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Books on the topic 'Color Contrast'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Martin, Freya. Creating contrast with dark plants. Guild of Master Craftsman Publications, 2000.

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2

United States. Federal Transit Administration. Office of Engineering Evaluations., ed. Detectable warning surfaces: Color, contrast, and reflectance : final report. U.S. Dept. of Transportation, Office of Engineering Evaluations, 1994.

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3

United States. Federal Transit Administration. Office of Engineering Evaluations., ed. Detectable warning surfaces: Color, contrast, and reflectance : final report. U.S. Dept. of Transportation, Office of Engineering Evaluations, 1994.

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4

(Firm), Chen Design Associates, ed. 1 C/G: One-color graphics : the power of contrast. Rockport, 2002.

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5

Geoff, Cook, ed. The colour, light, and contrast manual: Designing and managing inclusive built environments. Wiley-Blackwell, 2010.

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6

Adam, Pegie Stark. Color, contrast, and dimension in news design: Understanding the theory of color and its applications. Poynter Institute for Media Studies, 1995.

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7

Warren, Soon Y. Painting vibrant watercolors: Discover the magic of light, color and contrast. North Light Books, 2009.

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8

Chevreul, M. E. The principles of harmony and contrast of colors and their applications to the arts. Schiffer Pub., 1987.

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9

Leinonen, Markku. Taustan valaistus näkökenttätutkimuksessa =: Background luminance in visual field testing. Turun yliopisto, 1996.

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10

Parramón, José María. The book of color: The history of color, color theory, and contrast; the color of forms and shadows; color ranges and mixes; and the practice of painting with color. Watson-Guptil Publications, 1993.

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11

L, Gilchrist Alan, ed. Lightness, brightness, and transparency. L. Erlbaum, 1994.

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12

Weissman, Alain, Jacques Grellet, and Michel Clot. Double Contrast Examination of the Colon. Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-642-70395-9.

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13

Janjhī, Nūru Aḥmadu. Tharparkar, land of colour, contrast and culture. Endownment Fund Trust, 2021.

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14

Bright, Keith. Colour, contrast & perception: Design guidance for internal built environments. University of Reading, 1997.

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15

Mbanefo, Emerka. Is direct digital colour proofing a viable solution for contract proofing? LCPDT, 1994.

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16

1900-, Birren Faber, ed. The principles of harmony and contrast of colors and their applications to the arts. Schiffer Pub., 1987.

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17

Stuart, Marcy. Iceland: Color and Contrast Marcy Stuart. Blurb, 2016.

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18

Chubb, Charles, Joshua A. Solomon, and George Sperling. The Contrast Contrast Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0041.

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To most observers, a patch of medium-contrast texture viewed against a background of high-contrast texture appears lower in contrast than an identical patch viewed against a homogeneous, mean gray background. This is the contrast contrast illusion. This chapter reviews basic findings concerning this illusion; for example, the contrast contrast illusion is selective for texture spatial frequency as well as for texture contrast polarity. Several theories to account for the illusion are discussed. Related concepts such as texture contrast, textual granularity, individual differences, contrast pol

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19

Hello Baby A High Contrast Mirror Book. Priddy Books, 2012.

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20

Lindemulder, Carol A. Color and Contrast: A Book for Everyone. Outskirts Press, Incorporated, 2021.

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21

Associates, Chen Design. One-Color Graphics: The Power of Contrast. Rockport Publishers, 2002.

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22

One-Color Graphics: The Power of Contrast. Rockport Publishers, 2004.

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23

Shapiro, Arthur G. Contrast Asynchronies. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0112.

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Contrast asynchronies juxtapose color and color contrast information. The basic configuration of a contrast asynchrony consists of two identical disks whose luminance levels change in time from light to dark and back again; one disk is surrounded by a bright field and the other by a dark field; at 1Hz, observers report seeing the disks modulating in antiphase, yet also becoming light and dark at the same time. While such a configuration may look like a dynamic brightness illusion, the actual effect occurs because the visual system separates the in-phase luminance information from the antiphase

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24

Martovitskaya, Anna. Speech: 17, Contrast. Jovis Verlag GmbH, 2017.

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25

Bernert, Joseph A. Equal contrast tint progressions for computer cartography. 1987.

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26

Puppy and Friends (Color 'n Contrast Crib Book). Playskool Books, 1995.

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27

Priddy, Roger. Hello Baby Play and Learn : Colors: A High-Contrast Board Book. Priddy Books, 2013.

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28

Bright, Keith, and Geoffrey Cook. Colour, Light and Contrast Manual: Designing and Managing Inclusive Built Environments. Wiley & Sons, Incorporated, John, 2010.

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29

Nagel, M. Daylight Illumination-Color-Contrast Tables for Full-Form Objects. Elsevier Science & Technology Books, 2012.

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30

Kingdom, Frederick A. A. Color Assimilation. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0050.

