Log in

Relevant bibliographies by topics / Colombian art in the 1970s / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Colombian art in the 1970s.

Dissertations / Theses on the topic 'Colombian art in the 1970s'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Colombian art in the 1970s.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Derro, Brad, and Brad Derro. "Get Close: Interpersonal Art in the 1970s." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621835.

Full text

Abstract:

This thesis centers on an analysis of Allan Kaprow's Activities (1970-1979)-works that gauged how people interact when following a script that often involved ostensibly banal, everyday routines; for example, brushing one's teeth, or walking through a doorway. These pieces, as suggested in the artist's writings, were influenced by a range of philosophical and sociological theories. While Kaprow associated his Activities with the sociological and philosophical inquiries of John Dewey, Erving Goffman, and Ray Birdwhistell, I will also suggest that concepts related to interpersonal psychology and

APA, Harvard, Vancouver, ISO, and other styles

2

Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

Full text

Abstract:

This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism

APA, Harvard, Vancouver, ISO, and other styles

3

McCredie, Athol. "Going public New Zealand art museums in the 1970s /." [Palmerston North, N.Z.] : Massey University Library, 2006. http://hdl.handle.net/10179/250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wark, Jayne Marie. "The radical gesture, feminism and performance art in the 1970s." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0001/NQ27749.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Sauloy, Mylène. "Colombie drogue, mafia et pouvoir, 1970-1985 /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37618452v.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Paola, Adarve-Zuluaga. "Facing Medusa : (intimate) art and resistance in the Colombian armed conflict." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54177.

Full text

Abstract:

The Colombian armed conflict is one of the oldest conflicts in the world. Numbers hardly explain the damage it has caused. Artistic responses to war emerge in this context, sometimes with the purpose of exerting some form of resistance to violence. I examine the ways in which similar responses operate and can produce social change, by tracing the work of three Colombian visual creators: Erika Diettes, Jesús Abad Colorado, and Juan Manuel Echavarría. This study reveals how their practice (re) configures certain spaces as intimate public scenarios of collective spectatorship/witnessing. The inve

APA, Harvard, Vancouver, ISO, and other styles

7

Arango, Juan C. "Modern warfare from the Colombian perspective." Quantico, VA : Marine Corps Command and Staff College, 2008. http://handle.dtic.mil/100.2/ADA491149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mincher, Sally. "The Chicano art movement in American art history : post-1970s evolutions in the Los Angeles context." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573017.

Full text

Abstract:

The history of the Mexican American population of the United States has involved a succession of socio-political phases since the beginning of the twentieth-century. One phase termed the 'Chicano era' emerged in mid-century culminating in the 1960s period of civil-rights activism. In this unified social movement acting for change of the historical situation of oppression, the crucial role of the arts contributed to the formation of the Chicane art movement. This thesis concerns developments in Chicano art production following the civil rights era from the 1970s to the present day. Through its

APA, Harvard, Vancouver, ISO, and other styles

9

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Feldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Christofides, Sheila School of Art History &amp Theory UNSW. "The intransigent critic: reconsidering the reasons for Clement Greenberg???s formalist stance from the early 1930s to the early 1970s." Awarded by:University of New South Wales. School of Art History and Theory, 2004. http://handle.unsw.edu.au/1959.4/20562.

Full text

Abstract:

This thesis investigates the reasons for Greenberg???s aesthetic intransigence ??? that is, his adherence to a formalist/purist stance, and his refusal to countenance non-purist twentiethcentury avant-garde trends evident in the art he ignored or denigrated, and in the art he promoted. The most substantial body of work challenged is Cold War revisionism (exemplified by the scholarship of Francis Frascina, Serge Guilbaut, and John O???Brian) which casts Greenberg as a politically expedient party to the imperialist agendas of various CIA-funded organisations. The major conclusions reached are th

APA, Harvard, Vancouver, ISO, and other styles

12

David, A. C. "Are price-based capital account regulations effective? : evidence from the experiences of Brazil, Chile and Colombia in the 1990s." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598309.

