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Journal articles on the topic 'Collaborative heroism'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Arvas, İclal Didem. "Reimagining the Hero’s Journey Through SDG Lenses: Myth, Ecology, and Emotional Literacy in the Three Girls Who Changed the World." Journal of Lifestyle and SDGs Review 5, no. 6 (2025): e06479. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n06.pe06479.

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Objective: This study examines how feminist and ecological reimaginings of the hero’s journey reshape archetypal storytelling in children’s literature, with particular focus on the fairytale “Dünyayı Değiştiren Üç Kız” (“Three Girls Who Changed the World”). It explores how such narratives foster inclusive, relational, and ethically grounded forms of heroism. Theoretical Framework: Grounded in Carl Gustav Jung’s theory of the collective unconscious and Joseph Campbell’s concept of the monomyth, the analysis draws upon feminist and ecological literary criticism to recontextualize classical mythi

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MILLER, KIRI. "Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity." Journal of the Society for American Music 3, no. 4 (2009): 395–429. http://dx.doi.org/10.1017/s1752196309990666.

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AbstractThis article addresses Guitar Hero and Rock Band gameplay as a developing form of collaborative, participatory rock music performance. Drawing on ethnomusicology, performance studies, popular music studies, gender and sexuality studies, and interdisciplinary digital media scholarship, I investigate the games' models of rock heroism, media debates about their impact, and players' ideas about genuine musicality, rock authenticity, and gendered performance conventions. Grounded in ethnographic research—including interviews, a Web-based qualitative survey, and media reception analysis—this

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Connell, Jasmyn. "Shaping Heroism Through Participatory Fan Cultures: An Analysis of Video Game Heroes as Nonhuman Online Personas." Heroism Science: An Interdisciplinary Journal 9, no. 1 (2024): 1–52. http://dx.doi.org/10.26736/hs.2024.01.05.

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This paper expands the theoretical framework for analysing nonhuman personas developed by Connell and Moore (2023) to explore video game hero personas as assemblages - complex negotiations between social media platforms, video game developers, and participatory fan cultures. Through a critical analysis of Aloy from the Horizon (2017-2023) series, I argue that video game heroes are dynamic characters, and fan participation in the shaping of a video game hero’s online persona is often overlooked. By examining the collaborative relationships between video game heroes and their online participator

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Bobrus, V. V. "LENINGRAD INSTITUTE OF TRANSFUSION UNDER THE SIEGE AND IN FIRST POSTWAR PERIOD. TRUTH AND FICTION." Marine Medicine 6, no. 5(S) (2021): 29–45. http://dx.doi.org/10.22328/2413-5747-2020-6-s-29-45.

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Basing on detailed study of open information and documentary sources, the author of the paper assumed the ground-lessness of official narrative setting out in the A. A. Crohn’s book «Deep-sea master. A tale of friend” (Moscow, New World Journal. Congress of People’s Deputies of the Soviet Union Publishing House, 1984. 272 p.) with regard to causes of conviction of the Hero of the Soviet Union, Diver No. 1 — A. I. Marinesco, as a result of malice from former director of Leningrad Institute of Transfusion (LIT) — associate professor, candidate of medicine V. V. Kuharchik. An exceptional importan

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Brunning, Halina, Sheila White, and Claudia Nagel. "Psychoanalytic reflections on the war in Ukraine." Organisational and Social Dynamics 22, no. 2 (2022): 226–44. http://dx.doi.org/10.33212/osd.v22n2.2022.226.

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This article, by three authors, Halina Brunning, Sheila White, and Claudia Nagel, reflects on the war in Ukraine that began on 24 February 2022 with an invasion by Russian troops and the events of the following four months. It attempts to capture this period in time and reflects on it in three different ways. The article begins by describing how this collaborative piece of work emerged from an event run by An Organisation for Promoting Understanding of Society (OPUS) and was followed up by an International Society for the Psychoanalytic Study of Organizations (ISPSO) group, with the aim of dis

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Pranajati, Nindya Rachman, and Ahmad Shofiyuddin Ichsan. "Strategy Development for Installing Children's Awareness of National Resilience as an Indonesian Geostrategy." ARZUSIN 5, no. 2 (2025): 568–82. https://doi.org/10.58578/arzusin.v5i2.5180.

