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1

Habit, Brooke. "The Geography of Exchange Between Assia Djebar and the Colonial Archive: Retracing Uncited References in L'Amour, la fantasia." Expressions maghrébines 22, no. 2 (2023): 163–81. http://dx.doi.org/10.1353/exp.2023.a913761.

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Abstract: Assia Djebar actively participates in the questioning of colonial history, writing L'Amour, la fantasia as a palimpsestic reparative historiography that turns the gaze of the colonial archive in on itself. Identification of the sources of uncited archival references, which Djebar interpolates in her own writing, offers a further glimpse of both her historiographical work, as well as how her authorial voice intervenes within the reappropriation of the archive to illustrate narratives which challenge a singular historical record. By pursuing a map of the uncited archival references tha
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2

Supartono, Alexander, and Alexandra Moschovi. "Contesting colonial (hi)stories: (Post)colonial imaginings of Southeast Asia." Journal of Southeast Asian Studies 51, no. 3 (2020): 343–71. http://dx.doi.org/10.1017/s0022463420000508.

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This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of creative work produced during an international, multidisciplinary artist workshop in Yogyakarta, Indonesia, that used digital material from colonial photographic archives in the Netherlands to critically investigate the ways national, transnational and personal (hi)stories in the former colonies in Southeast Asia have been informed and shaped by their colonial past. The analysis focuse
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3

Fechner, Fabian. "Knowledge Knots on the Spot: Colonial Archives through the Looking Glass of the Archival Turn – the Cases of Caracas and Buenos Aires." Anuario de Historia de América Latina 54 (December 27, 2017): 258–80. http://dx.doi.org/10.15460/jbla.54.26.

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The global history of knowledge which has developed in recent years is focused on what we know and how we know it. The analysis of global knowledge transfer not only depends on individuals and institutions that made the circulation of information possible, but also on the way documents were intentionally stored and organized. However, the question of how archives, libraries, and other repositories reorganized knowledge, connected disconnected events, and developed techniques of record keeping in a colonial situation has hardly been answered. European central archives are the better known side
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4

Brienen, Marten. "A Quick Note on the Archive of the Bolivian Foreign Office." Itinerario 21, no. 3 (1997): 156–57. http://dx.doi.org/10.1017/s0165115300015308.

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Until fairly recently it could be said that the bulk of historical literature concerning Bolivia was in some way or another to do with its colonial past, and especially the role that silvermining played in that past. Luckily for those interested in Bolivian colonial history, the nation's capital houses the so-called ‘national archive’, which contains a plethora of historical documents, archives, and so on. This ‘national archive’ has proven quite adequate for these purposes.
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5

Lechevallier, Éric, and Margo Stemmelin. "Du colonial en dehors des archives coloniales ?" French Colonial History 21-22 (December 31, 2023): 313–32. http://dx.doi.org/10.14321/frencolohist.21.22.2023.0313.

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Abstract Margo Stemmelin est doctorante à l'université Paris VIII, rattachée au laboratoire Institutions et dynamiques historiques de l’économie et de la société (IDHES), sous la direction d'Emmanuelle Sibeud. Sa thèse s'intitule « Alger, capitale orientaliste ? Construction d'une capitale savante en situation coloniale (1880–1930) », et s'appuie pour une large part sur le fonds Basset, conservé au sein des archives de l'EHESS depuis 2015. Ce fonds contient la correspondance scientifique, amicale et familiale de René Basset, arabisant et berbérisant ayant dirigé l’École puis la Faculté des Let
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6

Haddar, Safa Ouled. "De la voix à la mémoire : Témoignage de la poésie populaire sur l'enrôlement des « indigènes » algériens dans les deux Guerres Mondiales." Expressions maghrébines 22, no. 2 (2023): 79–99. http://dx.doi.org/10.1353/exp.2023.a913757.

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Abstract: La poésie populaire peut être un précieux support pour l'écriture ou la réécriture de l'histoire. Elle est souvent considérée comme une archive alternative surtout quand les documents d'archive manquent ou deviennent inaccessibles. Dans cet article, nous avons choisi d'interroger des chants populaires produits pendant la période coloniale en Algérie, offrant un témoignage authentique sur l'enrôlement des « indigènes » algériens dans la Première et la Seconde Guerres mondiales. Cette étude voudrait attirer l'attention sur une partie de l'histoire coloniale qui représente une zone d'om
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7

Valerio, Miguel A. "Expanding the colonial archive." Colonial Latin American Review 32, no. 2 (2023): 257–70. http://dx.doi.org/10.1080/10609164.2023.2205256.

