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1

Bash, Tami. Lethal gunfire and collective punishment in the wake of the massacre at the Tomb of the Patriarchs. B'tselem, 1994.

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2

Navarro-Remesal, Víctor, and Óliver Pérez-Latorre. Perspectives on the European Videogame. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726221.

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The history of European videogames has so far been overshadowed by the global impact of the Japanese and North American industries. However, European game development studios have played a major role in videogame history, and many prominent videogames in popular culture, such as Grand Theft Auto, Tomb Raider, Alone in the Dark, and The Witcher, were made in Europe. This book proposes an inquiry into European videogames, including both analyses of transnational aspects of European production and close readings of national specificities. It offers a kaleidoscope of European videogame culture, fo
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3

Muḥammad, Muḥsin. Sariqat Malik Miṣr. Markaz al-Ahrām lil-Tarjamah wa-al-Nashr, Muʻassasat al-Ahrām, 1985.

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4

Thérèse, Willer, and Hirner Claire, eds. Musée Tomi Ungerer: La collection. Musées de Strasbourg, 2007.

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5

Bowers Museum of Cultural Art., Taft Museum, and Frank H. McClung Museum (Knoxville, Tenn.), eds. Seeking immortality: Chinese tomb sculpture from the Schloss collection. Bowers Museum of Cultural Art, 1996.

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6

Girard, Dorota. SOLIDARITÉS COLLECTIVES - Famille et solidarités - Tome 1. Editions L'Harmattan, 2004.

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7

Manenti, Luca G. "Si scopron le tombe": Ricordare, commemorare, evocare i caduti della Grande Guerra. Istituto regionale per la storia della Resistenza e dell'età contemporanea nel Friuli Venezia Giulia, 2018.

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8

France), Musée historique (Strasbourg, ed. Collection des jouets mécaniques métalliques: Donation Tomi Ungerer. Editions Les Musées de la Ville de Strasbourg, 1993.

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9

Kunaichō, ed. Kōko shiryō no shūfuku fukusei hozon shori. Gakuseisha, 2009.

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10

1948-, Thomas Nancy, California State University, San Bernardino. University Art Gallery., and San Bernardino County Museum, eds. Temple, tomb, and dwelling: Egyptian antiquities from the Harer Family Trust Collection. University Art Gallery, California State University, San Bernardino, 1992.

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11

Egyptian Antiquities Conservation Project (American Research Center in Egypt), ed. The tomb chapel of Menna (TT 69): The art, culture and science of painting in an Egyptian tomb. The American University in Cairo Press, 2013.

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12

de, Reyniès Nicole, Hefford Wendy, Eberhard Cotton Giselle, Rochat Eric, and Fondation Toms Pauli, eds. The Toms Collection: Tapestries of the sixteenth to nineteenth centuries. Fondation Toms Pauli, 2010.

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13

Suriano, Matthew. The Tomb and the Identity of the Dead. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.003.0008.

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The ideal afterlife in the Hebrew Bible was bound to the tomb and embodied in the dead. The burial stories of Sarah, Rachel, and the man of God from Judah show how these two aspects work. Death is relational, and the tomb was a critical component in defining relationships and establishing the identity of the dead within these relationships. Although Rachel’s burial is in an individual tomb, the accounts demonstrate the power of association in death. The family tomb was a key element in the idealization of the afterlife because postmortem survival was depended in part upon with whom you were bu
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14

Suriano, Matthew. Death as Transition in Judahite Mortuary Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.003.0002.

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Death is transitional in the Hebrew Bible, but the challenge is in understanding how this transition worked. The ritual analysis of Judahite bench tombs reveals a dynamic concept of death that involved the transition of the dead body. The body would enter the tomb during primary burial; there it would receive provisions as it rested on a burial bench. Eventually the remains of the dead would be secondarily interred inside the tomb’s repository. This final stage, the repository, is marked by the collective burial of bones. The transition of the dead, therefore, involves the body in different co
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15

Costello, Matthew R. Property of the Nation: George Washington's Tomb, Mount Vernon, and the Memory of the First President. University Press of Kansas, 2021.

