Relevant bibliographies by topics / Colombian art in the 1970s

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Colombian art in the 1970s'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Colombian art in the 1970s"

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Rodríguez, Juanita. "Picturing the Peasant in Orlando Fals Borda’s Work 1950s-1970s." Master, Vol. 5, no. 2 (2020): 60–69. http://dx.doi.org/10.47659/m9.060.art.

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Orlando Fals Borda, a renowned Colombian sociologist, who worked for both the academia and the government from the 1950s to 90s, wrote two works on Colombian peasantry and its relation with big landowners that were published with a selection of photographs of peasants, landowners, and grassroots movements. These works and their images have had an impact on the construction of peasant- and landowner visual icons in recent Colombian history, as they have been used in books, primers, and exhibitions since their creation, and they had a crucial influence on the visual propaganda of the Agrarian Re
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NUSSIO, ENZO, and CORINNE A. PERNET. "The Securitisation of Food Security in Colombia, 1970–2010." Journal of Latin American Studies 45, no. 4 (2013): 641–68. http://dx.doi.org/10.1017/s0022216x1300117x.

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AbstractAfter the world food crisis of the early 1970s, food policies became a ‘national priority’ for Colombian development. Colombia was the first country to implement the multi-sectoral approach proposed by international organisations. However, in the past 30 years Colombian governments have presented nutrition as a minor health issue. During the recent world food crisis, the government insisted that Colombia was one of the most food-secure countries in the world. In seemingly similar circumstances, why was food policy made a priority in the 1970s and not in the new millennium? We address t
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Herrera, María Mercedes. "Musika viva en Beethovenianas Momentum 11: conciertos de música electrónica y ambientes en Casa de la Cultura, año 1970." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 9 (January 15, 2012): 91. http://dx.doi.org/10.26564/16926250.338.

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Resumen:Beethovenianas Momentum 11 fue un evento de participación organizado por Musika viva en Bogotá, el cual tuvo como invitado a Musika Viva Ensemble de Nueva York. En este se dieron conciertos de música electrónica y ambientes escultóricos construidos de sonido, en medio de la utilización de innovaciones tecnológicas. Este artículo analizará Beethovenianas teniendo como fuentes documentales el programa de mano impreso tipo fanzine, las fotografías y los testimonios de algunos protagonistas. Con ello se apuntará a reconstruir este evento de participación en su relación con los movimientos
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Ahmed, Jashim Uddin, Tasnim Tarannum, Asma Ahmed, and Kazi Pushpita Mim. "Miguel Caballero: Marketing Strategy of Colombian Bulletproof Fashion Brand." FIIB Business Review 10, no. 2 (2021): 102–13. http://dx.doi.org/10.1177/2319714520988833.

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Miguel Caballero is the epitome of what can be called a ‘Fashionable Protective Wear’. The brand was named after its brainchild Miguel Caballero himself during the raging times in Columbia. Back in the 1990s specifically, the political beliefs were compartmentalized into different violent groups in the country. Miguel envisioned this as a fancy business opportunity with a little bit of trick up his sleeve. His idea was to add fashion and pliability to a category of apparel that was once deemed to have been nothing more than a baggy, ugly-looking and inconvenient piece of must wear; not to ment
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Deffebach, Nancy. "Artist as Witness." Latin American and Latinx Visual Culture 3, no. 1 (2021): 30–59. http://dx.doi.org/10.1525/lavc.2021.3.1.30.

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After creating a substantial corpus of art that was political in the sense that the female body and social justice are political, but which had not dealt with national politics, the Colombian painter Débora Arango (1907–2005) embarked on an extended series of works that chronicled and critiqued politics and politicians during the undeclared civil war known as la Violencia (c. 1946 to 1965). This essay examines Arango’s first five paintings about the national politics of Colombia and, by extension, the role of the artist as witness. Arango’s earliest political paintings represent the Liberal po
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Reveron Peña, María Isabel, and Mario Antonio Parra Pérez. "Circunstancias y comienzo del arte erótico en Colombia: Débora Arango, Jim Amaral y Óscar Muñoz." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 12, no. 1 (2015): 164. http://dx.doi.org/10.26564/16926250.541.

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ResumenEl presente artículo se deriva de la investigación Artes visuales y narrativa erótica en Colombia (1970- 2010) realizada por Mario Antonio Parra Pérez y María Isabel Reverón Peña durante el lapso de enero de 2013 a enero de 2015 y financiada por el Sistema Universitario de Investigaciones (SUI) de la Universidad Autónoma de Colombia.En el presente artículo desarrollaremos brevemente el campo histórico de apertura de las artes plásticas hacia un desarrollo del arte erótico; luego señalaremos algunos aspectos en torno a los límites de lo erótico y de lo pornográfico para finalmente presen
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M.K. "Colombian Pre-Hispanic Art." Americas 49, no. 2 (1992): 236–37. http://dx.doi.org/10.1017/s0003161500019180.

