Academic literature on the topic 'Color in architecture'

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Journal articles on the topic "Color in architecture"

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Jevremovic, Ljiljana, Branko Turnsek, Ana Stanojevic, Marina Jordanovic, and Milanka Vasic. "Use of color in architecture - industrial architecture perspective." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 49–63. http://dx.doi.org/10.2298/fuace191016004j.

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This paper deals with the color theory and the application of this theory in architectural design. Since the modernist architects and modern era in architecture, the colors of the buildings were not in the focus of their authors. On the contrary, the modern movement has taught us that color, and especially artificial one, is almost a crime to use and in a way, it expresses a lack of a style. Through examining universal color harmony principles in this paper the problem and phenomenon of using colors in contemporary architecture was discussed, which had its roots in the modern movement and evolved through technological advance especially in material technology. The industrial architecture is used as an example, to narrow down the research field, but also for the reasons of extensive and creative use of color in this type of buildings. We have examined several industrial buildings that have been systematized into three categories. All three categories are analyzed for the application of general color harmony principles. Then discussion focuses on refining principles of color usage in architecture that appear in contemporary architecture in order to systematize those principles, particularly important for architectural education and new practitioners of architecture. In conclusion, it is stated that universal color harmony principles are applicable in architecture as well, as in other visual arts.
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Jaglarz, Anna. "Perception of Color in Architecture and Urban Space." Buildings 13, no. 8 (2023): 2000. http://dx.doi.org/10.3390/buildings13082000.

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The various colors and color combinations in an urban environment are perceived and experienced individually. The article indicates the important role of color in shaping architecture and urban space. The paper discusses the theories of color harmony as an aesthetic principle in architectural design. The results of the research have proven the significant role of color as an element of the composition of urban space affecting the observer. This translates into the importance of color in architectural design, taking into account the difficulty and ambiguity in predicting color aesthetics; the impact of color on humans; and its cognitive, emotional and behavioral effects. The information and conclusions obtained as a result of the literature studies and the results of the survey gave the basis for determining various color strategies in shaping architecture and the effects that we can achieve in urban space thanks to a well-thought-out, conscious use of colors. The research findings also indicate that it is necessary to supplement architectural education programs with broadly understood knowledge about color and its impact on humans. The implemented activities are a response to current ideas and directions in designing and teaching architectural design outlined and suggested as part of the New European Bauhaus initiative.
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Zhang, Shu, Jun Li, and Yi Jie Liu. "A Study of Color Design in Industry Landscape Architecture Environment." Advanced Materials Research 726-731 (August 2013): 3622–26. http://dx.doi.org/10.4028/www.scientific.net/amr.726-731.3622.

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Most of metallurgy industry enterprises in our country were built early and the architectures of which were old while environment colors miscellaneous. With the rapid development of economy and improvement of aesthetic standard, the art and aesthetic of industry architecture environment was paid the important attention. Color plays a very important role in the environmental cognition aspects. It can not only facilitate people to cognitive surrounding responsible and dangerous working environment, but also to allow workers to improve work efficiency and improve the living comfort level. A good relationship with the color and the industry environment is important to our future industrial landscape design and industrial architecture design. And we should present the building colors with new ways so as to create Chinese industrial culture with Chinese characteristics. Based on the industry architecture environment, this article expounds the importance, emotional and functional of color design, and deeply analysis the effect and influence factors of color design in industry landscape architecture environment, and also brought the requirement to color design.
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Дудченко, М., M. Dudchenko, А. Попов, and A. Popov. "COLORISTICS AS A FACTOR OF AESTHETIC EXPERIENCE." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 4, no. 10 (2019): 111–09. http://dx.doi.org/10.34031/article_5db3e5064806a9.03183140.

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The article describes the importance of coloristics. Color is an integral part that forms a complete image of the world. It can unite urban ensembles, to bear the emotional and aesthetic burden. Color fills the world with expressiveness. The various functions of light in a person's life help to reveal the concepts of a color phenomenon, which contains a mixture of colors, the theory of color harmonies, manifested in the spiritual and material qualities of being. The color phenomenon is association formed in the consciousness. An important aspect in the formation of architectural space is the color of the object-spatial environment. This is a system that includes the color environment of natural objects and the human made architecture. Creative experience and scientific research in the field of color solutions are used for the successful design of the subject-spatial environment. In architecture, color is manifested in terms of aesthetic and psychological approaches. Any activity to create color solutions of the architectural space aims to meet the aesthetic requirements. In addition, coloristics must consider the function of objects, their design and features of the object concept in order to solve a wide range of issues.
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Scheper, Hinnerk, Lou Scheper-Berkenkamp, and Morgan Ridler. "Architecture and Color." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 25, no. 1 (2018): 78–96. http://dx.doi.org/10.1086/699499.

