Relevant bibliographies by topics / Collective productive heritages

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Collective productive heritages'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Collective productive heritages"

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Bačun, Nina. "Architectural cinematic spaces as counter-archive of collective memory." SAJ - Serbian Architectural Journal 15, no. 3 (2023): 288–313. http://dx.doi.org/10.5937/saj2303288b.

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As human life is rapidly unfolding within digital realms, it has become urgent to (re)evaluate the meaning of the intangible heritage of our digital environments by looking closely into Hito Steyerl's re-readings of Walter Benjamin with the recognition of the 'image as object,' not merely as representation. The idea of activating an object could be a starting point, or a productive force, in the new approach towards an architectural digital heritage, advancing the transformation of our everyday reality with new readings of architectural spaces. Even though film has been recognised as a form of
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Zhang, Boyang, Jinyu Fan, and Zongsheng Huang. "Research on Spatial Morphological Characteristics and Influencing Factors of Industrial Heritage: A Case Study of Nine Industrial Heritages in Guizhou Province." Land 13, no. 11 (2024): 1785. http://dx.doi.org/10.3390/land13111785.

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Industrial heritage, recognized as a significant aspect of historical and cultural heritage, has garnered considerable attention from scholars globally. To elucidate the spatial morphological characteristics and the underlying influencing factors of industrial heritage within karst regions, this study employs methods such as the interstice index, fractal dimension analysis, and spatial syntax. It conducts research on the spatial morphological characteristics of nine typical industrial heritages in Guizhou Province. The primary factors contributing to the variations in layout forms are the intr
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Xiao, Zhang, and Yang Deling. "The “Hyper-Presence” of Cultural Heritage in Shaping Collective Memory." PRESENCE: Virtual and Augmented Reality 27, no. 1 (2019): 107–35. http://dx.doi.org/10.1162/pres_a_00321.

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Virtual reality (VR) uses sensorial mimetics to construct collective memory in virtual space. The regeneration of high-definition cultural heritage symbols transforms memory into an immediate experience that is constantly being renewed, strengthens the relationship between cultural heritage and contemporary society, and continually affects the persistent renewal of cultural traditions. Hyper-presence is a networked state of cognitive psychology that lies in links, interactions, and exchanges; it is the result of networked social minds and distributed cognition. In the contemporary moment, cult
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Cavicchioli, Marina Regis. "Wine: a cultural world heritage." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (2018): 523–37. http://dx.doi.org/10.31669/herodoto.v3i1.366.

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The processes of cultural identification make us choose what we want as memory, what we identity with in the past, and what we want to preserve. This is how we select our cultural heritage projects: as collective identity projects. The last three decades have been marked by a growing debate around the question of valuating the various types of cultural heritage. In this context, wine is considered as a world heritage phenomenon—through the vineyards and the landscape its production creates, the architecture and monuments linked to it, and its forms of production and consumption, through UNESCO
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Bonacchi, Chiara. "Heritage transformations." Big Data & Society 8, no. 2 (2021): 205395172110343. http://dx.doi.org/10.1177/20539517211034302.

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This special theme examines the dynamic relationships between production, availability, and usage of Big Data, laying out a research agenda for digital heritage at the time of the ‘data turn’. Over the past 15 years, a proliferation of heritage data has been generated by ‘ecosystems of distributed practices’ enacted by the co-working of bodies, cultural identities, organisational workflows, software, application programming interfaces, etc. The authors of research articles and commentaries in this collection explore the three macro-dimensions along which we can map transformations of and by he
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Sturm, Ulrike, Elisabeth Heyne, Elisa Herrmann, et al. "Anthropocenic Objects. Collecting Practices for the Age of Humans." Research Ideas and Outcomes 8 (July 12, 2022): e89446. https://doi.org/10.3897/rio.8.e89446.