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The investment in making students aware of the geostrategy for national resilience in the educational space was immediately implemented because educational problems were becoming more worrying, and the best and most comprehensive solutions needed to be found as soon as possible. This research aimed to reveal the development of a strategy for cultivating awareness of national resilience in children as a geostrategy in Indonesia. Researchers used qualitative research methods with the type of library research through various documentation sources, both from scientific journals, books, websites, a

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Rohotchenko, Kostyantyn. "Art Therapy: A New Experience of Painting with a Warrior during the War." ARTISTIC CULTURE. TOPICAL ISSUES, no. 21(1) (May 26, 2025): 187–96. https://doi.org/10.31500/1992-5514.21(1).2025.333501.

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At the current stage of the war, the acute phase of which has lasted for over 1,000 days, it has become evident to society that addressing the urgent issues of psychological support during times of social upheaval is essential. Specialized psychological assistance is particularly needed for soldiers who have participated directly in combat. These are individuals who have witnessed the horrors of war—wounds and death, the heroism of the strong, and the betrayal of the weak. One of the key strategies for psychosocial recovery has been art therapy, which has emerged in fundamentally new forms. A

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Drysdale, Lawrie, Jeffrey Bennett, Elizabeth T. Murakami, Olof Johansson, and David Gurr. "Heroic leadership in Australia, Sweden, and the United States." International Journal of Educational Management 28, no. 7 (2014): 785–97. http://dx.doi.org/10.1108/ijem-08-2013-0128.

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Purpose – The purpose of this paper is to draw from data collected as part of the International Successful School Principalship Project (ISSPP) and present cases of democratic and heroic leadership from three countries, discussing to what extent successful school principals in each of their research sites (Melbourne, Australia; Umeå, Sweden; Arizona and Texas in the USA) carry old and new perspectives of heroism in their leadership. In particular the paper explores two questions: first, how do school principals describe aspects of heroic and post-heroic leadership in their practices? and secon

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Bilston, Sarah. "“The Most Extraordinary Novel of Modern Times”: Collaborative Fiction in The Gentlewoman." Victorian Literature and Culture 50, no. 4 (2022): 669–92. http://dx.doi.org/10.1017/s1060150321000127.

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This article investigates two collaborative (and little-known) novels published in the early 1890s periodical The Gentlewoman. The collaborations turn on, and center, a heroine whose reputation, choices, and actions stand as the locus of investigation; the business of interpreting a woman's character brings multiple writers, from many walks of life, together in a shared enterprise shaped by ongoing disagreement, for how to interpret the heroine evolves week by week. The two texts disrupt not only their own reading of their heroine but stage, through their very form, that any fixed, stable, or

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Dwi Putri, Anggi, Shinta Aulia Annisa, Karima Noor Malikatus Sa’adah, Zidan Fakihani, and Budi Nur Ismail. "Penggunaan Media Pembelajaran Spin Wheel Pada Materi Kepahlawanan Terhadap Hasil Belajar Kelas V SD." PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA 2, no. 2 (2023): 44–52. https://doi.org/10.55606/mateandrau.v2i2.1406.

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The goal to be achieved is to find out the use of spin wheel learning media on heroism material on class learning outcomes. This research is class action research (action research). This research was conducted in the form of cycles, each cycle consisting of several components, namely the stages of preparation, planning, implementation of action, observation and monitoring, reflection, evaluation and revision and conclusion of the results. The data validation process is carried out by asking for an assessment of experts and practitioners regarding the content and outline of the written test whi

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Cagé, Julia, Anna Dagorret, Pauline Grosjean, and Saumitra Jha. "Heroes and Villains: The Effects of Heroism on Autocratic Values and Nazi Collaboration in France." American Economic Review 113, no. 7 (2023): 1888–932. http://dx.doi.org/10.1257/aer.20211509.

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We measure how a network of heroes can legitimize and diffuse extreme political behaviors. We exploit newly declassified intelligence files, novel voting data, and regimental histories to show that home municipalities of French line regiments arbitrarily rotated under Philippe Pétain’s generalship through the heroic World War I battlefield of Verdun diverge politically thereafter, particularly following Pétain’s own overt espousal of authoritarian views. Further, under Pétain’s collaborationist Vichy regime (1940–1944), they raise 7 percent more active Nazi collaborators per capita. These effe

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Sakur, Sakur, Sari Julita, Parsiholan Simbolon, Muhammad Fiqri Azmi, Rahma Nabila, and Zulhendri Zulhendri. "Meningkatkan Literasi dan Kreativitas Siswa Melalui Majalah Dinding (MADING) di SDN 06 Sungai Kayu Ara Kabupaten Siak." Journal of Community Sustainability 2, no. 2 (2025): 109–18. https://doi.org/10.63477/jocs.v2i2.279.