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Botti, Giaime. "Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)." Journal of Architecture 24, no. 6 (2019): 731–55. http://dx.doi.org/10.1080/13602365.2019.1684971.

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Salazar, Edward. "Beauty has no age anymore: Fashion and youth in Colombia (1970–99)." International Journal of Fashion Studies 8, no. 1 (2021): 67–84. http://dx.doi.org/10.1386/infs_00037_1.

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This article analyses the cultural construction of youth and beauty as socially dominant values through an interrogation of Colombian fashion magazines produced between 1970 and 1999. To this end, the article analyses the role of fashion and the textile industry – including brands, textile companies and designers – within this key period to understand the transformation of male and female values in the process of establishing youth as an imperative standard for appearance and behaviour. The methodology used is discourse analysis applied to visual and textual advertising published by fashion ma
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Stoller, Richard. "Alfonso López Pumarejo and Liberal Radicalism in 1930s Colombia." Journal of Latin American Studies 27, no. 2 (1995): 367–97. http://dx.doi.org/10.1017/s0022216x00010798.

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AbstractThis article locates the first regime of Alfonso López Pumarejo (the Revolutión en marcha, 1934–8) within the social dynamics of Colombia's polarised party system, rather than the developmentalist and class dynamics that are frequently invoked. López's economic and political thought is shown to be far closer to the partisan and antistatist traditions of Colombian liberalism than is often assumed, and his rise to power is depicted as a victory of political strategy rather than class alliances. After surveying the role of the Acción Liberal group of intellectuals in the radicalisation of
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Dissertations / Theses on the topic "Colombian art in the 1970s"

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Derro, Brad, and Brad Derro. "Get Close: Interpersonal Art in the 1970s." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621835.

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This thesis centers on an analysis of Allan Kaprow's Activities (1970-1979)-works that gauged how people interact when following a script that often involved ostensibly banal, everyday routines; for example, brushing one's teeth, or walking through a doorway. These pieces, as suggested in the artist's writings, were influenced by a range of philosophical and sociological theories. While Kaprow associated his Activities with the sociological and philosophical inquiries of John Dewey, Erving Goffman, and Ray Birdwhistell, I will also suggest that concepts related to interpersonal psychology and
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Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

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This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism
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McCredie, Athol. "Going public New Zealand art museums in the 1970s /." [Palmerston North, N.Z.] : Massey University Library, 2006. http://hdl.handle.net/10179/250.

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Wark, Jayne Marie. "The radical gesture, feminism and performance art in the 1970s." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0001/NQ27749.pdf.

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Sauloy, Mylène. "Colombie drogue, mafia et pouvoir, 1970-1985 /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37618452v.

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Paola, Adarve-Zuluaga. "Facing Medusa : (intimate) art and resistance in the Colombian armed conflict." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54177.

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The Colombian armed conflict is one of the oldest conflicts in the world. Numbers hardly explain the damage it has caused. Artistic responses to war emerge in this context, sometimes with the purpose of exerting some form of resistance to violence. I examine the ways in which similar responses operate and can produce social change, by tracing the work of three Colombian visual creators: Erika Diettes, Jesús Abad Colorado, and Juan Manuel Echavarría. This study reveals how their practice (re) configures certain spaces as intimate public scenarios of collective spectatorship/witnessing. The inve
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Arango, Juan C. "Modern warfare from the Colombian perspective." Quantico, VA : Marine Corps Command and Staff College, 2008. http://handle.dtic.mil/100.2/ADA491149.

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Mincher, Sally. "The Chicano art movement in American art history : post-1970s evolutions in the Los Angeles context." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573017.

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The history of the Mexican American population of the United States has involved a succession of socio-political phases since the beginning of the twentieth-century. One phase termed the 'Chicano era' emerged in mid-century culminating in the 1960s period of civil-rights activism. In this unified social movement acting for change of the historical situation of oppression, the crucial role of the arts contributed to the formation of the Chicane art movement. This thesis concerns developments in Chicano art production following the civil rights era from the 1970s to the present day. Through its
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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Feldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.

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Books on the topic "Colombian art in the 1970s"

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Enríquez, Guido. Historia de las artes plásticas en el Cauca en el siglo XX. Universidad del Cauca, 2000.

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Gómez, Darío Ruiz. Tarea crítica: Sobre arte. Museo de Antioquia, 1988.

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Correa, Carmenza Olano. Pintura y escultura en Boyaca: Siglos XVI al XX. s.n., 1995.

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Fernell, Franco, ed. Apuntes para una historia del arte en el Valle del Cauca durante el siglo XX. Corporación Artística Cultural Salamandra del Barco Ebrio, 2005.