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The knowledge needed to tackle future environmental and societal challenges can only be generated through exchange between science and society. The conventional distinction made between natural and cultural heritage in museums and other institutions is no longer appropriate in the Anthropocene. Museums must rethink the social and cultural dimensions of existing museum collections and reinvent the organization of knowledge production for our present. In three workshops at the Museum für Naturkunde Berlin, practitioners and interdisciplinary theorists discussed the concept of "Anthropocenic obje
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Barus, Irma Rasita Gloria, Amata Fami, and Kania Sofiantina Rahayu. "CULTURAL HERITAGE DIGITIZATION OF BOROBUDUR AREA TOURISM: A PROJECT-BASED LEARNING." JADECS (Journal of Art, Design, Art Education & Cultural Studies) 8, no. 1 (2023): 14. http://dx.doi.org/10.17977/um037v8i12023p14-27.

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In supporting the efforts to preserve the nation’s cultural heritage, this research aimed to implement project-based learning by designing e-books as digital information media to promote tourism development. This research attempted to report and illustrate the implementation of project-based learning, which aimed to explore twenty potential tourist attractions in the surrounding villages of the Borobudur Temple in Central Java, Indonesia. This research involved 127 students of the Informatics Management Study Program enrolled in the Graphic Design course. This qualitative case study exemplifie
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Chen, Biyu. "Research on the Dissemination, Current Situation and Path of Intangible Cultural Heritage under the Background of Digitalization." International Journal of Social Sciences and Public Administration 4, no. 2 (2024): 195–200. http://dx.doi.org/10.62051/ijsspa.v4n2.27.

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The evolution of digital communication modalities for China's intangible cultural heritage serves to broaden communication avenues and engage wider audiences, further unlocking the economic potential of the heritage industry. This progression is crucial for advancing the digitization of ICH during the 14th Five-Year Plan in China. Derived from the collective efforts of working individuals over extended periods of production and labor, each intangible culture possesses unique transmission traits. Representing an immaterial and irreplicable historical artifact, cultural memory, and the essence o
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Dewi, Fajrina Cahya. "DEWARUCI BOARD GAME DESIGN AS A WAYANG INTRODUCTION MEDIA FOR CHILDREN 10-12 YEARS OLD." Arty: Jurnal Seni Rupa 9, no. 2 (2020): 90–102. http://dx.doi.org/10.15294/arty.v9i2.40296.

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Wayang is one of the artistic heritages that contains various good teachings in life. But now, there are many young generation forgets about wayang, and don't even know it. Watching Wayang Shows all night long is hard for children, that's why an alternative media are made in the form of games that can be played by children to introduce Wayang characters..The process of working in designing board games includes: (1) Pre-Production, including data collection, goal setting, concept determination, (2) Production, including content design, sketching, digitization, layouting, and printing (3) Post P
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Reidla, Jana, Ene Kõresaar, and Kirsti Jõesalu. "Etnograafiapärandi määratlemisest ja kogumisest Eesti muuseumides." Eesti Rahva Muuseumi aastaraamat 64, no. 2 (2023): 295–324. http://dx.doi.org/10.33302/ermar-2023-009.

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This article examines how Estonian museums understand ethnographic heritage. More specifically, it is an attempt to answer the questions of how the concept of ethnographic heritage is made visible through museums’ various practices. An analysis of what criteria museums use when assigning objects to ethnographic collections is submitted as well as a description of what dilemmas they face when making a choice, and how these dilemmas are resolved in practice. It was demonstrated that assigning objects to ethnographic collections has been and continues to be a cognitive and subjective activity. Wh
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Dissertations / Theses on the topic "Collective productive heritages"

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Houeto, Adébo Jean-Daniel. "Une analyse économique des conditions d’émergence des bioclusters. Le cas de la bioéconomie du chanvre industriel dans l’Aube." Electronic Thesis or Diss., Reims, 2023. http://www.theses.fr/2023REIME010.