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This research aims to increase student literacy and creativity at SD Negeri 06 Sungai Kayu Ara through the activity of making wall magazines (mading) with the theme "Heroes' Day". This activity was carried out by the UNRI 2024 Service Team by involving students in the process of creating poetry, short stories and pictures related to the theme of heroism. The research method used is descriptive with a qualitative approach, through data collection techniques in the form of observation, interviews, documentation. The research results showed that this activity was successful in increasing students

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McGuire, Riley. "Writing Novels, Simulating Voices: Euphonia, Trilby, and the Technological Sounding of Identity." Victorian Literature and Culture 49, no. 2 (2021): 325–60. http://dx.doi.org/10.1017/s1060150319000251.

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This article troubles a tendency in literary criticism to equate novelistic speech with sound recording. It recovers the history of Joseph Faber's Euphonia (a speech simulator exhibited from the 1840s to the 1880s) in order to articulate an alternative vocal ontology of the novel—one of simulation rather than recording. The Euphonia has striking parallels to the eponymous heroine of George Du Maurier's Trilby (1894): their comparably mechanized utterances flatten hierarchies of difference, instead of phonographically using the voice to archive particularity. In dialogue, the Euphonia and Trilb

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HRISTOFOROV, SERGEI V. "IDEAS OF THE NATIONAL SCHOOL IN THE LEGACY OF V. N. SOROKA-ROSINSKY." Cherepovets State University Bulletin 1, no. 100 (2021): 235–43. http://dx.doi.org/10.23859/1994-0637-2021-1-100-18.

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The article deals with the analysis of V. N. Soroka-Rossinsky's pedagogical heritage about the national school reflected in his pre-revolutionary articles. Based on the analysis of the articles, it is concluded that V. N. Soroka-Rosinsky in his views on the national school is close to the K. D. Ushinsky’s principle of the nationality of education. At the same time, the research scientist tends to the psychology of feeling, the energy theory of the American psychologist Stanley Hall - the creator of pedology, which was reflected in his further practical work and collaboration with A. F. Lazursk

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Tennyson, Michelle. "Upcycling Antigone : A New Puerto Rican Heroine in the Theatre of Carlos Canales." Latin American Theatre Review 58, no. 1 (2024): 81–100. https://doi.org/10.1353/ltr.2024.a949369.

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Abstract: Drawing from Sébastian Lefait's theories on adaptation as recycling as well as ideas proposed by Linda Hutcheon and others, this essay examines Puerto Rican playwright Carlos Canales's Antígona barrio (2017), which is an adaptation of the Greek tragedy Antigone . The play offers a poetic representation of a series of 1960s protests organized by the residents of the author's native Puerto Rican barrio of Buenaventura, a working-class neighborhood in the island's northeastern municipality of Carolina. I study his adaptation of Antigone as a process of upcycling that engages with an int

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Kane, Daniel. "‘Nor did I socialise with their people’: Patti Smith, rock heroics and the poetics of sociability." Popular Music 31, no. 1 (2012): 105–23. http://dx.doi.org/10.1017/s0261143011000481.

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AbstractFrom her time as a young performance poet in New York in the late 1960s to her current position as punk rock's éminence grise, Patti Smith has foregrounded the image of the poet as privileged seer. This essay seeks to read Smith's romantic impulses within the context of her activity in the Poetry Project at St Mark's Church, the pre-eminent public face of the Lower East Side poetry scene of the 1960s and 1970s. Ultimately, this essay will argue how Smith's complex negotiations between her understanding of the Poet as Visionary and the adamantly playful, diffuse and collaborative aesthe

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McCauley, Kathleen, and Richard S. Irwin. "Changing the Work Environment in Intensive Care Units to Achieve Patient-Focused Care: The Time Has Come." American Journal of Critical Care 15, no. 6 (2006): 541–48. http://dx.doi.org/10.4037/ajcc2006.15.6.541.

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The American Association of Critical-Care Nurses Standards for Establishing and Sustaining Healthy Work Environments and the American College of Chest Physicians Patient-Focused Care project are complementary initiatives that provide a road map for creating practice environments where interdisciplinary, patient-focused care can thrive. Healthy work environments are so influential that failure to address the issue would result in deleterious effects for every aspect of acute and critical care practice. Skilled communication and true collaboration are crucial for transforming work environments.

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Ward, Veda E. "A Guide to Human Rights in the Contemporary World." Perspectives on Global Development and Technology 14, no. 1-2 (2015): 287–97. http://dx.doi.org/10.1163/15691497-12341346.

