteenth-Century Literature 78, no. 3 (2023): 179–210. http://dx.doi.org/10.1525/ncl.2023.78.3.179.

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Chris Murray, “‘Death in his hand’: Theories of Apparitions in Coleridge, Ferriar, and Keats” (pp. 179–210) On a chance meeting in 1819, Samuel Taylor Coleridge told John Keats about his theory of “double touch.” This hypothesis is key to the famous accounts in which each poet mythologizes the other. In his writings on double touch, Coleridge surmises that we engage with our world simultaneously by sensory perception and an energetic connection derived from Mesmerism. Disruption to either aspect of double touch results in the pathological state of “single touch,” symptoms of which can include

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Healey, Nicola. "Derwent Moultrie Coleridge's Australian Exile." Romanticism 24, no. 1 (2018): 22–35. http://dx.doi.org/10.3366/rom.2018.0351.

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The literary career and troubled life of Derwent Moultrie Coleridge (1828–80), Derwent Coleridge's eldest son (S. T. Coleridge's first grandson) has been critically overlooked. After a period of alcohol-related, reckless behaviour at Cambridge University, he was exiled to Australia in November 1850, lest he continue to dishonour his father and the Coleridge name. Despite struggling considerably, he quickly became part of an Australian literary circle and he often contributed poems to Sydney newspapers. This essay analyses the most biographical of his poems that was published in the Australian

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Aljumily, Refat. "Who was the translator of the anonymous 1821 of Goethe’s Faustus? Could the translator have been Coleridge?" International Journal of English and Comparative Literary Studies 2, no. 2 (2021): 50–63. http://dx.doi.org/10.47631/ijecls.v2i2.205.

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The 1821 translation of Goethe’s Faustus is not signed by the translator. We know who translated Friedrich Schiller’shistorical dramas ThePiccolominiand The Death of Wallenstein, for example, not because the translator identified himself as Coleridge but based on evidence from within and without. This article offers a three-part review to ‘Faustus’ from the German of Goethe translated by Samuel Taylor Coleridge’ (Oxford University Press, 2007), edited by Frederick Burwick and James C. McKusick. It argues that there is no definitive evidence during Coleridge’s lifetime or for centuries after hi

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van Woudenberg, Maximiliaan. "Coleridge in Wolfenbüttel: The Double Portrait of Hans Sachs." Modern Language Review 119, no. 3 (2024): 297–327. http://dx.doi.org/10.1353/mlr.2024.a930811.

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Abstract: In 1799 Samuel Taylor Coleridge studied at the University of Göttingen to research German literature for his projected biography of Lessing. On his return journey to England in June 1799, Coleridge visited the Wolfenbüttel library, where he discovered a double portrait of the German Meistersinger Hans Sachs by Andreas Herneisen. Familiar with the afterlives of Sachs’s likeness, Coleridge understood the significance of this obscure portrait and recorded a detailed description in his notebooks. This article engages in a comparative analysis of Coleridge’s note and his studies of the vi

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Duggett, Tom. "Coleridge and the Idea of History." Romanticism 29, no. 1 (2023): 42–55. http://dx.doi.org/10.3366/rom.2023.0579.

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Coleridge spoke in September 1831 of his wish ‘to make History scientific, and Science historical – to take from History its accidentality – and from Science its fatalism’. This self-description raises the question of Coleridge's status as a ‘scientific historian’. Is Coleridge a prototype for R.G. Collingwood's definition of this mode of scientific study, of solving problems, not surveying periods, putting questions to ‘the world of ideas’ which historical evidence ‘creates in the present’? Is Coleridge, alternatively, the pattern of Collingwood's deluded ‘pigeon-holer’, arranging the past ‘i

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Norman, Daniel. "Coleridge's Humour in The Watchman." Romanticism 25, no. 2 (2019): 117–28. http://dx.doi.org/10.3366/rom.2019.0413.

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This essay seeks to challenge Coleridge's (and some subsequent critics') retrospective accounts of the glib naivety of The Watchman's humour, by arguing that his jokes reveal a careful and considered approach to the dissemination of his ideas. It identifies several types of humour employed within the work, examining both the articles Coleridge himself contributed, and the manner in which he arranged the contributions of others. Such an examination is only possible in full view of the contemporary periodical context, to which Coleridge is quite clearly responding. By adapting, and at times unde

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Dissertations / Theses on the topic "Coleridge"

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Vigus, James Edward. "Platonic Coleridge." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614304.

