Relevant bibliographies by topics / Colonial revival

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Colonial revival'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Colonial revival"

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Oak, Sung-Deuk. "Major Protestant Revivals in Korea, 1903–35." Studies in World Christianity 18, no. 3 (2012): 269–90. http://dx.doi.org/10.3366/swc.2012.0025.

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This paper reviews five major revivals and four revivalists of colonial Korea and discusses key issues of the revivals. It has three aims: to search for a new perspective on the interpretation of the revivals of colonial Korea; to map a new lineage of the revivals; and to provide contemporary Korean Protestant churches in crisis with some issues to consider for their renewal. The conventional image of the revivals in the colonial period has been that they were ‘passive, otherworldly, and introversive’. This stereotypical image reflects the historical context of the nationalist or minjung theol
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J. Samaine Lockwood. "Charlotte Perkins Gilman's Colonial Revival." Legacy 29, no. 1 (2012): 86. http://dx.doi.org/10.5250/legacy.29.1.0086.

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Muccigrosso, Robert, and Alan Axelrod. "The Colonial Revival in America." American Historical Review 91, no. 3 (1986): 741. http://dx.doi.org/10.2307/1869297.

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Boris, Eileen, and Alan Axelrod. "The Colonial Revival in America." Journal of American History 72, no. 4 (1986): 930. http://dx.doi.org/10.2307/1908899.

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Fu, Albert S. "Materializing Spanish-Colonial Revival Architecture." Home Cultures 9, no. 2 (2012): 149–71. http://dx.doi.org/10.2752/175174212x13325123562223.

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Strong, Rowan. "The Resurgence of Colonial Anglicanism: the Colonial Bishoprics Fund, 1840–1." Studies in Church History 44 (2008): 196–213. http://dx.doi.org/10.1017/s0424208400003594.

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Revival and resurgence is not simply something that happens to individuals or groups of persons; it is a phenomenon that, takes place within organized communities, institutions, and societies. The Church has existed in history as an organized society of believers, and this institutional dimension of Christianity has frequently shaped Christian history and the influence of Christianity on wider society for better and worse. Indeed, it could be argued that this is the dimension of Christianity which has been most influential historically. However, in the case of the Church of England in the Brit
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Geiger, Susan, and Karen E. Fields. "Revival and Rebellion in Colonial Central Africa." Contemporary Sociology 15, no. 5 (1986): 722. http://dx.doi.org/10.2307/2071030.

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Islam, Md Nazrul. "RepackagingAyurvedain Post-Colonial India: Revival or Dilution?" South Asia: Journal of South Asian Studies 35, no. 3 (2012): 503–19. http://dx.doi.org/10.1080/00856401.2012.682967.

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Breidenbach, Paul S., and Karen E. Fields. "Revival and Rebellion in Colonial Central Africa." Sociological Analysis 47, no. 4 (1987): 364. http://dx.doi.org/10.2307/3710951.

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Gebhard, David. "The American Colonial Revival in the 1930s." Winterthur Portfolio 22, no. 2/3 (1987): 109–48. http://dx.doi.org/10.1086/496322.

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Dissertations / Theses on the topic "Colonial revival"

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Hebble, John. "The Vassall-Craigie-Longfellow House of 1759: From Colonial America to the Colonial Revival and Beyond." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/603.

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The Longfellow House in Cambridge, Massachusetts is one of America’s best known historic homes. Built in 1759 by Major John Vassall, the grand house exemplified Colonial English tastes and was at the center of a cycle of Colonial Royalist mansions. After the American Revolution, however, the house quickly became a symbol of American patriotism. Occupants ranging from General George Washington and Henry Wadsworth Longfellow each added to the legacy of the house. Early in the nineteenth century, the Longfellow House’s distyle portico- pavilion traveled to Canterbury, Connecticut, becoming a coll
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Phillips, Rebecca E. "Almost history American colonial revival furniture and the career of Enrico Liberti (1894-1979) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 89 p, 2007. http://proquest.umi.com/pqdweb?did=1338866251&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Barnes, Jeanne L. "Deconstructing Tryon Palace : exploring the colonial revival in twentieth century New Bern, North Carolina /." Electronic version (PDF), 2005. http://dl.uncw.edu/etd/2005/barnesj/jeannebarnes.pdf.

