Relevant bibliographies by topics / Collectible photography

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Collectible photography'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Collectible photography"

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Padmanabhan, Lakshmi. "A Feminist Still." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.

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What can photographic form teach us about feminist historiography? Through close readings of photographs by visual artist and documentary photographer Sheba Chhachhi, who documented the struggle for women’s rights in India from the 1980s onward, this article outlines the political stakes of documentary photography’s formal conventions. First, it analyzes candid snapshots of recent protests for women’s rights in India, focusing on an iconic photograph by Chhachhi of Satyarani Chadha, a community organizer and women’s rights activist, at a rally in New Delhi in 1980. It attends to the way in whi
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Moynihan, Karen E. "A Collectibles Project: Engaging Students in Authentic Multimodal Research and Writing." English Journal 97, no. 1 (2007): 69–76. http://dx.doi.org/10.58680/ej20076225.

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High school teacher Karen E. Moynihan creates a multimodal project inspired by the creative nonfiction style of The Orchid Thief by Susan Orlean. Students choose a collectible item and immerse themselves in the subculture of the collectors. The project includes participation in library and field research, interviews, photography and graphic design, process journals, peer editing and drafting of a final story with integrated research, and PowerPoint presentations.
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Carville, Justin. "‘This postcard album will tell my name, when I am quite forgotten’: Cultural Memory and First World War Soldier Photograph Albums." Modernist Cultures 13, no. 3 (2018): 417–44. http://dx.doi.org/10.3366/mod.2018.0220.

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Since the Crimean and American Civil Wars in the nineteenth century, photography has allowed societies to experience war through the collective understanding of photographic representation as an inscription or mnemonic cue for recollections of past events. However, the First World War ushered in new vernacular cultural practices of photography which radically altered how both war was represented and experienced through photography. This shift, in turn, engendered new private and domestic forms of post-war remembrance through the photographic image. Kodak's marketing of the Vest Pocket Autograp
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Pabedinskas, Tomas. "Personal Photo Album and Collective Memory: The Case of Romualdas Požerskis’ Photographs and Diary." Art History & Criticism 16, no. 1 (2020): 115–24. http://dx.doi.org/10.2478/mik-2020-0008.

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SummaryHistory and memory have been the conceptual core of many Lithuanian photography based contemporary art works as well as international curatorial art projects, including authors from different Baltic countries. On the one hand, this indicates the relevance of the subject related to photography and memory; on the other hand, it also shows the overexploitation of personal and historical memory in contemporary photography and in contemporary art in general.In this context the article analyses Romualdas Požerskis’ personal album photographs from the years 1971–1975 and his written diaries fr
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Jarmołowicz-Dziekońska, Małgorzata. "Exilic representation and the (dis)embodied self: memory and photography in Yoshiko Uchida’s , autobiography Desert Exile: The Uprooting of a Japanese-American Family." Idea. Studia nad strukturą i rozwojem pojęć filozoficznych 31 (2019): 148–71. http://dx.doi.org/10.15290/idea.2019.31.09.

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Photography and memory seem to be inextricably bound up with each other, as photographs can invoke memories which help to excavate past moments with vivid details. Yoshiko Uchida in her autobiography, Desert Exile: The Uprooting of a Japanese-American Family (1982), delves into her past experiences through the lens of counter-memory, i.e. the memory of the minor and the subjugated. The Japanese-American author strives to recover the past by means of photographic images which—blended into written reminiscences— uncover yet another plane of articulation. Individual memory has enabled the author
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Susi, Benedetta, and Chiara Pompa. "The Situated Gaze of Marina Guerra: From Noi Donne to Noi, altre." Journal of Asia-Pacific Pop Culture 9, no. 2 (2024): 329–54. https://doi.org/10.5325/jasiapacipopcult.9.2.0329.