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Vosbeck, R. Randall. "Color in architecture." Color Research & Application 9, no. 2 (2009): 103–5. http://dx.doi.org/10.1002/col.5080090209.

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Hutton, Louisa. "Modern Color/Modern Architecture." Architectural Research Quarterly 7, no. 1 (2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.

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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.
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Ghai, Akanksha, Sandhya Ghai, and Amit Mittal. "Perceived Impact of Colors in Interiors and Architecture." ECS Transactions 107, no. 1 (2022): 10895–902. http://dx.doi.org/10.1149/10701.10895ecst.

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Colors are an inextricable element of the world we live in, and their influence on how people perceive their surroundings is irrefutable. It is a subtle stimulator with silent impact on physical, physiological, psychological, and sociological aspects in every day human lives. An interior designer can use color theory and alter characteristics of rooms by pleasing color plan for interiors to match the purpose and interests of residents. Therefore, the author had undertaken a study and interviewed people from different walks of life to assess their perception about the use of colors in interiors and concluded that people expressed color as an important factor in interior design. They prefer different colors as per the size and space of each room and considered quality material, availability of natural light, and matched the color of interiors. They also believe that color affects health, mood, and emotions of the person.
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Lv, Guang, Ningfang Liao, Chang Yuan, Lizhong Wei, and Yunpeng Feng. "A Study on the Color Prediction of Ancient Chinese Architecture Paintings Based on a Digital Color Camera and the Color Design System." Applied Sciences 14, no. 13 (2024): 5916. http://dx.doi.org/10.3390/app14135916.

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Color paintings such as painted facades and interiors are important decoration elements of ancient Chinese architectures. The color of the paintings usually fades over time due to exposure to strong light, high humidity, high temperatures, and other environmental factors. In order to restore or reproduce the color appearance of ancient architecture paintings correctly, it was necessary to study the color degradation process of such paintings. To meet the needs of on-site colorimetric measurement of the paintings on ancient Chinese architectures, we propose using a digital color camera and the CDS (Color Design System) to measure and evaluate the colors of such paintings. The CDS is a color order system recommended by the Chinese national technical committee for color standardization (SAC/TC 120) in 2017 (GB/Z 35473-2017). The current version of the CDS atlas contains about 2740 samples which were uniformly distributed on the whole color space, and can be used to set up the colorimetric characterization model for the digital camera. Particularly, the digital CDS lookup table contains over 400 thousand samples, and it can be used to express the color of paintings on ancient Chinese architectures. In the experiment, a digital color camera was used to capture the colors of the paintings on the ancient Chinese architectures of different years based on the CDS and polynomial transform method. Moreover, a linear interpolation method was proposed for calculating and predicting the color degradation of such paintings. The experimental results show that with the increase in years, the color hue of the paintings changes slowly, while the lightness and the chroma of them fade obviously. In the future, more ancient architectures of different years and from different places should be selected as experimental samples to improve the method and the results of the paper.
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Han, Xin, Ying Yu, Lei Liu, et al. "Exploration of street space architectural color measurement based on street view big data and deep learning—A case study of Jiefang North Road Street in Tianjin." PLOS ONE 18, no. 11 (2023): e0289305. http://dx.doi.org/10.1371/journal.pone.0289305.

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Urban space architectural color is the first feature to be perceived in a complex vision beyond shape, texture and material, and plays an important role in the expression of urban territory, humanity and style. However, because of the difficulty of color measurement, the study of architectural color in street space has been difficult to achieve large-scale and fine development. The measurement of architectural color in urban space has received attention from many disciplines. With the development and promotion of information technology, the maturity of street view big data and deep learning technology has provided ideas for the research of street architectural color measurement. Based on this background, this study explores a highly efficient and large-scale method for determining architectural colors in urban space based on deep learning technology and street view big data, with street space architectural colors as the research object. We conducted empirical research in Jiefang North Road, Tianjin. We introduced the SegNet deep learning algorithm to semantically segment the street view images, extract the architectural elements and optimize the edges of the architecture. Based on K-Means clustering model, we identified the colors of the architectural elements in the street view. The accuracy of the building color measurement results was cross-sectionally verified by means of a questionnaire survey. The validation results show that the method is feasible for the study of architectural colors in street space. Finally, the overall coordination, sequence continuity, and primary and secondary hierarchy of architectural colors of Jiefang North Road in Tianjin were analyzed. The results show that the measurement model can realize the intuitive expression of architectural color information, and also can assist designers in the analysis of architectural color in street space with the guidance of color characteristics. The method helps managers, planners and even the general public to summarize the characteristics of color and dig out problems, and is of great significance in the assessment and transformation of the color quality of the street space environment.
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Dissertations / Theses on the topic "Color in architecture"

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LUEHMANN, NORA. "COLOR AND SPACE IN ARCHITECTURE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147807308.