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Mosher, Melissa Beth. "Elizabeth Perkins and Jefferds Tavern: A n Example of the Influence of the Colonial Revival Upon Museums." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625434.

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Schiavo, Monika Viola. "A Room with a Viewpoint| Katharine Prentis Murphy and the Colonial Revival in the Age of Modernism, 1950-1960." Thesis, Corcoran College of Art + Design, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561031.

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<p> During the 1950s <b>Katharine Prentis Murphy</b> (1882-1967) used authentic colonial era furnishings to create a series of complex, multi-layered museum and historic house installations that highlighted the aesthetic qualities of American antiques and placed her at the forefront of the post World War II Colonial Revival movement. Murphy placed objects from the 1750s into highly patterned and brightly colored room settings, which was an unorthodox design strategy for the time but one that incorporated popular trends and tastes of the 1950s. Her post war room settings appealed to consumers
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Rogers, Muriel Brine. "John Hartwell Cocke (1780-1866) : from Jeffersonian Palladianism to romantic colonial revivalism in antebellum Virginia /." VCU Scholars Compass, 2003. http://hdl.handle.net/10156/1529.

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Weiss, Joanne Grayeski. "The relationship between the "Great Awakening" and the transition from psalmody to hymnody in the New England colonies." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/535900.

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This study examines the relationship between the first major religious revival in the New England colonies and the change from psalmody to hymnody in the mid-eighteenth century through an approach which integrates the two fields of theology and church music. The termination date is 1770, and the focus is Protestant congregational song in the three groups most influenced by Puritan thought: the Congregationalists, the Presbyterians, and the Baptists.While much has been written separately about the change in eighteenth-century sacred song and the Great Awakening itself, there has been little res
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Brown, Lisa Thurston. "Perspectives of Pro-revivalism: The Christian History and the Great Awakening." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd360.pdf.

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Maddack, David Michael. "Was the "Great Awakening" great? an evaluation of the traditional and revisionist historiography of the revivals of religion throughout colonial America in the mid- to late-eighteenth century /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Gordon, John Stuart. "Lurelle Guild's historical modernism: Americana and industrial design." Thesis, 2013. https://hdl.handle.net/2144/13133.

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Lurelle Van Arsdale Guild (1898-1985) was an author and illustrator of interior decorating literature; a collector of Americana; a pioneering industrial designer; and an amateur architect. Both a popular antiquarian and a modernist, his diverse interests often intermingled in his industrial designs. This dissertation uses Guild's multifaceted and at times contradictory career, which lasted from the 1920s to the 1960s, to explore how modernism drew upon the legacy of colonial American design to create objects that appeared contemporary but were grounded in tradition. This study positions Guild
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Books on the topic "Colonial revival"

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1952-, Lovejoy Kim Brian, ed. Colonial revival Maine. Princeton Architectural Press, 2004.

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C, Warren Caroline, ed. Colonial revival furniture: With prices. Wallace-Homestead Book Co., 1993.

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Revival and rebellion in colonial central Africa. Heinemann, 1997.

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Revival and rebellion in colonial central Africa. Princeton University Press, 1985.

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1876-1930, Smith George Washington, ed. George Washington Smith: Architect of the Spanish colonial revival. Gibbs Smith, 2005.

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Thomas, Mellins, and Museum of the City of New York, eds. The American style: Colonial revival and the modern metropolis. Museum of the City of New York, 2011.

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Seasons of grace: Colonial New England's revival tradition in its British context. Oxford University Press, 1991.

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Amerikaanse droomhuizen. Könemann, 2000.

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Architecture of the Old South: Colonial & Federal. Beehive Foundation, 1996.

