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Journal articles on the topic 'Colonial Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rupasinghe, R. "Post-structural possibilities in architectural design: deconstruction as a strategy to start architecture of postcolonial knowledge and ideology." Integrated Design Research Journal 1, no. 1 (2024): 5–14. http://dx.doi.org/10.31705/idr.v1(1).2024.1.

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Architecture is politically powerful, and its interdisciplinary nature makes it rich and colourful. Postcolonial critique is one of the ways that one could look at and understand architecture and the built environment of post-independent Sri Lanka. By looking at architecture and architectural approaches through a postcolonial eye, one can see the remains of colonial dichotomies of colonials finding their other in indigenous people. Deconstruction, introduced by Jacques Derrida, understands that the logocentric vision is violent. Deconstruction is commonly used in reading and interpreting subte

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2

Hashartyadi, Himawan, and Sri Handayani. "APPLICATION OF COLONIAL ARCHITECTURAL DESIGN TO "BANDOENG TEMPO DOELOE" IN KOTA BARU PARAHYANGAN." Journal of Development and Integrated Engineering 3, no. 2 (2024): 65–74. http://dx.doi.org/10.17509/jodie.v3i2.47010.

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Architects have an important role in determining the developmentof architecture. Colonial era architectural style is an architecturaldesign concept that was applied during the Dutch colonial period.Inside there are various architectural styles that are quite differentfrom time to time. This architectural style is divided into 3, namelyIndische Empire, Transitional Colonial Architecture, and ModernColonial Architecture. The development of colonial architecture inIndonesia can be seen from the existence of buildings that adoptEuropean architectural styles in various big cities on the island ofJa

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Samsudi, S., Agung Kumoro W, Dyah Susilowati Pradnya Paramita, and Anita Dianingrum. "Aspek-Aspek Arsitektur Kolonial Belanda Pada Bangunan Pendopo Puri Mangkunegaran Surakarta." ARSITEKTURA 18, no. 1 (2020): 166. http://dx.doi.org/10.20961/arst.v18i1.40893.

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<p class="Abstract"><em>Dutch colonial architecture that developed in Indonesia, throughout the colonial period (around the 17<sup>th</sup> century to 1942) was a combination of colonial and local culture to respond to the Indonesian climate. Dutch colonial architecture in Indonesia is a work of Dutch colonial heritage in Indonesia during the colonial period. The result was the Dutch East Indies style with a "colonial" image and adapted to the local environment that responded to climate. Colonial architecture grafted architecture from European countries into colonies. T

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Siagian, Morida, and Rumini Manurung. "Architectural Style Application of Mayor Office’s and Ria Cinema’s Building in Pematangsiantar." International Journal of Architecture and Urbanism 2, no. 1 (2018): 65–73. http://dx.doi.org/10.32734/ijau.v2i1.298.

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The development of architecture in Indonesia cannot be separated from foreign countries; we can see from the many forms of buildings in Indonesia that adopted the overseas architectural styles, one of them is Dutch Colonial Architecture Style. Pematangsiantar is one of the city that got influence from Dutch Colonial in architecture. The Building of The Mayor Office and the Ria Cinema is including the building of the colony’s historical relics around The H. Adam Malik Park Pematangsiantar that applied The Dutch Colonial Architectural Style. This research reviewed the application of Dutch

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Benghida, Nassiba, Leila Sriti, Asma Femmam, Sarra Saouli, and Sana Mekki. "A Stylistic Analysis of the Saharan French colonial architecture in southern Algeria." Technium Social Sciences Journal 39 (January 8, 2023): 574–90. http://dx.doi.org/10.47577/tssj.v39i1.8288.

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This work undertakes a study of the colonial architecture produced in southern Algeria during the 19th and 20th centuries. The comparison of the colonial architecture as it is manifested in public buildings in the north and south of the country will make it possible to grasp the specific characteristics of the architectural language developed in Saharan cities during the colonial period from 1832 to 1962. More precisely, the research endeavours to reconstruct, in a chronological manner, the conditions of production, the modalities of evolution of this architecture and the diversity of its form

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Laksitarini, Niken, Ahmad Nur Sheha Gunawan, Alifa Hanifiar Rifanti, and Yumna Almira Badr. "Characteristics of Dutch Colonial Architecture in Public Buildings of Tegal, Central Java." KnE Social Sciences 10, no. 2 (2025): 23–31. https://doi.org/10.18502/kss.v10i2.17873.

