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Journal articles on the topic 'Color in architecture'
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Jevremovic, Ljiljana, Branko Turnsek, Ana Stanojevic, Marina Jordanovic, and Milanka Vasic. "Use of color in architecture - industrial architecture perspective." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 49–63. http://dx.doi.org/10.2298/fuace191016004j.
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This paper deals with the color theory and the application of this theory in architectural design. Since the modernist architects and modern era in architecture, the colors of the buildings were not in the focus of their authors. On the contrary, the modern movement has taught us that color, and especially artificial one, is almost a crime to use and in a way, it expresses a lack of a style. Through examining universal color harmony principles in this paper the problem and phenomenon of using colors in contemporary architecture was discussed, which had its roots in the modern movement and evolved through technological advance especially in material technology. The industrial architecture is used as an example, to narrow down the research field, but also for the reasons of extensive and creative use of color in this type of buildings. We have examined several industrial buildings that have been systematized into three categories. All three categories are analyzed for the application of general color harmony principles. Then discussion focuses on refining principles of color usage in architecture that appear in contemporary architecture in order to systematize those principles, particularly important for architectural education and new practitioners of architecture. In conclusion, it is stated that universal color harmony principles are applicable in architecture as well, as in other visual arts.
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Jaglarz, Anna. "Perception of Color in Architecture and Urban Space." Buildings 13, no. 8 (2023): 2000. http://dx.doi.org/10.3390/buildings13082000.
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The various colors and color combinations in an urban environment are perceived and experienced individually. The article indicates the important role of color in shaping architecture and urban space. The paper discusses the theories of color harmony as an aesthetic principle in architectural design. The results of the research have proven the significant role of color as an element of the composition of urban space affecting the observer. This translates into the importance of color in architectural design, taking into account the difficulty and ambiguity in predicting color aesthetics; the impact of color on humans; and its cognitive, emotional and behavioral effects. The information and conclusions obtained as a result of the literature studies and the results of the survey gave the basis for determining various color strategies in shaping architecture and the effects that we can achieve in urban space thanks to a well-thought-out, conscious use of colors. The research findings also indicate that it is necessary to supplement architectural education programs with broadly understood knowledge about color and its impact on humans. The implemented activities are a response to current ideas and directions in designing and teaching architectural design outlined and suggested as part of the New European Bauhaus initiative.
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Zhang, Shu, Jun Li, and Yi Jie Liu. "A Study of Color Design in Industry Landscape Architecture Environment." Advanced Materials Research 726-731 (August 2013): 3622–26. http://dx.doi.org/10.4028/www.scientific.net/amr.726-731.3622.
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Most of metallurgy industry enterprises in our country were built early and the architectures of which were old while environment colors miscellaneous. With the rapid development of economy and improvement of aesthetic standard, the art and aesthetic of industry architecture environment was paid the important attention. Color plays a very important role in the environmental cognition aspects. It can not only facilitate people to cognitive surrounding responsible and dangerous working environment, but also to allow workers to improve work efficiency and improve the living comfort level. A good relationship with the color and the industry environment is important to our future industrial landscape design and industrial architecture design. And we should present the building colors with new ways so as to create Chinese industrial culture with Chinese characteristics. Based on the industry architecture environment, this article expounds the importance, emotional and functional of color design, and deeply analysis the effect and influence factors of color design in industry landscape architecture environment, and also brought the requirement to color design.
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Дудченко, М., M. Dudchenko, А. Попов, and A. Popov. "COLORISTICS AS A FACTOR OF AESTHETIC EXPERIENCE." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 4, no. 10 (2019): 111–09. http://dx.doi.org/10.34031/article_5db3e5064806a9.03183140.
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The article describes the importance of coloristics. Color is an integral part that forms a complete image of the world. It can unite urban ensembles, to bear the emotional and aesthetic burden. Color fills the world with expressiveness. The various functions of light in a person's life help to reveal the concepts of a color phenomenon, which contains a mixture of colors, the theory of color harmonies, manifested in the spiritual and material qualities of being. The color phenomenon is association formed in the consciousness. An important aspect in the formation of architectural space is the color of the object-spatial environment. This is a system that includes the color environment of natural objects and the human made architecture. Creative experience and scientific research in the field of color solutions are used for the successful design of the subject-spatial environment. In architecture, color is manifested in terms of aesthetic and psychological approaches. Any activity to create color solutions of the architectural space aims to meet the aesthetic requirements. In addition, coloristics must consider the function of objects, their design and features of the object concept in order to solve a wide range of issues.
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Scheper, Hinnerk, Lou Scheper-Berkenkamp, and Morgan Ridler. "Architecture and Color." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 25, no. 1 (2018): 78–96. http://dx.doi.org/10.1086/699499.
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Vosbeck, R. Randall. "Color in architecture." Color Research & Application 9, no. 2 (2009): 103–5. http://dx.doi.org/10.1002/col.5080090209.
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Hutton, Louisa. "Modern Color/Modern Architecture." Architectural Research Quarterly 7, no. 1 (2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.
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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.
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Ghai, Akanksha, Sandhya Ghai, and Amit Mittal. "Perceived Impact of Colors in Interiors and Architecture." ECS Transactions 107, no. 1 (2022): 10895–902. http://dx.doi.org/10.1149/10701.10895ecst.
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Colors are an inextricable element of the world we live in, and their influence on how people perceive their surroundings is irrefutable. It is a subtle stimulator with silent impact on physical, physiological, psychological, and sociological aspects in every day human lives. An interior designer can use color theory and alter characteristics of rooms by pleasing color plan for interiors to match the purpose and interests of residents. Therefore, the author had undertaken a study and interviewed people from different walks of life to assess their perception about the use of colors in interiors and concluded that people expressed color as an important factor in interior design. They prefer different colors as per the size and space of each room and considered quality material, availability of natural light, and matched the color of interiors. They also believe that color affects health, mood, and emotions of the person.
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Lv, Guang, Ningfang Liao, Chang Yuan, Lizhong Wei, and Yunpeng Feng. "A Study on the Color Prediction of Ancient Chinese Architecture Paintings Based on a Digital Color Camera and the Color Design System." Applied Sciences 14, no. 13 (2024): 5916. http://dx.doi.org/10.3390/app14135916.
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Color paintings such as painted facades and interiors are important decoration elements of ancient Chinese architectures. The color of the paintings usually fades over time due to exposure to strong light, high humidity, high temperatures, and other environmental factors. In order to restore or reproduce the color appearance of ancient architecture paintings correctly, it was necessary to study the color degradation process of such paintings. To meet the needs of on-site colorimetric measurement of the paintings on ancient Chinese architectures, we propose using a digital color camera and the CDS (Color Design System) to measure and evaluate the colors of such paintings. The CDS is a color order system recommended by the Chinese national technical committee for color standardization (SAC/TC 120) in 2017 (GB/Z 35473-2017). The current version of the CDS atlas contains about 2740 samples which were uniformly distributed on the whole color space, and can be used to set up the colorimetric characterization model for the digital camera. Particularly, the digital CDS lookup table contains over 400 thousand samples, and it can be used to express the color of paintings on ancient Chinese architectures. In the experiment, a digital color camera was used to capture the colors of the paintings on the ancient Chinese architectures of different years based on the CDS and polynomial transform method. Moreover, a linear interpolation method was proposed for calculating and predicting the color degradation of such paintings. The experimental results show that with the increase in years, the color hue of the paintings changes slowly, while the lightness and the chroma of them fade obviously. In the future, more ancient architectures of different years and from different places should be selected as experimental samples to improve the method and the results of the paper.