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Pour répondre aux défis du siècle, tels que le changement climatique, la sécurité alimentaire et l’épuisement des ressources naturelles, les institutions européennes ont placé, au cœur de leurs dispositifs de politiques publiques, le développement de la bioéconomie. Cette bioéconomie, considérée comme un modèle de développement capable de répondre à chacun de ces défis, tout en permettant la poursuite de la croissance, est déployée à l’échelle des États membres de l’Union, notamment par une incitation à la constitution de bioclusters. Si les bioclusters ont un rôle aussi crucial à jouer dans l
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Befort, Nicolas. "Pour une mésoéconomie de l'émergence de la bioéconomie : représentations, patrimoines productifs collectifs et stratégies d'acteurs dans la régulation d'une chimie doublement verte." Thesis, Reims, 2016. http://www.theses.fr/2016REIME001/document.

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Cette thèse analyse, à partir d’une démarche mésoéconomique régulationniste et évolutionniste, l’émergence d’un espace économique. Les acteurs l’ont baptisé « bioéconomie », à partir d’interprétations divergentes du terme. Cet espace se différencie des façons traditionnelles de se représenter la division du travail en secteurs (la chimie, l’agriculture, l’énergie). Les acteurs qui cherchent à constituer cet espace les recomposent dans un champ original et spécifique. Ce champ est fondé sur l’usage de ressources renouvelables végétales, animales et algales. Les acteurs constituant le champ se p
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Webb, Brittany. "Materializing Blackness: The Politics and Production of African Diasporic Heritage." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/504409.

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Anthropology<br>Ph.D.<br>"Materializing Blackness: The Politics and Production of African Diasporic Heritage” examines how intellectual and civic histories collide with the larger trends in the arts and culture sector and the local political economy to produce exhibitions at the African American Museum in Philadelphia (AAMP) and structure the work that museum exhibitions do to produce race visually for various audiences. Black museums are engaged in the social construction of race through their exhibitions and programs: selecting historical facts, objects and practices, and designating them as
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Abdul, Bagi Samia. "WRITTEN DISCOURSE PRODUCTION OF BILINGUAL LEARNERS OF SPANISH: A COMPARISON BETWEEN HERITAGE AND NON-HERITAGE SPEAKERS AS A LOOK TO THE FUTURE OF HERITAGE LANGUAGE TEACHING." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/178013.

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Spanish<br>Ph.D.<br>With the purpose of understanding plausible reasons as to why Hispanics learners of Spanish, or heritage language learners (HLL), tend to obtain lower grades than their non-Hispanic counterparts (L2) in the same courses, forty-four students of Spanish (17 HLLs and 27 L2s) provided written production once a week for a period of six weeks. The data collected was analyzed in terms of error frequency in two main areas: orthography and morphology. The hypothesis proposed was that HLLs would have poorer orthographic performance than L2s given the informal aural input they have re
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Kverndokk, Kyrre. "Pilegrim, turist og elev : Norske skoleturer til døds- og konsentrasjonsleirer." Doctoral thesis, Linköpings universitet, Tema Kultur och samhälle – Tema Q, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-10034.

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This dissertation is about Norwegian school journeys to former death and concentration camps in Poland and Germany. The thesis follows a 10th grade class from the preparations for such a journey, on the journey itself and finally during the reflective work of the pupils upon returning to school. The journey is viewed as a memory process and the thesis discusses how the collective memory of Holocaust is constituted and how the Holocaust memory is staged and performed by the pupils. This kind of travel praxis balances among the inner processes of acknowledgement connected to the pilgrimage, the
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Roda, Jessica. "Vivre la musique judéo-espagnole en France : de la collecte à la patrimonialisation, l’artiste et la communauté." Thèse, Paris 4, 2012. http://hdl.handle.net/1866/9170.

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Doctorat réalisé en cotutelle avec l'Université Paris Sorbonne. La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).<br>La question centrale de cette recherche s’inscrit dans la foulée des problématiques autour de la patrimonialisation, de la performance et de la mise en scène des pratiques musicales. Elle vise plus précisément à comprendre comment et pourquoi les Judéo-espagnols de France, installés depuis le début du XXe siècle, utilisent les pratiques singulières des
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Pianezza, Nolwenn. "La patrimonialisation selon l’immatériel ou la mémoire agissante : circulations des savoirs en contexte partenarial de production audiovisuelle." Thesis, Avignon, 2017. http://www.theses.fr/2017AVIG1183/document.

