Log in

Relevant bibliographies by topics / Collection art / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Collection art.

Dissertations / Theses on the topic 'Collection art'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Collection art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

Full text

Abstract:

This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.

APA, Harvard, Vancouver, ISO, and other styles

2

Brogan, Devin. "Art in Wichita instruction, collection and innovation /." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t024.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Summerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain." Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.

Full text

Abstract:

In the twentieth century, collecting became a core activity of local authority art galleries and museums in Britain. A key feature of these art collections was the representation of Twentieth Century British Art. The aim of this study is to examine, for the first time, this development as abroad cultural phenomenon, through the distinctive roles played by central government-funded, and independent national and provincial art collection schemes. The central government-funded art collection schemes are the V. & A Purchase Grant Fund, War Artists' Advisory Committee and the National Heritage Memo

APA, Harvard, Vancouver, ISO, and other styles

4

Salmons, John Andrew. "Adopting an Orphaned Collection." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64789.

Full text

Abstract:

"Architecture itself is linked not only to other arts but also to the broader context of life; it is only on that scale that we may understand its specific contribution to the formation of the communicative space of culture."* - Dailbor Vesely 2004 Architects have explored Art Galleries as a medium throughout the ages. In 2014, the Corcoran was sold, dismantled and divided between the National Gallery of Art and George Washington University signaling the end of an era of art display in the Nation's Capital. This transformation of a major DC art collection was the impetus for this thesis: to ma

APA, Harvard, Vancouver, ISO, and other styles

5

Walker, Jessica E. "Unexpected Reflection Collection." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253634229.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Quito, Anne. "Art at work potential contributions of an art collection to non-profit organizations /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456296265/viewonline.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Baker, Laura. "The New Orleans Museum of Art: Managing the Collection." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/173.

Full text

Abstract:

An internship experience in the Office of the Registrar and Collections Management at the New Orleans Museum of Art is reviewed alongside discussion of the Museum’s history, structure, and permanent collection, in addition to analyses of the organization’s finances and its institutional strengths, weaknesses, opportunities and threats. Discussion topics also include the intern’s experience, best practices in similar institutions, and a conclusion with recommendations made by the intern.

APA, Harvard, Vancouver, ISO, and other styles

8

Wilson, Janelle. "Accessioning and Managing the Petersburg Area Art League Collection." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2296.

Full text

Abstract:

Since the 1960s, the Petersburg Area Art League (PAAL) has obtained works of art for its permanent collection through purchases, private donations, and through the local art show, the Poplar Lawn Art Festival, later known as Artfest. Recently, however, the organization has decided to become a non-collecting institution in order to focus on its mission to promote the arts in Petersburg through gallery shows for local artists and educational programs. While PAAL’s staff members share a love of art and a dedication to the local community, they have not been trained in professional standards for

APA, Harvard, Vancouver, ISO, and other styles

9

Lucas, Jean-Jacques. "Les territoires imaginés de la collection, récits individuels et collectifs : les collections et les collectionneurs d'oeuvres d'art, d'archéologie, d'arts décoratifs et appliqués dans le Centre-Ouest Atlantique entre 1870 et 1983." Poitiers, 2010. http://www.theses.fr/2010POIT5007.

Full text

Abstract:

Le collectionnisme d'œuvres d'art depuis le milieu du XIXème siècle , lisible tout au long de cette période au travers des expositions régionales, des dons et legs aux musées locaux, inscrit des valeurs de repères. Ces situations supposent l'enchâssement de plusieurs territoires imaginaires, temporels et spatiaux. L'objet pouvant prétendre à une durée que le corps n'atteindra pas, la collection le présente à une admiration durable. Elle est monument marquant l'appropriation de son assembleur, par une fonction ligamentaire, avec son territoire généalogique réel ou reconstruit. La translation da

APA, Harvard, Vancouver, ISO, and other styles

10

Donkor, Kimathi. "Africana unmasked : fugitive signs of Africa in Tate's British Collection." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12019/.