Full text

Abstract:

Large and volatile capital flows pose serious challenges for macroeconomic management in developing countries. Our main objective in the first chapter is to assess both the role of capital controls in helping to prevent financial instability, and there adequacy for the management of financial stress. We consider theoretical approaches that introduce distortions to capital markets, moral hazards, information asymmetries, bounded rationality and endogenous financial instability, making a strong case for the use of capital account management policies. Furthermore, we analyse whether dollarisation

APA, Harvard, Vancouver, ISO, and other styles

13

Jarzebska, Aneta. "Transgressing the borders of gallery space : subversive practices of alternative art galleries in East Germany and Poland of the 1970s." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/transgressing-the-borders-of-gallery-space-subversive-practices-of-alternative-art-galleries-in-east-germany-and-poland-of-the-1970s(80cbed0c-10b9-4211-9ad2-3a0e19f94a30).html.

Full text

Abstract:

This thesis constitutes the first comparative study of the phenomenon of alternative art galleries functioning during the 1970s in two neighbouring state socialist regimes, namely, the German Democratic Republic and the People's Republic of Poland. Firmly contextualised in the cultural-political climate of Honecker's and Gierek's quasi-liberalisation, it examines the socio-cultural function of non-conformist exhibition spaces and focuses, specifically, on two case studies: Galerie Arkade in East Berlin and Galeria/Repassage in Warsaw. By looking at a wide variety of practices produced in those

APA, Harvard, Vancouver, ISO, and other styles

14

ROGERS, ASHLEY D. "THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Burgon, Ruth Amy. "Pace, rhythm, repetition : walking in art since the 1960s." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25512.

Full text

Abstract:

In recent years, there has been a noticeable rise in the use of walking in artistic practice. Artists explore, map, narrate, draw, follow and procrastinate through the use of pedestrianism. This rise in an artistic output that uses the walking body has coincided with a burgeoning literature in this field; a literature that, I argue, has yet to find its feet, frequently repeating, and so depoliticising, the dominant narrative that casts walking as a strategy of resistance to the high-speed technological demands of late capitalism. Beyond its role as emancipatory gesture, I show, walking is enme

APA, Harvard, Vancouver, ISO, and other styles

16

Mulholland, Neil Charles. "Why is there only one Monopolies Commission? : British art and its critics in the late 1970s." Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/2532/.

Full text

Abstract:

This thesis examines the British art world in the period 1976-1981. The first section explores the crises in the artworld triggered by the International Monetary Fund Crisis of February 1976. Central to this analysis is the Labour and Conservative Party's ideological shift from culturalist paternalism to monetarist liberalism, the history and function of the Arts Council of Great Britain, the press scandals surrounding the Tate Gallery's purchase of Carl Andre's Equivalent VIII and the ICA's exhibition of COUM Transmission's Prostitution. The opportunist populist polemics of the 'crisis critic

APA, Harvard, Vancouver, ISO, and other styles

17

Dauterive, Jessica A. "Picturing the Cajun Revival: Swallow Records, Album Art, and Marketing an Identity of South Louisiana, 1960s-1970s." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2138.

Full text

Abstract:

In South Louisiana in the late 1950s, Ville Platte native Floyd Soileau joined a network of independent recording companies across the United States that provided an opportunity for local entrepreneurs and artists to profit from the global music industry. This paper analyzes the album covers of Floyd Soileau’s Cajun recording label, Swallow Records, during the 1960s-1970s. This period overlaps with a movement to subvert a negative regional identity among Louisiana Cajuns that is often referred to as the Cajun revival. Through a consideration of album covers as objects of business strategy and

APA, Harvard, Vancouver, ISO, and other styles

18

KIM, EUN KYUNG. "PATTERN ANALYSIS ON THE WORKS OF BONNIE CASHIN FROM THE 1960S TO THE 1970S." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021996954.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Dzuverovic, Lina. "Pop art tendencies in self-managed socialism : pop reactions and counter-cultural pop in Yugoslavia in 1960s and 1970s." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2850/.