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Tegal is a city which is located on the coast of Java, it has grown exponentially in various sectors, including that of the domination of Dutch Colonial architecture. Tegal’s legacy is that it houses various public buildings that served as National Government offices for the Dutch during the colonial era. As a result of this, many public buildings in Tegal are shaped in the Dutch Colonial architectural style. During this era of colonialism, colonial architecture served as a symbol of an architectural identity for the city. The city of Tegal houses several public and government buildings with t

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Ghofrane, Bioud. "Exploring the Cultural Significance of The French Colonial Legacy." Indonesian Journal of Social Science Research 5, no. 2 (2024): 667–74. https://doi.org/10.11594/ijssr.05.02.26.

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The concept of heritage is central, encompassing both tangible and intangible aspects that define collective memory and identity. In Alge-ria, preserving colonial-era buildings has sparked debates about own-ership and terminology. Although Algeria has enacted laws to protect its cultural heritage, the application to colonial architecture remains uneven, leaving many structures vulnerable to degradation. Despite these challenges, there has been growing academic interest in Algeri-an art and architecture, fostering a nuanced understanding of their historical contexts.This article explores the cu

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Islam, Muhaiminul, and Hasan Muntasir. "Tropicality of Colonial Heritage Buildings in a Deltaic Landscape: British Colonial Architecture in Khulna." eTropic: electronic journal of studies in the tropics 19, no. 2 (2020): 72–96. http://dx.doi.org/10.25120/etropic.19.2.2020.3762.

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During the 17th-18th century colonial period on the Indian subcontinent, British colonial architecture flourished – including in the Bengal Delta. Although colonial architecture was inherently different from the traditional architecture of this tropical region, the monsoon climate and deltaic landscape forced colonial style buildings to incorporate a number of tropical architectural features to ensure climatic comfort. In the contemporary period, due to pressure from population density, many colonial buildings have been demolished and replaced with multi-story buildings. However, the tropical

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Khan, Majed Ahmad, Ahmad Sanusi Hassan, and Yasser Arab. "Investigation of colonial-era architecture style on modern architecture design style in Aden city." Al-Qadisiyah Journal for Engineering Sciences 17, no. 3 (2024): 293–302. http://dx.doi.org/10.30772/qjes.2024.148640.1190.

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This study investigated the lasting influence of British colonial architecture (129 years) on contemporary building design in Aden, Yemen. The initial focus was on the perception of British Neo-Classical architecture as a symbol of superiority, overshadowing Aden's rich architectural history. This research explored Aden's architectural transformation from pre-colonial to colonial periods, analyzing the impact of colonial-era building facades on modern design practices. Through observation and interviews with built environment professionals, the study examined the broader social, political, and

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Siswardin, Siswardin, Ishak Kadir, and Salniwati Salniwati. "PENGARUH ARSITEKTUR KOLONIAL PADA RUMAH ADAT KAMALI BAADIA, KELURAHAN BAADIA, KECAMATAN MURHUM KOTA BAUBAU." SANGIA JOURNAL OF ARCHAEOLOGY RESEARCH 4, no. 2 (2021): 33–49. http://dx.doi.org/10.33772/sangia.v4i2.1088.

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The Kamali Baadia traditional house as the last palace of the Buton Sultanate, combines the traditional architectural concepts of Buton and Colonial architects, for this purpose the research aims to find out the architectural form, explain the colonial architectural forms that affect the architectural characteristics of the Kamali Baadia traditional house and to determine the significance of the influence of Colonial architecture on the architectural form of the Kamali Baadia traditional house. This type of research is qualitative, primary and secondary data sources, literature studies,

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Roosandriantini, Josephine, Jessica Aprilia Poernama, Ferdinard Hendra Setiawan, and Krisnina Dohan Limantara. "Akulturasi Arsitektur Kolonial terhadap Perbedaan Iklim di SDN Ditotruman Lumajang dan Rumah Dinas Bakorwil Madiun." ARSITEKTURA 21, no. 1 (2023): 27. http://dx.doi.org/10.20961/arst.v21i1.62585.

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<p><em><span lang="EN-US">The phenomenon of acculturation between Dutch and Indonesian cultures occurs a lot in colonial cultural heritage objects. This condition is a description of a Dutch building during the colonial period. Differences in climate are fundamental between the Netherlands and Indonesia, colonial buildings in Indonesia exist as a form of adaptation to the climate in Indonesia. Adaptations to colonial buildings in the form of openings, roof shapes, and ceiling heights. Acculturation can be seen in spatial patterns, and column shapes. The method in this study i

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Dewi, Cut, Izziah, and Lisa Maharani. "Environmental Aspects and Historical Development of Colonial Architectural Heritage in Aceh." IOP Conference Series: Earth and Environmental Science 1361, no. 1 (2024): 012044. http://dx.doi.org/10.1088/1755-1315/1361/1/012044.

