Relevant bibliographies by topics / Collection of poems

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Collection of poems'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 June 2025

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Journal articles on the topic "Collection of poems"

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Mansurov, Sobir. "Classification Of Poems In The Collection “Gulshani Dilafgor”." American Journal of Social Science and Education Innovations 03, no. 05 (2021): 482–89. http://dx.doi.org/10.37547/tajssei/volume03issue05-85.

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This article classifies some of the poems in the “Gulshani Dilafgor” collection. Most of the poet’s poems are in sync with the lyrical works of poets such as Furqat, Muqimi, Hamza, Khislat, Kami, imbued with the ideas of nationalism and enlightenment. The classification of lyrical poems in the collection of the poet “Gulshani Dilafgor” shows that Dilafgor could not avoid the themes that accompanied the poets in Uzbek classical poetry. He, too, relied on the progressive ideas of his time in continuing the traditions of his predecessors.
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Erik Mayzaldi, Abdul Malik, and Ahada Wahyusari. "Discusses the message in Poetry for the Indonesian People of poems Korean poets." Santhet (Jurnal Sejarah Pendidikan Dan Humaniora) 8, no. 1 (2024): 649–55. http://dx.doi.org/10.36526/santhet.v8i1.3494.

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This research discusses the message in Poetry for the Indonesian People, a of poems from Korean poets. The aim of this research is to convey the message in Poetry for the Indonesian People, a collection of poems from Korean poets. The method used in this research is descriptive qualitative. The data in this research are words or sentences contained in Poetry for the Indonesian People, a collection of poems from Korean poets. The data collection techniques used to obtain research data are documentation, reading, listening and note-taking techniques. The data analysis technique used is a content analysis technique by reading, analyzing, describing and concluding the contents of the message in Poetry for the Indonesian People, a collection of poems from Korean poets. The results of this research are that there is a message in Poetry for the Indonesian People, a collection of poems from Korean poets, in the implicit and explicit form of the 3 poems that were analyzed.
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M. S, Jesintha Grace. "Political Satire in the Collection of Kaiyoppam." International Research Journal of Tamil 4, S-8 (2022): 93–99. http://dx.doi.org/10.34256/irjt22s813.

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Poetry penetrates human minds and deepens the light of life. In poetry of this nature, poets use a variety of techniques to convey their thoughts to others. Since the satire in them first refers to a literary genre, then the strategy has become systematic. Poet Puviarasu often used this element in his poems and was one of the leading poets of the Vanambadi movement who inspired the development of modern poetry. Diverse, he expresses the misfortunes of today's society in a simple way through his poetry. In his poems, we can see his loud thinking, anger and determination to oppose the ruling class. One who embodies the political and social tragedies in his poems with an satire. Although the regime and power have threatened the people, Tamil poets and thinkers have never accepted the powers of the state as such. Tamil poets are those who think that governance is better only if there is a norm for politics. Political honesty and morality are like two sides of the same coin. But today he is not only pointing out the geopolitical politicians, who have witnessed aspiring leaders fighting for the chair in assembly and parliaments, but also pointing out their rhetoric, actions, powers, and political conduct in their poems and expressing the tone of satire. The purpose of this article is in his long poem, he satire all the possible actions that take place in political systems and powers.
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R, Vijayalakshmi. "Anthology of Praise Poems - A Study." International Research Journal of Tamil 4, S-7 (2022): 312–16. http://dx.doi.org/10.34256/irjt22s750.

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Poets use different strategies to deliver their poetry. While trying to explain a concept, Kavikko Abdul Rahman is one of those who not only says the meaning but also writes using strategies to arouse interest and feelings in the minds of the readers. Abdul Rahman's poetry has received the Sahitya Akademi Award for his poem "The purpose of poetry is to realize that poetry is a unique spiritual pleasure." After 1960, Abdul Rahman was a treasure to the world of poetry. He is famous for his poetic poems. His style is to hook listeners with puns. Vaanapadi worked with movement poets. He is one of those who have established a place for himself in the field of new poetry. With his poetry collection "Paal Veedhi," he has established himself as an experimental writer. He has explained the natural feelings of man through intimate poetry. Humanity fills itself in a circle. The poetry collection of Abdul Rahman's "Anthology of Praise Poems" explains that humanity is crawling here as images without content. This article seeks to examine the poems in these praise poetry collections. Abdul Rahman's poems are expressions of emotions. Based on these, he aims to highlight feelings and imaginations in his poems. Abdul Rahman's poems have little political purpose, but social consciousness is abundant in his poems.
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Turdubaeva, Nazgul. "A COLLECTION OF EARLY POEMS OF CHINESE KYRGYZ POETS." Alatoo Academic Studies 24, no. 2 (2024): 182–98. http://dx.doi.org/10.17015/aas.2024.242.15.