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Cette thèse vise à explorer les enjeux et modalités de la patrimonialisation liées à la mémoire sociale, dans le contexte paradigmatique de l’immatériel qui de manière croissante mobilise des formes abouties de partenariat avec l’acteur social, en vue de conduire l’inventaire de son patrimoine. À partir de terrains français et brésiliens, cette recherche s’intéresse plus particulièrement au travail partenarial de documentation audiovisuelle du patrimoine qui intervient dans de tels dispositifs d’inventaire partagé, pour y saisir les transformations techniques, épistémologiques et symboliques à
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Books on the topic "Collective productive heritages"

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Alves, Alan Ripoll, Diomar Augusto de Quadros, Luciana Vieira Castilho Weinert, Luiz Everson da Silva, and Marisete Teresinha Hoffmann Horochovski. Litoral do Paraná: Território e perspectivas - Volume 5: Desenvolvimento, políticas públicas e saúde. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-091-5.

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The Coastal Collection of Paraná: territories and perspectives and especially in its fifth volume: DEVELOPMENT, PUBLIC POLICIES AND HEALTH is an initiative headed by the Postgraduate Program in Sustainable Territorial Development – PPGDTS at the Federal University of Paraná - UFPR. It is a collective effort among knowledge agents, that is, research teachers, students engaged in research, public agents and local community actors, and aims to add value to the production of knowledge about the regional reality, in a plot that expresses the activities of research, teaching and extension carried ou
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Gansell, Amy, and Ann Shafer, eds. Testing the Canon of Ancient Near Eastern Art and Archaeology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190673161.001.0001.

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This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The “canon” is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In “testing” this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future. Ultimately, this
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Lo, Dennis. The Authorship of Place. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.001.0001.

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The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li
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Christine Pae, Keun-joo, and Kathleen T. Talvacchia, eds. Searching for the Future in the Past. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780567712233.

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Inclusive and progressive theological and religious perspectives have an important and distinctive contribution to make to an analysis of the critical issues facing women-identified persons in the 21st century. This incisive collection of essays recovers the missing theological voices, grounded in those religious communities and traditions, which gender and sexuality studies often overlook. Feminist theologies have, from their beginnings, aspired to be the communal production of women-identified persons who critically reflect on their experiences in the contexts of culture, social standpoint,
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Crouzet, Guillemette, and Eva Miller, eds. Finding Antiquity, Making the Modern Middle East. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350458727.

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This volume presents innovative studies of how the emerging disciplines of archaeology and ancient history shaped the modern Middle East, and how they were in turn shaped by competing visions and agendas of empires and new nations.The Middle East was a region constructed through its putatively unique relationship to the whole world’s past—and its special relevance for the destiny of empires and nations. Over the course of the nineteenth and early twentieth centuries, European empires fought for influence and control over this ‘cradle’ of civilization, empire and monuments, and local powers and
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Geoffroy-Schwinden, Rebecca Dowd. From Servant to Savant. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197511510.001.0001.

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From Servant to Savant exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship and music historiography. Like other arts and trades in Old Regime Paris, music professionalized under a system regulated by legal permissions called privilèges. Musicians learned to work within the privilege system to elevate their legal and social status by the eve of Revolution. But the Revolution’s Abolition of Privilege on August 4, 1789, overthrew this feudal order and set in its place a modern property regime requiring strict delineation between publ
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Orange, Tommy. Ici n'est plus ici. ALBIN MICHEL, 2019.

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Orange, Tommy. There There: A Novel. Penguin Random House, 2019.

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Orange, Tommy. There There: A Novel. Penguin Random House, 2018.

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Orange, Tommy. There There: A novel. McClelland & Stewart, 2018.

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Book chapters on the topic "Collective productive heritages"

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Marttila, Sanna, and Andrea Botero. "Infrastructuring for Collective Heritage Knowledge Production." In Culture and Computing. Design Thinking and Cultural Computing. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77431-8_6.