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8

Pereira Henrique, Sónia. "Once Colonizing Territories: the Disputed Lands at the Portuguese Official Public Works Records." HipoTesis Serie Numerada 11 (December 30, 2023): 67–80. http://dx.doi.org/10.37536/htsn.11.2023.157.

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Colonial archives congregate intricate webs of information and knowledge articulating numerous historical public and private services. What may represent a colonial public works archive? Are these archives solely collections of historical administrative documents? It seems that these archives can’t be merely the result of colonial administrative and bureaucratic procedures as they perform similarly to territory. Public works records testify to a dense landscape, summoning actors from numerous arenas – politicians, architects, engineers, entrepreneurs, and subalterns – with European uses, custo
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9

Gust, Onni. "Tracing an Archive: The Mackintosh Archive in Familial and Colonial Context." Genealogy 9, no. 2 (2025): 34. https://doi.org/10.3390/genealogy9020034.

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This article focuses on the genealogy of the Mackintosh archive, showing how subjects are interpellated through archival networks that span imperial and metropolitan sites, linking people, ideas, knowledge and material resources. By tracing the Mackintosh archive across generations of family members embedded in British imperial society, it shows how archives call forth an individual—Sir James Mackintosh—as a symbol and a site of the interconnections between the patriarchal family, the male-dominated state and the production of cultural imaginaries of belonging. Tracing this archive, it argues
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10

Krachenski, Naiara. "O fotógrafo no arquivo: reflexões sobre a (in)visibilidade do aparato fotográfico nos acervos coloniais." África, no. 45 (November 12, 2024): e227532. https://doi.org/10.11606/issn.2526-303x.i45pe227532.

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The photographical archive of German Colonial Society has more than 50 thousand images. Clearly, it is a rich archive in different themes for the Visual History researcher, especially for those who choose to study contemporary colonialism. In this paper, our aim is to think about two central figures that are sometimes overlooked: the photographer and the photographic apparatus. Although photography was constructed at the end of the 19th century as an objective and purely technical instrument, it was an important element in framing an imperial world view. However, the camera and the subject who
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11

Hallock, Thomas, and Marcel Hartwig. "Introduction: Archival Crossings – A Mobile Archive Research Cluster." Anglia 142, no. 4 (2024): 609–17. https://doi.org/10.1515/ang-2024-0056.

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Abstract Initiated during the COVID-19 pandemic, the Mobile Archive project explores how archival research has adapted to the digital age. This is an ongoing, flexible inquiry into the status of the archive in Colonial and Early American Studies for our present day. In 2021, scholars from the US, Mexico, and Germany started the research project to examine how the shift from physical to digital archives has influenced knowledge organization, access, and historical narratives. Key discussions include the mobility of knowledge, the role of colonial legacies in archival practice, and the complexit
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12

Ragni, Andrew. "Anality in the Colonial Archive." differences 31, no. 2 (2020): 86–114. http://dx.doi.org/10.1215/10407391-8662188.

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This essay establishes points of contact between Sigmund Freud’s research on the anal-sadistic stage of infantile sexuality in the first decade of the twentieth century and the Irishman Roger Casement’s contemporaneous sexual practices in Peru while he investigated a colonial rubber enterprise for its gruesomely violent punitive practices against colonized peoples. The pairing of Freud and Casement elucidates a theory of colonial archivization evinced in Casement’s notorious Black Diaries and in Freud’s Three Essays on the Theory of Sexuality and “Wolf Man” case history. The author argues for
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Taddia, Irma. "The Regional Archive at Addi Qäyyeh, Eritrea." History in Africa 25 (1998): 423–25. http://dx.doi.org/10.2307/3172198.

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During the past few years of researching in Eritrea I had the chance to discover an important but little known source for the history of colonial Eritrea that the government that came to power in 1991 is evaluating: the regional archive of Addi Qäyyeh. This archive is in the main town of an area of the Eritrean highlands, Akkälä Guzay, and comprises a large number of documents on Italian colonialism. This documentation is exceptional; indeed, the great bulk of such documents remain in Italy, conserved in the unexploited Archivio Eritrea within the Ministerio degli Affari Esteri in Rome. To my
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Basu, Rahul. "The Archive as a Transcultural Contact Zone in Amitav Ghosh's The Calcutta Chromosome." postScriptum: An Interdisciplinary Journal of Literary Studies IV, no. i (2019): 59–74. https://doi.org/10.5281/zenodo.2564106.