Full text

Abstract:

This thesis explores forms of Pop Art on the territory of the former Yugoslavia in the 1960s and 1970s, seeking to identify its local variants. Yugoslavia, a single party state, built on the legacy of the anti-fascist Partisan struggle, principles of solidarity, egalitarianism, self-management and a strong sense of internationalism due to its founding role in the Non-Aligned Movement, was, at the same time, a country immersed in what has been termed 'utopian consumerism'. The thesis examines how Yugoslav artists during this period dealt with the burgeoning consumer society and media boom, kits

APA, Harvard, Vancouver, ISO, and other styles

20

McCredie, Athol. "Going public : New Zealand art museums in the 1970s : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Museum Studies at Massey University." Massey University. School of Maori Studies, 1999. http://hdl.handle.net/10179/250.

Full text

Abstract:

This thesis examines the reputation the 1970s have as a renaissance era for New Zealand public art galleries.It does this by considering the formation and development of galleries in the period as well as their approaches. Public and community involvement, energy, innovation, activism, and engagement with contemporary New Zealand art are key areas of approach investigated since increases in each are associated with galleries in the seventies.The notion of a renaissance is also particularly associated with provincial galleries. In order to examine this idea in detail three "provincial" gallerie

APA, Harvard, Vancouver, ISO, and other styles

21

Dye, David. "Backwards into the future : an exploration into revisiting , representing and rewriting art of the late 1960s and early 1970s." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3217/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.

Full text

Abstract:

This thesis examines the first seventeen years of the history of the Museum of Modern Art Oxford (MOMA), from its founding in 1965 until c. 1982. It is concerned with the changing relationships between the museum and its audience, focusing on those aspects of the museum's programming that shed light on its role as a public mediator of recent art. This provides a means to consider the underlying values and commitments that informed MOMA's emergence as a leading contemporary art institution. Chapter one examines the museum's relationship to utopian countercultures through the metaphor of the mus

APA, Harvard, Vancouver, ISO, and other styles

23

Statzer, Mary Kathryn. ""Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556851.

Full text

Abstract:

Despite present day attitudes and practices in which combinations of photography and other mediums of art are readily accepted, this was rarely the case during the 1960s and 1970s. The pioneering 1970 Museum of Modern Art exhibition Photography into Sculpture, which is the focus of this dissertation, is a compelling exception. Organized by Peter Bunnell, the exhibition highlighted work by twenty-three artists that mixed photographic imagery with three-dimensional forms. The resulting objects often dislocated "straight" photography’s reliance on the image and optical description as its primary

APA, Harvard, Vancouver, ISO, and other styles

24

MARI, CHIARA. "ARTISTI E RAI 1968 - 1975. LA TELEVISIONE PUBBLICA ITALIANA COME SPAZIO D'INTERVENTO ARTISTICO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6145.

Full text

Abstract:

La tesi analizza le collaborazioni di alcuni protagonisti della ricerca artistica contemporanea con la Rai tra gli anni Sessanta e Settanta. Dopo un capitolo introduttivo che ripercorre nelle sue linee principali le origini del dibattito critico italiano intorno al tema dei rapporti fra artisti e televisione, lo studio si concentra sul periodo 1968-1975, quando da un lato la Rai si apre maggiormente all’attualità artistica, dall’altro gli sviluppi dell’arte in direzione ambientale e performativa e le prime sperimentazioni video creano le premesse per interventi negli spazi della televisione pu

APA, Harvard, Vancouver, ISO, and other styles

25

Suescun, Pozas María del Carmen. "Modern femininity, shattered masculinity : the scandal of the female nude during political crisis in Colombia, 1930-1948." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85958.