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Vigus, James. "Platonic Coleridge /." London : Legenda, 2009. http://catalogue.bnf.fr/ark:/12148/cb413640637.

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Epp, Leonard Lawrence. "Coleridge and romantic obscurity." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432090.

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Vickers, Neil. "Coleridge and medicine, 1795-1806." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326837.

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Marotta, Donald John. "Samuel Taylor Coleridge and Opium." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2181.

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Coleridge's usual use of opium was through laudanum, a mixture of opium and alcohol. This thesis presents the history of and criticism regarding the poet's use of laudanum and the physical and emotional consequences the drug held for him and his writing career.

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Berkeley, Richard. "Coleridge and the pantheism controversy." Phd thesis, Canberra, ACT : The Australian National University, 2000. http://hdl.handle.net/1885/9526.

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My thesis is a literary and philosophical examination of the relationships between Coleridge, Spinoza, and the pantheism controversy. My fundamental claim is that the relationship between Coleridge and his German sources is mediated by his awareness of the controversy, and can therefore be best understood by making reference to a wide range of the texts which were involved in it, and the relationships between these texts. The central focus of the thesis is on the concept of interpretation, since it amounts to an analysis of Coleridge's interpretation of a variety of texts. I draw on the the

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Murley, Susan. "Coleridge, collaboration, and the higher criticism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0003/NQ41254.pdf.

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Tesserin, Francesca <1973&gt. "Coleridge and the urge of reconciliation." Doctoral thesis, Università Ca' Foscari Venezia, 2005. http://hdl.handle.net/10579/789.

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Bugnon-Mordant, Michel. "Strange power of speech : Coleridge and the poetic use of language /." Fribourg : M. Bugnon-Mordant, 1990. http://catalogue.bnf.fr/ark:/12148/cb355044767.

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Sysak, Janusz Aleksander. "The natural philosophy Of Samuel Taylor Coleridge." Connect to thesis, 2000. http://repository.unimelb.edu.au/10187/2866.

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This thesis aims to show that Coleridge's thinking about science was inseparable from and influenced by his social and political concerns. During his lifetime, science was undergoing a major transition from mechanistic to dynamical modes of explanation. Coleridge's views on natural philosophy reflect this change. As a young man, in the mid-1790s, he embraced the mechanistic philosophy of Necessitarianism, especially in his psychology. In the early 1800s, however, he began to condemn the ideas to which he had previously been attracted. While there were technical, philosophical and religious rea

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Books on the topic "Coleridge"

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Bate, W. Jackson. Coleridge. Harvard University Press, 1987.

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Taylor, Anya. Erotic Coleridge. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979179.

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Barbeau, Jeffrey W. Sara Coleridge. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137430854.

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Evans, Murray J. Sublime Coleridge. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137121547.

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Vardy, Alan D. Constructing Coleridge. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283091.

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Keanie, Andrew. Hartley Coleridge. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612778.

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Blades, John. Wordsworth and Coleridge. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80197-4.

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Aherne, Philip. The Coleridge Legacy. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95858-3.

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Purton, Valerie. A Coleridge Chronology. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230372993.

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Timár, Andrea. A Modern Coleridge. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137531469.

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Book chapters on the topic "Coleridge"

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Holmes, Stephen R. "Coleridge." In The Blackwell Companion to Nineteenth-Century Theology. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319972.ch4.

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Austin, Frances. "Coleridge." In The Language of Wordsworth and Coleridge. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20001-6_6.

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Swaab, Peter. "Sara Coleridge on Sara Coleridge." In The Regions of Sara Coleridge’s Thought. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011602_1.

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Mathes, Carmen Faye. "Coleridge Tripping." In Poetic Form and Romantic Provocation. Stanford University Press, 2022. http://dx.doi.org/10.11126/stanford/9781503630246.003.0004.

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This chapter reveals Coleridge’s later frustrations with Wordsworth’s lyrical ballads to depend on a metaphysical dilemma: by 1817’s Biographia Literaria, Coleridge has come to disagree with the materialist morality that would justify Wordsworth’s prosaic verse. Declaring that metrical irregularity and flat diction feel like tripping down stairs in the dark, Coleridge claims that poetry should make readers feel a perfect coincidence of bodily balance and self-conscious self-control. Retracing Coleridge’s steps as he attempts to achieve such equipoise in his critique of Wordsworth’s “The Sailor

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Everest, Kelvin. "Keats Meets Coleridge." In Keats and Shelley. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192849502.003.0006.