Full text

Abstract:

Through painting, drawing, photography and digital design, I have investigated the relationship between, on the one hand, my fine art practice—with its interest in postcolonial African and diaspora identities (or, ‘Africana’)—and on the other hand, works at The Tate Gallery—with its remit to hold the National Collection of British Art. By interrogating iconological ‘conditions of existence’ for works by Fehr, Sargent and Brock, I created new artworks that indicated hidden (or, ‘fugitive’) African connections with the intention of disrupting complacent assumptions and reimagining unacknowledged

APA, Harvard, Vancouver, ISO, and other styles

11

Noual, Pierre. "L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques." Thesis, Toulouse 1, 2016. http://www.theses.fr/2016TOU10043.

Full text

Abstract:

La collection demeure un puissant moteur de curiosité en perpétuelle effervescence. Elle relève de la sphère artistique et participe de l’indicible. Elle échappe à la logique et à la rationalité. Elle nous dépasse et ne relève que de l’ordre du sensible. C’est pourquoi en parlant des relations entre l’art et la société, la collection occupe une place singulière. Pourtant, si les études juridiques consacrées aux œuvres d’art sont nombreuses, il en irait autrement pour les collections, alors même qu'elles sont heurtées depuis plusieurs décennies par de nombreux bouleversements économiques et art

APA, Harvard, Vancouver, ISO, and other styles

12

Couette, Déborah. "L'Aracine, de l'association au musée : histoire d'une collection d'art brut (1982-2010)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H043.

Full text

Abstract:

L’Aracine est une association loi de 1901 créée en 1982 à l’initiative de Madeleine Lommel en collaboration avec Michel Nedjar et Claire Teller dans le but de rassembler, de conserver et d’exposer une collection d’art brut publique en France. Conçue comme un hommage aux recherches de l’artiste Jean Dubuffet, cette collection – offerte en 1999 au musée d’Art moderne de Villeneuve-d’Ascq – constitue un rare essai de légitimation et de patrimonialisation de l’art brut. Cette thèse, histoire d’une association, d’une collecte et d’une collection, propose de revenir aux origines et aux développement

APA, Harvard, Vancouver, ISO, and other styles

13

McDermott, Hiroko T. "A history of the Imperial Art Collection in modern Japan." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399439.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Toropov, Stephen William. "Interpretation As Art: A Collection and Examination of Ekphrastic Poetry." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429877149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Sarti, Susanna. "Giampietro Campana (1808-1880) : the man and his collection." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390392.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Brod, Heather Christine. "Colorist art, contemporary Russian art, and Neue Slowenische Kunst in the collection of Neil K. Rector." Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210265694.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

SEYMOUR, BRIAN. "ART COLLECTING AND SHAPING PUBLICS AROUND THE TURN OF THE TWENTIETH CENTURY: A PHILADELPHIA STORY." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/476618.

Full text

Abstract:

Art History<br>Ph.D.<br>This dissertation traces the rhetoric of two Philadelphians, attorney John G. Johnson and Dr. Albert C. Barnes, as they collected art with a specific public in mind, namely working Philadelphians around the turn of the twentieth century. The individual bequests and resulting legacy institutions of Johnson and Barnes serve as rich case studies to assess the efforts of collectors to control the reception of their respective collections by the public. These particular histories, exceptional in their own ways, are juxtaposed to offer an objective view onto previously unders

APA, Harvard, Vancouver, ISO, and other styles

18

Lipschitz, Michael Roy. "The Charles Davidson Bell Heritage Trust collection : a catalogue and critical study." Thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/23586.

Full text

Abstract:

This thesis comprises two parts. Part One is a biography of the life of Charles Davidson Bell (1813-1882), who was the Surveyor General at the Cape from 1848 to 1872. Part Two consists of an illustrated catalogue and critical study of the the pictures by Charles Davidson Bell in the Bell Heritage Trust Collection at U.C.T. The Biography of Charles Davidson Bell has been researched from unpublished sources and from secondary published sources. The chronology of his life is placed in relationship with his versatile accomplishments as an artist and his achievements in other diverse fields. In the

APA, Harvard, Vancouver, ISO, and other styles

19

Ren, Josephine. "Islamic Ceramics, Indelible Creations: Assessing and Preserving the Scripps Collection." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1353.

Full text

Abstract:

This research project examines and documents the collection of Islamic ceramics at Scripps College from an art conservation standpoint. The main objectives were to establish provenance for these objects, assess their current conditions, propose recommendations for future preservation, and discuss the importance of preventive conservation and general collections care methods. Based on my survey and research, I demonstrated which objects in particular should be prioritized due to their states of conservation and significant educational value. Such objects raise further points of departure regard

APA, Harvard, Vancouver, ISO, and other styles

20

Massey, Ivor Nikolas. "Awakening The Muse: A Museum for the Fisher Family Art Collection." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/36034.