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The actuality of the article differs from the fact that it focuses on the creative workshop of 22 poets-writers included in the collection of poems "Kerme Too", which gave a message of Chinese Kyrgyz literature in Kyrgyzstan in the 60s, and reviews their issues, ideological- artistic features, and thematic directions in a consistent and chronological direction. The said collection was prepared for publication in the city of Urumqi by the Xinjiang People's Press in 1962 on behalf of the Xinjiang Uyghur Autonomous District Branch of the Jungo Writers' Society. Before the establishment of the "Shinjan People's Press" in the late 1950s, local Kyrgyz published in Uyghur and Kazakh languages, and only in the early 1960s when publishing houses in their native language were established, it was first recognized by readers as a collection of poems, and during the 1960s, it informed the poetry of Kyrgyz literature. For the purpose of the study, we will focus on the life and creative pursuits of 22 poets and writers, observe the different characteristics of each of them, the artistic values that attract the readers in the lines corresponding to the poem, the shortcomings and successes encountered, and we will talk about the representatives who first contributed to Kyrgyz poetry as a collection. As a methodological guide, the creative ways of poets-writers, their poems of different content, and theoretical works were included in the collection of poems "Kerme Too". For this purpose, the results of the review will provide literary researchers in Kyrgyzstan with consistent information about the period of Kyrgyz literature in China in the 60s, including the period when poetry was first formed.
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Bunchuk, Borys, and Natalia Reutska. "Strophe and Rhyme in Vasyl Pachovsky’s Poetic Collection «Scattered Pearls»." Current issues of social sciences and history of medicine, no. 1 (December 30, 2024): 125–31. https://doi.org/10.24061/2411-6181.12.024.428.

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The article under study presents the analysis of Vasyl Pachovsky’s collection «Scattered Pearls» (1901) in terms of strophe and rhyme. The aim is to offer a brief overview of certain literary judgements on strophe and rhyme in the poet’s first book (judgements by B. Bunchuk, E. Balan, N. Mushyrovska), as well as includes the speculations on these two phenomena in «Scattered Pearls» in the works by O. Kaminchuk, N. Naumenko, and others. The authors apply the statistical method of regarding strophe and rhyme in V. Pachovsky’s poetry. This approach makes it possible, firstly, to objectively trace the evolution of the poet’s versification; secondly, it is a good material for comparisonwith similar data on the works of other poets. As a comparative material, the article briefly presents statistical material in the collections that preceded «Scattered Pearls» by I. Franko, P. Karmansky, and B. Lepkyi, as well as a description of strophe and rhyme in Western Ukrainian poetry of the late XIX century. Sources of the article. The analysis of 116 poems of V. Pachovsky’s first collection has revealed that the poet used only strophic forms (monostrophic – 98.3 %, multistrophic –1.7 %). In monostrophic poems, nine types of strophes (trimeter, tetrameter, pentameter, hexameter, heptameter, octameter, nonameter, decameter, dodecameter) have been attested. Among them, prevail hexastrophic, pentastrophic, and tetrastrophic ones, whereas the rest of the strophes are present in only one or three poems. The poet presented five methods and twenty- seven schemes of rhyming (taking into account the combination of different rhyme schemes, the number is considerably higher). Conclusions. The comparison of these data with similar statistic material on the poetic works by I. Franko, P. Karmansky, B. Lepkyi in the late XIX century (in particular, Western Ukrainian poetry of that period) naturally reveals the following common features: dominance of strophic poems, significant predominance of monostrophic poems, approximately equal proportion of tristrophic, pentastrophic, heptastrophic, nonastrophic, decastrophic, and dodecastrophic works. The proportion of tetrameters with paired rhyme was similar.There are also certain differences: a much smaller number of multistrophic, tetrastrophic, and octastrophic works, the absence in V. Pachovsky’s works of bistrophic stanzas in monostrophic poems, as well as solid stanza forms, and vice versa – a significantly higher percentage of hexastrophic poems. Most of the identified differences can be explained both by V. Pachovsky’s attraction to folklore, literary and song forms (e. g., T. Shevchenko) and strophe- rhyme structures of other poets (e. g., H. Heine), and by the poet’s personal versioning preferences
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Callaghan, Madeleine. "Wordsworth, Shelley, and Hardy: The Inheritance of Loss." ELH 91, no. 1 (2024): 181–206. http://dx.doi.org/10.1353/elh.2024.a922013.