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Abstract The production of Marina Guerra, a female photographer, is an exciting case study reflecting the beginning of changes in women’s roles since the 1970s. Situating her work within the context of the left-wing press, where Guerra was a notable contributor, underscores the increasing influence of women’s voices and feminist contributions. This study examines the 1977 photobook Noi, altre. Immagini e storie di donne (We, others: Images and stories of women), which, despite being neglected by critics, fits well into the Italian photobook tradition and the women’s photographic landscape of t
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Currie-Williams, Kelann. "Makers and Keepers: Two Lives, through Photographs." Canadian Journal of History 56, no. 3 (2021): 292–319. http://dx.doi.org/10.3138/cjh.56-3-2021-0044.

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Looking through the pages of family photo albums or the folders of photographic archival fonds can only be described as holding history in your hands. Whether it is in the form of colour or black and white prints, negatives, or slides, these photo-objects carry histories of lives lived that go beyond their frames. Focusing on a set of oral history interviews conducted with two Black women living in Montréal — a community photographer or image “maker” who was most active during the 1970s–1990s and a photo-collector or “keeper” who is currently active in preserving and sharing photographs for he
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Lysenko, Lesia. "Photographic narrative as a factor in overcoming witness trauma." Communications and Communicative Technologies, no. 24 (March 27, 2024): 15–21. http://dx.doi.org/10.15421/292402.

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The research aims to explore the multifunctional potential of photography in overcoming the traumatic experience of witnessing violence and brutality. The paper presents how photography can be used in rehabilitation practices for those who have lived through war. It outlines the tendencies of the modern digital information environment (cross-media, interactivity) that enhance the "restorative" functions of photography in overcoming psycho-emotional and socio-cultural crisis reactions.
 It has been found that photography’s narrative nature can enhance the viewer’s experience of interacting
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Ruchel-Stockmans, Katarzyna. "Community-Based Photographic Archives and “Potential” Histories of the Cold War in Eastern Europe." Život umjetnosti, no. 111 (July 2023): 48–61. http://dx.doi.org/10.31664/zu.2022.111.04.

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The article proposes to look at the recently emerged online photographic archives in Eastern Europe as a form of digital commons. The bulk of the collected photographs in these archives are vernacular, family or amateur photographs, the sort which obstinately resists being included in the histories of photography. The online archives under scrutiny here, Fortepan in Hungary and Karta/CAS in Poland, disregard the established divisions between the photographic genres, allowing the reconfiguring of the hierarchies and values perpetuated by other archives and museum collections. Most significantly
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Rajendran, Punnya. "Forms of technostalgia: Understanding cultures of the obsolete." Studies in South Asian Film & Media 15, no. 1 (2023): 57–69. http://dx.doi.org/10.1386/safm_00070_1.

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The term ‘technostalgia’ refers to a range of admittedly quirky and often collectible devices that frequently hit the market, promising customers the experience of past technology in the present. Using this marketing trend as a starting point, this article attempts to trace ‘other’ technostalgias in their plurality elsewhere in order to plump the philosophical dimensions of the concept. Upon unpacking the underlying structure of technostalgia (in terms of subject–object relations, as social practice, etc.), we may relocate the technological subject within the global–local horizon and rethink t
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Dissertations / Theses on the topic "Collectible photography"

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Gassner, Patricia. "Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2461.

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Thesis (MPhil (Journalism))--University of Stellenbosch, 2009.<br>There are certain images of war that are horrific, frightening and at the same time, due to an outstanding compositional structure, they are fascinating and do not allow its observers to keep their distance. This thesis examines three images of war that have often been described as icons of war photography. The images “children fleeing a napalm strike” by Nick Ut, “the falling soldier” by Robert Capa and Sam Nzima’s photograph of Hector Pieterson are historical reference images that came to represent the wars and conflicts
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Ignas-Menzies, Tristan. "Provoke as a collective practice of photographic realism." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59066.

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Comprised of the critic Taki Kōji, poet Okada Takahiko, and photographers Nakahira Takuma, Takanashi Yutaka, and Moriyama Daido (who joined with the publication of the second issue), the photographic journal Provoke ran for three issues between 1968 and 1969. My thesis considers Provoke in terms of its status as a physical and commercial object within the socio-economic context of late 1960s Japan so as to offer a perspective into the collaborative endeavour represented by the journal as a whole. I argue that Provoke attempted to mobilize photography’s documentary potential in the face of the
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Görgen, Carolin. "Out here it is different - The California Camera Club and community imagination through collective photographic practices : toward a critical historiography, 1890-1915." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC010/document.