Full text

Abstract:

This thesis is a proposal for a large contemporary art museum on the Presidio Parade Grounds in San Francisco, California. The site is small and historic, thus my solution was to build primarily underground. Through my exploration of designing a subterranean art museum I addressed the challenges of natural lighting, circulation, and curation. The following images document the result of my studies.<br>Master of Architecture

APA, Harvard, Vancouver, ISO, and other styles

21

VanWagoner, Rachel. "DAY JAW BOO, a re-collection." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2714.

Full text

Abstract:

For my MFA thesis exhibition, I have collected ideas surrounding events that happened in the past and combined them with the ceramic work I have made in the three years of my master's program at Brigham Young University. I have grouped visual elements from Buck Rogers and other Futro (retro-future) pop-culture with ideas surrounding the Voyager Interstellar Mission and the compiling of the Golden Record. Combining these elements in an installation, will create an environment where people can reflect on things they have "already seen" and envision a brighter future. For that reason I playfully

APA, Harvard, Vancouver, ISO, and other styles

22

Davila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.

Full text

Abstract:

Drawing on archetypical aspects of human characteristics and personalities, I create images that illustrate our connection to memory, media, and culture. My work is informed by pop culture, including television, movies, cartoons and comic books as it relates to characters in our own physical world and society. The grid is used to represent both childhood games and the frames of a comic strip, where each panel equals an exact moment of time.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA

APA, Harvard, Vancouver, ISO, and other styles

23

Burrowes, Adjoa J. "The South Side Community Art Center| How Its Art Collection Can Be Used as an Education Resource." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1602513.

Full text

Abstract:

<p> This study examines the South Side Community Art Center in Chicago, its history, educational mission, and the ways in which its collection of primarily African American art can be used as an art education resource. The data collection for this qualitative case study included questionnaires focusing on the collection and the Center’s history and mission, in-depth interviews with three Center administrators and one visual artist, informal personal communication, and observational notes. All data was examined using content analysis. Respondents indications concluded that the mission an

APA, Harvard, Vancouver, ISO, and other styles

24

César, Flore. "Collectionnisme et curiosité à Montpellier, de la renaissance à l'aube de la révolution." Thesis, Montpellier 3, 2013. http://www.theses.fr/2013MON30105.

Full text

Abstract:

A partir de l'exemple montpelliérain, la présente étude s'intéresse au phénomène culturel ducollectionnisme, en appréhendant de manière conjointe collectionneurs et collections entre leXVIe siècle et le XVIIIe siècle. Considérée comme capitale scientifique durant l'époquemoderne, la ville s'offre comme un exemple privilégié pour aborder une approche croiséeentre histoire de l'art et sociologie de la culture savante.Face à une très grande diversité de sources, ce travail propose d'abord une réflexion sur lesdéfinitions mêmes de collectionneur et de collection, avant d'en présenter une analysety

APA, Harvard, Vancouver, ISO, and other styles

25

Brown, Jessica Natasha. "Ethics of the dust: on the care of a university art collection." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13651.

Full text

Abstract:

Includes bibliography.<br>This thesis examines the University of Cape Town (UCT) Permanent Works of Art Collection in order to determine its relevance to, and status within, the university. The text traces the historical and current roles of the university art collection in general, before focusing specifically on the UCT art collection’s history, including the contexts, events and personalities which shaped its development, from its embryonic beginnings in 1911, to the present. In an era which demands clear correlations between the allocation of resources and relevance to institutional goals,

APA, Harvard, Vancouver, ISO, and other styles

26

Brun, Baptiste. "De l’homme du commun à l’art brut : « mise au pire » du primitivisme dans l’œuvre de Jean Dubuffet : Jean Dubuffet et le paradigme primitiviste dans l'immédiat après-guerre (1944-1951)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100084.

