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Journal articles on the topic 'Collective productive heritages'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Bačun, Nina. "Architectural cinematic spaces as counter-archive of collective memory." SAJ - Serbian Architectural Journal 15, no. 3 (2023): 288–313. http://dx.doi.org/10.5937/saj2303288b.

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As human life is rapidly unfolding within digital realms, it has become urgent to (re)evaluate the meaning of the intangible heritage of our digital environments by looking closely into Hito Steyerl's re-readings of Walter Benjamin with the recognition of the 'image as object,' not merely as representation. The idea of activating an object could be a starting point, or a productive force, in the new approach towards an architectural digital heritage, advancing the transformation of our everyday reality with new readings of architectural spaces. Even though film has been recognised as a form of

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Zhang, Boyang, Jinyu Fan, and Zongsheng Huang. "Research on Spatial Morphological Characteristics and Influencing Factors of Industrial Heritage: A Case Study of Nine Industrial Heritages in Guizhou Province." Land 13, no. 11 (2024): 1785. http://dx.doi.org/10.3390/land13111785.

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Industrial heritage, recognized as a significant aspect of historical and cultural heritage, has garnered considerable attention from scholars globally. To elucidate the spatial morphological characteristics and the underlying influencing factors of industrial heritage within karst regions, this study employs methods such as the interstice index, fractal dimension analysis, and spatial syntax. It conducts research on the spatial morphological characteristics of nine typical industrial heritages in Guizhou Province. The primary factors contributing to the variations in layout forms are the intr

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Xiao, Zhang, and Yang Deling. "The “Hyper-Presence” of Cultural Heritage in Shaping Collective Memory." PRESENCE: Virtual and Augmented Reality 27, no. 1 (2019): 107–35. http://dx.doi.org/10.1162/pres_a_00321.

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Virtual reality (VR) uses sensorial mimetics to construct collective memory in virtual space. The regeneration of high-definition cultural heritage symbols transforms memory into an immediate experience that is constantly being renewed, strengthens the relationship between cultural heritage and contemporary society, and continually affects the persistent renewal of cultural traditions. Hyper-presence is a networked state of cognitive psychology that lies in links, interactions, and exchanges; it is the result of networked social minds and distributed cognition. In the contemporary moment, cult

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Cavicchioli, Marina Regis. "Wine: a cultural world heritage." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (2018): 523–37. http://dx.doi.org/10.31669/herodoto.v3i1.366.

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The processes of cultural identification make us choose what we want as memory, what we identity with in the past, and what we want to preserve. This is how we select our cultural heritage projects: as collective identity projects. The last three decades have been marked by a growing debate around the question of valuating the various types of cultural heritage. In this context, wine is considered as a world heritage phenomenon—through the vineyards and the landscape its production creates, the architecture and monuments linked to it, and its forms of production and consumption, through UNESCO

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Bonacchi, Chiara. "Heritage transformations." Big Data & Society 8, no. 2 (2021): 205395172110343. http://dx.doi.org/10.1177/20539517211034302.

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This special theme examines the dynamic relationships between production, availability, and usage of Big Data, laying out a research agenda for digital heritage at the time of the ‘data turn’. Over the past 15 years, a proliferation of heritage data has been generated by ‘ecosystems of distributed practices’ enacted by the co-working of bodies, cultural identities, organisational workflows, software, application programming interfaces, etc. The authors of research articles and commentaries in this collection explore the three macro-dimensions along which we can map transformations of and by he

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Sturm, Ulrike, Elisabeth Heyne, Elisa Herrmann, et al. "Anthropocenic Objects. Collecting Practices for the Age of Humans." Research Ideas and Outcomes 8 (July 12, 2022): e89446. https://doi.org/10.3897/rio.8.e89446.

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The knowledge needed to tackle future environmental and societal challenges can only be generated through exchange between science and society. The conventional distinction made between natural and cultural heritage in museums and other institutions is no longer appropriate in the Anthropocene. Museums must rethink the social and cultural dimensions of existing museum collections and reinvent the organization of knowledge production for our present. In three workshops at the Museum für Naturkunde Berlin, practitioners and interdisciplinary theorists discussed the concept of "Anthropocenic obje

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Barus, Irma Rasita Gloria, Amata Fami, and Kania Sofiantina Rahayu. "CULTURAL HERITAGE DIGITIZATION OF BOROBUDUR AREA TOURISM: A PROJECT-BASED LEARNING." JADECS (Journal of Art, Design, Art Education & Cultural Studies) 8, no. 1 (2023): 14. http://dx.doi.org/10.17977/um037v8i12023p14-27.