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Le California Camera Club, un collectif de photographes amateurs et professionnels actif à San Francisco notamment entre 1890 et 1915, est une organisation constamment marginalisée dans l’histoire de la photographie et de l’Ouest américain. En adoptant une double approche d’histoire culturelle et matérielle, cette thèse éclaire une gamme d’activités et de productions de ce club largement inconnu, qui ont contribué à forger l’identité d’une communauté éloignée de l’Ouest. Par son approche inclusive, réunissant plus de 400 membres en 1900, le club doit être considéré comme une organisation local
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Gaillard, Frédérique. "Approches esthétiques et théorétiques des archétypes dans le photojournalisme : à partir du World Press Photo (1956-2013)." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080021.

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Grâce à une analyse fondée sur l'esthétique et la théorétique, cette recherche sur le photojournalisme et ses archétypes soulève de nombreuses questions. La théorétique est l'approche d’une pratique considérée d’abord sous l’angle du « sans-Art » qui se distingue de l’esthétique en tant qu'approche théorique d’une réflexion assimilée principalement à l’art. La notion d'archétype est réfléchie à travers ses diverses facettes et donc avec différents champs d’études (psychologie, philosophie, mythologie...). Avant de s'intéresser aux photographies, il est important de déterminer comment l'image d
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Hansen, Andrew L. "And Paris Saw Them: An Examination of Elie Kagan's Photographs of the Paris Massacre of October 17, 1961." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1115051302.

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Matrau, Alice. "Peuples allemand et américain des années 1945-1960 : regards croisés entre poésie et photographie. Comment toucher le nerf d’une époque ? René Burri, Les Allemands ; Hans Magnus Enzensberger, Landessprache ; Robert Frank, Les Américains ; Allen Ginsberg, Howl and other poems." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030063.

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Dans une Allemagne détruite et divisée qui tente de faire face à son passé nazi, et dans une Amérique aux prises avec le maccarthysme et la guerre froide, quatre jeunes poètes et photographes scrutent les soubresauts de l’histoire. René Burri dans Les Allemands, Hans Magnus Enzensberger dans Landessprache, Robert Frank dans Les Américains, et Allen Ginsberg dans Howl and other poems se font les consciences de leur époque. Ils conçoivent leur pratique artistique comme l’exercice d’une essentielle critique face à un ordre social établi qui ne l’autorise guère. A travers mots et images, ils passe
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Dahmani, Taous Rose. "Faire scène : stratégies d'émergence et d'institutionnalisation des photographes noirs britanniques dans la longue décennie 80." Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H082.

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Durant la décennie 1980, des photographes non-blancs et des femmes photographes Noirs imaginent des formes d’opposition à un milieu qui les ignore obstinément. Individuellement et collectivement, les photographes Noirs se confrontent aux multiples dénégations au moyen de gestes de résistance. Ensemble, mais seuls, ils vont faire scène. Instigateurs d’une multitude d’actes, ils deviennent agents de leur réalisation en tant qu’artistes-photographes. La scène produit un empouvoirement et l’empouvoirement façonne la scène. Cette thèse raconte les stratégies mises en place pour défier le statu quo.
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Gaillard, Frédérique. "Approches esthétiques et théorétiques des archétypes dans le photojournalisme : à partir du World Press Photo (1956-2013)." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080021.

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Grâce à une analyse fondée sur l'esthétique et la théorétique, cette recherche sur le photojournalisme et ses archétypes soulève de nombreuses questions. La théorétique est l'approche d’une pratique considérée d’abord sous l’angle du « sans-Art » qui se distingue de l’esthétique en tant qu'approche théorique d’une réflexion assimilée principalement à l’art. La notion d'archétype est réfléchie à travers ses diverses facettes et donc avec différents champs d’études (psychologie, philosophie, mythologie...). Avant de s'intéresser aux photographies, il est important de déterminer comment l'image d
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Valkanova, Dora R. 1984. "Images as Templates for Collective Memory: Symbolism and Performance in Iconic and Popular Photographs of Woodstock 1969, 1994 and 1999." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10696.

