Academic literature on the topic 'Collective works'

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Journal articles on the topic "Collective works"

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Alen, Joseph S. "Collective administration of literary works." Publishing Research Quarterly 8, no. 2 (June 1992): 73–78. http://dx.doi.org/10.1007/bf02677989.

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Vittinghoff, Helmolt. "Abbreviations of Periodicals and Collective Works." Journal of Chinese Philosophy 28, no. 1‐2 (January 2001): ix—xi. http://dx.doi.org/10.1111/0301-8121.00034.

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Journal of Chinese Philosophy, Editors. "Abbreviations of Periodicals and Collective Works." Journal of Chinese Philosophy 28, no. 1-2 (February 1, 2001): ix—xi. http://dx.doi.org/10.1163/15406253-0280102003.

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Feuille, Peter, Thomas R. Colosi, and Arthur Eliot Berkeley. "Collective Bargaining: How It Works and Why." Industrial and Labor Relations Review 40, no. 3 (April 1987): 444. http://dx.doi.org/10.2307/2523502.

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Synelnykov, Ivan. "Work with Folk Collective: Methods of Opening with Traditional Musical Works." IMAGE OF THE MODERN PEDAGOGUE 1, no. 1(184) (2019): 65–68. http://dx.doi.org/10.33272/2522-9729-2019-1(184)-65-68.

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Kedia, Yuliia. "Work of collaboration in the creation of literary works under the legislation of Ukraine and France." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 24–30. http://dx.doi.org/10.33731/62020.233885.

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Kedya Y. Work of collaboration in the creation of literary works under the legislation of Ukraine and France. This article highlights particular legal frameworks, definition and practice of applicability of co-authorship (works done in collaboration) by publishers and co-authors. In addition, we will cover the differences between the co-authorship upon creation of a work and collective works. The analysis is based, inter alia, on comparison of French Ukrainian laws, thus, giving an opportunityto crystalize particular shortcomings and advantages of set forth by Ukrainian laws related to above matters.The research formulates a comprehensive overview of the defining and basic rulesof co-authorship, comparative analysis of (a) collective works with (b) works of collaboration,as well as analysis of shortcomings and advantages set forth by Ukrainianlaws. The author reviews and analyzes main provisions in Ukrainian legislation, suggestspossible solutions of the main problems, deliberates ways of laws developmentin future. The paper is based on author’s professional experience.Main conclusions of comparative analysis of legal regulation definition of co-authorship definition in Ukraine and France are as follows: •According to Intellectual Property Code of France only physical persons may be considered co-authors, including literary works. At the same time, Ukrainian law is silent on this matter. It must be noted that according to the Law of Ukraine «On Copyright and Related Rights» (the «Copyright Law»), co-authors are persons whose joint work creates a literary work. At the same time, the definition given to the author by said law limits creative participation to physical person;•The Copyright Law defines the concept and set forth the pre-conditions for co-authorship. However, unlike the French Code of Intellectual Property (Article L113-2), no due attention has been paid to the concept of a collective work. The authors believe that it is advisable to supplement Article 19 of the Copyright Law by (i) the definition of a collective work and (ii) to distinguish between the concepts of a composite work and a collective work;•It is necessary to harmonize the conclusion of an agreement between co-authors in the Civil Code of Ukraine and the Copyright Law;•Research uncovered certain flaws in the conclusion of agreements between co-authorson creation of a collective work;•Examining the Intellectual Property Code of France was helpful for finding the difference between collective works and co-authorship of a particular work.Key words: work of collaboration, composite work, collective work, copyright, intellectual rights, literary work
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Gutzan, Simone, and Harald Tuckermann. "Complexifying reflection: Towards how collective reflection works in organizations." Academy of Management Proceedings 2018, no. 1 (August 2018): 11706. http://dx.doi.org/10.5465/ambpp.2018.11706abstract.

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The Year’s Work in Modern Language, Editors. "ABBREVIATIONS: ACTA, FESTSCHRIFTEN AND OTHER COLLECTIVE AND GENERAL WORKS." Year’s Work in Modern Language Studies 47, no. 1 (March 13, 1986): 1059–104. http://dx.doi.org/10.1163/22224297-90002775.

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Malyuha, Nataliya. "Khrystyyansʹka moralʹ i kolektyvnyy etychnyy dosvid u suchasnomu ukrayinsʹkomu khudozhnʹomu dyskursi." Studia Ucrainica Varsoviensia, no. 8 (August 31, 2020): 119–28. http://dx.doi.org/10.31338/2299-7237suv.8.11.