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Cultural hegemony, a concept attributed to Antonio Gramsci, is commonly described by words that imply the superimposition of a dominant society that limits beliefs, explanations, perceptions, values and mores and suppresses alternative views. This article is an analysis of cultural hegemony from the standpoint of the multiplicity of factors that impact quality of life for human beings—health, head (higher education: e.g.; Bologna Project, assessment of learning, etc.), home (housing, multinational; Gittins, 2012), help, heroism (The decline of deterrence, The Economist 2014c), happiness and ho

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Lee, Sang Eu, and Jung Woo Kim. "A Study on the Case of Making the Oral Myth Princess Bari into Popular Music Content: Music Album 《Bari abandoned》." Korean Society of Culture and Convergence 45, no. 7 (2023): 283–97. http://dx.doi.org/10.33645/cnc.2023.07.45.07.283.

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The purpose of this study is to analyze the cases of popular music contents of Princess Bari mythology that have been passed down through oral tradition, and through this, to examine the aspects of effective processing and modern implementation of cultural archetypes. To this end, this study analyzed the narrative of the 《Bari abandoned》 from the perspective of the transformation and reinterpretation of mythology and the musical arrangement. Through this, it was found that 《Bari abandoned》 is a work that captures the meaning of the present era and provides sympathy to the public while undergoi

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Bromilow, Pollie. "New Modes of Materiality in the Angoysses douloureuses qui procedent d’amours (1538) by Hélisenne de Crenne." Renaissance and Reformation 47, no. 3 (2024): 185–212. https://doi.org/10.33137/rr.v47i3.44464.

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This article moves outside the conventional methodologies of visual and literary studies and material bibliography to produce a reading of the Angoysses douloureuses that demonstrates how the text and the material object of the book can be read together to recreate inscribed reading practices, including those of women readers in addition to the reading communities (of women) evoked by the text alone. The narrative of the Angoysses douloureuses displays a preoccupation with representing the materiality of the text throughout the work by means of letters exchanged between the lovers, a single, c

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Bobro, Mariia, and Kateryna Demianiva. "Communicative strategies and tactics in the speech of Liera Farkash, the heroine of the first season of the TV series Early Swallows." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 94 (June 15, 2024): 42–48. https://doi.org/10.26565/2227-1864-2024-94-07.

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Communication plays an extremely important role in the life of humans as social beings. The speech of characters in literary works is promising in terms of studying their communicative behavior, since, on the one hand, it reflects the actual speech of a particular period, and on the other, it is to some extent more deliberate, as the author, in order to realise their creative intention, meticulously thinks over the characters’ words, the linguistic means they use, the style and nature of their communication. The present article considers the communicative strategies and tactics in the speech o

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Prozorova, Natalia A. "Uglich as a place of memory in Olga Bergholz`s creative vision." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 61 (2021): 199–212. http://dx.doi.org/10.37816/2073-9567-2021-61-199-212.

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The paper is the first to analyze Uglich as a place of memory in a creative thought of Olga Bergholz and reveal individual and collective memorization of the old Russian city. The topos of Uglich, which became a spiritual cornerstone for Leningrad`s poetess, gained some new meanings in the perspective of her statements. In the initial period of her creativity, the city developed as an entirely social space, arena for the struggle of old and new world order. A visit to Uglich in 1953 initiated the theme of preserving the monuments and reviving the crafts in the poetʼs mind. In her mature years,

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Kyseliova, Tetiana. "Genre synthesis in D. Auber’s opera “La Muette de Portici”." Aspects of Historical Musicology 35, no. 35 (2024): 181–97. http://dx.doi.org/10.34064/khnum2-35.10.

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Statement of the problem. Objectives, methods, and novelty of the research. The genre of grand opera is associated with the work by D. Auber. The first work in this genre was the opera ‘La Muette de Portici’, which was produced by D. Auber in collaboration with the librettist in 1828. When creating the libretto, the artists relied on historical events of the Neapolitan rebellion against the Spaniards in 1647 led by the fisherman Mazaniello. For the first time, a mute heroine appeared on the opera stage as the main character, whose image was embodied by a ballet dancer. Thus, D. Auber and E. Sc

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Ospishcheva-Pavlyshyn, Mariia. "Image of Ukraine in the Works of Western Artists (Kyiv Murals)." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 59–64. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235128.

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The article addresses the classification of Kyiv murals of the early 21st century, made by foreign artists (USA, Canada, France, United Kingdom, Belgium, Australia, Spain, Portugal, Argentina, Brazil, Costa Rica, South Africa, etc.). The image of Ukraine in the work of these artists, who got to know Ukraine forcedly, episodically, and inevitably scarcely, isthe image of the Other on the territory of this Other. As a result, “others” (foreign artists) overcome their own otherness and enter into cultural dialogue with other culture and the city, the notable part of which their murals become. Alo

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Vlasova, Natalia O. "“Demonic, Ecstatic Antiquity”: On the Interpretation of Myth in the Opera “Elektra” by Richard Strauss — Hugo von Hofmannsthal." Vestnik of Saint Petersburg University. Arts 12, no. 2 (2022): 228–42. http://dx.doi.org/10.21638/spbu15.2022.201.