Full text

Abstract:

L’œuvre de Jean Dubuffet dans l'immédiat après-guerre est le moment paradoxal d'un refus radical du peintre de toute critique primitiviste à l'endroit de son œuvre. Or d'un point de vue formel, il pousse à l'excès des moyens jugés alors comme caractéristiques de l'art primitif et d'un point de vue conceptuel, il se réclame d'une forme d'animisme qui trahit une conception agissante de la matière. Enfin, il emprunte largement aux procédures propres à la science ethnographique alors en plein développement dans le cadre des prospections relevant de ce qu'il nomme, à l'été 1945, l'Art Brut. Afin de

APA, Harvard, Vancouver, ISO, and other styles

27

Coeyman, Daniel. "Likeness: Empathy in Art." Honors in the Major Thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/749.

Full text

Abstract:

This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf<br>B.F.A<br>Bachelors<br>Arts and Sciences<br>Art

APA, Harvard, Vancouver, ISO, and other styles

28

Didier, Jon. "Art, avoidism, and automation." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1400.

Full text

Abstract:

This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Fine Art

APA, Harvard, Vancouver, ISO, and other styles

29

Berry, Jessica, and n/a. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.151934.

Full text

Abstract:

By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect

APA, Harvard, Vancouver, ISO, and other styles

30

Berry, Jessica. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365478.

Full text

Abstract:

By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect

APA, Harvard, Vancouver, ISO, and other styles

31

Harris, Adam Duncan. "Extra credits : the history and collection of Pacific Title and Art Studio /." ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2000. http://www.lib.umn.edu/articles/proquest.phtml.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Farmer, Brooke Michael. "Wake Forest University Art Collection: Current State and Recommendations for Future Use." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/19.

Full text

Abstract:

The Wake Forest University Art Collection consists of nearly 1300 works of art of various media dating from the fifteenth century to today that are divided into nine distinct collections. Assessing the current state of the Collection, this thesis project evaluates the art historical significance of the Collection using select museum quality works of art and then proceeds with a discussion of collections management, including the topics of acquisition, accession, and risk management. Environmental conditions in Collection facilities are measured against widely accepted museum standards. Use of

APA, Harvard, Vancouver, ISO, and other styles

33

Cardassilaris, Nicole Ruth. "Bringing cultures together Elma Pratt, her international school of art, and her collection of international folk art at the Miami University Art Museum /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204738152.

Full text

Abstract:

Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Theresa Leininger-Miller, PhD (Committee Chair); Mikiko Hirayama, PhD (Committee Member); Anne Timpano, MA (Committee Member). Title from electronic thesis title page (viewed May 8, 2008). Includes abstract. Keywords: Elma Pratt; International School of Art; Zakopane, Poland; Miami University Art Museum; folk art; material culture; art education; museum collections; Polish folk art; women in art education; Brooklyn Museum; Franz Cizek. Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

34

CARDASSILARIS, NICOLE RUTH. "Bringing Cultures Together: Elma Pratt, Her International School of Art, and Her Collection of International Folk Art at the Miami University Art Museum." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204738152.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Lamb, Jacquelyn R. "The Patsy and Raymond Nasher Collection of Twentieth-Century Sculpture, 1967 to 1987." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501252/.

Full text

Abstract:

Over a period of two decades, Raymond D. Nasher, a Dallas-based real estate developer, and his late wife Patsy amassed a collection of significant modern sculptures. For years, pieces from the private collection--numbering over 300 as of 1990--were on display in various museums and civic institutions, and they were installed on a rotating basis at Northpark Center, a Dallas shopping mall developed by Nasher. Since the 1987 Dallas Museum of Art exhibition, the collection has been shown in several major international museums. This study documents the formative period of the collection, the Nashe

APA, Harvard, Vancouver, ISO, and other styles

36

Solano, Maria Schelle. "Art, Commerce, and Social Transformation: Public Art And the Marketing of Philadelphia." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/184817.

Full text

Abstract:

Anthropology<br>Ph.D.<br>The field site for this US-based ethnography is the city of Philadelphia, Pennsylvania. The overwhelming presence of murals in the urban landscape calls into question how these figurative wall-sized paintings improve the lives and neighborhoods in which these paintings are found. With Philadelphia suffering the consequences of deindustrialization and neoliberal globalization, characterized by high poverty and inequality, and consistently low rankings in quality of life indicators by the national media, what role do murals play in change? Do murals mask urban problems b

APA, Harvard, Vancouver, ISO, and other styles

37

Perez, Elizabeth. "Art as a questioning process." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/605.