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Abstract: This article calls for a revaluation of Thomas Hardy's Poems of 1912–13 , viewing them as in dialogue with William Wordsworth's Lucy poems and Percy Bysshe Shelley's Jane poems. Though Poems of 1912–13 has been favored with a great deal of criticism that aims to come to terms with its manifold influences, the Romantic influence upon Hardy's collection has been overlooked. This article considers how Hardy brings Wordsworth and Shelley's sequences into conversation with his elegies to argue that Hardy reimagines both poets' sequences to create his poetry of mourning.
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Gorodnitsky, A. M. "POEMS FROM THE COLLECTION "RIFTS"." Engineering survey 12, no. 3-4 (2018): 90–120. http://dx.doi.org/10.25296/1997-8650-2018-12-3-4-90-120.

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Cross, Sarah N., Richard Berlin, Debby Jo Blank, et al. "Illness: A Collection of Poems." Journal of Medical Humanities 31, no. 2 (2010): 171–82. http://dx.doi.org/10.1007/s10912-009-9103-7.

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Cross, Sarah N., Elizabeth Dickhut, Monica Kidd, et al. "Birth: A Collection of Poems." Journal of Medical Humanities 33, no. 2 (2012): 127–34. http://dx.doi.org/10.1007/s10912-012-9174-8.

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Dissertations / Theses on the topic "Collection of poems"

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Barents, Kevin. "Bearings a collection of poems /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0010360.

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Stockdale, Jennifer Ann. "My Overcoat: A Collection of Poems." Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1183742647.

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Coetzee, Jacques. "Singing through : a collection of poems." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7917.

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Dietrich, Bryan D. (Bryan David). "The Monstrance: A Collection of Poems." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277686/.

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These poems deconstruct Mary Shelley's monster from a spiritually Chthonian, critically post-structuralist creative stance. But the process here is not simple disruption of the original discourse; this poetry cycle transforms the monster's traditional body, using what pieces are left from reception/vivisection to reconstruct, through gradual accretion, new authority for each new form, each new appendage.
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Moffett, Kelly Anne. "Still life a collection of poems /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1852.

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Marvin, Cate. "Chicanery a collection of original poems /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=1054816982.

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Childress, Catherine Pritchard. "Down Elk: A Collection of Poems." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/126.

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This creative thesis is a collection of poems which represent a necessary journey to reconcile my relationship with the people, places, and values of Southern Appalachia, my home that is both stifling and liberating. Growing up in the Appalachian Mountains has influenced my character and my writing in ways that are far-reaching and constantly evolving. At different points in my life I have been equally enamored with the red dirt of my childhood and determined to dig my way out of its clutches. I have spread my wings in large cities and invariably found that I longed to get back to my roots. My experiences of mothering and of being someone’s wife, someone’s daughter, as well as my own self are all bound in my ongoing effort to reconcile my past with my present and to flesh out who I want to be among all I am expected to be. Within this juxtaposition I situate Down Elk: A collection of Poems – poems born not only of a childhood steeped in the love of family and secured in the tradition of growing up in the Appalachian South, but also of a life marked with great loss – too much, too soon – and finally, the ways in which all these experiences continue to shape how I now live and raise children in these mountains. The critical introduction explores not only the personal investment I have in these poems, but also considers poets who have been influential to my perspective, like Mary Karr and Linda Parsons Marion, as well as those with whom I share a common subject matter. This introduction also serves as a means of reflecting on my individual craft.
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Anderson, Leslie J. "Ponies and Rocketships: Poems For America, A Collection of Selected Poems." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307492733.

