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Relevant bibliographies by topics / Collectors and collecting – Social aspects

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Journal articles

Academic literature on the topic 'Collectors and collecting – Social aspects'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2024

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Journal articles on the topic "Collectors and collecting – Social aspects"

1

FIGUEIREDO, ESTRELA, GIDEON F. SMITH, and RICARDO F. DE LIMA. "Plant collecting in São Tomé and Príncipe—collectors and their itineraries during the colonial period." Phytotaxa 640, no. 2 (2024): 90–124. http://dx.doi.org/10.11646/phytotaxa.640.2.2.

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The history of vascular plant collecting on the islands of São Tomé and Príncipe, from the earliest times up to the independence of the country in 1975 is provided, along with biographical information on all the collectors that could be traced, with notes on their itineraries, collecting localities, and collections. Aspects of the social environment prevalent in São Tomé and Príncipe at the time that historical collections were made are highlighted and contextualised to enable an improved understanding of connections between scientific-botanical endeavour, colonialism, and slavery on São Tomé

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2

Bogdanov, Maxim S. "Private Collecting in the USSR and the New Soviet Elite." IZVESTIYA VUZOV SEVERO-KAVKAZSKII REGION SOCIAL SCIENCE, no. 3 (219) (September 25, 2023): 54–60. http://dx.doi.org/10.18522/2687-0770-2023-3-54-60.

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The article is devoted to the phenomenon of private collecting in Soviet Russia. The author proceeds from the fact that the formation of the Soviet system, which led to certain changes in the social structure of society, led to the emergence of a new Soviet elite, not alien to collecting. Restrictions of a political and ideological nature imposed on any form of commercial activity and the almost closed art market predeter-mined the uniqueness of private Soviet collecting: ways of folding collections, the possibility of their preser-vation, exchange, fate, etc. The proposed typology of collecto

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3

Haidenthaller, Ylva. "Collecting Coins and Medals in 18th-Century Sweden." Artium Quaestiones, no. 34 (December 27, 2023): 111–37. http://dx.doi.org/10.14746/aq.2023.34.4.

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During the 18th century, collections of coins and medals were familiar sights. The collectors ranged from scholars to amateurs, men and women and the collectables tempted collectors for various reasons: they signified wealth and knowledge, they rendered historical events or current politics in material form, or they were miniature artworks and financial investments. Also, the visual and material culture that involved collecting coins and medals consisted of cabinets and numismatic publications. But how were numismatic collections amassed, and how were they used? What did it mean to own a coin

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Ijams Spaid, Brian. "Exploring consumer collecting behavior: a conceptual model and research agenda." Journal of Consumer Marketing 35, no. 6 (2018): 653–62. http://dx.doi.org/10.1108/jcm-05-2017-2224.

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Purpose The purpose of this paper is to explore the behaviors that revolve around collecting, the motivations behind these behaviors and the psychological benefits collectors receive from engaging in these collecting behaviors. Design/methodology/approach A thorough literature review and integration of prominent psychological and social psychology theories are used to propose a conceptual model, several research propositions and potential research questions for future scholarship. Findings This paper proposes that a collector salient identity and collecting motives drive tension-inducing socia

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5

Yailenko, Evgeny V. "Titian and Lorenzo Lotto: From the History of Art Dialogue by the Example of the “Collector’s Portrait”." Observatory of Culture 16, no. 6 (2019): 618–27. http://dx.doi.org/10.25281/2072-3156-2019-16-6-618-627.

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The article explores various aspects of the practice of collecting works of classical art in Renaissance Venice, as well as its influence on the content program formation of the so-called “Collector’s Portrait”, a typological kind of portraiture common in the art of the 16th century. The most interesting examples of it are the “Portrait of Andrea Odoni” by Lorenzo Lotto and the “Portrait of Jacopo Strada” by Titian, considered in this article. The study is relevant because of its connection with the research attention, outlined in recent decades, to the history of collecting, antique trade and

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Soleymani, Mona. "Artists' Books in Australian Collections: An investigation of materials, methods and meanings in the work of contemporary Australian book artists." Axon: Creative Explorations 13, no. 1 (2023): 1–16. http://dx.doi.org/10.54375/001/faqwb0rdeh.

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This paper presents the findings of a case study designed to understand more about materials, methods and themes of Australian artists’ books and their preservation issues in collections. Artists use a huge diversity of materials and methods in the creation of artists’ books, which might make these books difficult to preserve in a library or gallery collection context. Based on interviews with five prominent Australian book artists, collectors and curators, this paper suggests that artists choose materials that reflect or express the artistic, social, and political themes of their work, as wel

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Kuznetsova, Marfa Vadimovna. "Kozma Soldatenkov (1818-1901) and his collection in the context of the artistic life of Moscow in the second half of the XIX century." Человек и культура, no. 2 (February 2024): 75–86. http://dx.doi.org/10.25136/2409-8744.2024.2.70309.

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The article examines the role of merchant, philanthropist, and collector Kozma Soldatenkov in the artistic landscape of Moscow during the 1850s-1890s. The purpose of this study is to understand the impact of Soldatenkov on the formation of museum and exhibition programs in Moscow. By analyzing his art collection and his activities as a collector, we can gain a deeper understanding of his contribution to the cultural landscape of the city. This research is based on a systematic historical approach that allows us to contextualize Soldatenkov's work within the broader context of art collecting an

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Salerno, Virginia, Natalia Mazzia, María González, and Cecilia Pérez de Micou. "Archaeologists, Treasure Hunters and Collectors: Heritage in the Spotlight." Heritage 2, no. 1 (2019): 135–48. http://dx.doi.org/10.3390/heritage2010010.

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This paper inquiries into different aspects involved in gathering archaeological materials practices in the contemporary world. Archaeological objects comprise an intricate network of interests such as social, academic, scientific, touristic, historical, territorial, and economic, among others. It is based on those interests that the objects are appropriated and re-signified depending on specific contexts. We introduce two Argentinean cases in order to look into the relations between people and collected objects, and how those relations intertwine with social and political issues. Founded on t

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Nikulin, Alexander M., and Ekaterina S. Nikulina. "Chayanov’s sociology of art. [Rew.] Chayanov A.V. Selected Art Heritage. Moscow: Izdatelskiy dom TONCHU publ., 2018." Sociological Journal 25, no. 1 (2019): 178–88. http://dx.doi.org/10.19181/socjour.2018.25.1.6286.

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A.V. Chayanov was primarily an agrarian economist, but he also possessed encyclopedic interests and knowledge and wrote a series of articles on the history of art, which reflect his peculiar sociology of art. This article is a review of the collection of works which include articles written by this outstanding social thinker. The author considers that Chayanov’s articles on the history of collecting artwork in Moscow and on the history of West-European engraving show the original features of his sociological interdisciplinary analysis. Chayanov studied various aspects of social life — history

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Makarova, Elena Aleksandrovna. "Collecting as a liberal personal self-fulfillment." Социодинамика, no. 7 (July 2020): 62–73. http://dx.doi.org/10.25136/2409-7144.2020.7.32978.

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This article examines the phenomenon of collecting from the perspective of its social significance. Manifesting as a form of liberal activity, collecting historically resembled a captivating human activity based on the desire to release creative potential of an individual through collecting items. The author positions collecting as a social activity, the primary cause of which underlies the psychological type of personality. Analysis of these processes in the context of psychology allows explaining the essential aspects of collecting, when the collector is an actor of social creativity; as wel

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