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The archive as a metaphor emerges as a contentious zone in Amitav Ghosh&rsquo;s <em>The Calcutta Chromosome</em>. Not only does the plot of the novel revolve around several archival researches, but the negotiation of the archive becomes a post-colonial strategy of coming to terms with the history of colonial medical science. The novel intervenes and challenges the hegemonizing attempt of the pedagogical grand narratives of history, science and other forms of &lsquo;objective&rsquo; disciplines to reveal the performative micronarratives &ndash; the &lsquo;different&rsquo; stories, &lsquo;differ
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15

Idayanti, Iik, and Hadira Latiar. "KEPEGAWAIAN DI KESULTANAN SIAK: GAMBARAN ARSIP GAJI ERA SULTAN SYARIF KASIM II." Jurnal Kearsipan 15, no. 1 (2020): 63–78. http://dx.doi.org/10.46836/jk.v15i1.150.

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The salary archive used in this study is a digital archive owned by the Siak Regency Library and Archives Office. The archive is a legacy of Sultan Syarif Kasim II's government (1915-1945). There are 3000 archives available. At present, there are not many writings that reveal the contents of this historical value archive, especially those relating to staffing, whereas in this historical archive there is a description of the sultan's policies in the welfare of his people. The purpose of this research is to identify and provide archival description relating to employee salaries. The method appli
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16

Cunningham, Tom. "The Colonial Archive as Material Remains: Reflections on an “Endangered Archives Project”." African Research & Documentation 131 (2017): 24–34. http://dx.doi.org/10.1017/s0305862x00022500.

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Between January and April 2016,1 was part of a British Library-funded project to restore, preserve, and digitise the archive of the Presbyterian Church of East Africa (PCEA). The archive is held in a small room in the bell tower of St. Andrews church, Nairobi. The collection consists of the records of the colonialera Church of Scotland Mission (CSM) and its successor institution, the PCEA, which was formed in 1956 when the African church became independent from the Scottish mission. When I first accessed it, it was being used by the church as a place to store and dump all sorts of miscellaneou
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17

Cunningham, Tom. "The Colonial Archive as Material Remains: Reflections on an “Endangered Archives Project”." African Research & Documentation 131 (2017): 24–34. http://dx.doi.org/10.1017/s0305862x00022500.

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Between January and April 2016,1 was part of a British Library-funded project to restore, preserve, and digitise the archive of the Presbyterian Church of East Africa (PCEA). The archive is held in a small room in the bell tower of St. Andrews church, Nairobi. The collection consists of the records of the colonialera Church of Scotland Mission (CSM) and its successor institution, the PCEA, which was formed in 1956 when the African church became independent from the Scottish mission. When I first accessed it, it was being used by the church as a place to store and dump all sorts of miscellaneou
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18

Elguera, Christian. "José Carlos De la Puente y Jimmy Martínez Céspedes. El taller de la idolatría. Los manuscritos de Pablo José de Arriaga, SJ. Lima: Biblioteca Nacional del Perú y Universidad Antonio Ruiz de Montoya, 2021, 424 pp." Escritura y Pensamiento 22, no. 46 (2023): 251–58. http://dx.doi.org/10.15381/escrypensam.v22i46.25199.

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Gracias al trabajo en conjunto de José Carlos de la Puente y Jimmy Martínez Céspedes ha sido posible la edición del libro El taller de la idolatría. Los manuscritos de Pablo José de Arriaga, SJ (2021). Este volumen, que consta de cuarenta documentos, brinda nuevas luces sobre los procesos de extirpación de idolatrías en Perú. A partir de un minucioso trabajo de archivo, los editores presentan una edición facsimilar de los papeles recopilados por el padre Pablo José de Arriaga. Como es sabido, Arriaga fue un destacado miembro de la Compañía de Jesús del siglo XVII y escribió el famoso libro La
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19

Wiens, Jason. "Archives and Indigeneity: Appropriative Poetic Interventions in the Settler-Colonial Archive." Lit: Literature Interpretation Theory 31, no. 2 (2020): 102–28. http://dx.doi.org/10.1080/10436928.2020.1742953.