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Harrison, James A. "Turning compost : a collection of 40 poems." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/7832.

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Turning Compost is a collection of forty poems, two of which, Seven Kakhaiku and Tres Troubled Triolets, are multiple poems intended to be read as units. The poems have been ordered so that there is a flow of connected or contrasting ideas from poem to poem, therefore it is recommended that they be read in the order presented. The themes covered by the poems are varied, but principal amongst them are memory, nature, dreams and symbols, family and friends, and the search for meaning; they appear in roughly that order. Death, and its challenges to meaning, is a theme which recurs throughout the collection, something which is reflected in the collection's title which is borrowed from one of the poems. Included is one poem, Pig People, which was written specifically for children. The poems are written in a variety of forms, evincing the poet's conscious rejection of stylistic consistency as a goal in developing his voice.
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Engber, Corinne. "The Body Exhibit: A Collection of Poems." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1494603858484047.

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Books on the topic "Collection of poems"

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DiGiovanni, Caroline Morgan. Second collection: Poems. Lyricalmyrical Press, 2013.

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Green, Oggie. Collection of poems. O. Green, 1995.

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Shareef, Ali. Collection of poems. [s.n., 1997, 1997.

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KC, Kul Bahadur. Samaya ka Saugatharu: Poem Collection. Man Bahadur KC and Harikala (Thapa) KC, 2011.

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Ellōrā. Agnipuṣpaṃ: Collection of poems. Dīpti Pablikēṣans, 1990.

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VERISSIMO, JUMOKE. A COLLECTION OF POEMS. DADA BOOKS, 2008.

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Fallon, Miriam Nisbet. A collection of poems. J.M. Fallon, 1994.

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Anderson, Khonny. Panoramic: Collection of poems. Tom & Doreen Ford, 2004.

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Osman, Abakr Elnur, ed. Nimbus: Collection of poems. Ministry of Culture, Arts and Heritage, 2011.

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BAGGI FARISHTA ( COLLECTION OF POEMS ): Collection of poems. NATIONAL BOOK SHOP PLEASURE GARDEN MARKET CHANDNI CHOWK DELHI - 110006, 1994.

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Book chapters on the topic "Collection of poems"

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Stone, Nomi. "War Game and Other Poems." In A Collection of Creative Anthropologies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55105-5_33.

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Tomadaki, Maria. "Manuel Korinthios’ poems in Wellcomensis MS.498." In Exploring Greek Manuscripts in the Library at Wellcome Collection in London. Routledge, 2020. http://dx.doi.org/10.4324/9780429470035-6.

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Gutiérrez, Horacio. "Dulce patria, a Collection of Poems About the Chilean Dictatorship." In The Routledge Handbook of Violence in Latin American Literature. Routledge, 2022. http://dx.doi.org/10.4324/9780367520069-18.

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Tabatadze, Khatuna Sh. "Translations of Lyrics and Poems by S. Esenin into Georgian". У Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-278-289.

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The article deals with the translations of Sergey Esenin’s works into Georgian. Georgian poets-translators have repeatedly turned to the work of the poet since the 20s of the 20th century. Esenin’s work has always been of great interest not only to Georgian poets-translators but also to Georgian readers. Translation activity began in Georgia in 1924 by Konstantin Chichinadze from the translation of the poem “Comrade.” It began to be actively continued by Mikheil Pataridze. In 1926 a collection of Esenin’s poems was published as a separate book, which combined 15 poems by the poet, in 1927 — a separate edition of the poem “Anna Snegina” (in translation by Grigola Tsetskhladze). By the end of 1956, the translation of the poem was published in two periodicals at once (“Mnatobi,” “Talga”). Both versions were made by the Georgian poet and translator Giorgi Salukvadze. Fortunately, another edition of the poem “Anna Snegina” was found in the collection of poems and poems, dated 1969 (Batumi “Sabchota Adjara”). All works are translated by Giorgi Salukvadze. In 1981 translations of Esenin’s poems were published in the literary and social magazine “Chorokhi.” In 1984 a collection of the poet’s poems was published in Batumi (Batumi “Sabchota Adjara”). The translator of both editions is Salukvadze.
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D'Etcheverry, Charo B. "Sagoromo." In Celebrating Sorrow. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501764776.003.0003.