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Buchanan, Mark C. (Mark Calvin). "Color and form." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/64868.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.<br>Includes bibliographical references (p. 77).<br>I have always been interested in painting, particularly in the use of color to describe space, time and emotion. This thesis integrates painterly concepts in the making of architecture. Some issues explored include color complementarity, material color, and the expressive use of color in the design process. By thinking of color a<; I design I endeavor to enhance the habitable experience and enable color to actively generate the creation of architecture. The vehicle for color study is the design of a pedestrian bridge in Tacoma Washington. The focus is to produce several schemes exploring color and material and its sequencing along the bridge. The programmatic scope is constrained to maximize issues of color and form making. The design used various media to visualize the design and explore two color systems. Additive color systems lead to painting, pastels, colored pencil, and plaster casting. The computer facilitated image processing, geometrical modelling, and color/ texture mapping in a "subtractive" color system.<br>by Mark C. Buchanan.<br>M.Arch.
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Bardon, Didier. "Adaptive color in dynamic mapping : a method for predictable color modifications." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/64512.

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Razem, Maiss Jebriel. "Painterly Conception of Architecture." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/34755.

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The art of painting opens vast expressive possibilities for architecture, wherein architecture can produce a more conducive atmosphere for the contemplation of painting. The subtle affinities between the two fields stirred me to explore the individualistic expressiveness of the sensory realm in a painting and how it can inspire an architect. My thesis starts from an interest in a painting of Kandinsky's. The painting "Yellow, Red, Blue" stirred my curiosity in the potency of its beauty and made me ask questions in regards to what I can capture, learn and express architecturally. The aim is to design a Contemporary Art Center to be situated within the fabric of Virginia Tech campus. Throughout the various stages of design, the finality of the project resulted from dealing with the various inputs from: Kandinsky's painting as a catalyst and inspirer to the design, to the contextual issues and ways of urban integration and also dealing with the nature of the project's function and programmatic needs.<br>Master of Architecture
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Ebrahim, Hajar Mohammad. "An architecture of play." Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/96600.

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Play is important in a child's development, growth and education. Children must be given a space where--in place of formal education--wonder and the love of play can be fostered and encouraged, allowing them to transition into becoming young individuals. By constructing a building with them in mind, children are offered opportunities to discover, play, and wonder.<br>Master of Architecture<br>This thesis challenges the typical symmetrical, standard, or traditional school system in an attempt to teach children concepts of light, shadow and color, geometry and to provide them with a sense of their natural environment, or surroundings all while inviting them to learn in a playful matter.
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Walker, Julie L. "In situ color control for reflection holography." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/14908.

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Rosenzweig, Elizabeth. "A personal color proofing system for computer generated images." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/77304.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Includes bibliographical references (leaves 71-73).<br>Just as the invention of photography challenged the world's visual literacy at the turn of the century, so has computer graphics begun to reshape visual communication. Although still in its infancy, recently developed tools for visual communication have made computer graphics and electronic imaging accessible to a much larger number of artists and other professionals. The use of these systems has emphasized a new need for an automatic color image proofing system combining text and images in variable size. Such a system would ease the distribution of and accessibility to digital images with high quality and low cost. This thesis describes the Color Proofer, a system that has been designed to meet these needs. This system includes a software package that performs basic image processing functions similar to basic darkroom manipulations, designed for color hardcopy. It also includes a system for creating halftone dot fonts to aid in the production of high quality color proofs. A typesetter capable of producing magazine quality color images and text is an integral component of the Color Proofer. The Color Proofer is designed for photographers and graphic designers who want high quality proofs of computer generated images.<br>by Elizabeth Rosenzweig.<br>M.S.V.S.
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Feldman, U. "Quantifying the dimensions of color experience." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12558.

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Mardin, Osam Ramzi. "Healing Over-the-Rhine with Light and Color in Architecture." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085687343.