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Abstract Colonial architecture is an architectural style derived from a mixture of European architecture that adapts to the local environment and climate, in this case the tropical climate of Indonesia. Therefore, colonial architecture is one of a good example of some traces of climate and environmental effects on built environment. Thus, this study wants to examine the environmental adaptations of colonial buildings in Aceh by taking examples from Banda Aceh. The city is amongst important cities during the Dutch colonial occupation. This research uses qualitative methods with observation, int

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Benghida, Nassiba, and Leila Sriti. "Towards a Stylistic Characterization of the French Colonial Architecture Produced in Southern Algeria. Case Study of Public Buildings." Resourceedings 1, no. 2 (2018): 147. http://dx.doi.org/10.21625/resourceedings.v1i2.330.

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Algeria, like the other Maghreb countries, had a long period of colonization. At independence, most Algerian cities inherited an important architectural legacy, which appears mainly at the level of public buildings and more clearly in institutional buildings to symbolize the presence, power and domination of France on the colonized Algerian territory. This architecture was expressed in a particular stylistic register based on the re-employment of architectural elements used in the local architecture and on the import of western exogenous models, whether historical or modern. Most studies

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SIHAVONG, Saikhim. "Identity of Colonial Architecture Preservation in Thakhek City Center." Souphanouvong University Journal Multidisciplinary Research and Development 10, no. 3 (2024): 139–52. http://dx.doi.org/10.69692/sujmrd100139.

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This paper examines the conservation of colonial architecture in the center of Thakhek, which is a unique and historically significant feature of the city. Researching the historical context, architectural features and cultural values of the buildings in the colonial era in Laos and efforts to conserve and promote them to become urban heritage. The research uses mixed methods, combining documentary research, observation from the field through surveys, measurements and interviews with local stakeholders. The findings reveal the challenges faced in preserving the colonial architecture at Thakh

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Hasbi, Rahil Muhammad, and Wibisono Bagus Nimpuno. "Pengaruh Arsitektur Modern Pada Desain Masjid Istiqlal." Vitruvian 8, no. 2 (2019): 89. http://dx.doi.org/10.22441/vitruvian.2018.v8i2.005.

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Modern architecture in its golden age has given a lot of influences to many architectures around the world. The spread of modern architecture at that time could not be stopped and became a style that is widely used throughout the world including IndonesiaThe influence of modern architecture emerged in Indonesia during the Dutch colonial occupation. European architects at that time introduced classical European architecture and modern architecture to Indonesian society. During the Colonial occupation and at the beginning of Indonesian independence, European architects designed public buildings

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Nur Ainun Daulay. "Masjid Raya Al - Mashun Medan : Ikon Arsitektur Kolonial-Islam dalam Konteks Sejarah dan Budaya Sumatera Utara." Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain 2, no. 1 (2024): 01–06. https://doi.org/10.62383/abstrak.v2i1.449.

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The Medan Grand Mosque is an example of a combination of colonial and Islamic architecture in North Sumatra. Built during the Dutch colonial rule, the mosque combines elements of distinctive Western architectural design and Islamic architectural styles, creating a unique and historic work. The existence of the Medan Grand Mosque makes it an architectural icon in the region which reflects the combination of strong colonial influences with the richness of local islamic culture. This article aims to explore the development of the architecture of this mosque as a symbol of religious and cultural i

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Tamimi, Nadhil, Indung Sitti Fatimah, and Akhmad Arifin Hadi. "TIPOLOGI ARSITEKTUR KOLONIAL DI INDONESIA." Vitruvian Jurnal Arsitektur Bangunan dan Lingkungan 10, no. 1 (2020): 45. http://dx.doi.org/10.22441/vitruvian.2020.v10i1.006.

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Salah satu periode yang memiliki pengaruh terhadap perkembangan pembangunan di Indonesia adalah periode kolonial. Terdapat berbagai macam bentuk peninggalan bersejarah berasal dari periode tersebut, salah satunya ialah langgam atau gaya arsitektur kolonial. Bangunan yang memiliki karakter arsitektur kolonial dapat dikategorikan sebagai bangunan yang penting untuk dilestarikan karena memiliki nilai sejarah yang tinggi. Kajian yang dilakukan membahas tipologi dan pelestarian arsitektur kolonial yang berada di Indonesia. Metode yang digunakan pada kajian ini adalah studi pustaka atau literatur de

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Sasi, Ashwini. "Redefining: Cultural Impression in Princely States During Colonial Period." Resourceedings 1, no. 2 (2018): 88. http://dx.doi.org/10.21625/resourceedings.v1i2.325.

