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Books on the topic 'Colonial Panama'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Colonial Panama: History and images. Barcelona: EMMSA, 2006.

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2

Benson, Michaela, and Karen O'Reilly. Lifestyle Migration and Colonial Traces in Malaysia and Panama. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-51158-4.

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3

Proctor, Jorge A. The forgotten mint of colonial Panama: A look into the production of coins in America during the 16th century and Panama's Spanish royal house for minting coins. Laguna Hills, CA: Jorge A. Proctor, 2005.

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4

B, Oscar A. Velarde. El arte religioso colonial en Panamá. Panamá: Instituto Nacional de Cultura, Dirección Nacional de Patrimonio Histórico, Proyecto de Desarrollo Cultural PNUD UNESCO, 1990.

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5

Fraitts, Mercedes Luisa Vidal. La Catedral de Panamá. 3rd ed. Buenos Aires: Edición Fundación del Rosario, 1992.

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6

La tragedia del color en el Panamá colonial, 1501-1821: Panamá, una sociedad esclavista en el período colonial. Panamá: Impresos Modernos, 2011.

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7

Marques, Jaime G. G. Panamá en la encrucijada: Colonia o nación? [Panama City?]: Editorial Panamá, 1989.

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8

Marques, Jaime G. G. Panamá en la encrucijada: ¿colonia o nación? [Panama City?]: Editorial Panamá, 1989.

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9

María del Carmen Mena García. La Ciudad de Panamá en el siglo XVIII: Trazado urbano y técnica constructiva. Panamá, R. de P: Editorial Portobelo, 1997.

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10

Z, Darinel Espino. El ojo de la tormenta: Panamá, nación o colonia. Panamá: Ediciones de El Canal, 1989.

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11

Christopher, Ward. Imperial Panama: Commerce and conflict in isthmian America, 1550-1800. Albuquerque: University of New Mexico Press, 1993.

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12

Arquitectura, urbanismo y sociedad: La vivienda colonial en Panamá : historia de un sueño. Panamá: Biblioteca Cultural Shell, 1994.

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13

Lamboglia, Ramón. Panamá, de la narcodictadura a colonia yanqui: Resumen del juicio de Noriega. [San José, Costa Rica?]: R. Lamboglia, 1992.

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14

O'Reilly, Karen, and Michaela Benson. Lifestyle Migration and Colonial Traces in Malaysia and Panama. Palgrave Macmillan, 2018.

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15

O'Reilly, Karen, and Michaela Benson. Lifestyle Migration and Colonial Traces in Malaysia and Panama. Palgrave Macmillan, 2018.

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16

Sandrock, Kirsten. Scottish Colonial Literature. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474464000.001.0001.

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Scottish Colonial Literature is a comprehensive study of Scottish colonial writing before 1707. It brings together previously dispersed sources to argue for a tradition of Scottish colonial literature before the Union of Parliaments. It introduces the term colonial utopian literature to frame the intricate relationship between colonialism and utopianism in the seventeenth century. Offering case studies relating to colonial undertakings at Nova Scotia (1620s), East New Jersey (1680s) and at the Isthmus of Panama, then known as Darien (1690s), Scottish Colonial Literature explores how literature and culture shaped Scotland's colonial ventures in the seventeenth century. In addition, it considers works written in the larger context of the Scottish Atlantic so as to illuminate how the Atlantic shaped seventeenth-century Scottish literature and vice versa. One key question running through the book is the relationship between art and ideology. Textual narratives were powerful instruments of empire-building throughout the early modern period. This book focuses on utopianism as a framework that authors used to claim power over the Atlantic. In the Scottish context, the intersections between utopianism and colonialism shed light on the ambiguous narratives of possession and dispossession as well as internal and external colonialism in Scottish colonial writing of the seventeenth century. Scottish Colonial Literature enters debates about Scotland's position in colonial and postcolonial studies through its focus on pre-1707 Atlantic literature.
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17

Petrovich, Sandra Marie. Henry Morgan's Raid on Panama: Geopolitics and Colonial Ramifications, 1669-1674 (Caribbean Studies (Lewiston, N.Y.), V. 10.). Edwin Mellen Press, 2001.

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18

Heimann, Fritz. The United States. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458331.003.0006.

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Corruption has been a persistent issue in American history. This chapter begins with a discussion of the colonial period, in which gifts from the British Crown played an important role, so that corruption was debated heavily when the US Constitution was being enacted. The chapter then moves further forward in history to discuss the Yazoo land rights controversy, and the role of bribery and other corruption in construction of the Panama Canal. It ends with the Watergate scandal, enactment of the Foreign Corrupt Practices Act (FCPA) and involvement with the Organization for Economic Cooperation and Development (OECD), and the Citizens United case.
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19

La Salle, Marina, and Richard M. Hutchings. “What Could Be More Reasonable?” Collaboration in Colonial Contexts. Edited by Angela M. Labrador and Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.22.