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Viola, Lorella. "The Importance of Being Digital." In The Humanities in the Digital: Beyond Critical Digital Humanities. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16950-2_2.

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AbstractIn this chapter, I present the post-authentic framework, a theoretical framework for knowledge creation in the digital, and I introduce two concepts central to the framework, symbiosis and mutualism. In light of the considerations reasoned in Chap. 1, I discuss and question the relevance of notions of authenticity and completeness in relation to digital objects. I take the example of a digital cultural heritage object to highlight how ideas of authenticity and completeness have consequences not only for the production of digital heritage and with respect to heritage values and practice
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Tomiyoshi, Mitsuyuki. "Organizations and Functions for Seed Management in East Asia: Korea, Japan and Taiwan." In Seeds for Diversity and Inclusion. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89405-4_7.

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AbstractHow important are informal seed-saving systems in conserving agrobiodiversity? Mitsuyuki Tomiyoshi probes that question in the East Asian context in this survey and analysis examining the prevalence of community seed banks and other non-profits in Japan, South Korea and Taiwan. In Japan, traditional varieties are generally cultivated on the basis of heritage and culture, and an array of non-profits are involved in seed provision, domestic production, collection and networking. In South Korea, where interest in heirloom seeds has been growing since the early 2000s, comparable organizati
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Di Russo, Aldo, and Dorothea Papathanasiou-Zuhrt. "The UNESCO Experiential Digital Heritage Narrative in the Black Sea Basin." In Strategic Innovative Marketing and Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_72.

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AbstractNew communication patterns define market preferences, while the constant use of e-devices in daily life impacted the common sense through the interpretation of visual codes. It is necessary to determine the quintessential steps to define a strategic approach to the European audio-visual aarket and find new opportunities for research, application and creation of new iconic audiovisuals to design and deliver cognitive-emotional experiences for an inclusive and accessible cultural heritage. The digital revolution has altered the production of various industrial sectors, the audio-visual m
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Herrero, Mario, Marta Hugas, Uma Lele, Aman Wirakartakusumah, and Maximo Torero. "A Shift to Healthy and Sustainable Consumption Patterns." In Science and Innovations for Food Systems Transformation. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15703-5_5.

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AbstractThis chapter recognises that current food consumption patterns, often characterised by higher levels of food waste and a transition in diets towards higher energy, more resource-intensive foods, need to be transformed. Food systems in both developed and developing countries are changing rapidly. Increasingly characterised by a high degree of vertical integration, evolutions in food systems are being driven by new technologies that are changing production processes, distribution systems, marketing strategies, and the food products that people eat. These changes offer the opportunity for
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Lenk, Sabine. "Robert Vrielynck—The Microcosm of Small Changes." In Collecting Cinema, Rewriting Film History. Amsterdam University Press, 2025. https://doi.org/10.5117/9789048565955_ch07.

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This chapter deals with the historical media heritage of Robert Vrielynck, a Belgian solicitor who left a collection of more than 1,600 objects, now housed at the Museum for Contemporary Arts (Antwerp). These historical artifacts originate from the production, distribution, and exhibition of film which he saw, being a film producer himself, as complementary and equal branches of cinema business. Robert Vrielynck did not only collect “optical principles” (following Werner Nekes‘s approach, also presented in this volume), but also acquired cameras and projectors for their variant aesthetic forms
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Kalaycioglu, Elif. "Politics of Humanity." In The Politics of World Heritage. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198912798.003.0002.

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Abstract This chapter develops the book’s theoretical framework on politics of humanity. It proposes that politics of humanity are authorized by an idea of humanity and work to bring it into being as a subject with moral, juridical, or cultural standing in global politics. That movement relies on a set of symbolic resources with which humanity is represented. The ensuing constructions of humanity bound this collective subject, producing social orders. These social orders of humanity generate desires for inclusion, linked to social capacities and the subjectivities they promise and make possibl
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Harchi, Kaoutar, Jenny Money, Kathryn Kleppinger, and Laura Reeck. "Banlieue Writers: the Struggle for Literary Recognition Through Collective Mobilization." In Post-Migratory Cultures in Postcolonial France. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941138.003.0003.