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India is well diverse with a variety of cultural and traditional practices. Impact of age-old practices redefined the idea of culture and tradition, not only as a hereditary system, but also as part of art and architecture. Factors such as the cultural changes between North and South India, impact of the British, changes in spatial organization and patriarchy and matrilineal system drew an impact on cultural impression of India through time. Palaces (04th —18th century) and the lifestyle of the heirs, being a soul example to exhibit the Indian uniqueness, gradually inclined towards Briti

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Son, Le Minh, and Linh Ngoc Thao Dang. "Preserving and Promoting Colonial Architecture." Culture and Local Governance 6, no. 2 (2020): 135–50. http://dx.doi.org/10.18192/clg-cgl.v6i2.4755.

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   Da Nang’s urban landscape reveals more than a half century of colonization and French presence on its territory. The buildings carry the imprint of the colonial experience, as they were once considered a symbol of domination, linking Da Nang to the global history of colonization. After years of independence and reconstruction, the public attitude towards French colonial heritage has changed. Despite its roots and historical origins, today, French colonial architecture is engrained into the collective understanding of Da Nang’s urban landscape and has shaped the local visua

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Ariana, K. M., R. A. Tiarawati, F. A. Hamsjah, et al. "Investigation of colonial architecture’s influence on the resilience and sustainability of the limasan house in Ndalem Ngabean." IOP Conference Series: Earth and Environmental Science 1351, no. 1 (2024): 012023. http://dx.doi.org/10.1088/1755-1315/1351/1/012023.

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Abstract Vernacular architecture is one of the symbols that represent a certain area through various aspects that fits to the condition of the built environment. One of the vernacular architecture in Indonesia is the Limasan house which originated from Yogyakarta with a pyramid-shaped roof as its hallmark. The purpose of this research is to identify the sustainability and resilience of the design of Yogyakarta’s Limasan house in Ndalem Ngabean in accordance with colonial architecture. The methods used in this paper are literature study, building observation on Limasan’s architectural features,

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Onuorah, Ikenna Michael, Agbonome P.C., and Bons N. Obiadi. "A Comparative Study of Igbo Traditional Building Finishings; precolonial, colonial and post-colonial." International Journal of Research and Scientific Innovation 09, no. 12 (2022): 99–107. http://dx.doi.org/10.51244/ijrsi.2022.91208.

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Buildings are cultural expressions of people’s identity as well as their material culture. In recent decades, Igbo traditional architecture has also seen changes in building typology and morphology. It has made a number of architectural claims based on how people perceive modern or traditional or modern contemporary buildings. One of Nigeria’s three main cultural groups, Igbo society can be found in the southeast, south-south, and some areas of the west of the country. Most traditional Igbo buildings from the turn of the century were designed and built with three basic architectural qualities:

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Hassina, Alia, Mezerdi Toufik, and Slama Imène. "Bioclimatic design approach in colonial office buildings architecture in Algeria." South Florida Journal of Development 5, no. 6 (2024): e4073. http://dx.doi.org/10.46932/sfjdv5n6-015.

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This study investigates the interaction between climate and colonial architectural heritage, focusing on the adaptive design strategies employed in office buildings constructed during the colonial period. Utilizing a bioclimatic approach and referencing Mahony's table, the research conducts a comparative analysis between the recommendations of bioclimatic design principles and the responsive design strategies adopted by French engineers during the colonial era. The objective is to determine whether these colonial-era buildings were constructed in accordance with local climatic conditions. The

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Hassina, Alia, Mezerdi Toufik, and Slama Imène. "Bioclimatic design approach in colonial office buildings architecture in Algeria." South Florida Journal of Development 5, no. 6 (2024): e4073. http://dx.doi.org/10.46932/sfjdv5n7-015.

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This study investigates the interaction between climate and colonial architectural heritage, focusing on the adaptive design strategies employed in office buildings constructed during the colonial period. Utilizing a bioclimatic approach and referencing Mahony's table, the research conducts a comparative analysis between the recommendations of bioclimatic design principles and the responsive design strategies adopted by French engineers during the colonial era. The objective is to determine whether these colonial-era buildings were constructed in accordance with local climatic conditions. The

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Chen', Ke. "Features of Portuguese colonial architecture in South Asia in the period from XVI to XVIII centuries." Культура и искусство, no. 12 (December 2023): 44–57. http://dx.doi.org/10.7256/2454-0625.2023.12.41049.