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Han, Xin, Ying Yu, Lei Liu, et al. "Exploration of street space architectural color measurement based on street view big data and deep learning—A case study of Jiefang North Road Street in Tianjin." PLOS ONE 18, no. 11 (2023): e0289305. http://dx.doi.org/10.1371/journal.pone.0289305.
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Urban space architectural color is the first feature to be perceived in a complex vision beyond shape, texture and material, and plays an important role in the expression of urban territory, humanity and style. However, because of the difficulty of color measurement, the study of architectural color in street space has been difficult to achieve large-scale and fine development. The measurement of architectural color in urban space has received attention from many disciplines. With the development and promotion of information technology, the maturity of street view big data and deep learning technology has provided ideas for the research of street architectural color measurement. Based on this background, this study explores a highly efficient and large-scale method for determining architectural colors in urban space based on deep learning technology and street view big data, with street space architectural colors as the research object. We conducted empirical research in Jiefang North Road, Tianjin. We introduced the SegNet deep learning algorithm to semantically segment the street view images, extract the architectural elements and optimize the edges of the architecture. Based on K-Means clustering model, we identified the colors of the architectural elements in the street view. The accuracy of the building color measurement results was cross-sectionally verified by means of a questionnaire survey. The validation results show that the method is feasible for the study of architectural colors in street space. Finally, the overall coordination, sequence continuity, and primary and secondary hierarchy of architectural colors of Jiefang North Road in Tianjin were analyzed. The results show that the measurement model can realize the intuitive expression of architectural color information, and also can assist designers in the analysis of architectural color in street space with the guidance of color characteristics. The method helps managers, planners and even the general public to summarize the characteristics of color and dig out problems, and is of great significance in the assessment and transformation of the color quality of the street space environment.
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Walker, Nathaniel Robert. "Classicisms of Color: Transatlantic Exchanges in African and American Traditional Architecture." Journal of Traditional Building, Architecture and Urbanism, no. 2 (November 10, 2021): 437–51. http://dx.doi.org/10.51303/jtbau.vi2.531.
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The beautiful city of Charleston, South Carolina, was built by enslaved Africans, and the painful historical connections between classical architecture and slavery have encouraged some critics to see classicism as racist. Contemporary black artist Jonathan Green, however, proposed a new way of viewing Charleston’s buildings: as a testament to black creativity and resilience that fused African architectural traditions, such as colonnaded porches and metalwork, with European ones. Following Green, this essay traces a number of trans-Atlantic architectural connections forged during the age of empires. Many different African nations, from Ethiopia to Ghana, developed great classical architectures that traveled to Europe and America through the migration of people or the publication of books. African-American designs also returned to Africa, sometimes with European accents, and found compatibility with indigenous traditions. As Green asserted, a beautiful truth emerges from this study: traditional architecture is bigger than racism. It is African, American, and human.
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Kim and Han. "A Quantification Procedure for Interior Performance of Architectural Openings Associated with Dye-Sensitized Solar Cells." Sustainability 11, no. 22 (2019): 6461. http://dx.doi.org/10.3390/su11226461.
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Windows with various colors are important design elements used widely ranging from traditional architecture to contemporary buildings to express the architectural façade, the interior atmosphere, and so on. Recently, there is a possibility that solar cells can be used to replace windows with various colors. In particular, attempts to manufacture windows using Dye-Sensitized Solar Cells (DSSCs) are actively underway. Accordingly, there is a need to determine physical and environmental performances of DSSCs. This study attempted a methodological approach to evaluate indoor environmental performance of windows and DSSCs. The concept of color gamut overage normally used in the field of displays was utilized to evaluate color expressions. In addition, a standard visual inspection table suggested by the International Ophthalmological Society was used to evaluate the recognition of shapes. This study compared performances between RGB color windows and DSSCs using the two above previous concepts. Measurement data showed that most DSSCs performed poorly in comparison with architectural color windows. However, some DSSCs showed good enough performances that could be used as alternatives of architectural color windows. Green DSSCs with VLT 18% had a color gamut similar to clear glasses. Blue DSSCs with VLT 18% were found to have similar or better shape recognition than current architectural color windows. Based on these results, limitations of DSSCs as alternatives of architectural color windows and their future development directions are suggested.
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Cui, Zhang. "Research on Planning and Design of Urban Architectural Color in Changchun." E3S Web of Conferences 165 (2020): 04029. http://dx.doi.org/10.1051/e3sconf/202016504029.
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Architecture is the soul of city color. The planning focus of city color is city architecture, especially the planning control of the main wall color of street buildings. The design of architectural color should not only consider the surrounding environment of the building, the content of the building and the building materials, but also proceed from the aesthetic needs and conform to the principle of color engineering. On this basis, the plan proposes color design guidelines and relies on scientific and standardized “urban building color design guidelines” to achieve the purpose of maintaining the original appearance of history and creating a new era style. Besides the traditional buildings, the other “architectural color guidelines” should leave more room for manoeuvre and not restrict the creative thinking of architects.
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Yoshizawa, Tatsuya. "Color for interior architecture." Color Research & Application 27, no. 3 (2002): 217–18. http://dx.doi.org/10.1002/col.10054.
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Khalifa, Khaled Ben, Ahmed Ghazi Blaiech, Mehdi Abadi, and Mohamed Hedi Bedoui. "New Hardware Architecture for Self-Organizing Map Used for Color Vector Quantization." Journal of Circuits, Systems and Computers 29, no. 01 (2019): 2050002. http://dx.doi.org/10.1142/s0218126620500024.
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In this paper, we present a new generic architectural approach of a Self-Organizing Map (SOM). The proposed architecture, called the Diagonal-SOM (D-SOM), is described as an Hardware–Description-Language as an intellectual property kernel with easily adjustable parameters.The D-SOM architecture is based on a generic formalism that exploits two levels of the nested parallelism of neurons and connections. This solution is therefore considered as a system based on the cooperation of a distributed set of independent computations. The organization and structure of these calculations process an oriented data flow in order to find a better treatment distribution between different neuroprocessors. To validate the D-SOM architecture, we evaluate the performance of several SOM network architectures after their integration on a Xilinx Virtex-7 Field Programmable Gate Array support. The proposed solution allows the easy adaptation of learning to a large number of SOM topologies without any considerable design effort. [Formula: see text] SOM hardware is validated through FPGA implementation, where temporal performance is almost twice as fast as that obtained in the recent literature. The suggested D-SOM architecture is also validated through simulation on variable-sized SOM networks applied to color vector quantization.