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vi, 84 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This thesis explored the significance of the 1969 Woodstock festival and its anniversary festivals as indicated through media use of iconic and popular photographs. The literature review examines the role of iconic and journalistic images in the collective memory of historic events. The dynamic interplay of collective memory and images forms the theoretical backbone of the thesis, which applies semiotic analysis to interpret the meaning and signifi
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Charpentier-Boude, Christine. "La photo de classe : palimpseste contemporain de l'institution scolaire /." Paris : l'Harmattan, 2009. http://catalogue.bnf.fr/ark:/12148/cb41475727x.

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Books on the topic "Collectible photography"

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Sander, Gloria Williams. The collectible moment: Catalogue of photographs in the Norton Simon Museum. Edited by Mulligan Therese and Norton Simon Museum (Pasadena, Calif.). Published for The Norton Simon Art Foundation by Yale University Press, 2006.

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Aarsman, Hans. De Aarsman collectie. NAi Uitgevers, 2005.

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Rik, Suermondt, ed. Fotografie in het Stedelijk: De geschiedenis van een collectie. NAi Uitgevers, 2009.

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Hufford, Deborah. Scrapbooking: Keep your memories special. Capstone Press, 2006.

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Museum, stedelijk. 100XFoto: 100 foto's uit de collectie van het Stedelijk Museum Amsterdam. THOTH, 1996.

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Keyes, Doug. Collective memory. DECODE Books, 2008.

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Shevchenko, Olga. Double exposure: Memory & photography. Transaction Publishers, 2014.

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Zoetendaal, Willem van. Springvloed: Van Zoetendaal & de collectie. Van Zoetendaal Publishers, 2017.

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Gowin, Emmet. Emmet Gowin: A collective portrait. Princeton University Art Museum, 2009.

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Gowin, Emmet. Emmet Gowin: A collective portrait. Princeton University Art Museum, 2009.

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Book chapters on the topic "Collectible photography"

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Chaney, David. "Photographic Pictures." In Fictions of Collective Life. Routledge, 2023. http://dx.doi.org/10.4324/9781003363033-4.

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Bhandari, Siddhi. "Collective Making of Press Photographs." In Seeing South Asia. Routledge India, 2022. http://dx.doi.org/10.4324/9781003276753-17.

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Toh, Charmaine. "Collective Memory and Landscape." In Survey Practices and Landscape Photography Across the Globe. Routledge, 2022. http://dx.doi.org/10.4324/9781003130260-14.

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Sopina, Ana, and Bojanna Bojanic Obad Scitaroci. "Monitoring Transformations of Urban and Natural Landscape in Mediterranean Cities by Promoting Landscape Setting Archetypes." In Monitoring of Mediterranean Coastal Areas: Problems and Measurement Techniques. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0556-6.46.

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The research phenomenon of the ‘urban and natural landscape relation’ as landscape setting of cities, testifies to 25 centuries of urban culture in the Mediterranean. The holistic understanding of the landscape relation as a multidimensional phenomenon and changeability process presents a challenge in application to spatial planning. The research hypothesis introduces landscape archetypes as a conceptualisation principle that integrate various research fields and embody landscape reality, representation, and change. The applied research method of literature review sets spatial planning, collec
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Mitchell, Carla. "Reanimating the Archive: How and for Whom? Archival and Curatorial Issues Raised by Collective Practices in Camerawork." In Contemporary Photography as Collaboration. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-41444-2_11.

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Rattalino, Elisabetta. "Working in Regress and Beyond, with Rural Material Culture [1]." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_29.

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AbstractThis contribution brings together and compares selected works by artist Claudio Costa, architects collective Superstudio, and photographer and designer Mario Cresci. It discussed the way in which they engaged with rural material culture in 1970s, a time when Italy was rehabilitating its pre-industrial heritage. Despite their respective differences, these works adopted multiple media to make rural artefacts talk and provide existential, educational, socio-political, and cultural models.
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Castronovo, Francesco. "Violazione dei diritti fondamentali ed esigenze di documentazione: un’eccezione al copyright?" In Strumenti del Dipartimento di Giurisprudenza di Siena. Firenze University Press, USiena Press, 2025. https://doi.org/10.36253/979-12-215-0702-7.16.