Full text

Abstract:

The topic of this thesis is, broadly, the crisis of postmodernity and the solution that French rhetorician, Michel Meyer, presents in his theory “problematology.” Meyer looks to relocate the focus of philosophical attention on the question as opposed to the answer. Meyer calls preoccupation with answers “propositionalism.” Propositionalism can be likened to the looming scientism that threatens philosophy in general. Meyer shows, through an examination of questioning, how philosophy can be rescued from obsolescence without being detracted to scientism. Although Meyer’s philosophy is promising,

APA, Harvard, Vancouver, ISO, and other styles

38

Lopes, Pedro Zasciurinskis. "Redefining art as an experience." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1107.

Full text

Abstract:

This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Philosophy

APA, Harvard, Vancouver, ISO, and other styles

39

Tolley, Rebecca. "Review of Great Masters of Mexican Folk Art: From the Collection of Fomento Cultural Baname." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5711.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Turner, Noele. "The National Art School - A Social History from 1833 to 1973 and a Catalogue of the Archival Art Collection." Thesis, Griffith University, 2012. http://hdl.handle.net/10072/366320.

Full text

Abstract:

At the core of this thesis is a broad social history of the origin of the National Art School (NAS), dating from the earliest days of art history in NSW when the Mechanics Institute was formed. From 1833, after many incarnations and name changes, this organisation evolved into the National Art School. Since 1922 it has been located in the old Darlinghurst Gaol in East Sydney. I have detailed the growth of the School until 1973 when it was absorbed into the Alexander Mackie College of Advanced Education. The documentary material used in the construction of the NAS history is examined in relatio

APA, Harvard, Vancouver, ISO, and other styles

41

Gretarsdottir, Tinna. ""ART IS IN OUR HEART": TRANSNATIONAL COMPLEXITIES OF ART PROJECTS AND NEOLIBERAL GOVERNMENTALITY." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/67865.

Full text

Abstract:

Anthropology<br>Ph.D.<br>In this dissertation I argue that art projects are sites of interconnected social spaces where the work of transnational practices, neoliberal politics and identity construction take place. At the same time, art projects are "nodal points" that provide entry and linkages between communities across the Atlantic. In this study, based on multi-sited ethnographic fieldwork in Canada and Iceland, I explore this argument by examining ethnic networking between Icelandic-Canadians and the Icelandic state, which adopted neoliberal economic policies between 1991 and 2008. The ne

APA, Harvard, Vancouver, ISO, and other styles

42

Williams, Stephanie Danielle. "ART AT THE AIRPORT AND THE INTERSECTION OF PUBLIC ART AND PUBLIC HISTORY." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/448628.

Full text

Abstract:

History<br>M.A.<br>This thesis is a study of the intersection of public art and public history in Philadelphia. This project looks at Philadelphia based case studies to see how the intersection of public art and public history can bring in new audiences, act as a form of advertisement, and shape interactive experiences for visitors. Connecting to a body of literature that deals with the power of place, I ask in this study how public history in unexpected places has the power to bring in new audiences that may not have the chance or even want to visit a traditional history museum or historic si

APA, Harvard, Vancouver, ISO, and other styles

43

Levy, Tatiana. "Le collectionneur d'art moderne et contemporain et la "publicisation" de sa collection privée : un "concept" dans l'espace de médiation." Avignon, 2009. http://www.theses.fr/2009AVIG1068.

Full text

Abstract:

Cette thèse propose une réflexion sur la « publicisation » de la collection privée d’art moderne et contemporain, par l’intermédiaire du collectionneur. La première partie répertorie les formes de cette publicisation en France à partir de 4 études de lieux : Donation Jardot à Belfort, Collection Lambert à Avignon, Fondation Salomon à Alex et Fondation Galbert à Paris, et 2 études de cas : expositions Passions privées, Musée d’Art Moderne à Paris et L’intime, Fondation Antoine de Galbert à Paris. Dans la deuxième partie, nous soumettons à l’analyse chacune des sphères (privée et publique) qu’in

APA, Harvard, Vancouver, ISO, and other styles

44

Hansson, Amanda. "Jon Rafman at Zabludowicz Collection : A study in Reception aesthetics." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274993.