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Collaboration is considered a panacea in North American archaeology today—a cure-all that is claimed to have radically transformed the discipline by bringing about equality and decolonization. Such assertions are problematic on many fronts, especially because collaborative archaeology has undergone little critical assessment. Based on our analysis of how the practice is defined, how social power is construed and measured, and how the goal of decolonization is conceptualized, we show collaboration to be a colonial whitewash that appropriates the methods and values of Indigenous archaeology. Rather than transformation and liberation, collaborative archaeology is ultimately rooted in cooptation and dependence. We contend that rather than decolonizing, collaborative archaeology is a steadfastly colonial enterprise.
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20

Velandia Onofre, Darío. Destrucción y culto. Políticas de la imagen sagrada en América y España (1563 - 1700). Ediciones Uniandes, 2021. http://dx.doi.org/10.51566/harte2101.

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Durante los procesos de colonización en diversos territorios de América, la destrucción y el culto de imágenes sagradas fueron dos políticas estipuladas por las instituciones de poder para someter comunidades y, en algunos casos, las personas colonizadas las adoptaron como mecanismo de resistencia. Sin dejar de lado las diferencias entre una y otra política, el acto violento en contra de una imagen y la adoración de esta comparten una creencia por el poder de la imagen: son dos caras de una misma moneda. Destrucción y culto busca indagar esas políticas y mirar cómo están íntimamente ligadas a procesos de sometimiento propios de una política imperial y colonial. A partir de diversos casos de estudio trasatlánticos, dibuja un panorama rico en matices que ponen en evidencia la complejidad de la cultura visual de los siglos XVI y XVII en los territorios de la Corona española.
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21

Restrepo, Luis Fernando. Un nuevo reino imaginado: las Elegías de varones ilustres de Indias de Juan de Castellanos. 2nd ed. Editorial Pontificia Universidad Javeriana, 2020. http://dx.doi.org/10.11144/javeriana.9789587815207.

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Un nuevo reino imaginado examina el entramado discursivo del proyecto político de las Elegías de varones ilustres de Indias (1589-1601), una historia de la conquista del Caribe y lo que es hoy Colombia, Panamá y Venezuela, escrita por el erudito literato, riguroso historiador y clérigo, Juan de Castellanos (Alanis, España 1522- Tunja 1607). El cronista-poeta usa el legado literario clásico y renacentista y un amplio acervo documental histórico para presentar a los primeros conquistadores como una élite marcial idónea, destinada a gobernar el Nuevo Reino de Granada y merecedora de las encomiendas y otros privilegios. En el poema, los conquistadores son héroes elaborados a través de una salvaje celebración de la destrucción de la América indígena, y sus esfuerzos en la conquista del territorio se presentan como una penosa peregrinación que sería recompensada con la tierra buena del altiplano andino. Por eso las Elegías son la literatura de la guerra de la conquista, cuyos resultados dan cuenta en parte de las inequidades de la Colombia de hoy. Pero ¿cómo abordar críticamente una épica escrita con el dulce verso de La Araucana y el Orlando furioso que justifica la violencia de la conquista? Para responder a esta pregunta, Luis Fernando Restrepo plantea en este trabajo cómo la crítica literaria permite abordar un colosal monumento literario, como este poema de la Colonia, para pensar el costo humano de los conflictos armados e imaginar una sociedad más justa.
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22

Zablonsky, Mariana Rupprecht. Nacionalismo somali: Nação e propaganda política durante o regime militar. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-246-9.

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In 1969 Somalia, a country located in the Horn of Africa, suffered a military coup led by Siad Barre, a general who had integrated the colonial police of Somaliland and Italian Somalia. In this book we analyzed nine posters of governmental propaganda that comprise the period between 1974 -1975. The objective of this work is to discuss the construction of nationalism in the Barre Era, seeking similarities and discontinuities in relation to civil government. We use a vast historiography drawing to the maximum of local authors and theorists of the African continent. Through interdisciplinarity we aim to build a rich theoretical debate integrating anthropology, political science and history. The research used the theoretical model of historiographical analysis of Carlo Guinzburg, based on the investigation of clues in imagery sources. Elements of the local context, such as the process of decolonization of the Horn of Africa and conflicts with Ethiopia, have been emphasized, linking them to the global conjuncture of ideological conflict between the United States and the Soviet Union in the so-called Cold War. The impacts of colonialism are one of the central themes of the dissertation, so we try to demonstrate that events that occurred during colonization were fundamental to the complex puzzle that became the African continent during the 1960s and 1970s. Somalia does not escape this political panorama and the research tries to demonstrate that the posters analyzed were produced by the military government with the intention of disseminating a certain model of political regime.
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