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This chapter considers the impact on Keats of his only meeting with Coleridge in April 1819. Beginning with an analysis of Keats’s famous account of the meeting, the essay reviews its background in Keats’s medical training and in his prior knowledge of Coleridge’s work. The different life stages of the two writers are contrasted. There is discussion of the possible content of Coleridge’s conversation as recalled by Keats, particularly in the effect on Keats’s poetic ambition in the moment immediately preceding composition of the Odes. The ‘Ode to Psyche’ is characterized by a newly suggestive

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Cheyne, Peter. "The Divided Line: Lower and Higher." In Coleridge's Contemplative Philosophy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851806.003.0008.

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Chapter 7 begins, in Section 7.1 (i), by demonstrating how Coleridge’s modified Platonism draws on Plotinus to theorize how imagination provides aesthetic access to ideas. The chapter then outlines, in Section 7.1 (ii), Plato’s epistemology and ontology in the context of Coleridgean concerns. Like Plato, Coleridge divided lower and higher powers, while also arguing that the divide can be crossed without being negated. Coleridge recasts key Platonic notions, retaining phantasía as fancy in the lower mind, and elevating imagination to a role above the divide, as the intermediary, or Plotinian ‘b

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Townsend, Chris. "Inside Outness in Coleridge." In George Berkeley and Romanticism. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192846785.003.0004.

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Coleridge’s reading in philosophy is often thought of as a process of ‘ousting’, where Hartley was surpassed by Berkeley, and Berkeley by Kant. This chapter shows that, whilst Kant did irrevocably change Coleridge’s philosophical views and drew him away from what he came to call Berkeley’s ‘dogmatic idealism’, elements of his reading of Berkeley lived on after Coleridge’s exposure to German philosophy. Central here is the experience Coleridge called ‘outness’—the sense that the world around us is external, even if it might actual exist in our minds. After reconstructing our knowledge of Coleri

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Swann, Karen. "Late Coleridge." In Lives of the Dead Poets. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284184.003.0005.

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This chapter is a sustained reading of Coleridge’s late verse and the notebook writing that is its context. It argues that Coleridge’s late poetic work creates and occupies a mode or genre that he called “work without hope” and that this study, following the work of psychoanalyst André Green, calls “the work of the negative.” This work is reactive, written in the absence of an object and committed to an exploration of the negative spaces that open on this side of aim and end. It connects what Coleridge called his “abstruse research” to an idea of thinking as endless and illimitable work.

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Vigus, James. "Coleridge’s Shakespearean Transformation of Schiller’s Wallenstein Plays." In Textual Transformations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198808817.003.0013.

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In 1800, Samuel Taylor Coleridge published translations of Friedrich Schiller’s historical dramas The Piccolomini and The Death of Wallenstein. Despite his dislike of the process of translating, Coleridge eventually recognized the importance of his own work. In particular, the translations assisted the intellectual development through which Coleridge came to present Shakespeare as the profoundest English moralist. This chapter shows how Coleridge’s English versions pivoted on the intensification of Shakespearean echoes, especially of Macbeth, in Schiller’s original. The chapter then analyses C

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Russett, Margaret. "Gothic Coleridge, Ballad Coleridge." In The New Cambridge Companion to Coleridge. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108935555.006.

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Conference papers on the topic "Coleridge"

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Ke, Lingyan. "Two Poets, One Moon: A Comparison of Su Shi and Samuel Taylor Coleridge." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8399.

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Only a few decades ago, Western scholars of comparative literature tended to argue that any English-Chinese comparison was “futile or meaningless” (Yu, 162). As this discipline evolves, however, this previous notion is being replaced by the perspective that “a glimpse of the otherness of the other can produce new perspectives on our own faces in the great mirror of culture” (Hayot, 90). My thesis contributes to this stream of innovation by bringing into comparison the function of the moon in Su Shi’s “Water Melody” and in Samuel Coleridge’s “Dejection: An Ode”, finding that in both poems, the

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Ezzeldin, Hend. "Narrating the Wound: Trauma and Memory in Coleridge’s ‘Ancient Mariner’ and Poe’s ‘The Raven’." In 2nd International Conference on Research in Social Sciences and Humanities. GLOBALK, 2020. http://dx.doi.org/10.33422/2nd.icrsh.2020.12.05.

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