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The conflict between copyright laws and the need to document and disseminate human rights violations and crimes against humanity becomes central, as access to crucial materials for historical memory risks being restricted by intellectual property protection. Institutions holding these documents often face the challenge of balancing respect for authors’ rights with the need to ensure the dissemination of testimonies vital for education and the prevention of future atrocities. The collective memory of such events is built through materials like photographs, footage, and letters, often created by
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Boyer, M. Christine. "La Mission Héliographique: Architectural Photography, Collective Memory and the Patrimony of France, 1851." In Picturing Place. Routledge, 2021. http://dx.doi.org/10.4324/9781003268260-3.

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Abad, Pio. "The Collection of Jane Ryan & William Saunders." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_05.

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This paper focuses on an ongoing project that began in 2012, entitled The Collection of Jane Ryan &amp; William Saunders. This project is an attempt to reconstitute the Marcos Collection. Sourced from auction catalogues, museum archives, and scant government records, their lavish inventory of commissioned portraits, jewellery, Regency silverware, and old master paintings is reproduced as photographic installations, postcards, and three-dimensional prints. Reconstruction, in this instance, becomes a sustained democratic gesture, allowing an increasingly forgetful public to access a collection t
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Lance, Kylie, Maureen Matarese, Chloe Friedman, Cristina Diaz, and Brandon Coombs. "Chapter 6. “Your health is in your hands”." In Risk Discourse and Responsibility. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.336.06lan.

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COVID provided researchers an unfortunate but opportune moment to examine the relationship between disease transmission, public health messaging, and cultural values. Most studies highlight the effectiveness of collective messaging and concerns regarding individualist messages. However, these studies examine COVID message effectiveness from a public health perspective and do not investigate signs from a linguistic or discourse perspective. Contributing to research on the linguistic/discursive construction of responsibility and risk (e.g., Ädel et al., Chapter 1 in this volume; Östman &amp; Sol
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Conference papers on the topic "Collectible photography"

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Chippendale, P., M. Zanin, and C. Andreatta. "Collective Photography." In 2009 Conference for Visual Media Production (CVMP). IEEE, 2009. http://dx.doi.org/10.1109/cvmp.2009.30.

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Bulyghin, V. S., and S. G. Pankratov. "The Contribution Of Collective Interaction Of Photoelectrons To The Temporal Distortion Of An Ict Signal." In 16th International Congress on High Speed Photography and Photonics, edited by Michel L. Andre and Manfred Hugenschmidt. SPIE, 1985. http://dx.doi.org/10.1117/12.967927.

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Barreto, Susana, Heitor Alvelos, Ana Miriam Rebelo, and Luciana Lopes. "Exploring Visual Analysis in Design Research: Insights from Workshops with PhD Students at the University of Porto, 2022." In 8th International Visual Methods Conference. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.168.7.

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This paper discusses two workshops on visual analysis conducted with research students from the PhD in Design at the University of Porto in 2022 within a curricular context. The objectives were to extract significance from visual information and to use visual methods for more effective research communication. The workshops focused on visual ethnographic analysis of photographs. Through hands-on exercises and joint theorising, two doctoral projects gained insights. The first project aimed to explore the contributions of informal dwelling to the city of Porto's visual and semantic identities usi
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THIERIOT LOISEL, Mariana. "Dialogue Between Two Mirrors Towards Venetian Transdisciplinarity." In For an international transdisciplinary chair. ADJURIS – International Academic Publisher, 2024. http://dx.doi.org/10.62768/adjuris/2024/2/14.