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Vélez, Santiago Londoño. Historia de la pintura y el grabado en Antioquia. Editorial Universidad de Antioquia, 1995.

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Myriam, Acevedo, and Museo de Arte Moderno (Bogotá, Colombia), eds. Cien años de arte colombiano, 1886-1986. Museo de Arte Moderno de Bogotá, 1985.

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Historia abierta del arte colombiano. Instituto Colombiano de Cultura, 1985.

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Eiger, Casimiro. Crónicas de arte colombiano, 1946-1963. Banco de la República, 1995.

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León, Carolina Ponce de. El efecto mariposa: Ensayos sobre arte en Colombia, 1985-2000. Alcaldía Mayor de Bogotá D.C., 2004.

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Arte en Colombia, 1981-2006. Editorial Universidad de Antioquia, 2007.

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Book chapters on the topic "Colombian art in the 1970s"

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Franco, Francesca. "The 1970s." In Generative Systems Art. Routledge, 2017. http://dx.doi.org/10.4324/9781315581637-3.

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Jones, Amelia. "Strategic Oblivion: 1970s Feminist Art in 1980s Art History." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_124.

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Preda, Caterina. "The Two Modern Dictatorships in Romania and Chile 1970s–1989." In Art and Politics under Modern Dictatorships. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57270-3_2.

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Franco, Ana M. "The Politics of Abstraction in Colombian Art during the Cold War." In New Geographies of Abstract Art in Postwar Latin America. Routledge, 2018. http://dx.doi.org/10.4324/9781351062145-10.

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Giraldo, Olga Lucía, Andrea Herrera, and Juan Erasmo Gómez. "IT Governance State of Art at Enterprises in the Colombian Pharmaceutical Industry." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16402-6_45.

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Stassinopoulou, Maria A. "Scenes from A Marriage: The Thessaloniki Film Festival Between Mainstream and Art Cinema from its Beginnings to the 1970s." In Cultural Transfer and Political Conflicts. V&R unipress, 2017. http://dx.doi.org/10.14220/9783737005883.109.

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Sanabria-Pulido, Pablo, Nadia Rubaii, and Andrés Guzmán-Botero. "The policy analysis movement in Colombia: the state of the art." In Policy Analysis in Colombia. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447347712.003.0002.

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This chapter provides a broad overview and a big-picture assessment of the “state of the art” of policy analysis in Colombia, tracing the policy analysis movement from the 1950s to the 1991 Constitution to the present. It proposes the examination of policy analysis progression in Colombia based on historical and analytical background by identifying key actors. It also looks at a scientific approach to public policy in the Colombian context, citing the role of international missions in the second half of the 20th century as defining forces that laid the groundwork for the early institutional and organizational developments in Colombia's public administration. The chapter delves into the policy analysis that started to develop key roots within the administrative apparatus of Colombia, particularly at the national level of government. It focuses on the current state of policy analysis practices in Colombia.
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Karl, Robert A. "Messenger of a New Colombia." In Forgotten Peace. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293922.003.0002.

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This chapter details the larger tale of Colombian politics. Few figures were as closely linked to the arc of the twentieth century as Alberto Lleras. Part of a generation of lettered Colombians who did not initially conceive of their nation as a place of violence, Lleras labored to maintain convivencia in Colombian public life as well as global diplomacy. The shepherd of Colombia's democratization and the primary exponent of the reformist possibilities that accompanied the transition, Alberto Lleras emerged in the late 1950s as the paramount messenger of a new Colombia. But just as Lleras' path indicated the will of many Colombians to move beyond force in all their affairs, so too did it expose the limits of urban Colombians' engagement with the countryside—a divergence at the heart of struggles over violence, peace, and nation.
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"The Significance of the 1970s." In Black Artists in British Art. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603343.ch-003.

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Puerta, Marcela Palacio. "Graffiti, Street Art and Colombian Copyright Law." In The Cambridge Handbook of Copyright in Street Art and Graffiti. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108563581.010.

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Conference papers on the topic "Colombian art in the 1970s"

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Lopez Gonzalez, Ernesto, Alberto Correa Castrillon, and Andres Navarro Cadavid. "Identification of the variables causing the delay in changing channel IPTV service - State of the art." In 2012 IEEE Colombian Communications Conference. IEEE, 2012. http://dx.doi.org/10.1109/colcomcon.2012.6233652.

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Kosenkova, Yulia. "Changes in the Idea of a Soviet City in 1960s — Early 1970s." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.122.

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Malich, Kseniya. "Reprogramming of Urban Environment: the Work of Mohsen Mostafavi in London Architectural Association Between 1970s – 1980s." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.85.