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The article in question deals with the fact that contemporary art discourse under the influence of Christian ideas reflects Ukrainian mentality and spirituality, represents profoundly symbolic information on every individual’s outlook, priorities of his/her existence and criteria for assessing the morality of deeds. The study considers current issues of cultural identity and national Christian ethics of Ukrainians, the dichotomy of biblical ethical mandates and collective ethical experience recorded in literary works. Taking into account individual samples of literary works, the interpretation of biblical moral postulates from the perspective of collective ethical experience has been examined. The process of modifying biblical images in current secular context has been described. It has been taken into consideration that appealing to biblical parallels is an effective way to draw attention to urgent national issues.
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Adam, Julian B. "Voluntary Quits: Do Works Councils Matter? An Analysis of the Reform of the German Works Constitution Act 2001." Jahrbücher für Nationalökonomie und Statistik 239, no. 1 (January 28, 2019): 67–109. http://dx.doi.org/10.1515/jbnst-2017-0164.

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Abstract Most of the literature on the effects of German works councils does not deal with the issue of potential endogeneity of works council existence. Exploiting exogenous variation in works council authority stemming from a 2001 reform of the German Works Constitution Act, I apply a regression difference-in-difference using establishment panel data. I find that increasing works council size and the introduction of one full-time councilor causally reduces the number of voluntary quits by about 30 %. This decline is driven entirely by collective voice effects and there is no evidence for monopoly effects in place. Similar to the findings of previous research, the effect is significant only in establishments which are subject to a collective agreement. The results suggest that the effectiveness of works councils either heavily relies on the support of unions, or that works councils mainly serve as a guardian of collective agreements.
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Dissertations / Theses on the topic "Collective works"

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Espino, Eric V. "Collective economics : leveraging purchasing power of low-income communities for collective gain : Lawrence Community Works and the Network Advantage Program." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/40119.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2007.
Includes bibliographical references (p. 88).
This thesis focuses on the concept of Collective Economics and develops a set of recommendations by which groups with common interests can effectively utilize their purchasing power for collective benefits. Working with Lawrence Community Works (LCW), the thesis provides an economic profile of the organization's membership as the basis for proposing partnerships that seek to leverage the purchasing power of members for collective benefits. Based in Lawrence, MA, LCW is a community development corporation dedicated to investing in both people and place as well as increasing ownership in the community by the community. As an immigrant city and one of the poorest in the Commonwealth, there are few opportunities for residents to break out of an economic cycle all too common among a large portion of the citizenry. In an effort to counter this cycle and provide hope for members, LCW is looking to use their established Network as the vehicle to promote a demand-oriented environment where group size and economic characteristics can be leveraged for group discounts and benefits.
(cont.) Through the use of survey data and a discussion of lessons learned from a handful of interviews, I propose partnership ideas centered on marker-oriented approaches to using LCW's size, members' consumer preferences, and purchasing power to secure member benefits or channel money into a community fund. Focusing on the effective directing of members' preferences and financial habits for collective gain, proposed partnerships highlight the amount of money that can be saved by members as well as gained by partners in the form of additional revenue.
by Eric V. Espino.
M.C.P.
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Dumpson, Donald. "FOUR SCHOLARS' ENGAGEMENT OF WORKS BY CLASSICAL COMPOSERS OF AFRICAN DESCENT: A COLLECTIVE CASE STUDY." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/261236.

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Music Education
Ph.D.
The purpose of this research was to investigate ways classical composers of African descent have been included in the mainstream academic canon. I examined the insights of four scholars who have been committed to including classical composers of African descent throughout their music careers. The initial research questions of this study were: 1) How do participants describe their frameworks for making the commitment to include classical composers of African descent throughout their careers? 2) What have been the challenges and benefits associated with their commitment? 3) What might contemporary scholars view as strategies for integrating classical composers of African descent into the mainstream academic canon? Four musicians, who have contributed to the scholarship related to classical works by composers of African descent in very different ways, participated in this qualitative collective case study: Dr. Ysaye Maria Barnwell, a composer and performer; Dr. Dominique-Rene de Lerma, musicologist; Dr. Anthony Thomas Leach, educator, conductor, and organist; and Mr. Hannibal Lokumbe, composer, trumpeter, and visionary. Through two in-depth interviews with each of the four scholars, a related question emerged: How have the participants contributed to the inclusion of classical composers of African descent throughout professional careers and personal lives? I transcribed the interviews, returned them to the participants for member checks, and prepared final, revised transcripts based on their feedback for analysis. I examined the interview data to obtain a collective representation related to the research questions. I analyzed the data for emerging codes, categories, and themes until details considered substantive to the research emerged. Themes that emerged focused on the need to identify the importance of seeing the contributions for classical composers of African descent from an Afrocentric as well as a Eurocentric perspective; the impact of the Civil Rights Movement on how each participant engaged the music throughout their lives; the importance of informal and formal education and the roles family, community, and school played in their relationship with the music they shared; and, the significance of creating access to their works through publications and professional associations.
Temple University--Theses
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Petersen, Elizabeth Ann. "Find What Works Best for You: Learning to Practice in a Large Ensemble." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1543425844555961.