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This chapter focuses on a new anthology containing the poems used in both The Genji-Sagoromo Contest and the eighteen extant volumes of Collection of Wind-Blown Leaves—Sagoromo: The Wisconsin Collection. It notes that the first work constitutes the first half of Poem Contest in Two Hundred Rounds, a contest on paper created by Fujiwara Teika, Shunzei's son and Shunzei's Daughter's adoptive brother, while the second work is attributed to Teika's son Tameie and sponsored by Fujiwara Kitsushi, a consort of Go-Saga, which draws solely from fictional tales but mimics the structure of an imperial anthology of verse. As the chapter stresses, these different formats shaped the compilers' presentation of the tale. By presenting the poems from Sagoromo that appear in both collections, with these poems restored to their narrative order and grouped by the tale's books, the chapter provides a window into early medieval views of the tale and of the courtly past more generally, as recalled by the elite poets who preserved and disseminated it. The chapter reveals that medieval poets skillfully highlighted the more appealing poetic portraits of the court, unsurprising in an era that produced a New Collection of Ancient and Modern Japanese Poems—compiled in part by Teika.
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Fargnoli, Nicholas, and Michael Patrick Gillespie. "B." In James Joyce A To Z. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195110296.003.0002.

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Abstract “Bahnhofstrasse” One of the 13 poems that appears in Joyce’s second collection of verse, POMES PENYEACH (1927). This short poem was composed in Zurich around 1918, after Joyce’s first attack of glaucoma on Zurich’s Bahnhofstrasse in August 1917. The imagery in the opening line of the poem underscores Joyce’s reaction to this initial eye problem, which is coupled with the realization of lost youth. The poem’s pensive mood reflects Joyce’s twofold concern about his growing blindness and the process of aging.
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Plejić Poje, Lahorka. "Raz jeszcze o liryce kajkawskiej sprzed odrodzenia narodowego – uwagi o repertuarze gatunkowym." In Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4028.22.

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Old Kajkavian literature or, Kajkavian literature before the Croatian National Revival, remains relatively unstudied and poorly integrated into the corpus of Croatian national literature. Its peripheral status is mostly due to the political and national-identity-forming processes occurring since the 1830s where the key role was given to Štokavian literature. When Kajkavian literature was studied, the focus was placed predominantly on the printed books. Unlike pre-Revival Kajkavian prose, where the author was in most cases known and the prose was printed, Kajkavian lyric poetry was chiefly preserved as anonymous and in manuscript form. None of the numerous preserved Kajkavian collections of poems have been published in a critical edition, not even recently. The topic of this paper is Pjesmarica Nikole Šafrana (Nikola Šafran’s Collection of Poems), the largest manuscript collection which, along with several Latin poems, contains more than 180 Kajkavian secular poems. Its large size, a significant number of poems which also appear in other Kajkavian collections, as well as its generic and thematic diversity make this collection representative, and a good subject for a detailed research of both the collection’s generic content and the poetic traits of Kajkavian secular lyric poetry.
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Waterman, Rory. "‘He thinks you’re crazy’: Serious Concerns (1992)." In Wendy Cope. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859524.003.0003.

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This chapter considers the contemporary reception of Wendy Cope’s second collection, and its legacy. It also considers the themes of the collection, including her continued parodies of other contemporary poets and the final published poems using her character Jake/Jason Strugnell. It also provides close commentary on her developing themes of love and relationships. The chapter also provides detailed close readings of poems in the collection.
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Beusterien, John. "Jarama the Bull and Maghreb the Lion." In Transoceanic Animals as Spectacle in Early Modern Spain. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463720441_ch03.