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Alvarez, Semaria Ruiz, and Jairo Jose Espinosa Oviedo. "State of the Art in Strategies Allowing the Integration of a Shared EVs Service and the Active Participation of EVs With the Power Network." In 2019 IEEE 4th Colombian Conference on Automatic Control (CCAC). IEEE, 2019. http://dx.doi.org/10.1109/ccac.2019.8921301.

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Kumar M., Vijay, A. N. N. Murthy, and K. C. Chandrashekara. "The State of Art on Scheduling of FMS: A Comprehensive Survey." In ASME 8th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2006. http://dx.doi.org/10.1115/esda2006-95077.

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Flexible manufacturing systems (FMS) have already proved their great success in a large number of manufacturing industries. Realizing the importance of FMS in increasing productivity, quality, the high investment and the potential of FMS as a strategic competitive tool makes it attractive to engage in research in this area. Scheduling of flexible manufacturing systems (FMSs) has been one of the most attractive areas for both researches and practitioners. A considerable body of literature has accumulated in this area since the late 1970s when the first batches of papers were published. A number
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Kononchuk, Konstantin, and Anna Pokrovskaya. "New information on the restoration-construction works at the site of rock art Tomskaya Pisanitsa in the late 1960s – mid-1970s." In Field session of the Institute for History of Material Culture Russian Academy of Sciences. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-11-3-2018-8-215-218.

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Tawney, Rattan K., James A. Bonner, and Asem M. Elgawhary. "Economic and Performance Evaluation of Combined Cycle Repowering Options." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30565.

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The majority of fossil units in many countries including the United States were built from 1950 through the 1970s, and these older plants are now approaching the end of their useful operating design life. Faced with continued demand growth and compliance with stringent emissions requirements, the power industry may choose building new replacement units, extending the operating life of existing units, or repowering these existing units. Repowering has been demonstrated to be an attractive alternative that incorporates state-of-the-art technologies into an existing unit to achieve higher perform
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Varga, Audrey L., Matthew R. Chandler, Worth B. Cotton, et al. "Innovation and Integration: Exploration History, ExxonMobil, and the Guyana-Suriname Basin." In Offshore Technology Conference. OTC, 2021. http://dx.doi.org/10.4043/30946-ms.

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Abstract Exploration in the Guyana-Suriname Basin has been a decades-long endeavor, including technical challenges and a lengthy history of drilling with no offshore success prior to the Liza discovery. The 1929 New Nickerie well was the first onshore well in Suriname, and was followed by 30 years of dry holes before the heavy-oil Tambaredjo field was discovered in the 1960s. In the 1990s, nearly 40 years after the Tambaredjo discovery, ExxonMobil utilized the 1970s-vintage, poor-to moderate-quality, 2D seismic and gravity data available to create a series of hand-drawn, level-of-maturity (LOM
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Halkyard, John, Rizwan Sheikh, Thiago Marinho, Shan Shi, and Matthew Ascari. "Current Developments in the Validation of Numerical Methods for Predicting the Responses of an Ocean Thermal Energy Conversion (OTEC) System Cold Water Pipe." In ASME 2014 33rd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/omae2014-24636.

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Ocean Thermal Energy Conversion (OTEC) was a subject of intense research in the late 1970s and early 1980s in response to a historical jump in oil prices from the 1973 oil embargo. The principal author for this paper first met Prof. Paulling as a participant in a National Research Council (NRC) Panel to review OTEC Technology around 1982. Prof. Pauling had authored a frequency domain program to analyze the coupled response of a platform and OTEC pipe. The author was involved in model tests to validate the program. The United States (U.S.) Department of Energy (DoE) and National Oceanic and Atm
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Reports on the topic "Colombian art in the 1970s"

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Kuiken, Todd, and Jennifer Kuzma. Genome Editing in Latin America: Regional Regulatory Overview. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003410.

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The power and promise of genome editing, CRISPR specifically, was first realized with the discovery of CRISPR loci in the 1980s.3 Since that time, CRISPR-Cas systems have been further developed enabling genome editing in virtually all organisms across the tree of life.3 In the last few years, we have seen the development of a diverse set of CRISPR-based technologies that has revolutionized genome manipulation.4 Enabling a more diverse set of actors than has been seen with other emerging technologies to redefine research and development for biotechnology products encompassing food, agriculture,
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Facts about adolescents from the Demographic and Health Survey—Statistical tables for program planning: Colombia 1995. Population Council, 2002. http://dx.doi.org/10.31899/pgy21.1010.

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The Population Council initiated its work on adolescents in the mid-1990s. At that time, those advocating greater attention to adolescent issues were concerned about adolescent fertility—particularly outside of marriage—and adolescent “risk-taking” behavior. As an international scientific organization with its mandate centered around the needs of developing countries, the Council sought a more nuanced and context-specific understanding of the problems confronting adolescents in the developing world. In working with colleagues inside and outside the Council, it became clear that information on
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