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Wilson, Wendy. "Heimat and memory in the city representations of New York City and Vienna in autobiographical works of exiled Viennese authors /." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/451004175/viewonline.

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Schofield, Benedict Keble. "Private lives and collective destinies : class, nation and the folk in the works of Gustav Freytag (1816-1895)." Thesis, University of Sheffield, 2009. http://etheses.whiterose.ac.uk/10357/.

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This thesis examines the works of Gustav Freytag against the changing socio-political backdrop of the Vormarz, Nachmarz and Griinderzeit. It analyses the concepts of class, nation and folk in his writings, and provides an account of their shifting literary representation between 1840 and 1890. For the first time in recent criticism, it analyses all of Freytag's published work - his poetry, dramas, novels, theatrical theory, journalism, and historical and biographical studies. The thesis reveals a coherent anti-aristocratic position III Freytag's fiction, expressed through a thematic preoccupation with inter-class relationships. It argues that Freytag's love stories encode in the domestic a political polemic which presents German society as undergoing a process of radical bourgeoisification. It traces how Freytag's class concerns are increasingly nationalised after the revolutions of 1848, and explores how his Nachmarz writing constructs a concept of German national identity based on a sense of common German values. It argues that Freytag's later preoccupation with German history allowed him to synthesise his twin concerns of class and nation into a pseudo-philosophical concept termed the Volkskraft - a myth of German folk identity which is shown to be central to Freytag's final historical and literary works. It is a central contention of this project that Freytag's texts not only reflect issues of class, nation and the folk, but that these concepts were key to the coherent political agenda he wished to disseminate through his writing. It is argued that Freytag's works present a systematic attempt to re-imagine the social and political structures of Germany, positioning the bourgeoisie at the heart of the German nation state. Ultimately, Freytag is shown to promote a significantly more radical concept of sociopolitical relations in German society than research into his work has hitherto acknowledged.
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Kuhan, Anura. "The holocaust in Poland : a study of works dealing with the issue of Polish people's collective behaviour in the holocaust /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09ark958.pdf.

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Nyehita, Suzanne Ghati. "The Operation and Regulation of Collective Management Organizations of Music Works in the Digital Era: A Review of Kenya’s Legislative Framework." Master's thesis, Faculty of Law, 2017. http://hdl.handle.net/11427/30555.

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The era of digitization has brought about new categories of copyright works and new modes of dissemination of these works. This has affected music works copyright, collective management of these rights and the law of copyright as a whole. Scholars hold different opinions on the effect of technological advancement on collective management. One tier believes that it expands the role of CMOs by providing the most appropriate and convenient way to exercise these new bundles of rights. The other tier believes that CMOs might become irrelevant since new technologies enable copyright holders to maintain a direct relationship with users. Consequently, this dissertation seeks to prove that digitization is complementary to the role of CMOs. It is complementary if and when the legislative structure is reformed to contain technology specific provisions. In turn this would justify the continued existence of CMOs. The research will focus on collective management of music works in Kenya. A majority of Kenyans have access to internet making it easier to use and disseminate musical works in the digital environment. This research questions whether this type of usage is subject to collective management and whether the current copyright laws facilitate collective management in the digital environment. The main hypothesis developed is: effective regulation of copyright offers a better attempt at ensuring efficiency of CMOs in the digital era. Kenya’s copyright laws have been amended severally to reflect changes in copyright law. Constant litigation in the area of copyright seeking to interpret the application of current statutory provisions in the digital era, offers a clear indication that the amendments and application of the current copyright laws is not effective given the technological evolution. African countries like South Africa and Nigeria have started their legislative journey in amending their copyright laws. Kenya needs to appreciate the need to amend the current copyright laws and start its own journey of regulating copyright in the digital era.
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Céa, Aurélie. "L'unité économique et sociale en droit du travail." Thesis, Bordeaux, 2016. http://www.theses.fr/2016BORD0053/document.