Full text

Abstract:

This dissertation examines two controversies involving paintings of the female nude by artists Debora Arango and Carlos Correa during a period of political crisis in Bogota (Colombia) in order to open the political to cultural analysis and thus shed light on scenarios of change in the 1930s and 1940s. Unpacking the controversies lends insight into the unique ways in which modernity, the body, its representations, sexuality, gender and politics came together in Colombia during this period. Such an approach also shows that modernity in Colombia involved shifts in religious and secular fra

APA, Harvard, Vancouver, ISO, and other styles

26

Arbelaez, Natalia. ""Insignificant Grandeur"." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1435530944.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Gustafsson, Sofia. "Uppror och solidaritet : 1960- och 1970-talets politiska uttryck i den svenska affischkonsten." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-103847.

Full text

Abstract:

Under det svenska 1960- och 1970-talet engagerade sig det svenska folket i en rad olika ideologiorienterade organisationer, internationella frågor eller folkrörelser, något som även tog sitt uttryck i kulturen. Mitt syfte med denna uppsats är att undersöka ett urval politiska affischer, utifrån Michael Baxandalls teori "The period eye", hur 1960- och 1970-talets konst påverkades av samtidens samhällstrukturer och politiska engagemang. Min tyngdpunkt kommer att ligga i de politiska affischer som på något sätt hade en anknytning till en alternativ rörelse, såsom Miljörörelsen, Kvinnorörelsen och

APA, Harvard, Vancouver, ISO, and other styles

28

Romero, Barragán Rocío. "Clamor de la Razón; Iconomía, Hiperbarroco y Transhistorias en la Obra de José Alejandro Restrepo." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/276163.

Full text

Abstract:

La obra del colombiano José Alejandro Restrepo es monumental. No solo por la hondura y complejidad de los problemas estéticos, históricos y artísticos que aborda, sino porque su actividad creadora es incansable, constante y llena de sorpresivos encuentros con lo real y con lo absurdo de lo real. La investigación parte de los inicios en el arte de Restrepo, indagando en las razones por las que ha llegado al escenario de la producción artística y cultural. José Alejandro Restrepo nació en Paris, quizás por la casualidad de la vida que llevo a su padre a vivir en la ciudad de los poetas y los

APA, Harvard, Vancouver, ISO, and other styles

29

Payne, Helena. "Jagets bevingade hovslag : En biografisk och analytisk undersökning av hästfigurer iRenata Wredes fantasifulla och antropomorfa bildvärld." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403072.

Full text

Abstract:

This Bachelor’s Thesis introduces a previously unexplored visual artist to the field of Art history: Renata Wrede. Born in 1923 and active until her death in 1998, Renata Wrede produced a varied and colorful corpusof paintings, lithographies, drawings, sculptures, textile designs and pottery, most–but not all -of which is in the possession of her family. Herrigorous artistic training, deep engagement with her other passion –horses –and personal struggles for independence combined to create a varied style with anthropomorphizing images of -among many motifs-horses. Four of these images, taken f

APA, Harvard, Vancouver, ISO, and other styles

30

Gontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Malmaceda, Luise Boeno. "O eixo sul experimental: conceitualismos e contracultura nos cenários artísticos de Curitiba e Porto Alegre, anos 1970." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-23072018-143827/.

Full text

Abstract:

Esta dissertação busca mapear as redes de artistas, intelectuais e eventos responsáveis, na década de 1970, por introduzir discussões e linguagens da arte contemporânea no eixo Sul do Brasil. Para tanto, debruça-se sobre os maiores centros urbanos da região, cujos campos artísticos estão mais bem estruturados e são mais longevos, as capitais Curitiba (PR) e Porto Alegre (RS). Por meio especialmente de pesquisa de arquivo e entrevistas, são analisadas as especificidades socioculturais e políticas que conformaram as condições para a emergência de um campo de liberdade artística e ruptura de câno

APA, Harvard, Vancouver, ISO, and other styles

32

Pismel, Ana Paula Cattai. "Schenberg e as Bienais." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29112018-122706/.