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Hammon, Stratton O. (Stratton Owen), 1904-1997, Gill R. Scott, and Wilson Richard Guy 1940-, eds. Kentucky houses of Stratton Hammon. Butler Books, 2007.

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Book chapters on the topic "Colonial revival"

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Bosco, Joseph. "6. Urban Processions: Colonial Decline and Revival as Heritage in Postcolonial Hong Kong." In Handbook of Religion and the Asian City, edited by Peter van der Veer. University of California Press, 2019. http://dx.doi.org/10.1525/9780520961081-008.

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Tekuya, Mahemud Eshtu. "The Grand Ethiopian Renaissance Dam and the Revival of the Dispute Over the Colonial Nile Water Treaties." In Springer Geography. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76437-1_3.

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Beier, Raffael. "Revisiting Stokes’ Theory of Slums: Towards Decolonised Housing Concepts from the Global South." In The Urban Book Series. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06550-7_4.

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AbstractRecently, large-scale housing programmes have experienced a revival in many countries of the Global South. They are criticised for their top-down, standardised, and supply-driven nature, which hardly meets people’s demands. At the heart of the problem lies the concept of “material decency”—a normative and shelter-centric notion of housing, inspired by colonial planning and developmentalist thought. Many African housing programmes confuse “material decency” with the demand-driven, bottom-up concept, of adequate housing. Following this, the stigmatisation of autoconstructed neighbourhoods prevails and housing is primarily reduced to a question of material shelter. Adding to significant contributions about the need for southern perspectives on urban planning, this chapter offers an alternative entry point by revisiting Stokes’ A Theory of Slums published in 1962. Interestingly, Stokes’ theory did not deal with housing directly but focused on “slum” dwellers’ socioeconomic integration and structural factors of exclusion. I argue to re-interpret Stokes’ notion of barriers to social escalation as a structural discrimination of “slum” dwellers. Such stigmatisation may be read as a major reason behind the proliferation of so-called slums. Based on the author’s fieldwork in Morocco and additional literature, the aim is to deconstruct the role of “material decency” and to offer pathways towards decolonised housing concepts from the Global South. For this purpose, the chapter suggests five cornerstones of adequate housing, namely subjectivity, non-materiality, flexibility, contextuality, and choice.
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"Colonial Revival." In Sir Banister Fletcher Glossary. © the Royal Institute of British Architects (RIBA) and the University of London, 2018. http://dx.doi.org/10.5040/9781350122741.1000521.

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"6. THE COLONIAL REVIVAL." In George Washington Slept Here. Harvard University Press, 1988. http://dx.doi.org/10.4159/harvard.9780674423084.c6.

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"Islamic revival, colonial oppression." In Indonesia, Islam, and the International Political Economy. Routledge, 2017. http://dx.doi.org/10.4324/9781315223117-3.

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"COLONIAL TRADE AND RELIGIOUS REVIVAL." In Tatar Empire. Indiana University Press, 2020. http://dx.doi.org/10.2307/j.ctvtv943z.7.

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"COLONIAL REVIVAL IN THE IMMIGRANT CITY:." In A Hundred Acres of America. Rutgers University Press, 2018. http://dx.doi.org/10.2307/j.ctt22rbjp1.6.

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"Revival of labour conflicts in the 1930s." In Workplace relations in Colonial Bengal. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350237667.ch-024.

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"2. COLONIAL REVIVAL IN THE IMMIGRANT CITY." In A Hundred Acres of America. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813589732-004.

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Conference papers on the topic "Colonial revival"

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Zabelina, Daria. "THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armeni
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Zou, Han, and Baihao Li. "Notice of Retraction: The revival and boom of a colonial city: The history of modern town planning in Hong Kong (1945–1997)." In 2011 International Conference on Electric Technology and Civil Engineering (ICETCE). IEEE, 2011. http://dx.doi.org/10.1109/icetce.2011.5776363.

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Grisoni, Michela Marisa. "Modern attitudes towards vernacular architecture. Works by the Italians Luigi Angelini, Alberto Alpago Novello, Ottavio Cabiati, Alessandro Minali." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15687.