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In this article, the author analyzes the Portuguese colonial architecture in the countries of South Asia in the period from the XVI to XVIII centuries. The author examines the military, civil and religious architecture built by the Portuguese during their presence in the South Asian colonies. Special attention is paid to the Portuguese colonial architecture of India (especially Goa) and Macau. Buildings in Singapore, Thailand, Malaysia and other former Portuguese colonies in South Asia are also considered. The author studies the process of formation and features of a special Portuguese colonia

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RAHARJA, I. Gede Mugi. "Ethics and Responsibilities Preserving Traditional Balinese Architectural Values in the Global Era." Cultura 18, no. 2 (2021): 139–54. http://dx.doi.org/10.3726/cul022021.0007.

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Abstract: Bali island has become a world tourist destination since the colonial period. Bali even almost made to be a "living museum" through Baliseering program by the Dutch Colonial Government in the 1930s, with the pretext of protecting Balinese culture. The proscenium stage was introduced for the Balinese architectural performance venue. At the Colonial Tourism Exhibition in Paris in 1931, the Dutch Colonial Government introduced a unique Balinese architecture. The Balinese ethnographic museum was also built by combining the architectural concepts of Pura and Puri in Bali. After Indonesia’

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Riskia, Rina, Armelia Dafrina, and Sisca Olivia. "Identifikasi Arsitektur Kolonial Pada Bangunan Peninggalan Belanda Di Kabupaten Bireuen (Pendopo Bireuen, Balai Desa Kecamatan Gandapura Dan Rumah Uleebalang Peusangan)." ETNIK: Jurnal Ekonomi dan Teknik 2, no. 10 (2023): 925–36. http://dx.doi.org/10.54543/etnik.v2i10.252.

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Colonial architecture is architecture that emerged when Indonesia was colonized by the Dutch. Colonial architecture is more prominent than the Dutch architectural style because the Netherlands was the country that colonized Indonesia the longest, so the Dutch government had time to build several buildings in a typical Dutch style, especially government buildings. Bireuen became one of the areas controlled by the Dutch, where the Dutch had built several buildings in a typical Dutch style, especially government buildings. This study aims to identify and examine the characteristics of Dutch colon

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Faisal, Imam, and Hajar Suwantoro. "The Study of Indisch Architecture Development as an Effort in Preserving the Heritage of Colonial History in Medan." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 207–14. http://dx.doi.org/10.33258/birci.v2i4.583.

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The development of this nation's history does not separate from the development of colonial architecture. It is necessary for fundamental knowledge so that the understanding of the development of architecture can be part of the nation's history that is important to be studied. One of the important things from architectural development in Indonesia is the coming of Dutch influence. The term of Indisch is used to refer to the developing architecture in the colonial area. The development of this architecture extends mainly at major cities in Indonesia including Medan City. This paper describes th

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Mustofa, Andi, and Sebastian Martin Hibatullah. "Between Admiration and Alienation: Jules Leclercq’s View on Javanese Architecture in Un Séjour dans l'Île de Java." FRANCISOLA 9, no. 2 (2024): 91–98. https://doi.org/10.17509/francisola.v9i2.76647.

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This study examines how Jules Leclercq, a 19th-century European traveler, describes the architecture of Java in his travelogue Un Séjour dans l'Île de Java (1898). Adopting a postcolonial approach, this research analyzes the architectural representations in the text. The results show that Leclercq, influenced by the colonial perspective of the time, presents Javanese architecture as a symbol of the cultural difference between the West and the East, while recognizing certain beauties and innovations. This study highlights how these descriptions reinforce colonial stereotypes and emphasize the c

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Lico, Gerard. "Rising from of the Ashes: post-war Philippines Architecture." Modern Southeast Asia, no. 57 (2017): 46–55. http://dx.doi.org/10.52200/57.a.up2jbxrh.

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The 1945 battle for liberation witnessed the massive decimation of Manila’s urban built-heritage and the irreplaceable treasures of colonial architecture. Despite the seemingly impossible task to resuscitate war ravaged Manila, it rose again. Out of the ashes, modernism provided the opportunity to craft a new architecture for a newly independent nation. Modernism emerged as the period’s architectural symbol of survival and optimism. In a post-colonial cultural milieu, Filipino architects pursued the iconography of national mythology channeled through the pure surfaces and unadorned geometries

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A.S.T. "Arequipa Colonial Art and Architecture." Americas 46, no. 1 (1989): 96–97. http://dx.doi.org/10.1017/s0003161500076264.