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Chapter 3 provides a biogeography of Maghreb the lion and Jarama the bull. The collection of poems in The Amphitheater of Philip the Great describes a day of animal spectacle, focusing on the staged combat between Jarama and Maghreb. The poems celebrate the bull as classical hero and Philip IV as imperial hunter. After Jarama killed Maghreb, the poets in the collection depict the fighting bull as Spain’s own species and as the only wild animal in the world that was still to be dominated. They describe Philip IV’s final execution of the bull before the public as the spectacle’s glorious climax. The group of poets in The Amphitheater of Philip the Great represent the imperial literary elite who sought to forge collective identities of Europe and Spain, as well as in terms of race.
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"Poems from the Orchid Pavilion Collection." In Chinese Poetry, 2nd ed., Revised. Duke University Press, 1997. http://dx.doi.org/10.1215/9780822382096-029.

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Conference papers on the topic "Collection of poems"

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Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

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Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and are more and more often translated into foreign languages. The following essay is based on the book of Hruska�s selected poems, translated at the Harvard University and published in Britain (Everything Indicates, 2023). After the analyses of Hruska�s main themes and means of their verbal expression, attention must be paid to how he deals with the interplay between the history of individuals and families versus broader social and political contexts. Of course, describing this tension is quite common among artists and experts in social sciences. However, Hruska�s literary texts are in many aspects unconventional because his way of thinking and expression does not follow the typical stylistic norms of both classical and modernist poetry. The methodology of comparative literary studies must be used here because, without it, the international success of the author from a cultural periphery cannot be adequately understood. In his early poems, Hruska was a representative of so-called everyday poetry settled in a small universe of his family and friends. Nevertheless, in his newest collection, I Caught Sight of My Face (Spatril jsem svou tvar, 2022), he takes part in Magellan�s voyage around the world, reflecting on the transient and the eternal aspects of human life. It seems that there is no significant difference between intimate and social history, and Hruska can express it in simple sentences with no complicated metaphors. In the chaos of the postmodern world, this kind of writing can be attractive even for readers who are not fond of traditional poetry.
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Zykova, G. "POEMS BY BORIS SLUTSKY IN VALERIA L. LEIBOVICH SAMIZDAT COLLECTION (SELECTION AND VERSIONS OF TEXTS)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3712.rus_lit_20-21/147-152.

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A samizdat collection of Boris Slutsky’ poems, apparently compiled no later than the first half of the 1960s and deposited in the personal collection of Valeria L. Leibovich (born in 1939, a graduate of the Faculty of History of Moscow University, a staff member of the Fundamental Library of the Social Sciences) is considered as a possible source of author's textual versions, as well as evidence of poems popularity. Among the most significant (compared to the published versions) variations the version of the famous poem «God» is cited and evaluated as an early one.
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Makarova, A. "RECEPTION OF THE MOTIFS OF R. TAGORE’S POETRY COLLECTION “GITANJALI” IN THE LYRICS OF N.K. ROERICH." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3755.rus_lit_20-21/329-333.

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The article analyzes the multifaceted influence of R. Tagore’s poetry collection “Gitanjali” translated by Y.K. Baltrushaitis on N.K. Roerich’s book of poems “Flame in Chalice”. The collections have a number of similar ideas, motifs, and lyrical plots. Roerich’s ways of their creative reinterpretation are considered.
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Balabaev, A. V. "OBJECT IN V.F. KHODASEVICH'S COLLECTION OF POEMS «YEVROPEYSKAYA NOCH»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-78.

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MEHMETALI, Bekir. "The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.

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The woman, since God created her, was equal to the man, and a foundation on which life, the family, and society rest. Girlfriend, lover, dancer, singer, wife. Arab poetry immortalized many women, such as Abla Bint Malik Al-Absi, Habiba Antarah Bin Shaddad, Laila Habiba Majnoon Bani Amer, Buthaina Habiba Jamil, Afra Habiba Urwa, and the birth of Habiba Ibn Zaydun. In the modern era, poets emerged who had the upper hand in dealing with the issue of women, and talking about them in their poems. He describes her, flirts with her, praises her charms, or attacks and criticizes her. In this research, I wanted to address the image of the woman in the poetry collection (The Brunette Said to Me) by Nizar Qabbani, in an attempt to clarify his position towards her as it was revealed in this collection that we chose. Because it is his first collection of poetry. The aim of the study is to clarify the true image of women in this collection of poetry from the poet's perspective, his attitude towards her, and his view of her, while he was in the prime of his life and in the prime of his youth. The researcher uses the descriptive and analytical approaches, presenting and analyzing Nizar Qabbani's poems related to this topic as contained in his poetry collection (The Brunette Said to Me). To deduce, clarify, and extrapolate her image or images from the poet's perspective.
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Čutura, Ilijana R., and Bojana М. Dimitrijević. "JEDNOM BIO AL’ SAM KRIO – O JEZIKU, STILU I IDENTITETU U PESMAMA PEĐE TRAJKOVIĆA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.075c.