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The opera “Elektra” is of particular significance for Richard Strauss. It opens an ancient line in his musical and theatrical legacy and is at the same time the culmination of expressionist tendencies in his work. It also marks the start of Strauss’s collaboration with H. von Hofmannsthal as librettist. The tragedy of Hofmannsthal focuses on trends typical of the new understanding of antiquity in the second half of the 19th century. An interest in the archaic, in ancient cults and rituals representing the irrational aspects of Greek culture, is brought to the forefront. Hofmannsthal’s “Electra

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Seberechts, Frank. "De oostfronttekeningen van Frans Van Immerseel." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 69, no. 1 (2010): 33–50. http://dx.doi.org/10.21825/wt.v69i1.12354.

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De graficus Frans Van Immerseel is reeds voor de Tweede Wereldoorlog actief in het Vlaams-nationalisme. Hij sluit zich in het begin van de bezetting aan bij de Algemeene SS-Vlaanderen. Wanneer in de zomer van 1941 de Duitse troepen aan de veldtocht in de Sovjetunie beginnen, meldt hij zich als vrijwilliger voor het Vlaamsch Legioen.Van Immerseel wordt aangesteld tot oorlogsverslaggever aan het oostfront. Hij levert illustraties bij de artikels die over de veldtocht verschijnen in de collaboratiepers, zoals Volk en Staat, De SS Man en De Arbeidskameraad. Zijn tekeningen betreffen verschillende

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СЕКИНАЕВ, С. А. "NORTH OSSETIA DURING THE GREAT PATRIOTIC WAR IN REGIONAL HISTORIOGRAPHY." Известия СОИГСИ, no. 42(81) (December 9, 2021): 61–69. http://dx.doi.org/10.46698/vnc.2021.81.42.002.

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В статье представлены итоги изучения истории Северной Осетии в годы Великой Отечественной войны в осетинской историографии. Выделяются два периода, различающиеся методологическими подходами, репрезентативностью источниковой базы, тематикой и степенью разработанности отдельных вопросов общественно-политической жизни и функционирования экономики республики в военные годы. Первый период изучения проблемы начался уже в годы войны и продолжался до конца 1980-х гг. Начало второму периоду положено с распадом советского государства в 1990-е гг. Работы военных лет были публицистичны и носили в целом пр

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Klisanin, Dana. "Collaborative Heroism: An Empirical Investigation." Heroism Science: An Interdisciplinary Journal 1, no. 1 (2016). http://dx.doi.org/10.26736/hs.2016.01.05.

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"A Historical Overview of Cuartero: Tracing its Origin, Development and Cultural Heritage." British Journal of Arts and Humanities, May 15, 2025, 487–99. https://doi.org/10.34104/bjah.02504870499.

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Cuartero, Capiz, showcases a vibrant interplay of history, leadership, and culture, evolving from a modest settlement to a model municipality. This qualitative study investigated Cuartero’s origins, development, and cultural heritage, employing historical analysis, in-depth interviews, cultural mapping, and Focus Group Discussions with participants, including elders, Araling Panlipunan teachers, and cultural advocates. The findings revealed that leadership, religion, and community cohesion had profoundly shaped Cuartero’s identity. Visionary figures like Manuel Funa and Pascual Dela Torre spea

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Srikandi, Cut Novita, and Ratna Sari Dewi. "BIBLIOMETRIC ANALYSIS OF PUBLICATIONS DISCUSSING THE CONSTRUCTION FEMALES HEROISM WORLDWIDE (1958-2021)." International Review of Humanities Studies 7, no. 2 (2022). http://dx.doi.org/10.7454/irhs.v7i2.468.

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The number of gender studies related to female heroism varies, however to the best of our knowledge, no bibliometric studies have been conducted to examine research trend related to the construction of female heroism in history. Therefore, the aims of this research to investigate the trend of publication related to the female heroism by utilizing bibliometric analysis which become parameter to evaluate and visualize the worldwide publication focus on the development of gender studies. Herein, we identified 753 research articles in English from Scopus database which were published from 1958 – 2

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Zeng, Wenna, and Kara Chan. "Heroism as Narrative Strategy: Children’s Animation and Modernity in Chinese TV." Television & New Media, June 25, 2020, 152747642093358. http://dx.doi.org/10.1177/1527476420933584.