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20

Landman, Jane. "Visual pedagogies of the colonial archive." Postcolonial Studies 12, no. 3 (2009): 359–63. http://dx.doi.org/10.1080/13688790903127833.

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Tobin, B. F. "Caribbean Subjectivity and the Colonial Archive." Small Axe: A Caribbean Journal of Criticism 12, no. 1 (2008): 145–56. http://dx.doi.org/10.1215/-12-1-145.

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22

Conor, Liz, and Jane Lydon. "Double take: reappraising the colonial archive." Journal of Australian Studies 35, no. 2 (2011): 137–43. http://dx.doi.org/10.1080/14443058.2011.562229.

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23

philip, m. nourbeSe, and Simona Bertacco. "“Breaking and Entering the Colonial Archive”." CR: The New Centennial Review 22, no. 3 (2022): 13–35. http://dx.doi.org/10.14321/crnewcentrevi.22.3.0013.

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24

Hyman, Aaron M., and Barbara E. Mundy. "The colonial archive and its fictions." Colonial Latin American Review 32, no. 3 (2023): 312–44. http://dx.doi.org/10.1080/10609164.2023.2246831.

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25

Mueller, Katja. "The Eickstedt Archive: German Anthropology in Colonial India." Indian Historical Review 45, no. 2 (2018): 213–32. http://dx.doi.org/10.1177/0376983617747995.

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The Eickstedt archive is an inventory of a German anthropologist’s perception of India of the 1920s through photographs and written accounts. His understanding forms the leitmotif of this reading of the archive, which as such is a reading along the grain. This article attempts to locate the archive’s rationale, which vacillates between expectations of the ‘primitive other’ and a rising racial anthropology. Exploring the relationship between the archive’s content and the context allows one to trace the intentions and preoccupations that influenced the archive, without neglecting the agency of t
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Bishi, George. "The Archive and Chieftainship Claims in Zimbabwe: Some Methodological Reflections." History in Africa 46 (May 6, 2019): 385–401. http://dx.doi.org/10.1017/hia.2019.13.

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Abstract:This article focuses on the uses of the archive in contemporary Zimbabwe by individuals and families making claims to chieftaincy. A reading of the colonial archive on chieftainship histories reveals that there is an information gap especially for some years. For instance, from the 1960s to the present, there are relatively few documents specifically relating to the subject of chiefs and headmen in Zimbabwe. As a result, researchers working on chieftainships, hired historians, and claimants to chieftaincy face a frustrating challenge of limited sources. This article analyzes the sourc
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Krøyer Holm, Annaros, та Miriam Haile. "Hvid[mə] Archive". Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling 8, № 2 (2020): 113–29. http://dx.doi.org/10.7146/ntik.v7i2.118486.

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This essay describes how the artistic research project Hvid[mə] Archive started as a critical comment on the Danish Royal Cast Collection’s exhibition in the colonial West Indian Warehouse at the harbour front in Copenhagen. The essay situates the project as a response to the lack of verbalization about the warehouse’s colonial past, as well as to the lack of a verbalization about the context and history that the plaster cast collection is a product of. Furthermore, the essay clarifies the use and re-conceptualization of the Danish noun hvidme, and how it created an entry point for a contempor
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Rotaru, Arina. "The Sound of Life in Marcel Beyer’s Flughunde (The Karnau Tapes)." Seminar: A Journal of Germanic Studies 57, no. 4 (2021): 360–81. http://dx.doi.org/10.3138/seminar.57.4.2.

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In Marcel Beyer’s celebrated Flughunde (1995), the discovery of an underground archive of sound in the aftermath of the Cold War—preserved despite strategies apparently calling for its mechanical destruction—reassigns agency and voice to instrumentalized victims of National Socialism. By highlighting the close connection between an alleged security custodian of the archive, the actual National Socialist sound cartographer Hermann Karnau, and Moreau, a character bearing a strong resemblance to the protagonist of H. G. Wells’s 1896 novel The Island of Doctor Moreau, Beyer’s novel draws attention
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Tupan, Tupan. "Analisis Bibliometrik Publikasi Penelitian Kearsipan di Indonesia Berbasis Data Scopus." Media Pustakawan 30, no. 3 (2023): 224–34. http://dx.doi.org/10.37014/medpus.v30i3.4964.