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Hamdy, Heba-Tallah. "COLOR USAGE AS TOOL OF CODING AND CLASSIFICATION IN INTERIOR ARCHITECTURE." Journal of Art & Architecture Research Studies - JAARS 1, no. 1 (2020): 114–30. http://dx.doi.org/10.47436/jaarsfa.v1i1.49.
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Based on three main causes this paper intends to motivate interior architecture designers to utilize color as coding tool to be more feasible. First cause: the potential capability of color as powerful element of interior architecture with distinguish relation between human and objects. Second cause: the rapid developments of our contemporary life, which generate enormous items need to be classified. Third cause: the domain of using color as means of coding requires more awareness in spite the existence of many studies and application covering many aspects of color uses and explaining the role color plays in our lives. The paper will investigate types of architecture spaces that more compatible with color coding concepts, likely to enforce interior architectural design like healthcare and educational facilities, industrial projects. The paper will expose to recognize case to confirm the necessity of using color as coding tool. Important recommendations and consideration will be indicated.
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Remawa, Anak Agung Gede Rai, I. Kadek Dwi Noorwatha, I. Made Pande Artadi, Toddy Hendrawan Yupardhi, and Putu Ari Darmastuti. "WARNABALI: BALINESE COLOR INTENSITY DIVERSIFICATION FOR DEVELOPMENT OF BALI MODERN INTERIOR AND ARCHITECTURE COATING IN ADDITIVE COLOR ONLINE BASED EXPERIMENT." Journal of Aesthetics, Design, and Art Management 2, no. 1 (2022): 52–62. http://dx.doi.org/10.58982/jadam.v2i1.186.
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Purpose: This study aims to conduct experiments on enriching the intensity of traditional Balinese colors that are relevant to the application of color in modern interiors and architecture.
 Research methods:The research method uses online-based experiments by mixing Balinese colors with light and dark characters in a ratio of 66.7%: 33.3%. Mixing is done by crossing process and the results of the cross process are arranged into a Balinese color palette based on Additive Colors.
 Findings:The color cross method with a ratio of 66.7% light to 33.3% dark produces bali color variants with various tint intensities. The scan results on the Balinese print-based color composition arranged in the nawa sangha cosmology, which is processed online through the dopely.top website, produces relevant colors developed in modern interiors and architecture. The process of diversifying the color intensity will provide recommendations for its application to residential and non-residential interiors.
 Implications: Provide insight into the use of traditional Balinese colors to designers and architects, in an effort to preserve and strengthen tradition-based knowledge for the development of modern design science.
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Silva, Eder Donizeti da, Adriana Dantas Nogueira, Ana Clara M. A. Lima, Luis Marcondes S. Santos, and Marciso de J. Santos. "Study of the paintings on the ceilings and altarpiece of Church Matriz do Sagrado Coração de Jesus in Laranjeiras, Sergipe, Brazil." Concilium 23, no. 15 (2023): 448–504. http://dx.doi.org/10.53660/clm-1753-23l04.
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There are many definitions for the word color, which in Latin (colore), means the impression that is produced on the retina after the diffusion of light by the bodies. One of the first actions is the visual analysis of the object under the light within a dominant frequency that is called Hue (color name), together with the sensation of Brightness and Saturation. This paper reports the studies carried out by the Scientific Initiation project PIF9919 between Sep/2021 and Aug/2022 at the Center for Preservation and Restoration Technology, Department of Architecture and Urbanism at the Federal University of Sergipe, identifying and mapping the chromatisms and degradations present in the layers of architectural surfaces of historic buildings, in particular, the paintings of two Ceilings (Chapel and Chapel of the Sacrament) and Altarpiece (Capela do Sacramento) of the Matriz do Sagrado Coração de Jesus, in the city of Laranjeiras SE/BR and listed in 1943 by IPHAN. Identifying and mapping colors, applying the MUNSELL Color Catalog in parallel with the theoretical/historical/perceptual/cultural study and pathologies of color, produce not only a record, but the possibility of preserving, restoring and understanding heritage in its amplitude.
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CHOROWSKA, Małgorzata, and Andrzej LEGENDZIEWICZ. "THE COLORS OF RENAISSANCE ARCHITECTURE IN SILESIA FROM THE 16TH TO THE MID-17TH CENTURY ON THE BASIS OF SELECTED EXAMPLES." International Journal of Conservation Science 14, no. 1 (2023): 159–86. http://dx.doi.org/10.36868/ijcs.2023.01.11.
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The article is the first attempt to summarize the issue of color in the Renaissance architecture of Silesia. The introduction outlines the purpose of the article; the architectural context of princely residences, noble and patrician houses, and public utility buildings; and also, the timescale of the Renaissance in Silesia. The basis for examining color schemes was the conducted architectural research, in which, in many cases, the authors participated personally. They included the analysis of technology, building materials, and architectural details, as well as stratigraphic studies of plasterwork and paint layers. As a result of the carried-out analysis, two basic colorschemes were specified. One involves contrasting smoothly painted plaster with brightly painted architectural details, and the other consists in covering the entire surface of walls with a network of thin stripes that imitate squares. Both color schemes were present in two different versions - with the use of either two or three colors, with the most common being: white, red, ocher, black and gray.
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Mao, Fangyi, Pengcheng Zhao, and Zhe Zhu. "Construction of Characteristic Town Brand Color Systems: Color Extraction Based on Regional Landscape Architecture." E3S Web of Conferences 236 (2021): 03037. http://dx.doi.org/10.1051/e3sconf/202123603037.
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The brand image design of characteristic towns already becomes the way to improve awareness and promote propaganda in many characteristic towns. However, during the brand color system construction of characteristic towns, the differences in natural geography and cultural landscape have resulted in universal differentiation of characteristic towns, but the brand color constructions are very similar and lack scientific basis or differences, and even deviate from the original intention of town brand building. Given the difficulty in the brand color system development of characteristic towns, we proposed a strategy to build the characteristic town brand color system according to the color extraction from regional landscape buildings. With the characteristic Xiaolan Town in Zhongshan City of Guangdong province as example, the features of natural landscape plants and architecture color design were extracted on basis of the comprehensive regional landscapes. The color library for color design was acquired through data analysis, and the colors of historical landscape buildings were integrated with the colors of modern science and technology elements. With the introduction of building graphs, the deep connection between color design and brand visual image was enhanced. This design strategy offers some scientific values and theoretical guidance for exploring the brand color design systems of characteristic towns and for guiding the innovative strategies of designers.
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Jablonski, Mary, and William W. Braham. "Modern Color/Modern Architecture: Amedee Ozenfant and the Genealogy of Color in Modern Architecture." APT Bulletin 34, no. 2/3 (2003): 77. http://dx.doi.org/10.2307/1504828.
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Li, Yihe, Binqing Xu, and Yang Liu. "A Study on the Visual Comfort of Urban Building Colors under Overcast and Rainy Weather." Buildings 14, no. 6 (2024): 1552. http://dx.doi.org/10.3390/buildings14061552.