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Entertaining animated television programs often carry significant educational and national discourses that are rarely given much scholarly attention. This article examines the Chinese children’s animation program Boonie Bears and explores its narrative strategies in portraying heroism. By employing content analyses, in-depth interviews, and focus groups, the article discusses how producers construct animation heroes according to the ideological framework of the Communist Party, economic preferences embedded in the Chinese market, and broader cultural expectations held by society. Finally, this

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Cage, Julia, Anna Dagorret, Pauline A. Grosjean, and Saumitra Jha. "Heroes and Villains: The Effects of Combat Heroism on Autocratic Values and Nazi Collaboration in France." SSRN Electronic Journal, 2020. http://dx.doi.org/10.2139/ssrn.3753869.

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Cage, Julia, Anna Dagorret, Pauline A. Grosjean, and Saumitra Jha. "Heroes and Villains: The Effects of Combat Heroism on Autocratic Values and Nazi Collaboration in France." SSRN Electronic Journal, 2020. http://dx.doi.org/10.2139/ssrn.3753869.

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Richardson, Ann-Marie. "The Kingdom Where Nobody Dies Shirley’s Caroline Helstone and the Mimicry of Childhood Collaboration." English Literature, no. 1 (March 9, 2020). http://dx.doi.org/10.30687/el/2420-823x/2019/06/001.

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This essay explores Charlotte Brontë’s 1849 novel Shirley as a literary endeavour to recreate the sibling dynamic of the Brontës’ childhoods, and the psychological effect of being the ‘surviving’ sibling of a formally collaborative unit. In their adolescent years, the Brontës famously forged fictional kingdoms together, known collectively as “The Glass Town Saga”. Throughout adulthood, each Brontë continuously returned to these stories, oftentimes due to nostalgia and occasionally for creative reinvention. However, by the summer of 1849, their familial collaboration was at an end. Charlotte wa

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Richardson, Ann-Marie. "The Kingdom Where Nobody Dies." English Literature, no. 1 (March 9, 2020). http://dx.doi.org/10.30687/el/2420-823x/2019/01/001.

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This essay explores Charlotte Brontë’s 1849 novel Shirley as a literary endeavour to recreate the sibling dynamic of the Brontës’ childhoods, and the psychological effect of being the ‘surviving’ sibling of a formally collaborative unit. In their adolescent years, the Brontës famously forged fictional kingdoms together, known collectively as “The Glass Town Saga”. Throughout adulthood, each Brontë continuously returned to these stories, oftentimes due to nostalgia and occasionally for creative reinvention. However, by the summer of 1849, their familial collaboration was at an end. Charlotte wa

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Kazarovytska, Fiona, Roland Imhoff, and Gilad Hirschberger. "Beyond victimhood and perpetration: Reconstruction of the ingroup's historical role in eight Eastern and Western European countries under Nazi occupation." Political Psychology, September 25, 2024. http://dx.doi.org/10.1111/pops.13037.

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AbstractThe Nazi regime's aggressive expansion across Europe during WWII created a landscape of suffering, resistance, and collaboration. How do lay Europeans today reconstruct their ingroup's roles during Nazi occupation, and how do different role representations relate to defensive responses aimed at protecting the ingroup from threat? We tested two theoretical predictions: Following the identity threat prediction, we expected that denying culpability but endorsing morally favorable group representations (e.g., victim‐heroism) would represent an ingroup‐defensive strategy, correlating with o

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Angeletti, Valerio, Lorenzo Posocco, and Micol Meghnagi. "Fossil Memory: Unaltered Narratives of Resistance and Deportation in the Oldest Italian Holocaust and Resistance Museums." Eastern European Holocaust Studies, April 3, 2024. http://dx.doi.org/10.1515/eehs-2023-0025.

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Abstract In Italy, after the victory of Giorgia Meloni’s post-fascist party, “Fratelli d’Italia,” several studies began to discuss whether or not the country has come to terms with the memory of fascism, its role as an inspirer of Nazism, and the collaboration with Nazi Germany in the Holocaust. Especially the latter, scholarly literature pointed out, has failed to receive the attention it deserves. This article argues that this is particularly true with regard to public history, the way historical information and events are interpreted and presented to the general public, and focuses on publi

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Gong, Jing. "The effects of distributed leadership on teaching innovation in Shanghai, China: the mediating roles of teacher autonomy, teacher collaboration, and teacher self-efficacy." Frontiers in Psychology 16 (July 14, 2025). https://doi.org/10.3389/fpsyg.2025.1562838.