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16

Costello, Matthew R. Property of the Nation: George Washington's Tomb, Mount Vernon, and the Memory of the First President. University Press of Kansas, 2019.

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17

Property of the Nation: George Washington's Tomb, Mount Vernon, and the Memory of the First President. University Press of Kansas, 2019.

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18

Suriano, Matthew. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.003.0010.

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History in the Hebrew Bible was a crowded tomb filled with the bones of ancestors. But the embodiment of the afterlife in biblical literature served a greater purpose. In the Hebrew Bible and in Judaism the ancestors and their histories continue to serve as charters for living communities. The memories of the dead were blessings, and the biblical stories of their burial and of the preservation of their bones served as invisible tombs. In this manner, the collective association of the dead effectively embodied an afterlife ideal in the form of the ancestors.
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19

Suriano, Matthew. A History of Death in the Hebrew Bible. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.001.0001.

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In the Hebrew Bible/Old Testament, a good death meant burial inside the family tomb, where one would join one’s ancestors in death. This was the afterlife in biblical literature; it was a postmortem ideal that did not involve individual judgment or heaven and hell—instead it was collective. In Hebrew scriptures, a postmortem existence was rooted in mortuary practices and conceptualized through the embodiment of the dead. But this idea of the afterlife was not hopeless or fatalistic, consigned to the dreariness of the tomb. The dead were cherished and remembered, their bones were cared for, and
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20

Resting in Peace or in Pieces? Tomb I and Death Management in the 3rd Millennium BC at the Perdigões Enclosure: Understanding Mortuary Practices and Collective Burials in Chalcolithic Portugal. British Archaeological Reports Limited, 2019.

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21

Moltesen, Mette, Marjatta Nielsen, and Annette Rathje, eds. Approaches to Ancient Etruria. Museum Tusculanum Press, 2022. http://dx.doi.org/10.55069/llw75521.

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‘Approaches to Ancient Etruria’ covers a wide range of topics within the legacy of the Etruscans – material and immaterial. Through close examination of the visible we gain insight into the questions of social and cultural identities, and broader questions lead to new interpretations and hypotheses. In fifteen articles, scholars from Italy, Germany, Sweden, Norway and Denmark present recent work on a broad range of Etruscan issues. Contributions include a settlement study and a detailed work on architectural mouldings, and they provide insights into religious practices, burial customs, funerar
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22

Beyond Anıtkabir: The funerary architecture of Atatürk : the construction and maintenance of national memory. Ashgate, 2013.

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23

Suriano, Matthew. Care for the Dead. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.003.0006.

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In the Hebrew Bible an ideal fate ultimately involved the hope of joining a greater collective—the ancestors. But how was the individual accounted for in death? The importance of the individual dead, especially during their transition to the collective ancestors, can be traced in literary sources that discuss the dead, describe their nature, and offer dedications. These sources reveal the treatment of the dead, along with their care and provision. They also indicate that interaction with the dead was carefully regulated. In all of these sources it is possible to recognize the ways by which a d
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24

Han Tomb History Collection. Yunnan University Press; 1 (January 1. 2009), 1991.

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25

Suriano, Matthew. Prolegomenon. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190844738.003.0001.

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The complicated imagery of death in the Hebrew Bible/Old Testament has defied scholars because it does not involve an afterlife dichotomy of heaven and hell. The individual is not vetted after death, to be sent to punishment or paradise; instead postmortem experience is collective. This ideal afterlife is centered upon the tomb where the dead join their ancestors. Therefore, it is necessary to examine the afterlife in the Hebrew Bible according to its own terms. This can be done through the analysis of mortuary practices from Judah during the Iron Age. A review of the archaeology of mortuary p
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26

Pohler, Eva. Mystery Tomb: The Nightmare Collection. Green Press, 2022.

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27

Sotheby's (Firm). The Toms Collection. 1995.

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28

Navarro-Remesal, Víctor, and Óliver Pérez-Latorre, eds. Perspectives on the European Videogame. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048550623.