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In supporting the efforts to preserve the nation’s cultural heritage, this research aimed to implement project-based learning by designing e-books as digital information media to promote tourism development. This research attempted to report and illustrate the implementation of project-based learning, which aimed to explore twenty potential tourist attractions in the surrounding villages of the Borobudur Temple in Central Java, Indonesia. This research involved 127 students of the Informatics Management Study Program enrolled in the Graphic Design course. This qualitative case study exemplifie

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Chen, Biyu. "Research on the Dissemination, Current Situation and Path of Intangible Cultural Heritage under the Background of Digitalization." International Journal of Social Sciences and Public Administration 4, no. 2 (2024): 195–200. http://dx.doi.org/10.62051/ijsspa.v4n2.27.

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The evolution of digital communication modalities for China's intangible cultural heritage serves to broaden communication avenues and engage wider audiences, further unlocking the economic potential of the heritage industry. This progression is crucial for advancing the digitization of ICH during the 14th Five-Year Plan in China. Derived from the collective efforts of working individuals over extended periods of production and labor, each intangible culture possesses unique transmission traits. Representing an immaterial and irreplicable historical artifact, cultural memory, and the essence o

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Dewi, Fajrina Cahya. "DEWARUCI BOARD GAME DESIGN AS A WAYANG INTRODUCTION MEDIA FOR CHILDREN 10-12 YEARS OLD." Arty: Jurnal Seni Rupa 9, no. 2 (2020): 90–102. http://dx.doi.org/10.15294/arty.v9i2.40296.

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Wayang is one of the artistic heritages that contains various good teachings in life. But now, there are many young generation forgets about wayang, and don't even know it. Watching Wayang Shows all night long is hard for children, that's why an alternative media are made in the form of games that can be played by children to introduce Wayang characters..The process of working in designing board games includes: (1) Pre-Production, including data collection, goal setting, concept determination, (2) Production, including content design, sketching, digitization, layouting, and printing (3) Post P

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Reidla, Jana, Ene Kõresaar, and Kirsti Jõesalu. "Etnograafiapärandi määratlemisest ja kogumisest Eesti muuseumides." Eesti Rahva Muuseumi aastaraamat 64, no. 2 (2023): 295–324. http://dx.doi.org/10.33302/ermar-2023-009.

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This article examines how Estonian museums understand ethnographic heritage. More specifically, it is an attempt to answer the questions of how the concept of ethnographic heritage is made visible through museums’ various practices. An analysis of what criteria museums use when assigning objects to ethnographic collections is submitted as well as a description of what dilemmas they face when making a choice, and how these dilemmas are resolved in practice. It was demonstrated that assigning objects to ethnographic collections has been and continues to be a cognitive and subjective activity. Wh

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W. Ehrentraut, Adolf. "Maya Ruins, Cultural Tourism and the Contested Symbolism of Collective Identities." Culture 16, no. 1 (2021): 15–32. http://dx.doi.org/10.7202/1084101ar.

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The more accessible archaeological sites of the ancient Maya have become cultural attractions for international mass tourism. Their development is a function of occupational and economic factors that construct an unrepresentative image of Maya civilization as a modem cultural production. While this image is part of the official heritage of modern nation states, the interaction of mass tourism and cultural resource management is creating a supranational structural framework conducive to the development of Maya ethnonationalism.

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Mindel, David. "Expanding the Scope of Digital Collection Development for Heritage Preservation: The case of the Odin Oyen collection." Archiving Conference 2020, no. 1 (2020): 22–26. http://dx.doi.org/10.2352/issn.2168-3204.2020.1.0.22.

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Access to collections is expanded through digitization, but are we saving the "best" volumes, which volumes are the best, and how do we make that decision? Capturing "real" collection data to objectively make and support those decisions is part of Library of Congress (LC) research. Current data suggests that most cultural heritage institutions have digitized less than 10% of their collections, so preservation of the print record is critical for long-term access to this knowledge. This is especially true for 19th and 20th century paper-based materials, where mass production methods resulted in

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Kumoratih, Dewi, Hervina Dyah Aprilia, Santika Syaravina, and Arsa Widitiarsa Utoyo. "“My Ancestors were Seafarers!”: New Media Design to Restore Collective Memory of Maritime Cultural Heritage in Public Spaces." E3S Web of Conferences 426 (2023): 02034. http://dx.doi.org/10.1051/e3sconf/202342602034.