Full text

Abstract:

Este estudo objetivou evidenciar a atuação de Mario Schenberg na organização das Bienais Internacionais de São Paulo enquanto crítico de arte, nas décadas de 1960 e 1970. Foi analisado o envolvimento do crítico na Sala Especial do pintor Alfredo Volpi na VI Bienal (1961), bem como sua participação no júri de seleção da representação brasileira na VIII, IX e X Bienais (1965, 1967 e 1969). Foi examinada, ainda, a participação de Schenberg nas Mesas Redondas promovidas pela Associação Internacional de Críticos de Arte junto às edições de 1969 e 1971 (X e XI Bienais). A investigação tomou por font

APA, Harvard, Vancouver, ISO, and other styles

33

Glomm, Anna Sandaker. "Graphic revolt! : Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3171.

Full text

Abstract:

This thesis examines the relationship between the three artists' workshops Røde Mor (Red Mother), Folkets Ateljé (The People's Studio) and GRAS, who worked between 1968 and 1975 in Denmark, Sweden and Norway. Røde Mor was from the outset an articulated Communist graphic workshop loosely organised around collective exhibitions. It developed into a highly productive and professionalised group of artists that made posters by commission for political and social movements. Its artists developed a familiar and popular artistic language characterised by imaginative realism and socialist imagery. Fol

APA, Harvard, Vancouver, ISO, and other styles

34

Cornish, Patricia Branco. "Artistas mulheres na ditadura brasileira: os casos de Wanda Pimentel e Teresinha Soares." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-12122018-120942/.

Full text

Abstract:

Este estudo investiga as produções artísticas de Wanda Pimentel e Teresinha Soares em meados da década de 1960 e início da década de 1970, com o objetivo de analisar a questão de gênero e a construção da subjetividade feminina. A pesquisa buscou analisar as relações estéticas das obras de Pimentel e Soares à luz das influências das teorias feministas que migravam dos Estados Unidos para o Brasil ao final dos anos de 1960. A partir disso, destacou as relações teóricas entre as questões de gênero e as práticas artísticas das vanguardas brasileiras. Ademais, esta pesquisa tratou da circulação das

APA, Harvard, Vancouver, ISO, and other styles

35

GENTILE, FRANCESCA. "COMUNITA' ESTETICHE E COMUNITA' ETICHE IL TEATRO DI GRUPPO IN ITALIA IL CASO DEL TEATRO DEL MAGOPOVERO (1971-1989)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/264.

Full text

Abstract:

La ricerca ricostruisce le vicende della scena italiana tra gli anni '70 e gli anni '80 e, più nello specifico, il fenomeno del teatro di gruppo, di quelle formazioni cioè che hanno sperimentato con più profondità la questione di un'azione comunitaria attraverso lo strumento del teatro. La ricostruzione di questo fenomeno, svolta all'interno di una premessa più generale sull'emersione di una tensione comunitaria in molte delle più importanti esperienze del teatro del Novecento, è stata effettuata attraverso l'analisi della vicenda artistica e sociale di uno dei più interessanti gruppi teatrali

APA, Harvard, Vancouver, ISO, and other styles

36

Torrubia, Rafael. "Culture from the midnight hour : a critical reassessment of the black power movement in twentieth century America." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1884.

Full text

Abstract:

The thesis seeks to develop a more sophisticated view of the black power movement in twentieth century America by analysing the movement’s cultural legacy. The rise, maturation and decline of black power as a political force had a significant impact on American culture, black and white, yet to be substantively analysed. The thesis argues that while the black power movement was not exclusively cultural it was essentially cultural. It was a revolt in and of culture that was manifested in a variety of forms, with black and white culture providing an index to the black and white world view. This i

APA, Harvard, Vancouver, ISO, and other styles

37

Björk, Chanda. "Vulvan, förlossningen och mötet med modergudinnan : Om Monica Sjöös målning God giving birth." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17194.