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This chapter focuses on processes of social categorization used in the French literary field to define authors born in France to postcolonial immigrant parents. In 2007, the collective 'Qui fait la France?' released a volume of short stories called Chroniques d’une société annoncée, prefaced by its manifesto that was also released to the popular press. Composed of authors self-identifying as having 'mixed identities', the collective aimed through the publication of their manifesto and short stories to transform French literature through narrating and recognizing the unique histories, suffering
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Kiddey, Rachael. "Conclusion." In Homeless Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746867.003.0014.

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An archaeological approach to contemporary homelessness contributes to existing literature on the subject by materializing this familiar yet alien social status in a number of ways. Globally, homelessness continues to suffer from being conceptually constructed according to essentially British nineteenth-century ideologies that are class-based and heavily gendered, whilst, increasingly commonly, manifesting physically as a diverse and phenomenological experience. Approaching homelessness using participatory cultural heritage methodologies enabled those involved in the Homeless Heritage project
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Morais C. and Barragão V. "Improvement design in Portuguese wool lifecycle: ecological yarn collection." In Research in Design Series. IOS Press, 2017. https://doi.org/10.3233/978-1-61499-820-4-271.

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Wool is a light, comfortable, and durable fibre that forms a protective covering against both heat and cold. In Portugal, raising sheep, wool collection and production of yarn has been a domestic craft work for centuries, concentrated mainly in the East and South of the country, particularly in Serra da Estrela and Alentejo. The sorting and storage of wool is done by companies associated to &amp;ldquo;Merino&amp;rdquo; wool producers, however, this type of wool is only a small percentage of the country's total production. The country has many other varieties of wool but these may end up burned
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Conference papers on the topic "Collective productive heritages"

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Kömürcü, Esranur, and Nuray Benli Yıldız. "Historic Building Information Modelling (HBIM)." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0072n25.

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Cultural heritage conservation and restoration work is a complex process that includes documentation, data collection, interpretation and production. By integrating the BIM (Building Information Modeling) methodology into this process, the concept of HBIM (Historic Building Information Modeling) has been formed. In this article, the progress of this process with the HBIM methodology in the restoration, protection and management studies of cultural heritage buildings and sites requiring collective and holistic work, the evaluation of access to the information obtained, and the provision of inte
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Saffira, Mega, and Kahfiati Kahdar. "Money Talks, Fashion Walks: A Textile Motif Exploration in Womenswear Using 1960s Rupiah Banknote." In 22th AUTEX World Textile Conference. Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-0d5xup.

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This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of
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XUE, FELIX. "THE APPLICATION AND VALUE OF MARXIST HISTORICAL METHODOLOGY IN THE STUDY OF INTANGIBLE CULTURAL HERITAGE—TAKING CHIBI GREEN BRICK TEA AS AN EXAMPLE." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36049.

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[Research Significance] The Marxist view of social and historical development believes that the world is not a static collection, but is composed of countless processes, and each thing has its own process of production, development and death.[1] Looking at intangible cultural heritage from the perspective of history, it can make our country's intangible cultural heritage integrate with modern life while maintaining historical traditions, and realize the development and extension of cultural essence, which has scientific guiding significance.[Research purposes] In the era of ever-changing histo
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Carrion, Awilda Rodriguez, and Gabriela Campagnol. "Restitching Post-industrial Sugar Heritage: Developing Advocacy Attitudes as a Strategic Plan." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.58.