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The color of urban architecture plays a crucial role in influencing the visual comfort of city inhabitants. During overcast and rainy conditions, there is a noticeable shift in how people perceive the comfort level of building colors and their visual recognition. This research selects Hangzhou, a city renowned for its prevalent overcast rainy weather in China, gathering 60 samples across two distinct architectural types. It encompasses 120 architectural images captured during both overcast rainy and clear days. Furthermore, color values were extracted utilizing the Chinese architectural color card, adhering to the Munsell color system. As an empirical approach, a survey was conducted, enlisting 40 participants for a questionnaire assessment based on the Likert scale. Following descriptive analysis of the data, SPSS was utilized to conduct correlation analysis and regression analysis, unveiling the relationship between visual comfort and color attributes (hue, value, chroma). Subsequently, RStudio was employed to analyze the threshold of architectural color comfort, comparing overcast rainy weather with clear weather. The findings suggest a significant correlation between the value contrast of architectural colors and visual comfort during overcast rainy weather. Concerning value, the visual comfort threshold for residential buildings is within the range of 7 ≤ value < 10 and 3 ≤ value contrast < 5, whereas for commercial buildings, it is within the range of 4 ≤ value < 7 and 3 ≤ value contrast < 5. Regarding chroma, there is no correlation between chroma contrast and commercial buildings, while the visual comfort threshold for residential buildings lies within the range of 0 ≤ chroma < 4 and 4 ≤ chroma contrast < 8.
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Zhang, Yong. "Analysis of Ancient Chinese Architecture Aesthetics." Advanced Materials Research 919-921 (April 2014): 1515–18. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1515.
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the ancient Chinese architecture after two thousand years of development, formed the unique architectural style and aesthetic implication of Chinese traditional culture, this kind of architectural style and aesthetic connotations mainly reflected in the structure of the structure, roof shape, layout and color, etc. Appreciate the ancient Chinese architecture, can give a person very special aesthetic pleasure.
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Woszczenko, Katarzyna. "Green Color of the Facades of Orthodox Churches of the Podlaskie Voivodeship in the Context of Sacred Architecture and Theology." Rocznik Filozoficzny Ignatianum 29, no. 3 (2023): 131–50. http://dx.doi.org/10.35765/rfi.2023.2903.9.
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The purpose of this article is to present interdisciplinarily the connection between architecture and theology. The research was conducted using manuscript sources (inventory cards of architectural and construction monuments from the collections of the Provincial Monument Protection Office in Białystok), printed materials, as well as subject literature and internet sources. Photographic inventories of the sacred objects were carried out, as well as conversations with clergymen. The aim of the research was to verify the hypothesis that theology has a significant impact on shaping the architecture of Orthodox churches. Symbolism in the architecture of churches encompasses many aspects, including the color scheme of the facades. The Podlaskie Voivodeship has the largest number of Orthodox churches in Poland. These areas are associated with wooden architecture due to the easy availability of raw materials. The attribute of wooden Orthodox churches in this area is the variety of colors on their facades.
 Colors have a rich theological symbolism that is often associated with the cult of saints. It is particularly visible in icons. The study covered seven green churches in the Podlaskie Voivodeship, in the towns of Anusin, Koźliki, Narew, Pasynki, Trześcianka, and Tyniewicze Duże. Among the studied objects, one is currently green, and the others had this feature in the past. The temples were described in terms of dating, plan shape, and facade color occurrence. The research showed a connection between the green color of the facade and its theological symbolism. An architect of an ideal temple analogous to those included in the study should combine the art of aesthetic design with the principles of theology. The synergy of architecture and theology is necessary in such objects, and thanks to it, they are beautiful.
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Zhang, L., J. Xie, L. Qin, Z. Liu, and G. Liu. "A MONITORING METHOD OF COLOR DECAYING FOR COLORED PATTERNS IN ARCHITECTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 5, 2019): 1193–98. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-1193-2019.
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<p><strong>Abstract.</strong> As a special part of architectural heritage, the colored pattern is not only artwork to decorate the architecture, but information reflecting specific historical era. So it has great cultural and artistic value. However, the colored pattern is one of the most sensitive types of cultural relics, which is sensitive to natural environment changes and highly vulnerable to erosion. In order to strengthen the protection of colored patterns in history architectures, it is necessary to monitor the status quo of them.</p><p>This work introduces a monitoring method of color decaying for colored patterns in architecture: set up the illuminants, adjust the illuminants, detect the color information and calculate the color difference. Based on the color difference by CIE DE2000 formula, the color decaying status of the pattern can be evaluated. The monitoring period should be at least three months.</p><p>About four years’ work has been carried out for colored patterns in the Long Corridor of the Summer Palace, and the color differences &amp;Delta;E<sub>00</sub> are about from 2 to 5, some can be over 9. In result, most colored patterns keep in good health condition. Color decaying happens every time and there are slight changes in most colored patterns. In 2nd quarter 2017, aware changes happened in nearly all the patterns. According to the color difference to evaluate the color decaying of the colored patterns, it is an efficient method to analyze the health status of colored patterns.</p>
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Pane, Ilham, and Ari Widyati Purwantiasning. "KAJIAN KONSEP ARSITEKTUR INDUSTRIAL PADA BANGUNAN APARTEMEN, STUDI KASUS : KUBIKAHOMY APARTEMEN, INDONESIA." PURWARUPA Jurnal Arsitektur 7, no. 1 (2023): 15. http://dx.doi.org/10.24853/purwarupa.7.1.15-20.
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ABSTRAK. Arsitektur industrial adalah suatu konsep arsitektur yang dapat diterapkan pada bangunan dengan tujuan menampilkan gaya yang khas dengan tema industrial. Pada tulisan ini berisi tentang konsep arsitektur industrial pada bangunan apartemen dengan studi kasus kubikahomy apartemen yang berlokasi di BSD Tangerang, Indonesia. Bagaimana konsep arsitektur industrial yang diterapkan pada baguanan kubikahomy menjadi permasalahan pada tulisan ini, dengan tujuan mengidentifikasi konsep arsitektur industrial dengan bangunan kubikahomy. Pada tulisa ini analisis dilakukan dengan mengkaji prinsip arsitektur industrial dengan ciri-ciri diantaranya penggunaan material, warna, ekspos dan finishing. Penggunaan warna yang diterapkan pada bangunan berkonsep arsitektur industrial adalah warna monokrom dengan material yang mentah menjadi aspek penting pada arsitektur industrial. Bangunan dengan konsep arsitektur industrial banyak memaksimalkan ekspos pada bangunan dengan memainkan sedikit finishing atau disebut semi-finishing bahkan ada juga yang meng-unfinishing seluruh bangunannya. Prinsip arsitektur industrial tersebut akan dikaji satu per satu pada bangunan kubikahomy apartemen sehingga mendapatkan hasil yang realistis bagaimanakah konsep arsitektur industrial pada bangunan apartemen dengan studi kasus kubikahomy apartemen. Kata Kunci: Arsitektur Industrial, Material, Warna, Ekspos, Apartemen. ABSTRACT. Industrial architecture is an architectural concept that can be applied to buildings with the aim of displaying a distinctive style with an industrial theme. This paper contains the concept of industrial architecture in apartment buildings with a case study of kubikahomy apartments located in BSD Tangerang, Indonesia. How the concept of industrial architecture is applied to kubikahomy buildings is the problem in this paper, with the aim of finding compatibility between industrial architectural concepts and kubikahomy buildings. In this paper the analysis is carried out by examining the principles of industrial architecture with characteristics including the use of materials, colors, exposure and finishing. The use of color applied to buildings with industrial architecture concepts is monochrome color with raw materials which is an important aspect of industrial architecture. Buildings with an industrial architectural concept maximize the exposure of the building by playing a little bit of finishing or it is called semi-finishing and some even finishing the entire building. The principles of industrial architecture will be studied one by one in kubikahomy apartment buildings so that realistic results can be obtained about the concept of industrial architecture in apartment buildings with case studies of kubikahomy apartments. Keywords: Industrial Architecture, Material, Color, Expose, Apartment.