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Pietsch, Christopher Alexander. "Reflections of Color and Light." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/50419.

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An integral part of human vision is the perception of color through the reflection of light. At any moment the human eye is receiving a complex polychromatic reflection of its environment, and the human mind is perceiving many hundreds or thousands of colors. In architecture, light is often a primary consideration in a design, but color is rarely discussed. It makes its presence known, however, as the light entering into a building will carry with it the reflections of the environment. The elements of architecture appear quite different at varying times of the day; at varying times of the year. Even at the same time of day two walls painted the same color will appear as two different colors if placed in different light conditions. This thesis attempts to capture this phenomenon and elaborate on the possibilities of working with light through reflection. It is not meant to give a specific answer, but rather to show the results of a search to find a way of working with light through color.<br>Master of Architecture
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Books on the topic "Color in architecture"

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Bottura, Roberto. Color, graphics & architecture. LINKS, 2010.

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Crosbie, Michael J. Architecture colors. Preservation Press, National Trust for Historic Preservation, 1993.

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Servantie, Marie-Pierre. Chromo-architecture. Alternatives, 2007.

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Miller, Mary C. Color for interior architecture. Wiley, 1997.

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Linton, Harold. Color model environments: Color andlight in three-dimensional form. Van Nostrand Reinhold, 1985.

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Hershman, Susan. House colors: Exterior color by style of architecture. Gibbs Smith, 2007.

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Ernesto, Alva Martínez, and Schara Ickowicz Sara, eds. Color en la arquitectura mexicana. COMEX, 1992.

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Tomassi, Francesco. Francesco Tomassi: Architettura come colore = architecture as colour. Arsenale, 1994.

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Braham, William W. Modern color/modern architecture: Amédée Ozenfant and the genealogy of color in modern architecture. Ashgate, 2002.

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Struhár, Laco. Slovakia in color: Architecture, art & nature. Bolchazy-Carducci Publishers, 2001.

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Book chapters on the topic "Color in architecture"

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Winkler, Erhard M. "Color and Color Stability of Stone." In Stone in Architecture. Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-662-10070-7_4.

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Swirnoff, Lois. "Architecture and the Significance of the Surface." In Dimensional Color. Birkhäuser Boston, 1989. http://dx.doi.org/10.1007/978-1-4757-2073-0_2.

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Neils, Jenifer. "Color and Carving." In A Companion to Greek Architecture. John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118327586.ch12.

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Zhang, Ziying. "Virtual Color Restoration for Ancient Architecture by Color Transfer." In Proceedings of International Conference on Image, Vision and Intelligent Systems 2022 (ICIVIS 2022). Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0923-0_24.

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Xu, Honglei. "Study on Color in Landscape Architecture." In Lecture Notes in Electrical Engineering. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-35440-3_29.

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Jia, Wenjing, Huaifeng Zhang, Xiangjian He, and Qiang Wu. "Symmetric Color Ratio in Spiral Architecture." In Computer Vision – ACCV 2006. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11612704_21.

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Lee, Ji-Hyun, and Wei Qian. "Color Your Feeling." In Recent Advances in Design and Decision Support Systems in Architecture and Urban Planning. Springer Netherlands, 2004. http://dx.doi.org/10.1007/1-4020-2409-6_8.

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Bhattacharyya, Siddhartha, and Ujjwal Maulik. "Color Object Extraction by Parallel BDSONN Architecture." In Soft Computing for Image and Multimedia Data Processing. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-40255-5_7.

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Choi, Young Seok, Musun Kwak, and Youn Sung Na. "Color Filter Architecture, Materials, and Process Flow." In Flat Panel Display Manufacturing. John Wiley & Sons Ltd, 2018. http://dx.doi.org/10.1002/9781119161387.ch3.

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Han, Dongil. "Real-Time Color Gamut Mapping Architecture and Implementation for Color-Blind People." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-27795-8_14.

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Conference papers on the topic "Color in architecture"

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Unver, Rengin. "Color education in architecture." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464645.

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Durao, Maria. "Color in Space Architecture." In AIAA Space Architecture Symposium. American Institute of Aeronautics and Astronautics, 2002. http://dx.doi.org/10.2514/6.2002-6107.

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Zhai, Nan, Xiaojun Liu *, and Miaomiao Zhou. "Color Laws and User Preferences in Product Color Design." In Human Systems Engineering and Design (IHSED 2021) Future Trends and Applications. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe1001161.