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L’UES constitue un outil de recomposition du cadre de l’entreprise. Le recours à l’UES permet en effetde considérer que plusieurs entités juridiquement distinctes constituent, en droit du travail, uneentreprise unique. La reconnaissance de l’UES facilite alors la mise en oeuvre de normes déterminéespar le juge ou le législateur, parmi lesquelles figurent en premier lieu celles relatives à la représentationcollective du personnel. L’évolution de son utilisation a façonné son périmètre en un cadre d’exercicedes droits collectifs des salariés. Toutefois, si le recours à l’UES correspond à la recherche de l’entrepriseen droit du travail, son régime demeure à l’état de « construit jurisprudentiel » élaboré à des fins utiles.Il laisse un sentiment d’inachevé. Les conséquences de la reconnaissance d’une UES ne peuventatteindre les relations individuelles de travail. Les salariés demeurent contractuellement liés à leursemployeurs respectifs. La constatation d’un pouvoir de direction unique entre les entités juridiques nepermet pas considérer l’UES comme étant l’employeur unique de l’ensemble des salariés, ni même queses membres sont autant de coemployeurs. L’absence de personnalité morale reconnue à ce type degroupement représente incontestablement une limite dans la construction d’un régime juridique. Lessolutions applicables dans un groupe d’entreprises peuvent également l’être dans l’UES. Cependant,elles ne représentent que des alternatives limitées à l’attribution de la personnalité morale. Or, dans lecadre de la théorie de la réalité de la personne morale, il apparaît que l’UES pourrait être considéréecomme telle. La reconnaissance de la personnalité morale aurait pour effet de rendre solidairementresponsables ses membres à l’égard de l’emploi des salariés qui contribuent au déploiement de l’activitééconomique dans ce périmètre
UES constitutes a tool used to recompose the framework of the company. UES permits to consider thatseveral legally distinct entities constitute, in fact, a unique company. The recognition of an UESfacilitates the application of norms determined by the judge or the legislator, and especially normsrelated to collective representation. The evolution of its use has shaped its perimeter in a framework forthe exercise of the employees’ collective rights. However, if the UES corresponds in the search of thecompany in labor law, its regime stays at the state of "built case law" developed for useful purposes. Itleaves a feeling of unfinished. The consequences of the UES recognition cannot reach the individualworking relations. The employees remain contractually bound to their respective employers. Theobservation of a unique direction power between the legal entities doesn't permit to consider UES asbeing the unique employer of the set of the employees, nor even that its members are as much coemployers.The absence of moral personality of this type of grouping represents incontestably a limit inthe construction of its legal regime. The applicable solutions in a group of companies can also beapplicable in the UES. However, they only represent alternatives limited to the assignment of the moralpersonality. However, in the setting of the theory of the reality of the moral person, it appears that UEScould be considered like such. The recognition of the moral personality would have the effect of makingjointly responsible its members towards the employment of the employees who contribute to thedeployment of the economic activity in this perimeter
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Andersdotter, Karolina. "A Single-Minded Market for Digital Assets? : Copyright clearance of orphan works in the digitisation ecosystem." Thesis, Department of Digital Humanities, King's College London, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-328034.

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This dissertation assesses the Swedish and the United Kingdom (UK) legislative frameworks for cross-border copyright clearance of orphan works in mass-digitisation schemes. By reviewing relevant copyright frameworks and practices around the world, interviewing Swedish and British experts in the field of libraries and copyright, and discussing the national solutions applied in Sweden and the UK, conclusions are drawn to form a roadmap for future policy work in the area. The findings are that even though copyright clearance systems for orphan works work well in their national context, they wouldn’t be transferable to a cross-border context due to the different legal and societal traditions in the EU Member States. Solutions for cross-border access could be a general copyright law exception (which is a time-consuming process and therefore less usable in practice in the next 5-10 years), create and build on rightsholder registers with increased collaboration with CMOs, changed management of digital collections (e.g. only digitising orphan works that are in the public domain), or work towards soft legislative solutions (such as an MoU).

Licens: CC BY 4.0

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Andrieu, Mélanie. "Une spécificité Cobra : les œuvres collectives : émergence d’une pratique et exemplarité de Christian Dotremont." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20048.

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Cette thèse est une étude du mouvement Cobra à travers les œuvres collectives, une de ses composantes caractéristiques. Il s’agit tout d’abord de comprendre le mouvement, ses origines et influences, ainsi que sa visée d’un art libre, ouvert, expérimental, partie prenante de la vie. Dans un contexte social d’après-guerre, souvent politisé, Cobra défend l’action collective, définie notamment dans les notions d’antispécialisme et d’interspécialisme. Il convient de mettre en exergue les origines de cette pratique, et saisir les divers aspects qu’elle arbore, notamment au travers de revues, d’expositions ou de créations partagées. Le poète Christian Dotremont, animateur et âme de Cobra, favorise le travail de collaboration et contribue à son développement en stimulant les rencontres artistiques. Il se fait le passeur et le permanent « agitateur » de cette notion. Les peintures-mots qu’il crée avec d’autres artistes participent à sa réflexion majeure sur l’écriture et la peinture. Ce lien interpelle quelques artistes belges comme Pierre Alechinsky, mais il passionne Christian Dotremont qui ne cesse de multiplier les expériences à ce propos, pour aboutir à ce qu’il nomme les logogrammes, remarquable fusion de la peinture et de la poésie, et aboutissement de toute une vie de recherche. Ce travail est structuré en trois points. Le premier établit une étude du contexte artistique et social des années précédent Cobra puis la mise en place du groupe. Le second aborde les années d’intense activité « officielle » du groupe, au service du collectif. Enfin, le troisième propose de suivre l’évolution post-Cobra des œuvres collectives et des recherches sur l’écriture et la peinture
This thesis is a study of the Cobra movement through one of its characteristic components: the collective works. First of all it's about understanding the movement, its origins (three countries), its influences and its purpose of a free art, open, experimental, involvement with life. In a social after-war context, often politicized, Cobra defends collective action, notably defined in concepts of anti-specialism and inter-specialism. We should therefore underline the origins of this practice and undestand different aspects that it shows, in particular through publications, exhibitions or shared creations. The poet Christian Dotremont, leader and soul of Cobra, promotes cooperative work by collaboration and contributes to its development by stimulating artistic meetings. He is the purveyor and permanent "agitator" of this concept. The words-paintings that he creates with other artists, take part of his major thinking about writing and painting. This link interpellates a few Belgian artists like Pierre Alechinsky, but it fascinates Christian Dotremont who keeps experimenting on it, in order to reach what he calls the logograms, a remarkable fusion of painting and poetry, and a culmination of a life-time of research.This work is structured in three parts. The first one draws a study of the artistic and social context of the years preceding Cobra and the setting up of the group. The second one talks about years of intense "official" activity of the group serving collective way of work. Finally, the third one offers to follow the post-Cobra evolution of collective works and researches about writing and painting
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Books on the topic "Collective works"