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Perwira, Satrio Agung, and Bart Dewancker. "Study on Shapes, Colors and Ornaments According to Architecture Psychology: A Case Study of Roadside Buildings in Kitakyushu." Built Environment Studies 3, no. 2 (2023): 53–58. http://dx.doi.org/10.22146/best.v3i2.5877.
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Psychology in architecture is one that is highly considered in urban planning, or even smaller, the buildings in it. In this research, the study of shape, color, and ornament is the focus of the research. This research is a basic study for more in-depth research on the psychology of architecture in urban Kitakyushu. This study aims to study the shape, color, and ornamentation of buildings scattered in the center of urban growth in Kitakyushu. The survey results in this study will be assessed based on the theory of psychology in architecture. The method used in this research is a design and visual approach, with qualitative approaches. In the survey that has been carried out, it was found that the characteristics of Kitakyushu buildings are generally box-shaped with the use of natural colors, such as the color of the ground. This study also assumes that building design, color selection, and ornamentation affect urban vibes in Kitakyushu and directly affect the psychology of the people in it.
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Robinson, Michael G., John Korah, Gary Sharp, and Jonathan Birge. "9.3: High Contrast Color Splitting Architecture Using Color Polarization Filters." SID Symposium Digest of Technical Papers 31, no. 1 (2000): 92. http://dx.doi.org/10.1889/1.1833107.
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Adamska, Dagmara, Przemysław Nocuń, Tomasz Ratajczak, and František Záruba. "Color in Medieval Castle Architecture in Present-Day Poland and Czech Republic." Arts 11, no. 1 (2022): 28. http://dx.doi.org/10.3390/arts11010028.
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Colors were ubiquitous in the medieval world, and castles were no exception. While in the eyes of most people their rich color schemes manifested power and wealth, some could also read the more nuanced messages these colors conveyed. The main objective of this paper is to discuss the use and role of color in the interiors of castles of medieval Bohemia and Poland. The picture is complemented by the analysis of color decorations of defensive residences of the Teutonic Order. The discussion takes into account the varying states of preservation and draws from the available written accounts. To present the most complete picture possible, we discuss royal residences, for which unfortunately limited data are available, as well as the better-preserved castles of dukes and knights. We discuss the identified iconographic programs and their chivalric, heraldic, and hagiographic motifs. Within the scope of our discussion are late forms of floral decorations, known as “green chambers”. The numerous examples presented in the paper prove that color was an important tool of visual social communication in castle architecture: it complemented the symbolism, and sometimes carried an independent message.
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Yu., Gorgo, Hretskyi I, Nejedlik P, Prigancova A, Kalinichenko E, and Gromozova E. "Quantitative estimates of the metachromasia reaction of volutin granules of yeast using neural networks." Artificial Intelligence 29, AI.2024.29(2) (2024): 62–71. http://dx.doi.org/10.15407/jai2024.02.062.
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The metachromatic coloration of volutinous granules of the yeast Saccharomyces cerevisiae is one of the indicators of the influence of sharp geomagnetic field (GMF) perturbations. The metachromasia reaction is based on the aggregation of dye molecules in interaction with inorganic polyphosphates, which are components of volutinous granules. To determine the characteristics of the geomagnetic field that cause the appearance of different colors of the metachromasia reaction, it is necessary to simultaneously monitor this reaction and changes in the GMF. High-quality monitoring is possible with rapid automated counting of cells with all possible color changes during the metachromasia reaction. The aim of the work was to develop a neural network architecture for recognizing and quantifying color changes and heterogeneity in real time during monitoring of the metachromasia reaction of volutinous granules of the yeast S. cerevisiae, which is necessary for further determining their correlations with changes in the geomagnetic field of different intensities. A program based on a nonrecursive labeling algorithm was created to count the number of cells in the study groups. In the course of the work, the software of two neural network architectures was compared to determine the best results in recognizing and quantifying yeast cells with different colors during the volutinous granule metachromasia reaction. It was determined that the Unet architecture type coped with the tasks of cell classification and segmentation much more efficiently than the Inception v3 architecture. The average relative error for automatic recognition of all cell groups was 3.85%, and the maximum relative error was 4.56%. The performance of the neural network was 89.9% when detecting cell segmentation and 86.4% when detecting color differences in the metachromasia reaction.
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Serra, Juan, Ángela García, Ana Torres, and Jorge Llopis. "Color composition features in modern architecture." Color Research & Application 37, no. 2 (2011): 126–33. http://dx.doi.org/10.1002/col.20657.
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Serra, Juan, and Ángela García Codoñer. "Color composition in postmodern western architecture." Color Research & Application 39, no. 4 (2013): 399–412. http://dx.doi.org/10.1002/col.21814.
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Ferring, Mari. "Color and architecture in 1970s Sweden." Color Research & Application 39, no. 5 (2013): 492–98. http://dx.doi.org/10.1002/col.21839.
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Ma, Ting, Nong Wu, Zhi Xiong Yang, and Yue Xi Ai. "A Study on the Colors of the New Tang Dynasty Architectural Style." Applied Mechanics and Materials 438-439 (October 2013): 1786–90. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1786.
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As the outerwear of a building, its color is one of the most significant features of a city. During thousands years of development the colors not only served for protection and decoration, but have been endowed with many intensions in the field of philosophy, politics, religion, culture and so on. Hence there has been formed a unique and integrated culture of colors. As many other cities, Xian is faced with the problem of maintaining its feature in the course of its development. On the basis of protecting the original style and features of the old town, delivering the profound cultural deposits, exploring the connection between traditional culture and modern architectural creation has become a common starting point for the architects in Xian. Based on the culture of Tang dynasty, the new Tang dynasty architecture is a bold attempt to shape a modern city and is also a direct reflection of the architects feeling about Chinese traditional architecture. In this paper, the writer studied the relationship between the colors of the new Tang dynasty architectural style and the creation of the modern Xian architecture from the point of architectural history and architectural design. Also, the paper explored its impact and inspiration on the modern architectural creation of Xian from the perspective of time feature. Moreover, it disclosed the value of the new Tang dynasty architectural style in a modern way and provided references, enlightenments and new ideas for the modern architectural creation in a historic city.