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Design plays a vital role in the process of knowledge production. To foster nationalism and national identity formation, the form uses design as means for public learning in museums and schools. However, history lessons are less desirable and often considered boring. The younger generation has new knowledge acquisition methods along with increasingly advanced technology. This research explores new media design in digital technology as a means of knowledge production. Taking the case of Indonesia, which in recent years has been trying to evoke collective memory as a maritime nation through its

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Popov, E. V., and E. L. Glickman. "The life and scientific heritage of Leonid Sergeyevich Glickman (1929–2000)." Proceedings of the Zoological Institute RAS 320, no. 1 (2016): 4–24. http://dx.doi.org/10.31610/trudyzin/2016.320.1.4.

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This paper consists of biographical data for well-known Soviet palaeoichthyologist Leonid S. Glickman (1929–2000). His life is divided into several stages: a childhood and evacuation during WWII (1929–1945), life in Saratov (1945–1950), Leningrad stage (1950–1970), working in the Russian Far East (1970–1982) and his life in Leningrad / Saint Petersburg (1982–2000). The Leningrad stage (1950–1970) was his most productive time in a scientific sense. During that time he carried out extensive field work, laid a basis of the largest collection of fossil shark teeth in the USSR (now deposited in the

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Puzankov, Ilya. "The reproduction of collective identity, or why the Kuban Cossacks need ritual collective actions." Zhurnal sotsiologii i sotsialnoy antropologii (The Journal of Sociology and Social Anthropology) 28, no. 2 (2025): 7–32. https://doi.org/10.31119/jssa.2025.28.2.1.

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The social community of the Cossacks, as well as, in particular, the Kuban army, becoming an increasingly prominent player in the socio-political field, is a fairly relevant object for consideration from various research positions. The article is devoted to the dynamics of traditional (or non-traditional) collective actions of the Kuban Cossacks, considered through the concepts of affectation, commemoration, performativity and ritual. This study analyzes various collective actions within the Cossack community (parade, commemoration, circle, etc.), each of which serves both as a "workshop" of c

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Clarembeaux, Michel. "Film education: Memory and heritage." Comunicar 18, no. 35 (2010): 25–32. http://dx.doi.org/10.3916/c35-2010-02-02.

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Film education in the digital age should be based on three closely-related and complementary fundamentals: to see, to analyze and to make films with young people; three basics that must interact and support each other. The concept of creative analysis could be the glue the binds this subject together, making it coherent and efficient for educational purposes. If cinema is an art, it is above all the art of memory, both individual and collective. This article suggests that we can join the pedagogy of film education to the citizen’s desire to perpetuate memory and preserve cultural heritage. The

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Lo Cicero, Georgia, Valeria Seidita, Maurizio Vitella, et al. "Recovering Sicilian Silk Heritage through Digital Technologies: The Case of Piraino’s Collection." Heritage 5, no. 4 (2022): 4245–66. http://dx.doi.org/10.3390/heritage5040219.

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Textile conservation has given rise to small and medium-sized museums, usually with scarce resources. In Sicily, the little evidence that remains of silk production and opulent imports by the rich and powerful local aristocracy is kept in museums, parishes, and other cultural institutions. The documentation, dissemination, and enhancement of such a fragile heritage is today possible by means of technological tools that provide novel means to preserve, analyze, and exploit digital information. In this paper, we present some outcomes of the SILKNOW project, a project that applies computing resea

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Domenichini, Riccardo. "Architectural archives, a resource for knowledge and collective memory." Boletim do Arquivo da Universidade de Coimbra, extra 1 (March 1, 2023): 37–51. http://dx.doi.org/10.14195/2182-7974_extra2023_1_2.

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It is difficult to fix coordinates to define architectural archives, related as they are to a discipline that has many declensions and often overlaps with others. Characterized by a multiplicity of types of documentation, from the point of view of production and organization they vary greatly in the range defined by the two poles of personal and corporate archives. Subjected to a strong evolutionary process, marked by the increasingly exclusive presence of digital technology, they constitute a field of continuous learning for archivists and researchers, with the aim of fully exploiting their i

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Silva, Luiz Felipe da, Fernanda Esteves Leirião, Yeda Ruiz Maria, and Victor Martins de Aguiar. "RESQUÍCIOS HISTÓRICOS PRUDENTINOS: OBSERVAÇÃO E ANÁLISE DE UM CORREDOR HISTÓRICO EM POTENCIAL." Colloquium Socialis 6, no. 1 (2023): 90–105. http://dx.doi.org/10.5747/cs.2022.v6.s155.

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The heritage and its historical remnants are fundamental for the historical understanding of small or medium-sized cities, so that they are not lost or forgotten. The remembrance of the urban architecture has origins and particularities of the local society, adding values to the cultural, economy, development and feeding the local urban memory. The memories of the cities are formed from influences and experiences of its people, configured by individual and collective memories. However, the urbanization and industrialization process ends up remodeling the space, causing a failure in the preserv

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Didkivska, Lesia. "Post-soviet mental heritage of Ukrainian peasantry." Ìstorìâ narodnogo gospodarstva ta ekonomìčnoï dumki Ukraïni 2024, no. 57 (2024): 258–73. https://doi.org/10.15407/ingedu2024.57.258.