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IntroductionTeaching innovation (TI) is crucial with respect to efforts to cultivate innovative talent and enhance national competitiveness. To promote TI, the Chinese government has issued policy documents that have emphasized the need to overcome the traditional management model, which focuses on the “principal's individual heroism,” and to encourage schools to implement distributed leadership (DL) with the goal of achieving multiparty cogovernance. However, few studies have investigated whether and how the implementation of DL in the centralized and bureaucratic management models used in Ch

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Carney, Jo Eldridge. ""Being Born a Girl": Toni Morrison's Desdemona Authors." Borrowers and Lenders The Journal of Shakespeare Appropriations 9, no. 1 (2023). https://doi.org/10.18274/pmoa1912.

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Desdemona is a collaboration among writer Toni Morrison, theater director Peter Sellars, and musician Rokia Traoré. Morrison's text, a series of monologues and dialogues spoken by an actress who plays Desdemona and channels various other characters, alternates with songs written and performed by Traoré, a renowned Malian singer and composer. This hybrid narrative of words and music insists upon a radical rereading of Othello as it pushes against aesthetic, generic, and ideological boundaries. Both prequel and sequel to Shakespeare's play, this work expands and re-envisions the story of his tra

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DZIUB, Nikol. "Hannah Horvarth (Girls), ou la fabrique d'une (anti-)héroïne sérielle." Television, no. 9 (April 18, 2018). https://doi.org/10.5281/zenodo.7007156.

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Le propos de cet article est d’analyser la manière dont la construction identitaire et les usages sociaux d’Hannah Horvarth, (anti-)héroïne de <em>Girls</em> (HBO, 2012-2017, série créée par Lena Duhnam et réalisée par Judd Apatow), sont symptomatiques d’une évolution du discours sériel sur la féminité, cette évolution étant corrélative au développement de la collaboration génétique entre « concepteurs » de la série et tél&eacut

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Chachulski, Jakub. "Józef Elsner, the Viennese grosse heroisch-komische Oper, and the Origins of the Polish “Grand Opera”." Musicologica Austriaca: Journal for Austrian Music Studies 1, no. 1 (2025). https://doi.org/10.71045/musau.2025.1.24.

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The article explores operas composed by Joseph (later Józef) Elsner in the beginnings of his involvement in the Polish theater, highlighting their significance as a transnational phenomenon due to their being not only, as within the musicology discourse so far, one of the repertoire groups crucial for establishing the Polish-language music theater, but also a part of the operatic landscape of the Habsburg monarchy. The first two of these operas originated within theater environment of peripheral Austrian stage in Lwów/Lviv/Lemberg, where Elsner, hitherto a south-German musician formed in Bresl

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Bachman, Leonard. "Sustainable Design and Postindustrial Society: Our Ethical and Aesthetic Crossroads." Enquiry A Journal for Architectural Research 13, no. 1 (2016). http://dx.doi.org/10.17831/enq:arcc.v13i2.411.

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Mid-20th century transitions from industrial product society to postindustrial information society have marked profound but now familiar conversions to service economy, knowledge workers, and cybernetic reasoning. Second order, but equally important consequences of this change involve the transformation from predominantly human-machine heroics to human-human collaboration. Collectively, these events have revolutionized the bases of production and value across the developed world. Less appreciated however, are the more subtle shifts of postindustrialism and their ultimate epochal transformation

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Delaney, Angelica. "Wonder Woman: Feminist Icon of the 1940s." Kennesaw Journal of Undergraduate Research 3, no. 1 (2014). http://dx.doi.org/10.32727/25.2019.8.

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The purpose of my research concerning the super heroine Wonder Woman is to identify the circumstances under which the comic was created, why its creator was set on using the medium of comics, the messages he was trying to communicate to American society regarding the roles of women, and why it has maintained its fan base from the 1940s to the present. My use of feminist and iconographic analysis provided me with a wealth of information concerning how this avant-garde comic series contested the widely accepted conventions concerning women with its sarcastic images and pejorative text. Creator W

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Kriswantoro, Aneng. "Pertunjukan Boneka Multi Dimensi ”Sumpah Pralaya”." Resital: Jurnal Seni Pertunjukan 13, no. 2 (2013). http://dx.doi.org/10.24821/resital.v13i2.521.