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The paper examines predominant features of Peđa Trajković’s collection of poems Jednom bio al’ sam krio – those that are particular for the collection (cohesive- ness and structure, philosophical basis), and those that are typical of the whole Trajković’s opus (rhyme, use of different language registers, modified words and phrases, humour, irony, sarcasm, allusions to other literary works and writers, as well as to cultural heritage). Additionally, the collection of poems is analysed from the point of view of the theory of identity development and the theory of animism, which deal with developmental charac- teristics of children’s way of thinking.
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Shirokova, Aleksandra A. "Phytonymical Vocabulary in the Collection of Poems Samosiejki by Teresa Radziewicz." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.07.

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Fedorchuk, Evgenia. "SONGS AND POEMS OF PARTISANS WRITTEN BEHIND ENEMY LINES. SMOLENSCHINA - BELARUS, 1942-1944 (FROM THE FOUNDATIONS OF THE BYKHOV MUSEUM OF LOCAL HISTORY)." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3638.khmelita-19/160-174.

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This report discusses a collection of songs and poems written by partisans behind enemy lines. The book contains 58 works. The compiler divided it into six parts. The first two parts are devoted to major events and phenomena as such: namely the Thirteen Special Partisan Regiment and the Bovkin blockade. The remaining four parts are more personalized: the partisan routine and way of life are described, some of the poems are written in memory of the dead, as well as various local events. In addition to poems and songs, a number of personalities (authors and those mentioned), events and locations will be considered. At the end of the report is a list of all mentioned names and places in alphabetical order. The main actions and battles are tied to the Smolensk and Mogilev regions. The poetic creativity of the partisans, shown in the collection from the funds of the Bykhov Museum of Local History, is a curious phenomenon for researchers, museologists, and historians. By studying and analyzing the information obtained from these sources, researchers can draw up a picture of front-line life, relationships, and the emotional state of the fighters.
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Urošev Palalić, Olivera V. "ISTRAŽIVAČKI PRISTUP U INTERPRETACIJI ZBIRKE "PLAVI ČUPERAK" MIROSLAVA ANTIĆA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.445up.

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Introducing students to Miroslav Antić’s poetry and basic motifs and topics in his poetry, on the example of the collection of poems Plavi čuperak, is one of the main objectives in teaching poetry in upper elementary classes. The research method used (determining a problem, setting up a hypothesis, developing a research plan, realization, and interpreting the research results) encourages the acquisition of knowledge through data analysis and the development of critical thinking. The goal of the paper is to show that students easily master research and creative method, and that they can successfully interpret both scientific facts and various data sources in digital environment. By using the research method on the example of the selected poems, students develop their knowledge about topics, motifs and structure of the poems, as well as their digital competence and cooperative skills.
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Nunes, Rafael O., João G. Zandoná, Júlia V. Maia, Andre Spritzer, Dennis G. Balreira, and Carla M. D. S. Freitas. "Ancient Greek’s New Technological Muse: Extracting Topoi in the Anacreontea with LLMs." In Seminário Integrado de Software e Hardware. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/semish.2024.1803.

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Natural Language Processing, along with Large Language Models (LLMs), holds significant potential in the domain of literature, leveraging its computational capabilities to analyze and comprehend human language. These techniques prove to be particularly useful in a specific part of Greek literature called Anacreaontea, a collection of poems emulating the style of the 6thcentury BCE Greek poet Anacreon. This paper presents an LLM approach to automatically classify Anacreontea poems in their respective topoi. Our methodology explores two well-established autoregressive language models (LLama 2 and Mistral) and investigates the use of contextual prompting in this scenario. We also provide an annotated corpus with 21 fragments of the Anacreontea with topos for Greek and Portuguese text.
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Reports on the topic "Collection of poems"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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