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The subject of this research is the economic traditions of the Ukrainian peasantry. The article aims to provide a historical and economic assessment of the transformation of Ukrainian peasant mentality, substantiating the need to overcome the long-term effects of the Soviet economic model's impact on the current trajectory of agricultural development in Ukraine and the mentality of the Ukrainian peasant. The article outlines various determinants in the development of informal economic institutions in the agricultural sector during the Soviet period, including the repressive mechanisms of state

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Jůn, Libor, Lenka Lesenská, and Klára Woitschová. "„Hajme mužně pravdy, práva...“: Fotografické album osobností ze Sbírek Bohuslava Duška v Archivu Národního muzea." Časopis Národního muzea. Řada historická 189, no. 3-4 (2022): 3–14. http://dx.doi.org/10.37520/cnm.2020.06.

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„Let us manfully hold truths, rights...“ Photographic album of personalities from the Bohuslav Dušek Collection in the Archives of the National Museum One of the traces of Bohuslav Dušek’s extensive collecting and patronage activities is the archival collection stored in the National Museum Archives. It includes (under the inventory number 1744) a photographic album containing portrait photographs (business card format) of important personalities of Czech political, cultural and public life in the second half of the 19th century. The collection of photographs is both an important iconographic

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Terje, Brattli, and Ingrid Ystgaard. "Hva ligger i uttrykket «særskilt gransking»? Innsamling av data, forskning og finansiering i henhold til kulturminneloven § 10." Primitive Tider, no. 22 (December 15, 2020): 109–18. http://dx.doi.org/10.5617/pt.8390.

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What do we mean by the term “special investigation”? Collection of data, research and funding in accordancewith the Cultural Heritage Act, § 10.Section 10 of the Cultural Heritage Act stipulates that expenses for special investigation of protected culturalmonuments shall be covered by the developer. In today’s practice, the term "special investigation" includes collectionof archaeological data, but not further research related to the same data. Expenses for data collection will thusbe paid for by the developer, while expenses for further research will be covered by the institution responsible

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Costantino, C., D. Prati, G. Predari, and C. Bartolomei. "3D LASER SCANNING SURVEY FOR CULTURAL HERITAGE. A FLEXIBLE METHODOLOGY TO OPTIMIZE DATA COLLECTION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (August 12, 2020): 821–28. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-821-2020.

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Abstract. The paper describes an operational working methodology to be applied for surveys with phase-shift laser scanning, which allows defining a guidelines system to optimize in-field data collection. While reducing the number of scan positions still using the same quality, it is possible to obtain smaller files, in order to limit the computational requirements during editing and post-production. Nonetheless, this methodology guarantees results that are qualitatively comparable to the standard data collection process. Consequently, the angle ranges have been analyzed to find a value that gu

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Yan, Fang, and Litao Zhang. "Research on Renewal and Transformation of Smart Building in Luoyang Based on Reducing Energy Usage and Collective Memory." Sustainability 15, no. 11 (2023): 8592. http://dx.doi.org/10.3390/su15118592.

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Collective memory is a specific carrier for interpreting historical space and local emotions. With the help of collective memory theory, this paper constructs the industrial heritage system of an old industrial zone. Taking the old industrial area in Jianxi District of Luoyang as an example, this paper uses two types of memory representations, the material memory field and spiritual memory field, as the carriers of collective memory. It is divided into 11 types of spatial fields, such as production space, living space, landscape space and spiritual culture, and 76 memory connotations to constr

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Chen, Feiyue. "The Integration of Intangible Cultural Heritage and Popular Culture: Mechanisms and Implications." Communications in Humanities Research 58, no. 1 (2025): 161–66. https://doi.org/10.54254/2753-7064/2025.22467.

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The paper explores how to build a bridge between intangible cultural heritage and popular culture, enabling the dissemination of intangible cultural heritage in a more trendy and fashionable way. As a crucial carrier of human civilization, the protection and transmission of intangible cultural heritage hold multidimensional profound values. Firstly, intangible cultural heritage serves as a gene pool of human civilization, preserving collective ethnic memory and sustaining cultural diversity. Secondly, as a new quality productive force, it can boost consumption and be contributed to promote eco

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Dawson, Beata, Pauline Joseph, and Erik Champion. "The Story of the Markham Car Collection: A Cross-Platform Panoramic Tour of Contested Heritage." Collections: A Journal for Museum and Archives Professionals 15, no. 1 (2019): 62–86. http://dx.doi.org/10.1177/1550190619832381.