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The development of archival research in Indonesia can be determined by carrying out bibliometric analysis. The analysis aims to determine the distribution of main information on archival research in Indonesia, journals relevant to archival publications, most cited sources, topic trends based on keywords and treemaps, keyword network maps, and network maps by country. Bibliometric analysis was carried out by using data from Scopus and the keywords (TITLE-ABS-KEY ( archival ) OR TITLE-ABS-KEY ( archives ) OR TITLE-ABS-KEY (archive) AND TITLE-ABS-KEY (Indonesia). Documents obtained were analyzed
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Cho, Jungmi, and Byounghun Kong. "A study on the ‘Gyeongseong Literary Space Archive model’ as a creative commons - Focusing on Novel Literature during the Japanese Colonial Period." Journal of Liberal Arts 11, no. 2 (2024): 355–86. https://doi.org/10.55450/hilas.2024.11.2.355.

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This study aims to develop a ‘Gyeongseong Literary Space Archive Model’ that serves as a ‘creative commons’ where researchers, creators, experts, and the general public can utilize, supplement, and collaborate by constructing ‘literary space episodes’ and ‘related materials’ collected from novels set in Gyeongseong during the Japanese colonial period as archives and literary maps. For this work, MediaWiki and Google Map: My Map were selected as digital tools, and a prototype of the ‘Gyeongseong Literary Space Archive’ was developed based on 10 short stories. The results of in-depth interviews
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Sen, Pooja. "The Seed Keepers." Social Text 42, no. 3 (2024): 1–26. http://dx.doi.org/10.1215/01642472-11235946.

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Abstract Seeds always presuppose cooperative arrangements of tending and care. Seeds are useful to think with because they connect the past, present, and future, carrying old biologies and inherited histories as well as genetic transformations and new possibilities. This essay traces a history of botanical classification in herbariums, photographs, and seed libraries in Palestine that stretches back to the nineteenth century. Through individuation and taxonomic ordering, colonial botanical archives isolated plants and people from history and vanished Palestinians from their land. The colonial
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Martin, Jason. "Colonial America Revisited." Charleston Advisor 21, no. 4 (2020): 23–26. http://dx.doi.org/10.5260/chara.21.4.23.

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Colonial America, a primary source database from Adam Matthew, features the entire archive of documents, contained in 1,450 volumes, from the agencies that oversaw the British colonies in North America and the Caribbean. The database has rich metadata that allows for powerful searching, high resolution images, and user friendly functionality. This database is a superb addition to any research collection.
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Abdullahi, Jamilu, and Zaharadeen Muhammad Abubakar. "Assessing the impact of digital archives on the biographical records of Sir Abubakar Tafawa Balewa in Bauchi, Nigeria and its relevance to African studies." Library and Information Perspectives and Research 6, no. 2 (2024): 116–28. http://dx.doi.org/10.47524/lipr.v6i2.117.

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The paper assesses the impact of digital archives on the biographical records of Sir Abubakar Tafawa Balewa, emphasising their significance in African studies. Biographical records are essential for understanding key figures in African history. The Abubakar Tafawa Balewa Heritage Centre in Bauchi State, Northern Nigeria, has faced challenges with digitisation due to absent of necessary technical infrastructure such as imaging software, computers, scanners, and cameras. This has hindered the conversion of analogue documents into digital formats and complicated the creation of accurate metadata
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Chatterjee, I. "Testing the local against the colonial archive." History Workshop Journal 44, no. 1 (1997): 215–24. http://dx.doi.org/10.1093/hwj/1997.44.215.

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Fellini, Dallas. "Queer Dis/Appearance in the Colonial Archive:." Art Documentation: Journal of the Art Libraries Society of North America 43, no. 2 (2024): 181–96. https://doi.org/10.1086/736010.

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Torlanbayeva, K. "COLONIAL RUSSIA’S POLICY TOWARDS ISLAM IN KAZAKHSTAN (BASED ON THE MATERIALS OF THE ORENBURG STATE ARCHIVE)." History of the Homeland 96, no. 4 (2021): 76–81. http://dx.doi.org/10.51943/1814-6961_2021_4_76.