Full text

Abstract:

This study is about the artist Monica Sjoo’s (1938-2005) painting God giving birth (1968) that was accused of being blasphemous and obscene in the early 1970s. God giving birth could have had much in common with Niki de Saint-Phalle’s She – a cathedral (1966), both works suggesting a mother goddess image. The main difference however can be found in the fact that Monica Sjoo’s painting had connection to the women’s movement in the 1970s. Monica Sjoo’s artwork responded to other feminist artwork of that period. Among several feminist artists during the period about 1968-1985, an iconography was

APA, Harvard, Vancouver, ISO, and other styles

38

Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Campaneli, Juliana Okuda. "A fotografia documental no museu de arte: dissonâncias e consonâncias." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-04042013-092536/.

Full text

Abstract:

Essa dissertação tem como objetivo principal identificar os mecanismos envolvidos na inserção da fotografia documental em museus de arte, durante a década de 1970, na cidade de São Paulo. São apresentados três estudos de caso sobre exposições fotográficas, de caráter temático, realizadas nesse período: A família Brasileira, realizada no Museu de Arte de São Paulo, em 1971; Xingu/Terra, parte integrante da 13ª Bienal Internacional de São Paulo, em 1975; e Bom retiro e luz: um roteiro, na Pinacoteca do Estado de São Paulo, em 1976. A análise dos formatos das mostras e dos processos envolvidos em

APA, Harvard, Vancouver, ISO, and other styles

40

Bossa, Paula. "A ‘revision’ of Antonio Caro’s formative period : 1970—1976." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-4001.

Full text

Abstract:

This thesis will examine the conceptual strategies articulated by a corpus of six works created within the first seven years of Colombian conceptual artist Antonio Caro’s career (1970-1976.) The works—Cabeza de Lleras (1970) [Head of Lleras], Aqui no cabe el arte (1972) [Art Does Not Fit Here], Manuel Quintín Lame información y variación visual (1972) [Manuel Quintín Lame, Information and Visual Variation], El imperialismo es un tigre de papel (1973) [Imperialism is a Paper Tiger], Colombia—Marlboro (1973-1975), and Colombia—Coca-Cola (1976)—despite stressing dematerialization, displaying simp

APA, Harvard, Vancouver, ISO, and other styles

41

Rodríguez, María Teresa 1983. "The collective El Sindicato, 1976-1979 : intervening in conceptualism in Latin America." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2810.

Full text

Abstract:

Conceptual practices developed in Colombia towards the end of the 1960s and into the 1970s. Even a cursory look at surveys of Colombian conceptual art shows that the collective El Sindicato, active between 1976 and 1979, secured its space in these accounts with its 1978 work Alacena con zapatos, which won the top prize at the XXVII Salón Nacional. However, Alacena con zapatos was neither the only, nor the most significant, contribution of El Sindicato to the development of conceptual practices. The collective’s rich oeuvre, while concise, was nonetheless remarkable in its interventions on publ

APA, Harvard, Vancouver, ISO, and other styles

42

Damman, Catherine J. "Unreliable Narrators: Staging Performance in the 1970s." Thesis, 2018. https://doi.org/10.7916/D8J40920.

Full text

Abstract:

The 1970s are widely considered the decade of performance, with both the formulation of the term “performance” and fierce debates about its precise definition. Championing this novel genre, critics and artists sought to distinguish performance from the conventions of theater and the prescriptions of commercial entertainment. In the definition that has since dominated art history, performance implied the exclusion of narrative, script, artifice, and theatricality. However, this understanding of performance relies on a caricature of the genre that excludes much of the work made in downtown New Y

APA, Harvard, Vancouver, ISO, and other styles

43

"Counter-Landscapes: Performative Actions from the 1970s – Now." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.57074.

Full text

Abstract:

abstract: Counter-Landscapes: Performative Actions from the 1970s – Now presents a group of artists working in both natural and urban environments whose work exploits the power of place to address issues of social, environmental, and personal transformation. Through a focused selection of key works made between 1970 and 2019, which extend beyond traditional categories, Counter-Landscapes illuminates how the methodologies created by women artists in the 1970s and 1980s are employed by artists today, both men and women alike. Developing a practice of performative actions, these artists countered

APA, Harvard, Vancouver, ISO, and other styles

44

Liebert, Emily Katherine. "Roles Recast: Eleanor Antin and the 1970s." Thesis, 2013. https://doi.org/10.7916/D8VT20FN.