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Morandi colors are popular in architecture, home furnishing, clothing, and other applications. The laws of Morandi colors will be summarized in this paper, at the same time, its color matching is applied to the design of products to explore the factors affecting user preferences. Morandi colors of different hues have medium and low saturation and lightness. Also, the color matching is harmonious, which can bring people comfortable and pleasant visual feelings. Furthermore, Morandi colors on products of modern, elegant, and exquisite visual characteristics are the factors of user preferences, and the color matching can satisfy the basic requirements of function, interaction, and safety. The results can provide guidance for the application of Morandi colors in product design.
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Smedal, Grete. "Color as a language in architecture." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464625.

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Schindler, Verena M. "Color in present culture of European architecture." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464617.

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Soroush, M. M. G. "Abianeh Village – “of the same color as nature”." In ECO-ARCHITECTURE 2008. WIT Press, 2008. http://dx.doi.org/10.2495/arc080081.

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Woolfe, Geoffrey J., and Kevin E. Spaulding. "Color image processing using an image state architecture." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464660.

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Gregory, Paul. "Painting with light: enlightening your architecture with color." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464742.

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Linton, Harold E. "Expanding color design methods for architecture and allied disciplines." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464544.

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Green-Armytage, Paul. "Future of color in the visual arts, architecture, and design." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464739.

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Reports on the topic "Color in architecture"

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Author, Not Given. Hardware architecture study for color printed pattern defect detection. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/10129744.

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Zhylenko, Tetyana I. Auto Checker of Higher Mathematics - an element of mobile cloud education. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3895.

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We analyzed the main cloud services in the article. We also described the main contribution of mobile cloud technology to education. The article presents the author’s development from the field of mobile cloud education in higher mathematics. The design architecture of this application is described in detail: QR generator and scanner, authorization, sending tasks. Block diagrams and images are presented that clearly demonstrate the operation of the application. We showed an example of solving the integral from the section of integral calculus for higher mathematics and showed how to download the answer in the form of a QR code and find out whether it is correct or incorrect (this can be seen by the color on the smart phone screen). It is shown how this technology helps the teacher save time for checking assignments completed by students. This confirms its effectiveness. Such an application provides students and teachers with the ability to store and process data on a cloud computing platform.
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Tran, Tan Phuc. Preservation/Restoration 101 - Some Theoretical Perspectives. Mytho International and Philosophical Review, 2023. http://dx.doi.org/10.56624/mtu0001.

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On April 12, 2023, photos of a newly restored French villa in Hanoi with a budget of 14 billion VND were published. Discussions were rigorous with the participation of the public and architects about the seemingly new and strange color of the villa. Many references to the original colors have been provided. The case seems to end on April 14, 2023, when the People's Committee of Hoan Kiem District claimed that the current colors are just studies, not official color of the work. This article does not specifically discuss this case. The writer wants to take this opportunity to provide some background theories in architectural conservation - restoration, which has not been discussed much with the public in Vietnam. The writer admits that the approach is somewhat biased towards Preservation than Restoration, partly due to past training and work experience. TLDR: Preservation - Restoration are two opposing approaches with their own advantages and disadvantages. Most of the world heritage interventions are a combination of these two. Above all, this confrontation is still an open discussion, and is still evolving.
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SUPER-RESOLUTION RECONSTRUCTION AND HIGH-PRECISION TEMPERATURE MEASUREMENT OF THERMAL IMAGES UNDER HIGH- TEMPERATURE SCENES BASED ON NEURAL NETWORK. The Hong Kong Institute of Steel Construction, 2024. http://dx.doi.org/10.18057/ijasc.2024.20.2.9.

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Accurate temperature readings are vital in fire resistance tests, but conventional thermal imagers often lack sufficient resolution, and applying super-resolution algorithms can disrupt the temperature and color correspondence, leading to limited efficiency. To address these issues, a convolutional network tailored for high-temperature scenes is designed for image super-resolution with the internal joint attention sub-residual blocks (JASRB) efficiently integrating channel, spatial attention mechanisms, and convolutional modules. Furthermore, a segmented method is developed for predicting thermal image temperature using color temperature measurements and an interpretable artificial neural network. This approach predicts temperatures in super-resolution thermal images ranging from 400 to 1200°C. Through comparative validation, it is found that the three-neuron neural network approach demonstrates superior prediction accuracy compared to other machine learning methods. The seamlessly combined proposed super-resolution architecture with the temperature measurement method has a predicted RMSE of 20°C for the whole temperature range with over 85% of samples falling within errors of 30°C.
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