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In this paper author explore Russia’s colonial policy with regard to religion, population or Orenburg steppes on the basis of archive data. Main task of the publication is a complex research of history of Russia’s colonial policy regarding peoples in Central Asia. Steppe part of the Orenburg region was included into conquered colonial territory of Russia. This region connecting steppe routes of Kazakhs, Bashkir, Tatars and representing a strategical territory for strengthening Russian influence in Central Asia. Interesting aspects explored during review of archive data and study of the region’
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37

Ajiola, Felix. "British Colonial Land Use Policies and Housing Development in Lagos." African Journal of Housing and Sustainable Development 2, no. 1 (2022): 27–42. http://dx.doi.org/10.52968/28465256.

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This paper highlights the changing pattern of town planning and housing development in Lagos between 1900 and 1960, a period that witnessed the implementation of several colonial housing policies. Existing scholarship has overlooked the role that colonial land use policies played in the uneven town planning and housing development in Lagos. Drawing on a large body of colonial records and secondary sources, this paper analyses the impact of the British colonial government policies on housing development in colonial Lagos. Archival sources collected from the National Archive of Nigeria, Ibadan,
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Krabbe Meyer, Mette Kia, and Temi Odumosu. "One-Eyed Archive." Digital Culture & Society 6, no. 2 (2020): 35–62. http://dx.doi.org/10.14361/dcs-2020-0204.

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Abstract During 2016, the Royal Danish Library digitized more than 200.000 pages from the library’s, collections all of which related to the former colonies in the Caribbean. This included books and other printed matter, but also sheet music, manuscripts, personal documents, photographs and drawings. Images were published in Digital Collections, the library’s platform for digitized materials, and were accompanied by limited metadata, thereby posing challenges in terms of accessibility and important historical contextualisation. This essay therefore reflects on the gaps and the silences that ha
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Wyrill, Beth. "South African Literary Archives after the ‘Archival Turn’: a Case Study of the Guy Butler collection at the National English Literary Museum." African Research & Documentation 133 (2018): 33–41. http://dx.doi.org/10.1017/s0305862x00022615.

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This article seeks to investigate the largest collection of literary artefacts in South Africa, housed at the National English Literary Museum, and particularly the relationship between the founder of the museum and archive, Guy Butler, and how NELM has come to operate in the South African literary landscape in a post-colonial and post-apartheid moment. It is necessary to invoke the post-colonial moment from the outset in order to explore the question of post-colonial archives from a critical perspective.This research is informed by what has come to be known as the ‘archival turn,’ which consi
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Wyrill, Beth. "South African Literary Archives after the ‘Archival Turn’: a Case Study of the Guy Butler collection at the National English Literary Museum." African Research & Documentation 133 (2018): 33–41. http://dx.doi.org/10.1017/s0305862x00022615.

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This article seeks to investigate the largest collection of literary artefacts in South Africa, housed at the National English Literary Museum, and particularly the relationship between the founder of the museum and archive, Guy Butler, and how NELM has come to operate in the South African literary landscape in a post-colonial and post-apartheid moment. It is necessary to invoke the post-colonial moment from the outset in order to explore the question of post-colonial archives from a critical perspective.This research is informed by what has come to be known as the ‘archival turn,’ which consi
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41

Desouki, Yasmin. "The Vanishing Archive." Feminist Media Histories 8, no. 2 (2022): 70–87. http://dx.doi.org/10.1525/fmh.2022.8.2.70.

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Documentarian and writer Atteyat al-Abnoudy was a fierce proponent of Egypt’s working class and marginalized communities. She carved indelible, haunting images onto the national psyche through her work, which is more prescient than ever. This essay explores the ways in which it is possible to understand and interpret Al Abnoudy’s work processes and filmic legacy within the context of Egypt’s lack of archival practices. The larger context of Egyptian documentary filmmaking and the impact of post-colonial practices on the arts and culture sphere also inform the article.
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Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, and Muhammad Jumaidy Abdul Manap. "Perkembangan Institusi Memori (LAM) pada Era British di Tanah Melayu." SEJARAH 31, no. 1 (2022): 34–64. http://dx.doi.org/10.22452/sejarah.vol31no1.3.