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Fu, Albert S. "Materializing Spanish-Colonial Revival Architecture." Home Cultures 9, no. 2 (2012): 149–71. http://dx.doi.org/10.2752/175174212x13325123562223.

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Md Yasin, Mohd Aliff Izuan, Athika Norlaili Abdul Halim, Nor Syahila Ab Rashid, and Noor Hayati Ismail. "Exploring the Mughal Styles of Colonial Mosque in Johor." Semarak Proceedings of Applied Sciences and Engineering Technology 1, no. 1 (2025): 126–33. https://doi.org/10.37934/spaset1.1.126133a.

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Malaysian architecture has undergone significant transformation, shaped by diverse cultural influences that contribute to the nation’s rich heritage. During the British Malaya period, various foreign architectural styles, including Mughal elements integral to Islamic architectural traditions, converged within the local landscape. This study focuses on Johor, a pivotal region under British colonial rule, where these influences were particularly evident in mosque architecture. This evolution led to intricate public structures that contribute to the country's cultural heritage, though sometimes r

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Arjana, Bagus Made. "JEJAK PERKEMBANGAN ARSITEKTUR DI BALI." Jurnal Anala 6, no. 1 (2018): 38–52. http://dx.doi.org/10.46650/anala.6.1.581.38-52.

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In general, each region or ethnic group will have a work of architecture in the area. The work of the architecture can be a legacy of the previous generation or generated by the generations that existed at that time, either architectural works created or produced by the local / local generation as well as the architectural works left by immigrants who once ruled the area.Following the journey of a nation will be found is a relic of his main relic in the field of architecture from one time / era to the next time / era in the form of traces of his architectural journey through the period or era.

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Guo, Weiru. "Qingdao Modern Church Contrast and Analyzing Based on Religious Influences Perspective: Examples from Qingdao Catholic Church and Qingdao Christian Church." Highlights in Science, Engineering and Technology 86 (March 27, 2024): 54–58. http://dx.doi.org/10.54097/3g980w98.

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Qingdao, as a city with a colonial history, has numerous architectures that combine traditional Chinese architectural style and Western architectural style. One of the most distinctive types of architecture is the church. Churches have significant mental support functions as well as their function as shelters. They are symbols of the city, and valuable for the city to present its architectural scene. This article wishes to state the backgrounds and history of Catholicism and Protestantism; compare the differences in external spaces, internal spaces, decorations, and volume of Qingdao catholic

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Abdul Basit and Muhammad Shafique Bhatti. "Colonial Canal Built Environment of Multan Punjab: An Analysis of Administrative & Residential Structures." PERENNIAL JOURNAL OF HISTORY 5, no. 1 (2024): 35–61. http://dx.doi.org/10.52700/pjh.v5i1.174.

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Architectural structures are mirrors of society’s standard of living, norms as well as values, especially the old architectural structures, that are not only the tangible realities rather the providers of the clues to the patterns of living and human sense of understanding including the aesthetic sense. This research aims to analyses about the residential and official built structures of colonial era Multan in this perspective. The study also explores the architectural representation, ornamentation patterns, usage of spaces, and usage of material and climatic aspects of built structures of can

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Abdullah, Sakar Yousif, and Sahar Basil Al-Qaisi. "Knowledge Mobility and the Emergence of Contemporary Iraqi Architecture (1936–1958)." Buildings 14, no. 9 (2024): 2740. http://dx.doi.org/10.3390/buildings14092740.

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Planned by the British in the aftermath of World War I, the new state of Iraq—ruled by the Hashemite kingdom (1921–1958) under British mandate—emerged on the land of Mesopotamia and inherited its enormous cultural and architectural legacy. Colonial discourse was adopted by the British during the Hashemite reign to impose Western culture and hegemony. This paper reviews the impact of this colonial discourse in terms of Western architectural knowledge mobility on shaping Iraqi contemporary architecture in this epoch. The paper traces the education of nine notable early Iraqi architects with West

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Anuradha, V. "18TH CENTURY URBANIZATION IN SOUTH INDIA AND TRANSFORMATION INTO BRITISH IMPERIAL ARCHITECTURE WITH SPECIAL FOCUS ON URBAN SPACES OF BANGALORE." JOURNAL OF SOCIAL SCIENCE RESEARCH 10, no. 1 (2017): 1995–98. http://dx.doi.org/10.24297/jssr.v10i1.6600.