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Angioni, E., R. Baker, H. Hopkin, N. Sakai, V. Berryman-Bousquet, and B. Wenger. "86‐4: High‐Performance Perovskite Nanocrystals and Photoresists for In‐Pixel Color Conversion." SID Symposium Digest of Technical Papers 54, no. 1 (2023): 1216–18. http://dx.doi.org/10.1002/sdtp.16796.
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Perovskite nanocrystals are outstanding materials for color conversion in all wide‐color gamut display architectures. Due to their unrivalled color purity, conversion efficiency and optical density, they are particularly attractive for in‐pixel color conversion. In this contribution we demonstrate that perovskite nanocrystals can achieve exceptional optical performance in non‐patterned acrylate films. To make these materials available to display manufacturers, we have developed photoresist formulations compatible with production lines used to make color filter arrays. The patterned films show excellent homogeneity and resolution which, when combined with good stability, make perovskites the materials of choice for emerging display architecture.
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Wang, Wenjun, Xianjin Qiu, Ziqi Wang, et al. "Deciphering the Genetic Architecture of Color Variation in Whole Grain Rice by Genome-Wide Association." Plants 12, no. 4 (2023): 927. http://dx.doi.org/10.3390/plants12040927.
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Whole grain rice is recommended in a natural healthy diet because of its high nutritional and healthful benefits compared to polished or white rice. The whole grain contains the pericarp with many assorted colors (such as brown, red, and black) associated with taste and commercial quality. The color attributes of whole grain or brown rice are usually undesirable and need to be improved. To decipher the genetic basis of color variation in the whole grain rice, we conducted a genome-wide association analysis of three parameters of grain colors (brightness, redness, and yellowness) in a panel of 682 rice accessions. Twenty-six loci were identified for the color parameters, implying that grain color is under polygenic control. Among them, some major-effect loci were co-localized with the previously identified genes such as Rc and Rd. To eliminate the possible mask of Rc on other loci influencing grain color, we performed the association analysis in a subset of the panel that excluded the pigmented (red and black) rice. Eighteen loci or SNPs were detected to be associated with grain color in the subpopulation, many of which were not reported before. Two significant peak SNP regions on chromosomes 1 and 9 were validated using near-isogenic lines. Based on differential expression analysis of annotated genes within the SNP regions and metabolic analysis of pooled extreme samples, we found at least three annotated genes as potential candidates involved in the flavonoid metabolic pathway related to pericarp color. These results provide insights into the genetic basis of rice grain color and facilitate genomic breeding to improve appearance and commercial quality of whole grain rice.
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Wang, Zhanzhu, Hao Sun, and Jie Li. "Research on Architectural Color and Visual Comfort in Historic Landscape Areas." Buildings 13, no. 4 (2023): 1004. http://dx.doi.org/10.3390/buildings13041004.
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New buildings continue to be constructed in historic districts as urbanization accelerates. This leads to incongruities between historic and modern buildings, as well as degradation of the historic landscape. As a means of resolving these problems, this study uses the expert scoring method to solicit opinions from relevant experts through anonymous methods for architectural samples and establishes two groups of architectural images that have been screened for objective color attribute analysis. Comparing the architectural color codes on site was conducted using the Chinese Architectural Color Card based on the Munsell color system. Furthermore, questionnaires were used to measure the differences in visual comfort between different building types by asking the subjects to rate architectural colors when viewing architectural images. This study will also combine the advantages of measurement and analysis of objective objects with the study of human perceptual experience in order to enhance its practicality. In general, the buildings in the West Nanjing Road Historic Landscape District are painted in warm yellow, and the public is aware of its comforting color. Both historical and modern buildings in the historic district are mostly of medium and high brightness, and both use low-purity colors for the main body of their structures. Despite some differences between people of different genders, ages, and literacy levels, all of them agree on the main tone of warm yellow color in architectural colors.
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Toporkov, Volodymyr. "Black color in architecture - traditions, modernity and perspectives." Current problems of architecture and urban planning, no. 65 (March 17, 2023): 93–106. http://dx.doi.org/10.32347/2077-3455.2023.65.93-106.
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The color of the facades of urban buildings directly shapes the aesthetic qualities of the architectural environment. The trend of increasing the number of houses with black facades in the future may lead to the transformation of cities with their characteristic color into huge black burial complexes. Therefore, the concept of "black color" in architecture is quite blurred, not clear. However, you can still try to select buildings whose facades are so dark that they can be considered black, but with different shades. In the future, we will conventionally combine such buildings into a group of buildings with black facades. However, black facades have their own specifics, the failure of which significantly reduces the aesthetic qualities of the building. In Figure 13, you can see how much the black color suppresses the plasticity of the facade and the chiaroscuro formed under the influence of sunlight. Even the huge cantilever overhangs of the upper floors cannot create the effect of depth on the architectural form. Bright sunlight cannot destroy the deafness and darkness that blackness creates. The black facades of skyscrapers definitely make a strong impression with their size, even though the facade plastic on them is barely visible. Perhaps for this reason, large black buildings often have a simple geometry, where the shape of the general outline, the outline of the house visually works more effectively than the division within the shape itself. Black color reflects light so poorly that even simple geometric shapes of skyscrapers look flat, not three-dimensional. In such conditions, it becomes urgent to search for options for dividing the facades, which would reveal and emphasize the three-dimensionality of the object (Fig. 16).
 The aesthetics of black facades has its positive and negative sides. Black buildings bring an element of contrast and a certain drama to the multi-colored buildings of large cities, and therefore their construction will continue. However, the strong leveling, and sometimes complete, of the plastic characteristics of the building with the black color of the facade leads to the architecture losing its fundamental properties - three-dimensionality and spaciousness. The organization of the form, architectural details, proportions, all this becomes unnecessary, superfluous - because it will not be visible anyway. Added to this is the psychological impact of black color on a person, especially on a large scale, when black color becomes a dominant factor in the formation of color characteristics of the urban environment. In the current conditions, architects should carefully and sensibly use black color in buildings.
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Oostra, Doeke J., Rajan van Aar, Johan Marra, Pieter van der Valk, and Hans Feil. "46‐4: Invited Paper: Digital Out Of Home Displays That Run Forever On Solar Energy." SID Symposium Digest of Technical Papers 54, no. 1 (2023): 673–75. http://dx.doi.org/10.1002/sdtp.16648.
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Etulipa demonstrates a full‐color reflective display based on Electrowetting display technology. The CMY color architecture yields very bright colors. The switching speed of electrowetting cells enable displaying of video content. Average power consumption is 7Watt/m 2 implying that the displays can run on solar systems without any need for external charging.
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Guo, Hong Yu, and Yun Nan Cai. "China's Urban Architecture and Environmental Color Practicein in Ten Years." Applied Mechanics and Materials 174-177 (May 2012): 2512–15. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.2512.