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In this article, we share our experiences of using digital technologies and various media to present historical narratives of a museum object collection aiming to provide an engaging experience on multiple platforms. Based on P. Joseph’s article, Dawson presented multiple interpretations and historical views of the Markham car collection across various platforms using multimedia resources. Through her creative production, she explored how to use cylindrical panoramas and rich media to offer new ways of telling the controversial story of the contested heritage of a museum’s veteran and vintage

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Karpava, Sviatlana. "Narrative abilities and grammaticality of Russian heritage children." Journal of Monolingual and Bilingual Speech 5, no. 2 (2023): 153–77. http://dx.doi.org/10.1558/jmbs.23489.

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Heritage language maintenance and development depend on the family language policy, language dominance, frequency of use, linguistic distance and similarities between the minority and the majority languages or (dia)lects of the society, as well as on the multi-directionality of cross-linguistic influence and accommodation. The present study investigates the narrative skills of Russian heritage children in Cyprus, with a focus on macro-structure (story structure, structural complexity and internal states terms) and grammaticality; that is, the extent to which utterances follow the grammatical r

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Bereskin, Emily. "Modern rural landscapes in contemporary heritage imaginaries: the case of Germany’s southern Oderbruch." SHS Web of Conferences 63 (2019): 11002. http://dx.doi.org/10.1051/shsconf/20196311002.

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Using the Southern Oderbruch as a case study, this paper investigates the presence and representation of the modern rural landscapes of the German Democratic Republic within the region’s contemporary heritage and tourism landscape. Following an analysis of extant discourse production in place marketing materials and heritage sites (primarily local museums), the paper argues that although the unique landscapes developed in concert with the collective farms (landwirtschaftliche Produktionsgenossenschaften) of the GDR remain very much in situ, they remain largely invisible in the heritage and tou

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Pratama, Nanda Zakir Shihab, and Chanifah Indah Ratnasari. "Sinau: Javanese Educational Games for Early Childhood as an Effort to Preserve Javanese Heritage." Edumatic: Jurnal Pendidikan Informatika 8, no. 2 (2024): 645–54. https://doi.org/10.29408/edumatic.v8i2.27889.

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Preserving the Javanese language is a collective responsibility to safeguard Indonesia's cultural heritage. This study aims to develop Sinau, a Javanese language learning game for early childhood (ages 4–8), focusing on vocabulary and unggah-ungguh (Kromo and Ngoko) with correct pronunciation. Utilizing the Game Development Life Cycle (GDLC) and Guided Discovery methods, the game was designed to facilitate active learning both at home and school. GDLC encompassed pre-production (concept, teaching methods, and prototype development), production (game creation with Unity, incorporating education

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Koca, E. Miray Kısaer, Pınar Gökçınar Balkan, Pınar Aykaç, Sibel Yıldırım Esen, and Neriman Şahin Güçhan. "Self-Organized Actions for the "Slow and Incremental Adaptation" of Heritage Places: Learning from Pilavoglu Han in Ankara, Turkey." Future Anterior: Journal of Historic Preservation History, Theory, and Criticism 21, no. 1-2 (2024): 42–62. https://doi.org/10.1353/fta.2024.a964493.

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Abstract: Heritage places are formed through the continuous interaction of the built environment and the local community. However, this interaction is often interrupted over time due to changing conditions, lifestyles economic pressure, and the demands of the heritage industry. While in most cases, these heritage places are transformed through top-down strategies of public authorities or private sectors, in other cases, the local community shows resilience to these changes through the adaptation of heritage places. Pilavoglu Han is a sixteenth-century Ottoman inner-city commercial han building

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Dabbene, Daniele, Carla Bartolozzi, and Cristina Coscia. "How to Monitor and Evaluate Quality in Adaptive Heritage Reuse Projects from a Well-Being Perspective: A Proposal for a Dashboard Model of Indicators to Support Promoters." Sustainability 14, no. 12 (2022): 7099. http://dx.doi.org/10.3390/su14127099.

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Among the research discourse concerning cultural heritage in the post-COVID-19phase, a greater awareness of the social value of heritage and its repercussions on collective well-being has emerged. This attention requires overcoming the top-down approach of public policies in favour of public–private partnership tools that are more effective at capturing the multidimensional components of value generated by cultural heritage. However, it is necessary to refine the tools used to evaluate and guide actions towards a perspective capable of integrating the conservation needs of the asset with colle

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Lima, Jéssica Tarine Moitinho de, and Camila Hoshino Sborja. "A distinct geological collection: the Litoteca IGc/USP and its museological processes." Boletim do Museu Paraense Emílio Goeldi - Ciências Naturais 17, no. 2 (2022): 491–508. http://dx.doi.org/10.46357/bcnaturais.v17i2.799.

