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1

Caja de Ahorros de Asturias. Obra Social y Cultural. and Museo de América (Madrid, Spain), eds. México colonial. [Oviedo]: Caja de Ahorros de Asturias, 1990.

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2

Radford, Ron. Australian colonial art, 1800-1900. Adelaide: Art Gallery Board of South Australia, 1995.

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3

Schenone, Héctor H. Iconografía del arte colonial. [Argentina]: Fundación Tarea, 1992.

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4

1952-, Axelrod Alan, and Henry Francis du Pont Winterthur Museum., eds. The Colonial revival in America. New York: Norton, 1985.

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5

Concha, Alejandra Castro. La consistencia del cuadro colonial. Santiago de Chile: Ediciones Metales Pesados, 2016.

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6

Victoria, National Gallery of, ed. This wondrous land: Colonial art on paper. Melbourne: National Gallery of Victoria, 2011.

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7

Campos, Adalgisa Arantes. Arte sacra no Brasil colonial. Belo Horizonte: Editora C/Arte, 2011.

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8

B, Oscar A. Velarde. El arte religioso colonial en Panamá. Panamá: Instituto Nacional de Cultura, Dirección Nacional de Patrimonio Histórico, Proyecto de Desarrollo Cultural PNUD UNESCO, 1990.

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9

Singapore, National Gallery. Artist and empire: (en)countering colonial legacies. Singapore: National Gallery Singapore, 2016.

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10

Museum, Denver Art. Companion to Spanish colonial art at the Denver Art Museum. 2nd ed. Denver: Denver Art Museum, Mayer Center for Pre-Columbian & Spanish Colonial Art at the Denver Art Museum, 2015.

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11

1950-, Pierce Donna, and Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art, eds. Companion to Spanish colonial art at the Denver Art Museum. Denver, CO: Mayer Center for Pre-Columbian & Spanish Colonial Art at the Denver Art Museum, 2011.

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12

Banco Central del Ecuador. Museo. Catálogo de la sala de arte colonial. Quito: Museo Nacional del Banco Central del Ecuador, 1995.

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13

Roche, Carlos Lara. San José en el arte colonial guatemalteco. Guatemala, C.A: Sociedad Centroamericana de Investigaciones y Divulgación de San José, 1989.

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14

1949-, Benner Ron, and Museum London (London, Ont.), eds. Ron Benner: Gardens of a colonial present = Ron Benner : Jardins d'un présent colonial. London, Ont: Museum London, 2008.

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15

editor, Rose Sonia V., and Estenssoro, Juan Carlos, 1964-, editor, eds. Estudios de arte colonial. Lima: Museo de Arte de Lime, 2013.

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16

Jorge, Luna Yepes, and Museo de Arte Colonial (Quito, Ecuador), eds. Breve catálogo del Museo de Arte Colonial. Quito: Fundación Amigos del Museo Nacional de Arte Colonial, 1997.

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17

Borrero, Juan Martínez. De lo divino y lo profano: Arte cuencano de los siglos XVIII y XIX. Cuenca: Ediciones del Banco Central del Ecuador, 1997.

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18

R, Bermúdez Jorge. De Gutenberg a Landaluze. La Habana, Cuba: Editorial Letras Cubanas, 1990.

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19

Ott, Carlos. Pequena história das artes plásticas na Bahia, entre 1550-1900. Bahia: [s.n.], 1989.

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20

Escudero-Albornoz, Ximena. Historia y crítica del arte hispanoamericano, Real Audiencia de Quito: Siglos XVI, XVII y XVIII. Quito, Ecuador: Abya-Yala, 1999.

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21

la, Maza Francisco de. Obras escogidas. [Mexico]: Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, 1992.

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22

1905-, Bear Donald, Hall E. Boyd, Federal Art Project (N.M.), and United States. Works Progress Administration. Division of Women's and Professional Projects., eds. Portfolio of Spanish colonial design in New Mexico. Albuquerque, NM: LPD Press, 2001.

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23

Encuentro Internacional sobre Barroco (3rd 2005 La Paz, Bolivia). El manierismo en los Andes: Memoria del III Encuentro International sobre Barroco. La Paz, Bolivia: Unión Latina, 2005.

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24

editor, Durandal Caballero Oriela, Universidad Mayor, Real y Pontificia de San Francisco Javier de Chuqusiaca. Departamento de Cultura y Deporte, and Agencia Española de Cooperación Internacional para el Desarrollo, eds. Museo Colonial Charcas. La Paz, Bolivia: Departamento de Cultura y Deportes U.M.R. P.S.F.X.CH., 2019.

