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1

Sander, Gloria Williams. The collectible moment: Catalogue of photographs in the Norton Simon Museum. Edited by Mulligan Therese and Norton Simon Museum (Pasadena, Calif.). Published for The Norton Simon Art Foundation by Yale University Press, 2006.

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2

Aarsman, Hans. De Aarsman collectie. NAi Uitgevers, 2005.

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3

Rik, Suermondt, ed. Fotografie in het Stedelijk: De geschiedenis van een collectie. NAi Uitgevers, 2009.

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4

Hufford, Deborah. Scrapbooking: Keep your memories special. Capstone Press, 2006.

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5

Museum, stedelijk. 100XFoto: 100 foto's uit de collectie van het Stedelijk Museum Amsterdam. THOTH, 1996.

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6

Keyes, Doug. Collective memory. DECODE Books, 2008.

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7

Shevchenko, Olga. Double exposure: Memory & photography. Transaction Publishers, 2014.

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8

Zoetendaal, Willem van. Springvloed: Van Zoetendaal & de collectie. Van Zoetendaal Publishers, 2017.

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9

Gowin, Emmet. Emmet Gowin: A collective portrait. Princeton University Art Museum, 2009.

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10

Gowin, Emmet. Emmet Gowin: A collective portrait. Princeton University Art Museum, 2009.

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11

Gowin, Emmet. Emmet Gowin: A collective portrait. Princeton University Art Museum, 2009.

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12

Wikert, Steven Micheal. A Century of Dolls: Antique Photographs of Children with Dolls. Hobby House Press, 2001.

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13

Rooseboom, Hans. Opgenomen, 1850-1925: Foto's van wetenschap, studenten en expedities, collectie Universiteit Utrecht. Thoth, 2000.

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14

Wikert, Steven Micheal. Animal Friends: Antique Photographs of Children with Animals and Pets. Hobby House Press, 2002.

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15

Noble, Andrea. Photography and memory in Mexico: Icons of revolution. Manchester University Press, 2010.

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16

Siffer, Juliette. Sterke verhalen: Uit de rijke collectie van het Nederlands Fotomuseum. Lecturis, 2020.

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17

Michelon, Francisca Ferreira, and Francine Silveira Tavares. Fotografia e memória: Ensaios. Editora e Gráfica Universitária, UFPel, 2008.

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18

translator, Kitaguchi Yûichi, ed. Collective order: Marius Born : notes on Tokyo = Korekuteive-oda. Walther König, 2011.

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19

Miller, Jay. The photographic baseball cards of Goodwin & Company: (1886-1890). s.n.], 2008.

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20

Wikert, Steven Micheal. Cherish me always: Teddy bears & warm fuzzies : antique photographs of children with stuffed animals. Hobby House Press, 2001.

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21

Haeghen, Arnold Vander. Arnold Vander Haeghen, 1869-1942: Foto's uit de collectie van het Huis van Alijn. Snoeck, 2005.

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22

collective), Urban reports (Photography. L'altra Italia: Racconto per immagini delle aree interne del paese = The other Italy : the inland areas of the country in images. Johan & Levi editore, 2018.

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23

Joe, Gonsowski, Masson Richard, and Harwell Ernie, eds. The photographic baseball cards of Goodwin & Company: (1886-1890). s.n.], 2008.

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24

Hayes, A. Uniforms of the Third Reich: A study in photographs. Schiffer Pub., 1997.

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25

McDaniels, Skeeter. Brewed in Rochester: A photographic history of beer in Rochester, New York, 1885-1975. Mountain Air Books, 2008.

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26

José Oliveira da Silva Filho. A história capturada: São Luís pelas lentes de Gaudêncio Cunha (1895-1908). Editora UEMA, 2012.

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27

Fournol, Luc. Les puces de Paris: Saint-Ouen. Mécène, 2006.

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28

Danner, Gary. Station Rose: 20 digital years plus. Verlag für moderne Kunst Nürnberg, 2010.

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29

Charpentier-Boude, Christine. La photo de classe: Palimpseste contemporain de l'institution scolaire. L'Harmattan, 2009.

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30

Bourret, Joan Liffring-Zug. The Amanas: A photographic journey, 1959-1999. Penfield Press, 2000.

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31

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Ci
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32

Holland, Hugh. Sun. Skate. Seventies. : 100 Postcards: – Box of Collectible Postcards Featuring Lifestyle Photography from the Seventies, Great Gift for Fans of Vintage Photography, Fashion, and Skateboarding. Chronicle Chroma, 2019.

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33

Finnegan, Cara A. Photography’s Viewers, Photography’s Histories. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0006.

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This book has investigated how viewer engagement with photography happens at the local, historically specific level. It has shown how, from the Civil War to the Great Depression, photography shaped a collective consciousness that enabled viewers to negotiate anxieties of the period, from war, poverty, and economic depression to national identity and citizenship. By closely reading traces of viewers' encounters with photography, the book has written a rhetorical history of photographic viewership showing that viewers were active agents who used their experiences of photography to deliberate abo
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34

Subtext: Critiquing Individual Photographs Within a Collective Consciousness. Taylor & Francis Group, 2017.

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35

Ruesch, Andre. Subtext: Critiquing Individual Photographs Within a Collective Consciousness. Taylor & Francis Group, 2017.

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36

Collective: A Photography LookBook. Blurb, 2019.

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37

Portretten & stillevens: Foto's uit de Manfred Heiting collectie. Rijksmuseum, 2001.

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38

Michalek, Todd. Gridiron Collective. Todd F. Michalek, 2024.

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39

press, motion. Ncịs Photo Book: Compelling Coffee Table Picture Book with Quotes Collectible Art Deco Photography Portraits Clip Art Collection of Images As Gift for Fans Him Her Kids Men Women. Independently Published, 2022.

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40

Silja Yvette: Collective Creatures. Hatje Cantz Verlag GmbH & Co KG, 2019.

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41

liam, pov. Johnny Cạsh Photo Book: Compelling Coffee Table Picture Book with Quotes Collectible Art Deco Photography Portraits Clip Art Collection of Images As Gift for Fans Him Her Kids Men Women. Independently Published, 2022.

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42

striesenad, Brbra. Bȧrbrȧ Photo Book: Compelling Coffee Table Picture Book with Quotes Collectible Art Deco Photography Portraits Clip Art Collection of Images As Gift for Fans Him Her Kids Men Women. Independently Published, 2022.

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43

Portretten & stillevens = Still lifes & portraits: Foto's uit de Manfred Heiting collectie = photographs from the Manfred Heiting collection. Waanders, 2001.

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44

Photography, Inextremiss, Eldritch Fashion, Randy Graham FX, and Peter Zurla. Sickness World Wide: A Horror Photography Collective. Independently Published, 2021.

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45

Pollen, Annebella. Mass Photography: Collective Histories of Everyday Life. Taylor & Francis Group, 2020.

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46

Pollen, Annebella. Mass Photography: Collective Histories of Everyday Life. Taylor & Francis Group, 2020.

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47

Pollen, Annebella. Mass Photography: Collective Histories of Everyday Life. Taylor & Francis Group, 2020.

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48

Pollen, Annebella. Mass Photography: Collective Histories of Everyday Life. Taylor & Francis Group, 2020.

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49

Mass Photography: Collective Histories of Everyday Life. I. B. Tauris & Company, Limited, 2016.

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50

striesenad, Brbra, and bav emiley. Rebȧ Mcentịre Photo Book: Compelling Coffee Table Picture Book with Quotes Collectible Art Deco Photography Portraits Clip Art Collection of Images As Gift for Fans Him Her Kids Men Women. Independently Published, 2022.

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