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Science and technology collections are intrinsic to their kind of knowledge produced by society in all areas of knowledge. They are interlinked to the professionals’ memory and practices in spaces of production, scientific dynamics, technological development and teaching. Geological collections, as part of the science and technology collections, are witness of the scientific process, mostly originating in an academic environment. This heritage is commonly found within Brazilian universities, being analysed here through the case study of the practices of the Litoteca IGc/USP, a laboratory belon

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Tibu, Judith, Daniel Kwabena Danso, and Dickson Adom. "Philosophical interpretations of traditional symbols of Gbi traditional area in the Volta Region of Ghana: Sources of inspiration for textile prints and garment designs." African Social Science and Humanities Journal (ASSHJ) 6, no. 2 (2025): 116–39. https://doi.org/10.5281/zenodo.15352802.

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Though the Gbi traditional symbols are lavishly displayed on traditional artefacts such as spokesperson’s staff, traditional stools, and other regalia, a preliminary survey in the area revealed a dearth in the knowledge and understanding of them. Hence, there was a need to fill this research gap by enhancing cultural heritage education on the Gbi traditional symbols using textile and garment production. Ethnography and arts-based research methods under the qualitative research approach guided the conduct of the study. A total of 68 study participants comprising spokespersons, elderly men

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Martin, Marcella, and Federica Vacca. "Heritage narratives in the digital era." Research Journal of Textile and Apparel 22, no. 4 (2018): 335–51. http://dx.doi.org/10.1108/rjta-02-2018-0015.

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Purpose By considering the role of technology in museum archives and exhibitions, as well as company archives and production, this paper aims to present that digital technologies offer new approaches and tools to consider fashion know-how, traditions and memories. Design/methodology/approach Through an extensive literature review and a close consideration of multiple sources, this paper analyzes fashion, tradition and knowledge creation through the lens of museum and company archives. A section on museum archives analyzes the role of fashion in the museum and the use of technology in catalogin

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Bérubé-Sasseville, Olivier. "Bone in the Throat: Video archiving and identity building within the Montreal hardcore scene." Punk & Post-Punk 00, no. 00 (2021): 1–15. http://dx.doi.org/10.1386/punk_00106_1.

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During the 1990s and early 2000s, the Montreal hardcore scene was a vibrant, thriving and dynamic subculture with a strong sense of community. The generational and cyclical nature of such scenes has led, over the past two decades, to a significant crowd turnover with older people leaving and newcomers taking over. However, through the emergence of an Instagram account created by a man named Andy Chico Mak, its past memories are resurfacing. The recent dissemination of the Bone in the Throat series on social media, along with other archives including flyers, interviews and never-seen-before foo

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Sánchez-Macías, Inmaculada, Olaia Fontal Merillas, Pablo de Castro Martín, and Andrea García-Guerrero. "MOOCs in Heritage Education: Content Analysis and Didactic Strategies for Heritage Conceptualization." Heritage 8, no. 6 (2025): 218. https://doi.org/10.3390/heritage8060218.

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This article carries out an interdisciplinary analysis of five MOOC courses developed by the University of Valladolid and offered on higher education platforms between 2020 and 2024. This research is based on the study of the lexical categories used by the informants participating in these courses, establishing a correlation with the theoretical and practical debates surrounding the definition of heritage and the frameworks of contemporary heritage education. Through a metalinguistic approach, the semantic limits of the emerging lexical categories are examined, paying attention to their ambigu

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Figueroa, Fernanda, Martha B. Puente-Uribe, David Arteaga-Ledesma, et al. "Integrating Agroecological Food Production, Ecological Restoration, Peasants’ Wellbeing, and Agri-Food Biocultural Heritage in Xochimilco, Mexico City." Sustainability 14, no. 15 (2022): 9641. http://dx.doi.org/10.3390/su14159641.

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Chinampería, a jeopardized precolonial agricultural practice, persists in the Xochimilco wetland, Mexico City. Agroecological chinampa production is a recognized UNESCO World Heritage Site, and contributes to the sustainability of both the urban wetland and the city. The ‘chinampa-refuge’ model (CRM) is a transdisciplinary effort to strengthen traditional agroecological practices and ecological restoration. Through an inter/transdisciplinary research framework, we addressed the model’s role in the sustainability of this socio-ecosystem concerning four significant drivers of the wetland’s trans

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Ajaz, Ahmad Dass, and Sneha v. Deshpande Dr. "Production and Productivity of Saffron in Jammu and Kashmir." International Journal of Trend in Scientific Research and Development 2, no. 1 (2017): 1205–9. https://doi.org/10.31142/ijtsrd7040.