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This paper analyzes the domestic's color practice of urban architecture and environmental in ten years, study the sources and flow of Chinese architecture and environment color practice, in order to seek the development path of urban architecture and environmental color in China.
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HOŞER, Muhterem, and Erdem KÖYMEN. "Analysis of Text-to-Image Artificial Intelligence Systems in Terms of Contribution to Interior Coloring." Bilişim Teknolojileri Dergisi 16, no. 4 (2023): 275–83. http://dx.doi.org/10.17671/gazibtd.1252993.
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In this article, based on its potential contribution to architectural design processes, research has been made on the “text-to-image” systems of artificial intelligence. In the research, the four most common systems Craiyon, Dall-E, Midjourney, and Stable Diffusion were selected, and these systems were tested for coloring a pre-school education space. First of all, the “kindergarten” text was presented to the systems and according to this text, four alternative images were produced from each system. Afterward, the dominant color coding of the images was analyzed in the computer environment. The 3D model of preschool space was colored with the obtained color codes. The 16 images that emerged because of coloring were presented to 62 expert participants, consisting of preschool teaching and architecture/interior architecture department members, accompanied by a survey. In the survey, the experts were asked to evaluate the colored images in “entertainment” and “academic” contexts. As a result of the statistical analysis of the survey data showed that the Craiyon system used colors more successfully than other systems in terms of coloring a preschool education space.
 This study measured the ability of artificial intelligence systems from text-to-image to interpret the text in terms of the production of color codes suitable for the type of space. However, it has been tried to articulate such systems to architectural design areas and to open the door from a unique perspective.
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Han, G. M., and X. Q. Deng. "Application of Media Art Visual Communication Concept in Multi-Scale Control." Open House International 41, no. 3 (2016): 113–17. http://dx.doi.org/10.1108/ohi-03-2016-b0020.
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Color is the dominant element of visual communication design. For cities, color is one of their characteristics. Improving the overall style of a city through the control and planning of architectural color has been a hot issue in urban control and planning in recent years. Considering color pollution in urban planning, we analyze the important role of color in visual communication design from the perspective of the visual communication concept of media art. The current situation of residential building colors in Shanghai City is investigated. We determine the residents’ preferences and requirements related to architectural exterior color on the basis of a data analysis of color and material selection, color matching, composition, and others. This study changes the traditional architectural color design concept that centers on individuals and lacks overall control. Specifically, we construct a set of multi-scale color controlling and planning systems at the macro-, meso-, and micro-scales. We also guide and control the urban architectural color such that it is in accordance with the systematic color planning strategy. This method enables the systematic and holistic external color planning of urban residential buildings.
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Ul'yanova, N. "Color and Coloristic Tasks in the Organization of the Methodology of Educational Projects in the Training of Architects and Designers at the University." Scientific Research and Development. Socio-Humanitarian Research and Technology 10, no. 4 (2021): 57–61. http://dx.doi.org/10.12737/2306-1731-2021-10-4-57-61.
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The article is devoted to the meaning and use of the possibilities of color and pictorial combinations in architecture and design, when performing educational project tasks. The study examines the emerging problems in the organization of educational work. The purpose of the study is to create a comprehensive design methodology with the inclusion of a module of coloristic and color aspects. Possible methods of organizing project educational work are proposed. The advantages and disadvantages of performing these tasks are analyzed. The methods of project work are aimed at creating convenient and at the same time aesthetic architectural objects. The methods under consideration are based on practical work, which is the basis of any educational activity in the training of higher school specialists. When forming the educational methodology, the nature and technological possibilities of using color in the design of architectural and design solutions were taken into account. The presented project proposals are based on a practical experiment and demonstrate the possibilities of planning coloristic tasks. The study determines the problem based on the analysis of modern buildings and its architectural solutions. The analysis of this topic highlights the insufficient training of future specialists in the field of using the possibilities of color in architecture and design of residential and public buildings. The research suggests and analyzes artistic and aesthetic technologies of space organization. The results of the study put forward new tasks in the planning of educational design solutions, using color, harmony of the color palette, subordinate to the color and coloristic unity of the environment.
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Parker, Timothy. "Modern Color/Modern Architecture: Arnédée Ozenfant and the Genealogy of Color in Modern Architecture. William W. Braham." Studies in the Decorative Arts 12, no. 1 (2004): 145–47. http://dx.doi.org/10.1086/studdecoarts.12.1.40663105.
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Purisari, Rahma. "HEALING ARCHITECTURE: DESAIN WARNA PADA KLINIK KANKER SURABAYA." NALARs 15, no. 1 (2016): 55. http://dx.doi.org/10.24853/nalars.15.1.55-62.
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ABSTRAK. Arsitektur rumah sakit/ klinik merupakan bangunan fisik dimana dalam perancangannya didekati dengan indikator kenyamanan, keindahan, serta keberpihakan pada lingkungan, yang dapat membangun citra layanan kesehatan rumah sakit/ klinik itu sendiri. Pada kasus penyakit kanker, kondisi psikis pasien memiliki karakteristik cukup berbeda dengan pasien penyakit lainnya, yaitu tingkat kecemasan dan depresi yang cukup tinggi akan penyakitnya. Keberhasilan proses penyembuhan kanker tidak hanya ditentukan oleh kondisi fisiologis saja, tetapi juga kondisi psikologis. Dalam kaitannya dengan tujuan mengembalikan keseimbangan antara kondisi fisik dan psikologis pasien, maka isu healing architecture dipilih dengan warna sebagai komponennya pada Klinik Kanker yang berlokasi di Perumahan Citra Raya Surabaya. Berdasarkan studi literatur dan wawancara dengan pasien kanker, maka didapatkan bahwa warna hijau, biru, kuning, dan cokelat merupakan warna-warna yang dapat membantu proses penyembuhan pasien. Proses desain pada rancangan ini menggunakan Design Development Spiral, dimana terdapat imaging, presenting, dan testing pada tahap perancangannya, sedangkan metode desain adalah dengan menggunakan alam sebagai cara untuk menghadirkan kreatifitas dalam arsitektur. Konsep rancangan dikaitkan dengan kriteria desain: warna sebagai representasi dari alam, warna sebagai elemen estetika, dan warna sebagai representasi dari material pembawanya, yang kemudian diwujudkan pada rancangan tapak, denah, bentuk dan facade bangunan, serta interior. Bangunan yang dihasilkan adalah sebuah Klinik Kanker dengan massa yang dipisahkan oleh void sebagai taman dan kolam yang terbuka dengan alam, serta ruang-ruang yang berorientasi pada warna yang diperoleh dari properti alam dimana pasien dapat mengakses alam tersebut dari dalam dan luar bangunan. Kata kunci: healing architecture, klinik kanker, warna ABSTRACT. Healthcare buildings are the physical buildings that have been approached with indicator of comfort, beauty, and in the context of environment. In the case of cancer, patient’s psychological condition has quite different characteristic―the level of anxiety and depressions are quite high about this disease. The success of cancer curing process is not only determined by physiological conditions, but also the psychological state. In the aim of restoring the balance between physical and psychological condition, the healing architecture was selected with the color as its component in Cancer Clinic design located in Citra Raya Residence of Surabaya. Based on literature and interviews with cancer patients, it was found that green, blue, yellow, and brown are the colors that help the healing process. Design process that has been used is Design Development Spiral, which have imaging, presenting, and testing on the stages, then the design method has used nature as a way to create architectural creativity.The design concept is connected to the design criterias: color as a representation of the nature, color as aesthetic elements, and color as a representation of its material, which are presented in the site plan, floor plan, form and building façade, and interior. The building form is separated by void as garden space and pond that blending with the nature and the treatment areas are oriented to the color taken from the nature’s color properties. Thus, the patients could access those natures from inside and outside of the building. Keywords: healing architecture, cancer clinic, color
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Guo, Hong Liang. "Integrated Analysis of Emotional Factors in the Planning and Design of Architecture." Applied Mechanics and Materials 651-653 (September 2014): 1177–81. http://dx.doi.org/10.4028/www.scientific.net/amm.651-653.1177.