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This paper aims to examine the development ofLAM memory institutions (Library, Archive, Museum) or libraries, archives,and museums during the British colonial era in Malaya. This study is using qualitative methods that involve the collection and evaluation of primary sources from National Archive and Museum. The findings of the study show that the efforts of usingLAM in Europe based on the philosophy of the Enlightenment have been applied by the British in the colonization of Malaya. This reality can be seen from the British writings on Malaya before independence. Among them was the role of Is
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Springgay, Stephanie, Anise Truman, and Sara MacLean. "Socially Engaged Art, Experimental Pedagogies, and Anarchiving as Research-Creation." Qualitative Inquiry 26, no. 7 (2019): 897–907. http://dx.doi.org/10.1177/1077800419884964.

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Archives, as repositories of culture and knowledge, are closely linked to colonial power, control, hegemony, and conquest. In recognizing the limitations and problems of conventional archives, scholars and artists offer counter-archiving as a method of interrogating what constitutes an archive and the selective practices that continuously erase particular subjects. Unlike static, stable, and linear colonial archives, counter-archives are grounded in accountability and reciprocity. Similarly, the anarchive is concerned with what it can do in the present-future. As such, anarchiving is less a th
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Jaganathan, Aditi, Sarita Malik, and June Givanni. "June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space." Feminist Review 125, no. 1 (2020): 94–109. http://dx.doi.org/10.1177/0141778920913499.

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What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive, we explore the potentiality of archives for carving out spaces of diasporic connectivity and resistance. This archive assembles the holdings of pan-
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Gilfoỹle, Daniel. "The First World War Diaries of the King's African Rifles, the East African Campaig." African Research & Documentation 128 (2015): 21–32. http://dx.doi.org/10.1017/s0305862x00023487.

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This article describes the First World War diaries of the King's African Rifles, one of the British African colonial regiments. The documents are held, together with other related material, at The National Archives, Kew, London. The content of these daily accounts of the activities of individual Units is discussed and their position within the structure of the archive is outlined, as is their relationship with certain other categories of War Office and Colonial Office records. It is suggested that the information contained in the war diaries might potentially contribute, apart from the militar
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Gilfoỹle, Daniel. "The First World War Diaries of the King's African Rifles, the East African Campaig." African Research & Documentation 128 (2015): 21–32. http://dx.doi.org/10.1017/s0305862x00023487.

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This article describes the First World War diaries of the King's African Rifles, one of the British African colonial regiments. The documents are held, together with other related material, at The National Archives, Kew, London. The content of these daily accounts of the activities of individual Units is discussed and their position within the structure of the archive is outlined, as is their relationship with certain other categories of War Office and Colonial Office records. It is suggested that the information contained in the war diaries might potentially contribute, apart from the militar
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Ana, Boller. "Mito y archivo en El sueño del celta de Mario Vargas Llosa." Revista de Literatura Hispanoamericana Julio-Diciembre, 2018, no. 77 (2020): 11–35. https://doi.org/10.5281/zenodo.8200684.

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En este estudio se analiza la novela de Mario Vargas Llosa El sue&ntilde;o del celta (2010) bajo el concepto de novela archivo de Roberto Gonz&aacute;lez Echevarr&iacute;a seg&uacute;n el cual la narrativa latinoamericana evoca la historia de Latinoam&eacute;rica y sus mitos, y desarticula las narrativas previas para crear otras nuevas. En esta lectura, propongo que la novela archivo ha cambiado como consecuencia del proceso de globalizaci&oacute;n, y que la novela El sue&ntilde;o del celta es un ejemplo de una nueva novela archivo que hace apertura hacia nuevos espacios geogr&aacute;ficos, qu
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Ridley, Anna. "Bringing early colonial astronomy to life." Astronomy & Geophysics 62, no. 2 (2021): 2.20–2.21. http://dx.doi.org/10.1093/astrogeo/atab054.

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Abstract Anna Ridley describes a new exhibition at Old Government House, Sydney, that uses documents from the Royal Astronomical Society library and archive – and technology – to help tell the story of scientific endeavour in colonial New South Wales
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DAVIES, DOMINIC. "Biopolitical Bodies: The Unhousing of the Colonial Archive." Contemporary Literature 59, no. 1 (2018): 120–29. http://dx.doi.org/10.3368/cl.59.1.120.

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Basu, Paul, and George Emeka Agbo. "Uli: The Colonial Archive as Decolonial Cultural Resource." African Arts 57, no. 3 (2024): 8–25. http://dx.doi.org/10.1162/afar_a_00770.

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