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Hisakatsu, Hijikata. Collective works of Hijikata Hisakatsu. Tokyo: Sasakawa Peace Foundation, 1995.

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Jackson, Nona Armour. The collective works of Nona Armour Jackson. Pottsboro, TX: Alpha & Omega Genealogical & Historical Pub. Co., 1995.

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The cheese board: Collective works: bread, pastry, cheese, pizza. Berkeley: Ten Speed Press, 2003.

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Jérôme, Yves. The collective works of Yves: Haiti's number one patriot. [Philadelphia, Pa.]: Xlibris, 2002.

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Hisakatsu, Hijikata. Collective works of Hijikata Hisakatsu: Myths and legends ofPalau. Tokyo: Sasakawa Peace Foundation, 1996.

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Davidmann, M. The human mind and how it works: Group minds in action : how the human group mind shapes the quality of our life and living. Stanmore, Middlesex, Great Britain: Social Organisation Limited, 2011.

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Hisakatsu, Hijikata. Collective works of Hijikata Hisakatsu: Gods and religion of Palau. Tokyo: Sasakawa Peace Foundation, 1995.

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Hisakatsu, Hijikata. Collective works of Hijikata Hisakatsu: Society and life in Palau. Tokyo, Japan: Sasakawa Peace Foundation, 1993.

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Barrett, Jerome T. P.A.S.T. is the future: A model for interest-based collective bargaining that works! 4th ed. Falls Church, Va: J. Barrett, 1995.

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Wagner, Joachim. German works councils and productivity: First evidence from a nonparametric test. Bonn, Germany: IZA, 2005.

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Book chapters on the topic "Collective works"

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Walker, Alexandra. "How Collective Consciousness Works." In Collective Consciousness and Gender, 105–10. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54414-8_8.

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Stanger, Louise, and Lee Weber. "How Collective Intervention Works." In The Definitive Guide to Addiction Interventions, 53–85. New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429461408-4.

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Szuba, Tadeusz. "Ant-Inspired, Invisible-Hand-Controlled Robotic System to Support Rescue Works After Earthquake." In Computational Collective Intelligence, 507–17. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-67074-4_49.

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Cramér, Harald. "Collective risk theory: A survey of the theory from the point of view of the theory of stochastic processes." In Collected Works II, 1028–115. Berlin, Heidelberg: Springer Berlin Heidelberg, 1994. http://dx.doi.org/10.1007/978-3-642-40607-2_17.

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Rieber, Robert W., and Aaron S. Carton. "The Collective as a Factor in the Development of the Abnormal Child." In The Collected Works of L.S. Vygotsky, 191–208. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4615-2806-7_16.

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Belling, Detlev W. "Collective Organizations in German and American Labor Law." In Legal Protection against Breaches of Duty on the Part of the German Works Council — A Fata Morgana?, 4–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-642-56993-7_2.

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Nijhof, Gerhard. "Collective Disruption." In Sickness Work, 33–41. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0326-5_4.

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Kibrik, Aleksandr E. "Collective field work." In Benjamins Current Topics, 25–44. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/bct.11.04kib.

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Whalley, Peter. "Collective Organisation." In The Social Production of Technical Work, 151–83. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07469-3_7.

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Leška, Rudolf. "Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution." In Springer Series in Media Industries, 273–90. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44850-9_16.