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Color assimilation, also known as the Von Bezold spreading effect, is the phenomenon in which the perceived color of a region shifts toward that of its neighbor. This chapter describes the traditional form of color assimilation as well as three “special cases” where the effects are particularly dramatic: the chromatic White’s Effect, Monnier and Shevell’s ring patterns, and neon-color spreading. Three potential causes of color assimilation are discussed: neural blurring, contrast normalization, and perceptual layer decomposition. All three of these could contribute to White’s Effect, and their

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31

Allen, Grant. The Colour Sense: Its Origin And Development, An Essay In Comparative Psychology. Kessinger Publishing, LLC, 2007.

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32

Allen, Grant. The Colour Sense: Its Origin And Development, An Essay In Comparative Psychology. Kessinger Publishing, LLC, 2006.

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33

Anstis, Stuart. Color and Luminance. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0038.

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Color and luminance interact in many ways in the human visual system. For instance, the colors in an afterimage, which are due to adaptation of retinal cones, are especially vivid when test contours, presented after the adapting image, coincide with the blurred edges of the afterimage. A single colored adapting pattern can give rise to two differently colored afterimages, according to the position of black lines in the test field. This shows that colors seen by the low-acuity chromatic pathways will diffuse outward along, but not across, luminance contours. This is also true for real colors. F

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34

The visible and the invisible: Color contrast phenomena in space. Axl Books, 2009.

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35

Confident color: An artist's guide to harmony, contrast and unity. North Light Books, 2008.

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36

Priddy, Roger. Hello Baby : Baby Grip: A High Contrast Book. Priddy Books US, 2012.

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37

Herwig, Modeste. Colorful Gardens: Contrast & Combine Your Plants & Flowers for Spectacular Visual Effects. Sterling Pub Co Inc, 1996.

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38

Colorful gardens: Contrast & combine your plants & flowers for spectacular visual effects. Sterling Pub., 1994.

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39

Fun Watercolor Painting Uncovering the Magic of Light, Color and Contrast. Independently Published, 2020.

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40

Indestructibles Series Sesame Street & High Color High Contrast 6-Book Set. STEMCOOL, 2023.

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41

Barkan, Yuval, and Hedva Spitzer. The Color Dove Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0109.

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The color dove illusion is a type of a positive afterimage. The color dove illusion can be obtained with different colors and spatial surrounding regions. In this illusion the disappearance of a colored background causes an empty shape to obtain the hue of the disappeared background. The effect can be obtained even when the surrounding background area is relatively thin and when it is presented for a very short duration. This illusion occurs only when the contour of the empty shape remains after the background disappearance. Thus the color dove illusion is a positive aftereffect, which is diff

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42

Croyle, Lyle. Visual perceptual problems in reading: The effect of colour and contrast. 1998.

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43

Weskott, Hans-Peter. Vascular Ultrasound: B-Mode, Color Doppler and Duplex Ultrasound, Contrast-Enhanced Ultrasound. Thieme Medical Publishers, Incorporated, 2024.

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44

Eng, Clarence. Colours and Contrast: Ceramic Traditions in Chinese Architecture. BRILL, 2014.

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45

Borsukov, Aleksey V., Aleksey O. Bueverov, and Anna V. Tikhankova. Contrast-enhanced ultrasound in diffuse liver diseases. Special publisher of medical books, 2021. http://dx.doi.org/10.12731/978-5-91894-100-3.

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The methods handbook includes a scoring system for qualitative and quantitative criteria of contrast-enhanced ultrasound (CEUS) in diff use liver diseases. Clinical cases of multiparametric ultrasound are given: B-mode + color Doppler techniques of liver vessels + strain elastography (SE) and shear wave elastography (2DSWE) + qualitative and quantitative criteria of CEUS in various nosological forms of diff use liver diseases.

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46

Reed, Ron. Color Plus Design. 3rd ed. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501362668.

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Learn how to create unified and visually inviting spaces with the third edition of Color Plus Design. Author Ron Reed shows how color and design, when used together, can organize any space around a theme or focal point, provide harmony or contrast, and help designers avoid common color mistakes in a variety of residential and commercial interiors. Students will gain an appreciation of how different cultures around the world use color in their designs, and learn how to effectively use color in conjunction with key design principles such as balance, rhythm, emphasis, proportion, scale, unity, ha

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47

Seeing black and white. Oxford University Press, 2006.

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48

Pixton, Amy, and Lizzy Doyle. Indestructibles High Color High Contrast : Taste the Fruit!: Chew Proof · Rip Proof · Nontoxic · 100% Washable. Workman Publishing Company, Incorporated, 2022.

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49

Pixton, Amy, and Lizzy Doyle. Indestructibles High Color High Contrast : Touch Your Nose!: Chew Proof · Rip Proof · Nontoxic · 100% Washable. Workman Publishing Company, Incorporated, 2022.

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50

Indestructibles High Color High Contrast 48-Cc Counter Display: IND HC/HC 48-Cc Counter. Workman Publishing Company, Incorporated, 2023.

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