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The colonial structures that still stand today in India are the product of careful fabrication of British thought. The British government was afraid of what kind of legacy they would leave behind when exiting India in 1947. Today, years after the independence of India, one is still able to see such a legacy in stone: the colonial architecture and cities that are still in existence. The styles of architecture employed by the British Raj were systematically chosen, dependent on the location and utilization of a given city. The British were trying to consecrate their power through architectural r

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Li, Shao Hong. "Study on Architectural Art of the Former German Governor’s Residence in Qingdao." Advanced Materials Research 450-451 (January 2012): 310–14. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.310.

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The Former German Governor’s Residence in Qingdao was by far the most spectacular building in residential architectures on the German Colonial period. This article studied architectural art of the Former German Governor’s Residence from architectural plan layout, building facades decorating, building structures and materials, and made these three respects compare with the Chinese traditional residential architecture. The architectural plan layout was in common about separate house on the German Colonial period, it inherited the German romantic style of the traditional residential buildings sin

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Hsia, Chu-Joe. "Theorizing colonial architecture and urbanism: building colonial modernity in Taiwan." Inter-Asia Cultural Studies 3, no. 1 (2002): 7–23. http://dx.doi.org/10.1080/14649370220135788.

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Kuntari, Palupi Dwi, and Budiono Budiono. "Visitor Loyalty of Commercial Buildings with Colonial Architecture Concepts in Indonesia." Social Science and Humanities Journal 8, no. 07 (2024): 4426–36. http://dx.doi.org/10.18535/sshj.v8i07.1219.

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This study examines the loyalty of visitors to commercial buildings with a colonial architecture concept in Indonesia as an effort to offer a unique and different experience for visitors. One of the historical and cultural heritage that is important to preserve and utilize optimally is colonial architecture. Commercial buildings with a colonial architecture concept have aesthetic and identity values that are shown through the semiotics of architecture and interior to convey certain meanings, which can attract visitors’ interest in an effort to increase their loyalty. Visitor loyalty is one of

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Susanto, Susanto, and Ari Wibowo. "PENELUSURAN JEJAK BANGUNAN KOLONIAL DI INDONESIA BERBASIS FAÇADE BANGUNAN MENGGUNAKAN METODE CNN ARSITEKTUR VGG16." Jurnal Arsitektur ARCADE 7, no. 3 (2023): 521–28. http://dx.doi.org/10.31848/arcade.v7i3.3179.

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Abstract: Colonialization in Indonesia, especially that carried out by the Dutch, is one of the important historical chapters in Indonesia because it was able to change the way of thinking of architecture in the Dutch East Indies to be more modern, approaching what happened in Western countries. The influence of modernism in architecture can be seen in the façade, shape, strength, and other important parts. Broadly speaking, colonial buildings are buildings that have patterns and characteristics that other buildings do not have. Therefore, the building is capable of being recognized. One way t

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Chang, Jiat-Hwee. "Before and behind the Pioneers of Modern Architecture in Singapore." Modern Southeast Asia, no. 57 (2017): 56–63. http://dx.doi.org/10.52200/57.a.0448wlr4.

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This article situates the emergence of pioneer modern architects and architecture of Singapore in the longer history of colonial and post-colonial modernities and modernization, and in relation to socio-economic forces of capitalism and socio-political influences of the modern state in both the colonial and post-colonial eras. Rather than understand modern architecture in terms of style, this article goes behind style to explore the social, economic, technological and political conditions of producing modern architecture.

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Artistiari, Ni Made Witrishna. "BALINESE ORNAMENTS IN BALE GILI BUILDING ARCHITECTURE ACCULTURATION." Riset Arsitektur (RISA) 1, no. 03 (2017): 327–41. http://dx.doi.org/10.26593/risa.v1i03.2598.327-341.

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Abstract - The cultural from of acculturation that has been taking place in Indonesia since the arrival of foreign traders who colonized Indonesia and influenced its traditional architectural culture with non-local architecture yielded a new hybrid form called the Dutch East Indies style. This forms real, tangible evidence of the presence of non-local cultural acculturation with Indonesian indigenous culture. The Bale Gili building at the Soekasada Ujung Park is one example of this phenomenon, built in the Dutch Colonial Era by a Dutch architect named Van Den Hentz. The impact made by Dutch co

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Mohammad, Mahizan Hijaz, and Aznan Omar. "Colonial Architecture on Local History Through Glass Sculpture." Idealogy Journal of Arts and Social Science 6, no. 1 (2021): 17–26. http://dx.doi.org/10.24191/idealogy.v6i1.250.