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Abstract Whenever a film is produced and distributed, a license to use the music and sound recording may be needed. While the film producer usually owns the copyright in the film and underlying works or actors’ performances, responsibility for the clearance of rights in music and sound recordings remains largely on the shoulders of users (broadcasters, cinema operators, VOD platforms). They usually need to get a license through a CMO or directly from the rightsholder. In the case of musical works, the procedures are largely standardized, mainly in offline use. When it comes to licensing the rights for cross-border use online or when phonogram producers and performers are involved, the licensing situation becomes messy which introduces significant uncertainty into the market. Instead of advocating state regulation, the author pleads for the development of cross-border industry standards and procedures, good practices and reciprocal agreements between CMOs to be developed in a collaboration of global organizations representing rightsholders.
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Conference papers on the topic "Collective works"

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Repas, Martina. "Reproduction of Copyrighted Works at Universities, Compensation and Collective Management." In IXth Conference Law and Economics. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-115-5.2.

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Lopez-Garcia, D. A., T. Sanchez-Rodriguez, M. Sanchez-Raya, M. Pedro-Carrasco, A. D. Martin, and J. P. Torreglosa. "Improvements in web tools for collective works and debates applied to learning." In 2020 15th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2020. http://dx.doi.org/10.23919/cisti49556.2020.9141152.

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Hida, Takeyuki, Luigi M. Ricciardi, Aniello Buonocore, and Enrica Pirozzi. "Scientific Works by Wiener and Lévy After Brown." In COLLECTIVE DYNAMICS: TOPICS ON COMPETITION AND COOPERATION IN THE BIOSCIENCES: A Selection of Papers in the Proceedings of the BIOCOMP2007 International Conference. AIP, 2008. http://dx.doi.org/10.1063/1.2965089.

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Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.

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This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation environment, how collective creation generates new knowledge, and how to develop collective creation among creative participants from different cultures and backgrounds.
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Barros Filho, Rubens, Jonathas Magalhães, Marlos Silva, Evandro Costa, and Henrique Luna. "2014 FIFA World Cup: An Initial Analysis of Collective Sentiments in Twitter." In IV Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2015. http://dx.doi.org/10.5753/brasnam.2015.6798.

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Social analysis in Twitter has become a very interesting research scenario. Twitter's popularity and the millions of spontaneous interactions between its users turned the social network into a rich data source. A possible use of this data is to measure collective sentiments related to events. In this short paper, we propose an analysis of the content shared in Twitter during the event 2014 FIFA World Cup Brazil TM. The sentiment classifier utilized in this work is the SentiStrength tool. The steps of this works are Composing the corpus, Preprocessing, Classification and Temporal Analysis. Finally, we propose some preliminary results that indicates the distribution of sentiments across the corpus.
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Wheeler, Laura H., and Mario Garcia-Sanz. "Wind Turbine Collective and Individual Pitch Control Using Quantitative Feedback Theory." In ASME 2017 Dynamic Systems and Control Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/dscc2017-5197.

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Individual pitch control is an innovative technique in wind turbine control. It has the potential of reducing the asymmetric mechanical loads on the blades in large multi-megawatt turbines. As the mechanical fatigue is reduced, the lifetime of the turbine can be significantly extended. This work develops an individual pitch control for the National Renewable Energy Laboratory’s (NREL) 5 MW reference wind turbine. The individual pitch controller works along with a collective pitch controller, designed using Quantitative Feedback Theory (QFT) robust control. Simulations of the complete individual and collective pitch control system are conducted with the NREL’s computer-aided engineering tool for horizontal axis wind turbines (FAST). They show that the addition of the individual pitch controller significantly reduces the loads on the tilt and yaw directions in the nacelle and tower of the turbine at 1P and 3P frequencies, and on the blades at the 2P harmonic frequency.
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Lang, Jérôme. "Collective Decision Making under Incomplete Knowledge: Possible and Necessary Solutions." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/680.

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Most solution concepts in collective decision making are defined assuming complete knowledge of individuals' preferences and of the mechanism used for aggregating them. This is often unpractical or unrealistic. Under incomplete knowledge, a solution advocated by many consists in quanrtifying over all completions of the incomplete preference profile (or all instantiations of the incompletely specified mechanism). Voting rules can be `modalized' this way (leading to the notions of possible and necessary winners), and also efficiency and fairness notions in fair division, stability concepts in coalition formation, and more. I give here a survey of works along this line.
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Stanton, Michael. "The American City." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.9.

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A city divides into forms and attitudes, into significances, in the most political of senses, into episodic impressions, grand narratives and great collective generalizations. Cities are the vehicles for vivid nostalgia and are often the victims of banal cliche, both in the making of their form and in the way they are perceived. They are collaborative works, and, like works of art, they are conceived passionately, formed imperfectly, understood and misread by a continually transforming and distracted collective. Cities embody myth and fact, blurring the border between the two. All this applies especially to the fraught history and troubled body of the American city.
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Wardrip, Peter Samuelson. "Collective capabilities." In CSCW '12: Computer Supported Cooperative Work. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2141512.2141619.

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Lutovac, Tamara. "Slavicisms in the Works by Vikentije Rakić." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/162-167.