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Sugar production exerted a substantial influence on land use and settlements throughout the Americas. Departing from sugarcane areas of Aguirre-Puerto Rico, and connecting other important sugar heritage sites, such as of Sao Paulo-Brazil and Texas-United States, this paper examines a pedagogical approach for advocates of preserving industrial heritage as an indispensable component of livable, sustainable communities. Through research analysis developed in three experimental design exercises for a senior architectural studio, students were able to explore the significance of historical resource
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Galluzzo, Laura, Ambra Borin, and Elena Enrica Giunta. "Designing Transformative Processes in Mountain Realms." In ServDes.2023 Entanglements & Flows Conference: Service Encounters and Meanings Proceedings, 11-14th July 2023, Rio de Janeiro, Brazil. Linköping University Electronic Press, 2023. http://dx.doi.org/10.3384/ecp203002.

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Alpine territories are experiencing a period of new dynamism in which relations with the urban environment play an important role in terms of cultural redesign of values, physical and functional connections with local areas and the creation of rurban-mountain networks. This contribution aims to highlight the challenge to trigger a long-term territorial strategy for the Valtellina area – in the Italian Alps – from short-term actions and processes to lead local heritage and cultural production and make stakeholders part of this collective visioning and design practices. Actually, this article il
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Duport, Laurent J. "Learning from Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.660.

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Résumé: Interrogé sur l’enseignement de l’architecture, et bien qu’il ait exposé ses idées sur le sujet principalement dans deux de ses livres : « Précisions » (1930) et « Sur les quatre routes » (1941) Le Corbusier répond : « Je n’ai jamais reçu d’enseignement proprement dit. Je suis autodidacte même dans le sport. ». La formidable puissance didactique de Le Corbusier réside en cinq points : sa formation, son positionnement théorique, son invention de typologies, sa diffusion de l’architecture, sa production prolifique. Ainsi, bien au-delà de l’Œuvre Complète Le Corbusier offre à qui veut s’e
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Montagna, Gianni, Maria Delgado, Isabel Duarte De Almeida, and Luís Santos. "New skills for new designers: Fashion and Textiles." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001539.

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This work arises as a reflection on what it means to be a designer of the future and their greater need for influence and collaboration with the team throughout the product creation cycle. The renewal of a culture of design and business innovation in the area of fashion and textile design is based on the establishment of bridges with different realities that, increasingly dynamic, change the landscape of different products and their creation processes, blurring the boundaries and limits of each area of intervention and its actors. From the small to the big industry we find new needs and profes
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Vicente, José. "Vernacular Products: An Example to Circular Design." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002026.

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Throughout most mankind’s history our daily life artifacts have been designed, produced, and used with respect for social and environmental constrains and within the carrying capacity of ecosystems. Also, they have been created to fulfill tangible and specific needs (not desires) of individuals and communities to their daily tasks and have sustained a thorough process of evolution and adaptation to the cultural and environmental context and, so, have been perfected over time. It has been only with the technological and cultural changes implemented with the industrial revolution that several un
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Košak, Karin, Deja Muck, Marjeta Čuk, and Tanja Nuša Kočevar. "3D printed jewellery design process based on sculpture inspiration." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p57.

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In the article we present the educational process in which design students were guided through their design process, creating 3D printed jewellery inspired by the Forma Viva sculptures of the outdoor gallery Kostanjevica na Krki. The assignment was part of the international project Cumulus Re/Forma Viva, whose main goal was to implement digitization using 3D technology in the field of education for the preservation of cultural heritage. The task given to the 1st year masters students of Fashion and Textile Design at the Department of Textiles, Graphic arts and Design at the University of Ljubl
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Shenith, W. D. J. N., W. M. A. I. Weerasinghe, and S. Samarawickrama. "Exploring the use of feathers in traditional handloom." In Integrated Design Research Conference 2024. Department of Integrated Design, Faculty of Architecture, University of Moratuwa., 2024. https://doi.org/10.31705/idr.2024.2.

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There has been a focus on design innovation and interventions to sustain and enhance the cultural heritage of handloom textiles, especially in the textile industry of Sri Lanka. Renowned for its traditional handloom weaving, the industry faces the challenge of aligning with mass production and fast production cycles, while maintaining its cultural heritage. The traditional designs and textiles do not meet contemporary market demands nor the target audience of today. While studying the handloom machines used by the artisans for an academic project, it was discovered that making changes to the s
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