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The aim of this paper is to study the aspect of colonial building that relates to local history. The history of tin mining is to be acknowledged and understand as important to the local. Local history has been part of important aspect in a developing community. It signifies engagement of the link between the present and the past. It helps the community to learn about the events that has happened and in the Malaysian context, the history of the British colonial is the most relevant for it is visibility due to the architectural ruin that is on location. The method applied is Critical Self reflec

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Lukito, Yulia Nurliani, and Fildza Miranda. "The Earlier Era of Eco-Technology: Pavilions at the Colonial Exhibition of Pasar Gambir and the ‘Eastern-Western’ Architectural Influences in the Netherlands Indies." E3S Web of Conferences 67 (2018): 04042. http://dx.doi.org/10.1051/e3sconf/20186704042.

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This paper examines architecture in the Netherlands Indies and analyses how some innovation in the practice of architecture is actually coming from an adaptation to local conditions. It is in the notion of sustainable architecture not as a single entity of Western descendent but as loaded with cultural, historical and local contexts that this paper gravitates. As the discussion are pavilions in Pasar Gambir of Batavia - a temporary architecture practices - and ITB main hall that was designed with a strong connection to local conditions. During the Dutch colonial time in Indonesia there was alr

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Mohdeb, Rachid, Abdelghani Attar, and Selma Saraoui. "Forging the City Image during the French Colonial Period (1883-1962) in the Case of Jijel (Algeria)." Prostor 31, no. 1(65) (2023): 96–111. http://dx.doi.org/10.31522/p.31.1(65).9.

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The urban configuration of Algerian cities reflects the influence of French colonization (1883-1962). This is characterized by a collection of contrasts and overlays of different forms of architecture and urbanism. In all urban agglomerations in Algeria, the colonial section remains the most prominent and structured. This legacy of colonial architecture and urban planning has ignited a national debate in political and academic circles regarding its classification as heritage. This current study contributes to the debate by adopting a neutral and scientific approach in order to smooth things ou

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Galvan, Javier. "Spanish Colonial Architecture in the Philippines." Philippiniana Sacra 32, no. 96 (1997): 469–82. http://dx.doi.org/10.55997/ps3005xxxii96a5.

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Saidi, Yasmine Nour El Houda, and Mouaziz-Bouchentouf Najet. "Building and living in Tlemcen (Algeria). From the traditional house to the colonial villa." EGE-Expresión Gráfica en la Edificación, no. 19 (December 27, 2023): 20–36. http://dx.doi.org/10.4995/ege.2023.20593.

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Domestic architecture in the city of Tlemcen knew changes in architectural design and construction techniques over time, from prehistoric times, through the succession of Islamic dynasties, the colonial era and the current period. Individual housing during the colonial period was marked by the transition from the traditional patio house to suburban housing and individual villas with courtyards and gardens. A comparative study was carried out of a traditional Ottoman house in Bab El Hadid and a colonial villa in the avenue Allée des Pins. It reveals two architectural styles from two different e

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Levin, Ayala. "Tropical Skins." Public Culture 36, no. 1 (2024): 17–45. http://dx.doi.org/10.1215/08992363-11121473.

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Abstract This essay is concerned with how architecture was imagined to mediate tropical climate in the interest of forming productive postcolonial national subjects. It charts a transition in approach from late colonial to postcolonial modernist architecture as it was exemplified in the design of the University of Ife campus in Nigeria in the 1960s by an Israeli team led by Arieh Sharon in collaboration with the Department of Landscape Architecture at the University of Wisconsin–Madison. Sharon's team formed an alternative to the postwar predominance of sun-shading devices, specifically as the

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Moon, Paul. "Indigenising Heritage: Tāmaki Makaurau/Auckland’s Architectural Heritage – Challenging a Monocultural Construct." Te Kaharoa 18, no. 1 (2025): 28–44. https://doi.org/10.24135/tekaharoa.v18i1.478.

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The purpose of this work is to explore how indigenous heritage has been both under-represented and misrepresented in colonial and post-colonial architecture in Tāmaki Makaurau/Auckland, the largest city in Aotearoa/New Zealand. This work combines case-studies with a review of conceptual material relating to multi-cultural perceptions of heritage, and their manifestations in a modern cityscape. Included in this approach is a consideration of indigenous perspectives on the built environment. What emerges from surveying this confluence of culture and heritage is that the popular portrayal of the

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