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Abstract: The article is a „photographic snapshot” of the interweaving between personal history, cultural heritage, and the concept of transdisciplinarity through the metaphorical lens of Venice's enduring beauty and struggle. The narrative journey reflects the author’s Brazilian roots amidst political turmoil, the formative experiences of her European heritage, and the evocative environment of Venice. By intertwining personal anecdotes with broader reflections on history, resistance, and cultural preservation, the article proposes a transdisciplinary approach that bridges past and future, art
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Sokolina, Anna. "Women in Architecture: Contested Legacies." In ICAG 2023 - VI International Conference on Architecture and Gender. Universitat Politècnica de València, 2023. https://doi.org/10.4995/icag2023.2023.19781.

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Women are everywhere in architectural territories. The mission is to expand the map and reconstruct the truth about women’s contested legacies. The objectives of this study are to conquer marginalized chronologies and reconstitute panoramic histories of women’s accomplishments. The emphasis is placed on integrity and teamwork of the female half of the Earth’s population. Women’s architectural records are represented in hundreds of archives, yet by just a few museum collections. That evidence proves how little ground these holdings have gained even despite numerous studies published over the re
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REPANOVICI, Angela, Vlad BATRANU-PINTEA, Elisa DAN, Liviu TOADER, and Adrian Paul TULIGA. "DAILY LIFE IN COMMUNISM. AN APPROACH THROUGH PERSONAL OBJECT ANALYSIS." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s10.44.

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The present paper wants to analyze the perception of communism. It is structured in two main parts: the theoretical preliminaries and the case study. In the first part, we will build a theoretical base about the main concepts that influenced the cultural world and daily life during the years of communist dictatorship in Romania. In the second part, we analyzed a database composed of photographs of objects chosen by the respondents as significant for the period we are talking about. We want to see what are the reasons that made the research participants opt for the respective objects and what s
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Fortin, Moira. "Practice as Research a collective form of activism from a South American perspective." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.202.

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As a Chilean living in Aotearoa/ New Zealand I am constantly looking to Latin and South America. Living in the diaspora has allowed me to examine and reflect upon the different socio-political issues arising in the region from afar and with perspective. As an actress and researcher, I am on an ongoing exploration considering how to share research projects from a creative activist standpoint, moving beyond traditional academic research publications into forms that are situated and accessed in the exchanges of everyday relationships and resistance. Written academic outputs are primarily intended
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Wolfe, Byron, and Seher Erdoǧan Ford. "How Do We Work? Metacognition in Creative and Collaborative Practices." In 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.64.

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constitute best practices for initiatingand maintaining sustainable collaborations?These questions arise regularly within the context of our institution, Tyler School of Art and Architecture, which is part of TempleUniversity in Philadelphia, Pennsylvania. The school includes the departments of Architecture and Environmental Design, Art Education and Community Arts Practices, Art History, Studio Art, and Graphic and Interactive Design. It recently updated its structure and adopted a name that captures its breadth of programs to support cross-disciplinary study and reflect current understanding
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Dixit, Y., P. Begeman, G. Newaz, D. Board, Y. Chen, and O. Faruque. "Full Frontal Impact Comparison of Steel and Carbon Fiber Composite Front Bumper Crush Can (FBCC) Structures." In ASME 2018 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/imece2018-87110.

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Abstract:
This study compares the deformation characteristics of steel and carbon fiber composite (CFC) front bumper crush can (FBCC) assemblies when subjected to a full-overlap frontal impact into a rigid wall. Both the steel and composite bumper tests were conducted using a sled-on-sled testing method. Several high-speed cameras (HSCs) and accelerometers were used to gather kinematics data. The applied forces were measured using a load cell wall. For each test, the collective set of data was filtered, sorted, and analyzed to compare the performance of the steel and CFC bumpers. Similarities in Acceler
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Arora, Avi. "Media Representation of Depression and How it is Portrayed by People in General through Self-Driven Photo-Elicitation." In 8th International Visual Methods Conference. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.168.8.

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This paper delves into the intricate relationship between media portrayal and mental health, focusing particularly on depression, within a context rife with ambiguity and historical setbacks. Recognizing media's profound influence on societal perceptions and cognitive frameworks, the study highlights the repercussions of its often flawed representation of sensitive topics, including mental health, which can foster stigma and undermine individuals' self-esteem and help-seeking behaviors. Through an exploration of various media sources, the research underscores the diversity in depictions of dep
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