Full text

Abstract:

In this study, I will be applying Art historian Wolfgang Kemp’s theory of the aesthetics of reception as described in the article The Work of Art and Its Beholder: The Methodology of the Aesthetic of Reception (1998) to the Jon Rafman solo exhibition at Zabludowicz Collection in London (2015). A close study has been carried out on a selection of exhibition objects, as well as the exhibition space, to investigate how they address and interact with the beholder. An examination of Rafman’s art practice will also be disclosed. Throughout the study I will answer the following questions; How are the

APA, Harvard, Vancouver, ISO, and other styles

45

Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.

Full text

Abstract:

Thesis (M.F.A.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).

APA, Harvard, Vancouver, ISO, and other styles

46

Floriant, Sonia. "La collection de musée comme objet sémiotique : La Réunion, la collection du Musée Léon Dierx." Besançon, 2002. http://www.theses.fr/2002BESA1036.

Full text

Abstract:

En histoire de l'Art, la collection de musée n'est pas en soi un ensemble cohérent et signifiant. Simple contenant, le musée accueille l'œuvre, objet unique forcément unitaire. Les parentés stylistiques et courants d'influence qui peuvent être convoqués implicitement sont les seuls réseaux de sens possibles. Il n'y aurait d'évidence formelle que pour ce spectateur-expert culturellement, socialement déterminé, muni des clés de lecture du lieu et des œuvres en place. Poser un autre regard sur la collection de musée implique de dépasser ces grilles de lecture en usage pour fonder l'existence même

APA, Harvard, Vancouver, ISO, and other styles

47

Greenan, Althea. "Feminist Net-work : digitization and performances of the Women's Art Library slide collection." Thesis, University of Brighton, 2018. https://research.brighton.ac.uk/en/studentTheses/6a0cfad7-569b-4ab6-badf-d22b934128e6.

Full text

Abstract:

The Women’s Art Library (WAL) slide collection embodies a singular culturally important feminist achievement that began with artists collecting their slides of artwork to form a public resource in the 1970s. Today it is the historical core of the WAL, a heavily consulted resource in the Special Collections of the Library at Goldsmiths, University of London. However, 35mm slides have become a challenging material to use and as in other art archives, the slides are seen as less useful and potentially replaceable by a digital image collection. This practice-based research explored the production

APA, Harvard, Vancouver, ISO, and other styles

48

Erickson, Bonnie. "ART THERAPY TREATMENT WITH INCARCERATED WOMEN." Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2615.

Full text

Abstract:

This study examined the effectiveness of art therapy in decreasing symptoms of trauma and psychological distress in women who were incarcerated in county jails in the Southeastern United States. In order to protect the integrity of the study, control subjects were in different dormitories from the treatment subjects. While the dormitories were randomly assigned to treatment or control, the subjects were not. The dependent measures were paper and pencil tests, the Outcome Questionnaire (OQ-45.2) and the Trauma Symptom Inventory (TSI) given at pretest and posttest. A demographic questionnaire wa

APA, Harvard, Vancouver, ISO, and other styles

49

Betz, Jennifer. "ASSESSMENT PRACTICES INELEMENTARY VISUAL ART CLASSROOMS." Doctoral diss., University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2625.

Full text

Abstract:

The purpose of this research study was to investigate the attitudes and usages of assessment methods by elementary visual art teachers in two southeastern school districts. Data consisted of responses to a mailed survey instrument that included relevant demographic information pertaining to respondent’s educational preparation experiences, tabulation of classroom activities, assessment usage, and a construct set of questions which addressed an attitudinal scale about the effectiveness of evaluation and measurement within their visual art classrooms. The primary focus of attitudinal orientation

APA, Harvard, Vancouver, ISO, and other styles

50

Gonzalez, Gabriel. "Hidden Scars: The Art of PTSD." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5636.

Full text

Abstract:

Through the use of mixed media, I explore imagery that reveals the trauma of returning combat veterans, of which I am one, as we try to reintegrate into a society that does not understand the war that still lingers within us. In my work, I depict emotional disturbances that are related to my personal encounters with war. My working process starts by referencing mainstream media imagery, which I juxtapose against harsh images inspired by veterans' drug and alcohol use, trauma and death. My black-and-white pixelated paintings feature the fragmented memories of a hostile combat environment, an

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!