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Saffron cultivation confined to a limited geographical area in the State of Jammu and Kashmir is under stress reportedly due to cement dust pollution and land use changes. Besides, having tremendous medicinal values, Saffron has traditionally been associated with the famous Kashmiri cuisine and undoubtedly represents the rich cultural heritage of Kashmir. However, Saffron production is currently suffering on several counts falling productivity and unscientific post harvest management are the major concerns. Some other factors that are responsible for the decline of saffron industry in Kashmir

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Graham, Gary W., P. Charles Goebel, Randall B. Heiligmann, and Matthew S. Bumgardner. "Influence of Demographic Characteristics on Production Practices within the Ohio Maple Syrup Industry." Northern Journal of Applied Forestry 24, no. 4 (2007): 290–95. http://dx.doi.org/10.1093/njaf/24.4.290.

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Abstract Maple syrup production contributes approximately $5 million annually to Ohio's economy and provides supplemental nontimber forest product income for forestland owners. To better understand the factors that influence this important nontimber forest industry in Ohio, including producer heritage, producer age, sap collection methods, size of maple operation, and educational programming, we conducted a detailed survey of all known Ohio maple syrup producers (761 total producers). Over 80% of producers responded to the survey (620 respondents), making our analysis one of the most extensive

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Elfia, Elfia, Nurus Shalihin, Surwati Surwati, Yan Fajri та Aulia Rahmat. "Institutionalizing maqāsid ḥifz al-naṣl within the Minangkabau inheritance framework". Ijtihad : Jurnal Wacana Hukum Islam dan Kemanusiaan 24, № 2 (2024): 193–222. https://doi.org/10.18326/ijtihad.v24i2.193-222.

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This research explores the utilization of inherited assets by the Minangkabau community in Indonesia, moving from individual and consumptive practices to collective and productive maṣlaḥah. Data were collected through interviews with ninik mamak (traditional leader), heirs, and ulama (religious scholar). The analysis involved managing the data, reading and recording, describing, categorizing, interpreting, and visualizing the information. The findings were examined using the maqāsid framework. This research highlights the shift in how inherited assets are being utilized, from individual consum

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Barrera-García, Ángela, and Dolores Álvarez-Rodríguez. "The Body-Camera Approach: Teacher Identity through Video Elicitation and Video Essay to Create Shared Heritages." Heritage 7, no. 4 (2024): 2055–70. http://dx.doi.org/10.3390/heritage7040097.

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This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first one was to establish the real relevance of focusing performance on teacher identity. The second one involved testing a new methodological proposal specifically designed for this purpose, but still useful in other contexts where heritage identity is as present as in teaching. The device, a body camera, involve

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Siyu, Yang, and Saengchan . "Research on Spatial Renewal Strategy of Industrial Heritage: A Case Study of Guangzhou T.I.T. Creative Industry Zone." International Journal of Religion 5, no. 11 (2024): 4295–303. http://dx.doi.org/10.61707/f4j7pq04.

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Guangzhou is at the forefront of China's modern industrial reform and holds a significant position in the country's industrial history. The swift advancement of the modern economy has resulted in significant alterations in the industrial framework, leading to the closure and relocation of numerous factories. Guangzhou has preserved various industrial heritage sites that represent its developmental history and collective memory. These industrial spaces lose their original productive activities and pose challenges when it comes to integrating them into the contemporary urban environment. This st

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Dugis, Desideria Alfani, I. Wayan Suwena, and Aliffiati . "Dedang Songke Sebagai Home Based Production." Humanis 24, no. 1 (2020): 85. http://dx.doi.org/10.24843/jh.2020.v24.i01.p11.

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Dedang songke or the activity of weaving traditional cloth (songke) is a tradition that is still widely practiced by housewives as the ancestral heritage of Manggarai Community, especially in the Orchard of Ringkas. The objectives of this study are (1) to find out the reasons why women in Ringkas Orchard made dedang songke as home based production (2) to find out the implications of dedang songke as home based production for the lives of the weavers, their families, and the people of Ringkas Orchard. This study uses the need achievement theory and the rational choice theory. While the concept

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Ciampa, Francesca, Katia Fabbricatti, Gianluigi Freda, and Maria Rita Pinto. "A Playground and Arts for a Community in Transition: A Circular Model for Built Heritage Regeneration in the Sanità District (Naples, Italy)." Sustainability 16, no. 7 (2024): 2640. http://dx.doi.org/10.3390/su16072640.