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Reports on the topic "Collective works"

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Cullen, Kristen, Phil Wilburn, Charles Palus, and Donna Chrobot-Mason. Networks: How collective leadership really works. Center for Creative Leadership, October 2014. http://dx.doi.org/10.35613/ccl.2014.1038.

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Gaponenko, Artiom, and Andrey Golovin. Electronic magazine with rating system of an estimation of individual and collective work of students. Science and Innovation Center Publishing House, October 2017. http://dx.doi.org/10.12731/er0043.06102017.

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«The electronic magazine with rating system of an estimation of individual and collective work of students» (EM) is developed in document Microsoft Excel with use of macros. EM allows to automate all the calculated operations connected with estimation of amount scored by students in each form of the current control. EM provides automatic calculation of rating of the student with reflection of a maximum quantity of the points received in given educational group. The rating equal to “1” is assigned to the student who has got a maximum quantity of points for the certain date. For the other students the share of their points in this maximum size is indicated. The choice of an estimation is made in an alphabetic format according to requirements of the European translation system of test units for the international recognition of results of educational outcomes (ECTS - European Credit Transfer System), by use of a corresponding scale of an estimation. The list of students is placed on the first page of magazine and automatically displayed on all subsequent pages. For each page of magazine the optimal size of document printing is set with automatic enter of current date and time. Owing to accounting rate of complexity of task EM is the universal technical tool which can be used for any subject matter.
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Billing, Suzannah-Lynn, Shannon Anderson, Andrew Parker, Martin Eichhorn, Lindsay Louise Vare, and Emily Thomson. Scottish Inshore Fisheries Integrated Data System (SIFIDS): work package 4 final report assessment of socio-economic and cultural characteristics of Scottish inshore fisheries. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2018. http://dx.doi.org/10.15664/10023.23450.

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[Extract from Executive Summary] The European Maritime and Fisheries Fund (EMFF) has funded the ‘Scottish Inshore Fisheries Integrated Data System’ (SIFIDS) project, which aims to integrate data collection and analysis for the Scottish inshore fishing industry. SIFIDS Work Package 4 was tasked with assessing the socio-economic and cultural characteristics of Scottish Inshore Fisheries. The aim was to develop replicable frameworks for collecting and analysing cultural data in combination with defining and analysing already available socio-economic datasets. An overview of the current available socio-economic data is presented and used to identify the data gaps. Primary socio-economic and cultural research was conducted to fill these gaps in order to capture complex cultural, social and economic relationships in a usable and useful manner. Some of the results from this Work Package will be incorporated into the platform that SIFIDS Work Package 6 is building. All primary research conducted within this work package followed the University of the Highlands and Islands (UHI) Research Ethics Framework and was granted Ethical Approval by the UHI Research Ethics Committee under code ETH895.
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Mouat, Beth, Mike Bergh, Richard Shelmerdine, and Kobus Leach. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package 1 final report: Review and optimisation of shellfish data collection strategies for Scottish inshore waters. Edited by Hannah Ladd-Jones and Mark James. Marine Alliance for Science and Technology for Scotland (MASTS), 2018. http://dx.doi.org/10.15664/10023.23379.

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[Extract from Executive Summary] The collection of additional data to facilitate fisheries management has been identified as a priority at the national level via the Scottish Inshore Fisheries Strategy, and at the local level in the management plans of Regional Inshore Fisheries Groups. Data collection implemented by industry offers a potentially cost effective means by which to provide additional information to enhance current stock assessment programmes, and to produce empirical indicators to inform fisheries management. The fundamental driver for data collection should be the purpose for which it is required; however, the regionalisation of fisheries management and increased, and often competing, demands, on our marine space mean that there are many potential uses for industry derived data. This report presents the findings of a single work package in the wider prototypic Scottish Inshore Fisheries Integrated Data System (SIFIDS) project; looking at ways in which inshore fisheries data collection can be improved on. The propose of this work package was to review and evaluate current inshore (shellfish) fisheries data collection and stock assessments in order to determine where it might be possible for industry derived data collection to provide a positive contribution. For the purposes of this work package the focus was limited to brown crab, lobsters, and scallops.
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James, Mark, Tania Mendo, Hannah Ladd-Jones, Paddy McCann, Swithun Crowe, Alexander James Coram, and Simon Northridge. Scottish Inshore Fisheries Integrated Data System (SIFIDS): work package 5 final report identifying fishing activities and their associated drivers. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23451.