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25

McMillan, Kate. Contemporary Art and Unforgetting in Colonial Landscapes. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17290-9.

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26

Richard, Perry. Exploring colonial Oaxaca: The art and architecture. Santa Barbara, Calif: Espadaña Press, 2006.

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27

Flores, Patrick D. Painting history: Revisions in Philippine colonial art. Diliman, Quezon City: Office of Research Coordination, University of the Philippines, 1998.

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28

1767-1849, Glover John, and Tasmanian Museum and Art Gallery., eds. John Glover and the colonial picturesque. Hobart, Tas., Australia: Tasmanian Museum and Art Gallery, 2003.

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29

Mathur, Saloni. India by design: Colonial history and cultural display. Berkeley: University of California Press, 2007.

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30

Cedillo, Roberto M. Alarcón. Tecnología de la obra de arte en la época colonial: Pintura mural y de caballete, escultura y orfebrería. [Mexico City]: Universidad Iberoamericana, 1993.

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31

Hurtado, Alvaro Gómez. Arte virreinal en Bogotá =: Colonial art in Bogotá. Bogotá, Colombia: Villegas Editores, 1987.

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32

Encuentro, Internacional sobre el Barroco Andino (1st 2002 Santa Cruz Bolivia). Barroco andino: Memoria del I encuentro internacional. La Paz, Bolivia: Viceministerio de Cultura, 2003.

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33

Amerlinck, María Concepción. Arte virreinal en México y sus alrededores. Madrid: Editorial La Muralla, 1987.

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34

Malo, C. Cuenca, Ecuador. Santa Fé de Bogotá, Colombia: Mayr & Cabal, 1991.

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35

Mauricio González de la Garza. De Puebla los fulgores. México, D.F: Océano, 1995.

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36

Amerlinck, María Concepción. Arte virreinal entre Querétaro y Zacatecas. Madrid: Editorial La Muralla, 1987.

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37

Franco, Germán Carrasco. Tepotzotlán: Joya del México colonial : libro de fotografías. México: [Ayuntamiento de Tepotzotlán], 1993.

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38

Martínez, Mario Felipe. Cuatro centros de arte colonial provinciano hispano criollo en Honduras. Tegucigalpa, D.C., Honduras, C.A: Editorial Universitaria, 1992.

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39

Leacey, Dominique Scobry. Simbología andina en el arte precolombino y colonial. Lima]: CMC Amtex, 1999.

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40

L, Johnson Lyman, ed. Colonial Latin America. 8th ed. New York: Oxford University Press, 2012.

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41

Hernández, Vicente González. Presencia de Aragón en el arte de América. Zaragoza: Comisión Aragonesa V Centenario, 1990.

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42

1949-, Benner Ron, and Museum London (London, Ont.), eds. Ron Benner: Gardens of a colonial present = Ron Benner : Jardins d'un présent colonial. London, Ont: Museum London, 2008.

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43

Cortés, Gustavo Mateus. Nuevos apuntes para la historia del patrimonio artístico de Tunja, con el acta de fundación y el título de ciudad. Tunja, Boyacá, Colombia: Magister en Historia, Escuela de Posgrado de la Facultad de Educación, Universidad Pedagógica y Tecnológica de Colombia, 1989.

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44

Mitter, Partha. Art and nationalism in colonial India: Occidental orientations. Cambridge: Cambridge University Press, 1995.

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45

Alicia, Dávila Munguía Carmen, Sigaut Nelly, and Casillas Hernández Eduwiges, eds. Museo de Arte Colonial de Morelia. Zamora, Michoacán: El Colegio de Michoacán, 2006.

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46

Pedro, Querejazu, Ferrer Elizabeth, and Fundación BHN, eds. Potosí: Colonial treasures and the Bolivian city of silver. New York: Americas Society Art Gallery in association with Fundación BHN, La Paz, 1997.

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47

Good, Umberger Emily, and Cummins Tom, eds. Native artists and patrons in colonial Latin America. [Tempe, Ariz.]: Arizona State University, 1995.

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48

Azpéitia, Rafael Carrillo. El arte barroco en México desde sus inicios, hasta el esplendor de los siglos XVII y XVIII. México, D.F: Panorama Editorial, 1991.

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49

Azpéitia, Rafael Carrillo. El arte barroco en México desde sus inicios, hasta el esplendor de los siglos XVII y XVIII. 3rd ed. México, D.F: Panorama Editorial, 1987.

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50

Musée d'Aquitaine de la ville de Bordeaux, ed. "Nos artistes aux colonies": Sociétés, expositions et revues dans l'empire français (1851-1940). Pessac]: Université Bordeaux Montaigne, Centre François-Georges Pariset, 2015.

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