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Open spaces for collective use in the built heritage of cities are the places to promote and sustain social, cultural, and economic changes. The transformation of the built environment raises awareness of following the policies and tools for the implementation of the EU New Generation Programme, redefining the framework of intervention priorities at the urban scale. Tackling the increasing physical degradation, underutilization, social disparity, and loss of the tangible and intangible culture of these types of spaces, this research identifies artistic production and social cohesion as the ena

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Kuznetsova, Anna A., and Oleg G. Sanin. "THE DOCUMENTARY HERITAGE OF N.P. LAMANOVA AT THE A.A. BAKHRUSHIN STATE CENTRAL THEATRE MUSEUM." History and Archives, no. 1 (2022): 118–40. http://dx.doi.org/10.28995/2658-6541-2022-1-118-140.

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The October Revolution of 1917 in Russia had a great impact on art in general as well as on its practical aspects. The clothing, in particular, underwent a remarkable transformation. Due to shortages, on the one hand, and the change of ideals, on the other hand, the official “high fashion” initially had almost died out and later was reborn in the new forms that reflected the new requirements. Mass production, preference for simplicity and ease of manufacture to the detriment of the uniqueness and emphasized aesthetics – those were the main tasks in that area. And especially unexpected with suc

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Pinion, Catherine F. "Preserving Our Audiovisual Heritage: A National and International Challenge." Alexandria: The Journal of National and International Library and Information Issues 4, no. 3 (1992): 155–70. http://dx.doi.org/10.1177/095574909200400302.

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Audiovisuals materials have made an enormous impact on all societies, and are primary evidence in their own right, yet they are denied a place in most national library collections. The case for extending legal deposit to these materials is strong, though good results can sometimes be obtained from voluntary deposit. Before deciding on the best method of establishing a national collection (or collections) it is advisable to see how effective coverage will be and what use will be made of the resulting collections. Whereas access to print-based materials can be by interlibrary loan, photocopy etc

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Marcoline, Anne. "George Sand and Music Ethnography in Nineteenth-Century France." Nineteenth-Century Music Review 12, no. 2 (2015): 205–25. http://dx.doi.org/10.1017/s1479409815000300.

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In Les Visions de la nuit dans les campagnes (1851–1853), George Sand responded to the French government’s newly announced project of collecting the ‘popular’ or folk songs of France, with a critique of their methods of collection as perfunctory. Sand was adamant not only about a more rigorous approach to amassing the nation’s folk songs but also about the inclusion of the music with the lyrics, and her concise, insightful critique of archival methods came after nearly two decades of her own occupation with rendering music in her fiction and, more immediately, a decade focused on folk music in

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Morell, Marc. "Urban tourism via dispossession of oeuvres." Focaal 2018, no. 82 (2018): 35–48. http://dx.doi.org/10.3167/fcl.2018.820103.

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Most of the anthropology of tourism has focused either on authenticity or on the commoditization of culture. Furthermore, tourism has been looked at as a service sector and, at most, as an urban strategy. Few authors have investigated the organization of (in)formal labor in the tourism industry outside the wage form. I address this gap by looking at the living and dead labor that the production of cultural heritage is about. I argue that the tourism industry transforms long-labored spaces and existing collective use values into commodities. After illustrating this argument with sketches from t

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Raza, Mohd Hamid. "The Structure of Phonological Networks and Social Identity of Heritage Languages." JL3T ( Journal of Linguistics Literature and Language Teaching) 6, no. 2 (2021): 89–101. http://dx.doi.org/10.32505/jl3t.v6i2.1981.

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This paper provides the basic information of the phonological networks and social identity about the heritage languages. The phonological networks convey the classification of the sound systems, while the social identity declares the difference among the native speakers of the heritage languages. The problem is investigated that how a particular speech segment created the variation among the speakers of the different languages in the speech communities. The objective of this paper is to determine the unique segments of the heritage languages and how these segments clear the social identity of

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Iuga, Anamaria, Bogdan Iancu, and Monica Stroe. "Introduction: A Place for Hay. Flexibility and Continuity in Hay-Meadow Management." Martor. The Museum of the Romanian Peasant Anthropology Review 21 (November 15, 2016): 7–12. http://dx.doi.org/10.57225/martor.2016.21.01.

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The current number of MARTOR journal focuses on the social history of hay, collecting original contributions and multidisciplinary approaches regarding the biocultural heritage of hay. The articles gathered in this issue explore the roles and different understandings attributed to traditional hay knowledge; the role of policies and public incentives in reshaping farmers’ vision of nature and land management practices; the moralities behind hay production; biodiversity and hay production; but also, how hay features in art and museology.

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