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[Extract from Executive Summary] The purpose of this Work Package was to: 1. Define fisher derived data collection parameters. 2. Identify and if possible, develop a quality assured system for the collection of fisher derived anecdotal and experiential information. 3. Develop an appropriate sampling design/method that could be streamed to a relational data resource. 4. Develop risk based management strategies. 5. Investigate applicable techniques/strategies for ‘change management’ regarding accurate voluntary reporting by the industry.
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Ayers, R., G. P. Course, and G. R. Pasco. Scottish Inshore Fisheries Integrated Data System (SIFIDS): work package (2) final report WP2A: development and pilot deployment of a prototypic autonomous fisheries data harvesting system, and WP2B: investigation into the availability and adaptability of novel technological approaches to data collection. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23443.

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[Extract from Executive Summary] To enhance sustainability and foster resilience within Scotland’s inshore fishing communities an effective system of collecting and sharing relevant data is required. To support business decisions made by vessel owners as well as informing fisheries managers and those involved in marine planning it will be vital to collect a range of information which will provide a robust understanding of fishing activity, the economic value of the sector and its importance within local communities. The SIFIDS Project was conceived to assist in attaining these goals by working alongside fishers to develop and test technology to automatically collect and collate data on board vessels, thereby reducing the reporting burden on fishers. The project built upon previous research funded through the European Fisheries Fund (EFF) and was designed to deliver a step change in the way that inshore fisheries in Scotland could be managed in cooperation with the industry. The project focussed on inshore fishing vessels around Scotland, where spatio-temporal information on the distribution of vessels and associated fishing effort is data deficient. The whole project was broken down into 12 highly integrated work packages. This is the integrated report for work packages 2A and 2B, entitled’ Development and Pilot Deployment of a Prototypic Autonomous Fisheries Data Harvesting System’ (2A) and ‘Investigation into the Availability and Adaptability of Novel Technological Approaches to Data Collection’ (2B).
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Panter, M. S., S. N. Burman, D. C. Landguth, and M. S. Uziel. Work plan, health and safety plan, and quality assurance project plan for hazardous waste removal at the CTF K-1654B underground collection tank. Office of Scientific and Technical Information (OSTI), October 1991. http://dx.doi.org/10.2172/10107318.

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Panter, M. S., S. N. Burman, D. C. Landguth, and M. S. Uziel. Work plan, health and safety plan, and quality assurance project plan for hazardous waste removal at the CTF K-1654B underground collection tank. Office of Scientific and Technical Information (OSTI), October 1991. http://dx.doi.org/10.2172/6079528.

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Rost, Lucia, Amber Parkes, and Andrea Azevedo. Measuring and Understanding Unpaid Care and Domestic Work: Household Care Survey Toolkit. Oxfam, October 2020. http://dx.doi.org/10.21201/2020.6775.

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This toolkit provides guidance on using Oxfam’s Household Care Survey (HCS) methodology, which was developed by Oxfam as part of the WE-Care initiative to transform the provision of unpaid care and domestic work (UCDW). UCDW underpins all our lives yet is overwhelmingly provided by women and girls. Recognising UCDW is essential for any initiative that aims to understand and address gender inequality. The HCS is a quantitative survey tool that generates context-specific evidence on how women, men and children spend their time, how care is provided, by whom, and the main factors that affect people’s responsibilities for UCDW, such as access to care services, infrastructure and social norms. The HCS can be used to generate a baseline, or to measure the impact of a specific policy or programme. The methodology can be integrated into different projects with different objectives and adjusted for use in various contexts. The HCS toolkit is designed to be used by development practitioners, policy makers, employers, academics and researchers. Part A provides guidance for planning, collecting, analysing and using HCS data. Part B provides guidance for understanding, adjusting and using the HCS questions. Both sections should be read before undertaking the survey.
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Bates, C. Richards, Melanie Chocholek, Clive Fox, John Howe, and Neil Jones. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package (3) final report development of a novel, automated mechanism for the collection of scallop stock data. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23449.

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[Extract from Executive Summary] This project, aimed at the development of a novel, automated mechanism for the collection of scallop stock data was a sub-part of the Scottish Inshore Fisheries Integrated Data Systems (SIFIDS) project. The project reviewed the state-of-the-art remote sensing (geophysical and camera-based) technologies available from industry and compared these to inexpensive, off-the -shelf equipment. Sea trials were conducted on scallop dredge sites and also hand-dived scallop sites. Data was analysed manually, and tests conducted with automated processing methods. It was concluded that geophysical acoustic technologies cannot presently detect individual scallop but the remote sensing technologies can be used for broad scale habitat mapping of scallop harvest areas. Further, the techniques allow for monitoring these areas in terms of scallop dredging impact. Camera (video and still) imagery is effective for scallop count and provide data that compares favourably with diver-based ground truth information for recording scallop density. Deployment of cameras is possible through inexpensive drop-down camera frames which it is recommended be deployed on a wide area basis for further trials. In addition, implementation of a ‘citizen science’ approach to wide area recording is suggested to increase the stock assessment across the widest possible variety of seafloor types around Scotland. Armed with such data a full, statistical analysis could be completed and data used with automated processing routines for future long-term monitoring of stock.
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