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The history of European videogames has been so far overshadowed by the global impact of the Japanese and North American industries. However, European game development studios have played a major role in videogame history, and prominent videogames in popular culture, such as <i>Grand Theft Auto</i>, <i>Tomb Raider</i> and <i>Alone in the Dark</i> were made in Europe. This book proposes an exploration of European videogames, including both analyses of transnational aspects of European production and close readings of national specificities. It offers a kaleido
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29

Navarro-Remesal, Víctor, and Óliver Pérez-Latorre, eds. Perspectives on the European Videogame. Amsterdam University Press B.V., 2022. http://dx.doi.org/10.5040/9789048561858.

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The history of European videogames has so far been overshadowed by the global impact of the Japanese and North American industries. However, European game development studios have played a major role in videogame history, and many prominent videogames in popular culture, such as Grand Theft Auto, Tomb Raider, Alone in the Dark, and The Witcher, were made in Europe. This book proposes an inquiry into European videogames, including both analyses of transnational aspects of European production and close readings of national specificities. It offers a kaleidoscope of European videogame culture, fo
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30

Secret Tomb: Arsène Lupin 100th Anniversary Collection. MiraVista Press, 2024.

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31

Shônen Collection, tome 2. Pika, 2003.

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32

Shônen Collection, tome 1. Pika, 2003.

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33

Shônen Collection, tome 6. Editions Pika, 2003.

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34

Yen, Hioka. Artelier Collection, Tome 2. Editions Ki-oon, 2010.

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35

Tremendous Tome of Epic Dungeons. Winged Hussar Publishing, LLC, 2023.

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36

Thomas, Roy, Gene Colan, Don Glut, et al. Tomb of Dracula: The Complete Collection Vol. 5. Marvel, 2021.

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37

McKenzie, Roger, Gene Colan, Marv Wolfman, Roger Stern, and Jim Shooter. Tomb of Dracula: The Complete Collection Vol. 6. Marvel Worldwide, Incorporated, 2022.

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38

Comics, Marvel. Tomb of Dracula: The Complete Collection Vol. 3. Marvel Worldwide, Incorporated, 2019.

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39

Hagerty, James. Voices from the Tomb: A short story collection. PublishAmerica, 2006.

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40

Friedrich, Gary, Chris Claremont, Marv Wolfman, and Len Wein. Tomb Of Dracula: The Complete Collection Vol. 2. Marvel, 2018.

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41

Colan, Gene, Marv Wolfman, Steve Englehart, Gerry Conway, and Doug Moench. Tomb of Dracula: The Complete Collection Vol. 4. Marvel Worldwide, Incorporated, 2020.

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42

Wolfman, Marv, Gerry Conway, Archie Goodwin, and Gardner Fox. Tomb of Dracula: The Complete Collection Vol. 1. Marvel, 2017.

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43

Tombs: Junji Ito Story Collection. VIZ Media, 2023.

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44

Gossdenovich, Grecia Cando. 1000 Mujeres: Líderes en el Mundo - Primer Tomo. Editorial JEL - Jóvenes Escritores Latinos, 2024.

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45

Gossdenovich, Grecia Cando. 1000 Mujeres: Líderes en el Mundo - Segundo Tomo. Editorial JEL - Jóvenes Escritores Latinos, 2024.

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46

Ribault, Jean-Yves. Mécènes et collectionneurs. Les variantes d'une passion, tome 1. Cths - Comité des Travaux, 1999.

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47

Columbarium Tombs and Collective Identity in Augustan Rome. Cambridge University Press, 2014.

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48

Borbonus, Dorian. Columbarium Tombs and Collective Identity in Augustan Rome. Cambridge University Press, 2014.

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49

Borbonus, Dorian. Columbarium Tombs and Collective Identity in Augustan Rome. Cambridge University Press, 2019.

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50

Borbonus, Dorian. Columbarium Tombs and Collective Identity in Augustan Rome. Cambridge University Press, 2014.

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