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In order to achieve the good integration of emotional factors into the links of design in the planning and design of architecture, obtain the enjoyment and pleasure of space and realize the communication between human and architecture through the revery, this paper analyses the emotional factors in the process of architecture planning and emotional interchange, which are mainly comprised of expression for the emotion of architecture design through the factors like architectural shape, shadow, color, material and lighting and enable the architecture to show more value in terms of culture and emotion.
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Wang, Xi Bin. "Analysis on Color Application in Modern Architecture." Advanced Materials Research 1065-1069 (December 2014): 2689–92. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2689.
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Both in the East and West, the modern architectural color application is largely different with traditional architectural color application. The formation of this difference is closely related to ideological changes, scientific and technological development. Through research, we can understand this period of history better and thus interpret the stories about the changing course of modern architectural color.
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Navarro-Mateu, Diego, Oriol Carrasco, and Pedro Cortes Nieves. "Color-Patterns to Architecture Conversion through Conditional Generative Adversarial Networks." Biomimetics 6, no. 1 (2021): 16. http://dx.doi.org/10.3390/biomimetics6010016.
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Often an apparent complex reality can be extrapolated into certain patterns that in turn are evidenced in natural behaviors (whether biological, chemical or physical). The Architecture Design field has manifested these patterns as a conscious (inspired designs) or unconscious manner (emerging organizations). If such patterns exist and can be recognized, can we therefore use them as genotypic DNA? Can we be capable of generating a phenotypic architecture that is manifestly more complex than the original pattern? Recent developments in the field of Evo-Devo around gene regulators patterns or the explosive development of Machine Learning tools could be combined to set the basis for developing new, disruptive workflows for both design and analysis. This study will test the feasibility of using conditional Generative Adversarial Networks (cGANs) as a tool for coding architecture into color pattern-based images and translating them into 2D architectural representations. A series of scaled tests are performed to check the feasibility of the hypothesis. A second test assesses the flexibility of the trained neural networks against cases outside the database.
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Zhao, Mingming, Jun Liang, and Shanquan Lu. "Cultural Connotation and Image Dissemination of Ancient Villages under the Environment of Ecological Civilization: A Case Study of Huizhou Ancient Villages." Journal of Environmental and Public Health 2022 (August 26, 2022): 1–9. http://dx.doi.org/10.1155/2022/7401144.
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Ecological civilization refers to the sum of the material production and consumption mode, social organization and management system, values and ethics, and resource development and environmental influence mode between man and nature created in the practice of transforming nature, adapting to nature, conserving nature, and savoring nature. The construction of ecological civilization is an important part of the realization of the new rural construction goal of “production development, well-off life, civilized village customs, clean village appearance, and democratic management.” With the comprehensive promotion of the construction of a new socialist countryside in China, the ancient villages, as the source foundation of Chinese national culture and the real record of historical information, have become an urgent and severe topic for the current village renovation and protection. This article studies the architectural modeling, village layout, space, color application, and other aspects of ancient Huizhou village architecture, appreciates some elements of form aesthetics, and explores its rich content in modern society, cultural background, and economic conditions. At the same time, starting from the architectural characteristics of ancient Huizhou villages, integrate and understand the characteristics of village layout, architectural shape, and space color application in Huizhou traditional ancient village architecture, and analyze the harmonious beauty, overall beauty, nature, and coordination covered in Huizhou traditional ancient village architecture beauty and other beautiful features. To study the architectural shape, village layout, space, and color application in Huizhou's ancient village buildings, appreciate some elements of morphological aesthetics, and explore its rich content contained in modern society, cultural background, and economic conditions. At the same time, starting from the architectural characteristics of Huizhou ancient villages, we can integrate and understand the characteristics of village layout, architectural shape, and spatial color application in Huizhou traditional ancient villages, and analyze the characteristics of harmony, overall beauty, nature, and coordinated beauty covered in the architecture of Huizhou traditional ancient villages. This study is of great practical significance to promote the comprehensive improvement and protection of historical buildings, traditional residential communities, historical features, and surrounding ecological environment in ancient villages, and to realize the unity of ecology and civilization, efficiency and energy saving, healthy and sustainable development of ancient villages.
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Noor Adhitya Putri, Nadine, and Indri Astrina. "THE EXPRESSION OF NUSANTARAN ARCHITECTURE IN SESAT AGUNG ARCHITECTURE." Riset Arsitektur (RISA) 6, no. 01 (2021): 40–57. http://dx.doi.org/10.26593/risa.v6i01.5425.40-57.
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Abstract - As a visual language, architectural expressions can be understood through arrangements of its elements with certain patterns or techniques. According to Rob Krier (1988), the assessment of geometric expressions cannot be separated from the composition of architectural forms, including proportion, rhythm, ornament, shape, material, color and texture. Along the way, Tulang Bawang Barat, which was later abbreviated as Tubaba, became a stopover for migrants from various regions. Regent Umar Ahmad pursued the construction of Tulang Bawang Barat by building a mosque and a convention hall to fill the empty fields in Tulang Bawang Barat. The architectural expression of Balai Adat Sesat Agung – with its modernity – considered as success in reproducing historical and cultural identity of Nusantaran architecture. 
 In identifying the expressions of Nusantaran architecture, the analysis of Sesat Agung architecture is carried out in three areas: site, building, and structure. Through descriptive-analytical methods, this research begins by formulating the properties and compositions of Nusantaran architecture expressions forming through related theories, including Nusantaran architectural theory, concepts of properties and composition, and anatomy of architecture theory. Furthermore, the properties and composition of Sesat Agung are studied to identify the expressions of Nusantaran architecture which manifested in the architecture of the Balai Adat Sesat Agung. This study found that the architectural expression of the Sesat Agung has printed a new architectural identity in Tulang Bawang Regency. However, regardless of the form and the aesthetics it carries, one thing that is missing from Sesat Agung architecture is its spatial quality.
 
 Key Words: expression, Nusantaran architecture, Sesat Agung.