Full text

Abstract:

"Roles Recast: Eleanor Antin and the 1970s" provides the first book-length study devoted to Eleanor Antin (b. 1935), and positions her practice as a pivotal point between late modernism and postmodernism in American art. The project focuses on Antin's work from 1971 to 1977, made while the artist was living in San Diego. During the period under consideration Antin integrated key facets from dominant art paradigms of the 1960s, especially Conceptualism and Minimalism, with a politics of desire and sexuality, creating art that instantiates a critique of vision. As such, Antin anticipated strateg

APA, Harvard, Vancouver, ISO, and other styles

45

Meyerowitz, Lisa Ann. "Exhibiting equality : black-run museums and galleries in 1970s New York /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3006536.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Chiu, Lin-ting, and 邱琳婷. "The Seven Friends Painting Association and Taiwanese Art Circles (1950s-1970s)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/32716001146663995722.

Full text

Abstract:

博士<br>國立臺灣大學<br>藝術史研究所<br>99<br>This dissertation studies the Seven Friends Painting Association established in Taipei in 1955. This painting association is important in that it combined the “artistic value” with “political reality” through the creation of traditional Chinese ink painting. With the withdrawal of KMT Government in 1949, the seven painters of the Association, some were civil servants and some amateur painters, came to Taiwan separately. Though they didn''t know each other back in Mainland China, they gathered together during the Cold War Period (1950s-1970s), shaping a shared se

APA, Harvard, Vancouver, ISO, and other styles

47

Young, Gillian Turner. "Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s." Thesis, 2018. https://doi.org/10.7916/D8QR6DK0.

Full text

Abstract:

This dissertation is a study of the early career of the American artist Joan Jonas that spans the years 1970-1984. At the turn of the 1970s, Jonas was one of the first artists to pick up a video camera. Exploring “live” video’s unique capacity to mediate the present moment, Jonas actively integrated the technology into her live pieces, which are some of the earliest examples of what was then first called “performance art.” Performance art has often been aligned with presence. In contrast, I argue that what at stake in the proliferation of live artworks by Jonas and others that merged performan

APA, Harvard, Vancouver, ISO, and other styles

48

Sheng, Kai, and 盛鎧. "History and Modernity:The Nativistic Movement of Taiwan Literature and Art in 1970s." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/33982519435200955158.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Campbell, Thomas Ian. "Picturing the System: Counter-Institutional Practices in British Art of the 1970s." Thesis, 2018. https://doi.org/10.7916/D8989QXS.

Full text

Abstract:

This dissertation examines a range of politicized artistic practices in Great Britain during the 1970s, a decade marked by economic decline and social fragmentation. The artists I primarily focus on in the pages that follow—William Furlong, Stephen Willats, Mary Kelly, and Conrad Atkinson—all appeared on Audio Arts, a “spoken magazine” distributed on audiocassette that was founded by Furlong in 1973. During the 1970s, Furlong, Willats, Kelly and Atkinson renegotiated their relationship to art institutions, expanded the role of the artist in society, and conceived of art as a form of political

APA, Harvard, Vancouver, ISO, and other styles

50

Tarver, Gina McDaniel. "Intrepid iconoclasts and ambitious institutions : early Colombian conceptual art and its antecedents, 1961-1975." 2008. http://hdl.handle.net/2152/17938.

Full text

Abstract:

While ambitious art museums, biennials, galleries, curators, and critics promoted early Colombian conceptual art and its antecedents as being part of the latest international art trends, the intrepid iconoclasts who created it were not at all interested in being au courant or international. Far from it, their primary focus was on addressing local issues and audiences. They had an ambivalent relationship to institutions, taking advantage of internationalization, which was part of a strategy for cultural and economic development. But these artists did so in order to insert their own tactics emer

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!