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Among the many architects practicing between the two world wars, some looked at the so-called vernacular architecture - then referred to as traditional or local, primitive, and spontaneous - as a model of genuine functionality. For some of them, its revival also stands for a solid and reliable solution for preserving the continuity between past and present, local communities and their traditions, society and its generations, a place, and its materials. Architectural historians have widely explored the theme, highlighting figures, subjects, and currents. Nevertheless, investigation of the role
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Quilodrán Rubio, Carolina, Antonio Sahady Villanueva, and José Bravo Sánchez. "La poderosa incidencia de la cartografía histórica en la reconstrucción del proceso evolutivo de La Chimba de Santiago de Chile." In Seminario Internacional de Investigación en Urbanismo. Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6170.

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A partir de la documentación histórica, en el presente estudio se analiza la representación de La Chimba entre los siglos XVI y XIX. Se analiza la reconstrucción del territorio de la otra banda u otra orilla -significado en lengua quechua-, a partir de las representaciones planimétricas de la ciudad entre el periodo colonial y los inicios de la República.&#x0D; Se revisa su configuración en el exterior de la trama urbana, interpretada en los inicios con una estricta regularidad geométrica de su cuadrícula, el contexto geográfico y la integración de este territorio suburbano a la ciudad de Sant
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Arantes, Priscila, and Cynthia Nunes. "Hacia la encruzilhada descolonial: los collages afrofuturísticos de Luiz Gustavo Nostalgia como materialización artística del cruzo." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.88.g108.

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La tarea de revisar los silencios presentes en las historias hegemónicas surge a principios del siglo XX, buscando dar una forma más amplia de entender la historia de los pueblos y naciones sometidos a la subyugación colonial. Rufino (2019) considera que este espacio de descolonización se presenta bajo el nombre de “encruzilhada” y entiende las potencialidades del orixá Exu, de la espiritualidad yoruba: el orixá de la comunicación, de los caminos y el guardián del axé (energía vital). Exu desordena lo que existe para reconstruirlo. Por lo tanto, ya que la encruzilhada es el lugar de Exu, es un
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Jain, Priyanka. "Descolonizando a recitação de imagens." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.150.g295.

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A recitação de imagens é a arte de contar histórias em verso, acompanhada por um acessório visual, como uma pintura em pergaminho ou uma tapeçaria. Numerosas práticas de recitação de imagens eram ativas na Índia, mas sofreram durante a colonização pelos britânicos de várias maneiras. A sutil censura vitoriana do tema do erótico expresso nas narrativas religiosas (que formavam a maior parte do gênero de recitação de imagens), o apagamento da oratura como primitiva, o rebaixamento das práticas de recitação de imagens como arte popular e a divisão entre imagens (objeto e adereços que podem ser ex
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Jain, Priyanka. "Descolonizando la recitación de imágenes." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.150.g294.

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La recitación de imágenes es el arte de contar historias en verso acompañado de un accesorio visual como una pintura de pergamino o un tapiz. Numerosas prácticas de recitación de imágenes se realizaban en la India, pero sufrieron de muchas maneras durante la colonización por los británicos. La sutil censura victoriana del tema de lo erótico expresado en las narrativas religiosas (que formaban la mayor parte del género de recitación de imágenes), el borrado de la oratura como primitiva, la relegación de las prácticas de recitación de imágenes como arte popular y la división entre la imagen (obj
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Alcantar, Erika Angélica. "Modernidad para las masas: dos formas de producir ciudad en México (1952-1976)." In Seminario Internacional de Investigación en Urbanismo. Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10251.

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During the 20th century in Mexico, two types of producing the city were in constant tension: the rationalist city and the popular city. The first of these, configured institutions from the first decades of the twentieth century. At the same time, the "informal city" was also developing, which grew more rapidly and proportionally from the 1940s onwards. The tension between these two visions of the city or urban cultures can be traced from the projects, testimonies and ideologies of its different actors. In this paper we propose to analyze some key discourses and ideas of these two ways of makin
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