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Perancangan naskah Sumpah Pralaya ini lebih bersifat eksperimen yang mencoba untuk menggabungkan dua konsep bentuk pertunjukan boneka dua dimensi (wayang kulit) dan tiga dimensi (wayang golek) sebagai media penuangan. Wayang golek dan wayang kulit mempunyai bentuk dan karakter yang berbeda baik secara konsep pertunjukan maupun cara menggerakan. Namun perbedaan ini justru menjadi tantangan yang harus bisa dipecahkan dalam rangka membentuk sebuah pertunjukan yang tetap bisa dipahami oleh penikmatnya. Perancangan ini mengreinterpretasi tokoh Abimanyu supaya menjadi cerita yang ideal untuk dipapar

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Ezzy, Tess. "Black Widow." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3144.

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Introduction “First,” said Charlotte, “I dive at him.” She plunged headfirst toward the fly. As she dropped, a tiny silken thread unwound from her rear end. “Next, I wrap him up.” She grabbed the fly, threw a few jets of silk around it, and rolled it over and over, wrapping it so that it couldn’t move. Wilbur watched in horror. He could hardly believe what he was seeing, and although he detested flies, he was sorry for this one. “There!” said Charlotte. “Now I knock him out, so he’ll be more comfortable.” She bit the fly. “He can’t feel a thing now,” she remarked. “He’ll make a perfect breakfa

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Rohadatul Aisyi, Alwiyah Maulidiyah, Sawitri Retno Haudiati, Fadhilah Ramadhani, and Nadiah Irbah Rosyadah. "BONEK sebagai Kearifan Lokal Menuju Tata Ruang yang Inklusif." Talenta Conference Series: Energy and Engineering (EE) 3, no. 1 (2020). http://dx.doi.org/10.32734/ee.v3i1.867.

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Makalah ini mencoba menerapkan kearifan lokal sebagai yang tidak selalu terkait masa lalu maupun tatanan masyarakat adat. Kearifan lokal seharusnya bisa terdapat pada masa kini dan menjadi identitas suatu komunitas modern (perkotaan). Kearifan lokal diperlukan bukan hanya agar masyarakat tersebut bertahan terhadap gempuran budaya luar, namun juga diharapkan dapat menyelesaikan berbagai permasalahan, termasuk masalah Anak Berkebutuhan Khusus (ABK). Bonek - singkatan dari kata bondho nekat, arti sebenarnya : hanya berbekal kenekatan (berani). Namun nekat yang diartikan positif, yaitu sebagai sua

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Jr., Joseph Reagle. "Open Content Communities." M/C Journal 7, no. 3 (2004). http://dx.doi.org/10.5204/mcj.2364.

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In this brief essay I sketch the characteristics of an open content community by considering a number of prominent examples, reviewing sociological literature, teasing apart the concepts of open and voluntary implicit in most usages of the term, and I offer a definition in which the much maligned possibility of 'forking' is actually an integral aspect of openness. Introduction What is often meant by the term 'open' is a generalization from the Free Software, Open Source and open standards movements. Communities marshaling themselves under these banners cooperatively produce, in public view, so

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Tomkinson, Sian. "“This kind of life has no meaning”." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3037.

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Voice synthesising software Vocaloid (Yamaha Corporation) is a popular tool for professional and amateur music production. At the time of writing, there are over 770,000 videos tagged ‘vocaloid’ on Niconico; karaoke chain Karatez displays the top five thousand tracks on its Website (Karatetsu); Hatsune Miku Wiki has over 59,000 pages, while the Vocaloid Lyrics Wiki has over 90,000. Vocaloid is part of Japan’s unique media mix, comprising of the software and music but also official collaborations and a significant amount of fan culture. However, while there is academic research on the way that

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Craven, Allison Ruth. "The Last of the Long Takes: Feminism, Sexual Harassment, and the Action of Change." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1599.

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The advent of the #MeToo movement and the scale of participation in 85 countries (Gill and Orgad; see Google Trends) has greatly expanded debate about the revival of feminism (Winch Littler and Keeler) and the contribution of digital media to a “reconfiguration” of feminism (Jouet). Insofar as these campaigns are concerned with sexual harassment and related forms of sexual abuse, the longer history of sexual harassment in which this practice was named by women’s movement activists in the 1970s has gone largely unremarked except in the broad sense of the recharging or “techno-echo[es]” (Jouet)

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Elliott, Susie. "Irrational Economics and Regional Cultural Life." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1524.

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IntroductionAustralia is at a particular point in its history where there is a noticeable diaspora of artists and creative practitioners away from the major capitals of Sydney and Melbourne (in particular), driven in no small part by ballooning house prices of the last eight years. This has meant big changes for some regional spaces, and in turn, for the face of Australian cultural life. Regional cultural precincts are forming with tourist flows, funding attention and cultural economies. Likewise, there appears to be growing consciousness in the ‘art centres’ of Melbourne and Sydney of interes

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