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Journal articles on the topic 'Color in art – Juvenile literature'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Robinson, Brandon Andrew. "The Lavender Scare in Homonormative Times: Policing, Hyper-incarceration, and LGBTQ Youth Homelessness." Gender & Society 34, no. 2 (2020): 210–32. http://dx.doi.org/10.1177/0891243220906172.

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Scholars have identified policing and hyper-incarceration as key mechanisms to reproduce racial inequality and poverty. Existing research, however, often overlooks how policing practices impact gender and sexuality, especially expansive expressions of gender and non-heterosexuality. This lack of attention is critical because lesbian, gay, bisexual, transgender, and queer (LGBTQ) people disproportionately experience incarceration, including LGBTQ youth who are disproportionately incarcerated in juvenile detention. In this article, I draw on 18 months of ethnographic fieldwork and 40 in-depth in

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Dr., Sandeep Ojha. "SIMILARITIES BETWEEN COLOR AND WORD COMPOSITIONS." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–2. https://doi.org/10.5281/zenodo.888209.

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Painting and English Literature depict different aspects of nature and human life. Each color in painting and each word in literature plays an important role in this depiction but a single color or a single word in a work of art is not an absolute entity. The color and the word gain their complete artistic appeal and symbolic significance in a painting or a work of literature when combined and arranged coherently with other colors and words. Great painters and literary writers have dexterity in selection of colors and words of apt meaning and intensity as well as an ability to create the right

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Szkudlarek, Michał, Jan Marek Kaczmarek, Marta Piasecka, Wiktor Grenas, and Mikołaj Kaczmarski. "Gigantism in tadpoles and color anomalies in European green toad Bufotes viridis from Poland." Herpetozoa 35 (June 7, 2022): 95–98. http://dx.doi.org/10.3897/herpetozoa.35.e84228.

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Some new cases of anomalies in wild Bufotes viridis from Western Poland are presented together with a discussion of their potential causes and a comparison with similar cases from the literature. The anomalies in question are color aberrations (pre- and post-metamorphic) and developmental pathologies (pre–metamorphic). The color anomalies include an ochre patch in a juvenile, leucism and albinism in both tadpoles and juvenile individuals. Developmental pathologies described in this paper include gigantism, edema, curvature of tail, and asymmetric bodies.

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Szkudlarek, Michał, Jan Marek Kaczmarek, Marta Piasecka, Wiktor Grenas, and Mikołaj Kaczmarski. "Gigantism in tadpoles and color anomalies in European green toad Bufotes viridis from Poland." Herpetozoa 35, no. () (2022): 95–98. https://doi.org/10.3897/herpetozoa.35.e84228.

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Some new cases of anomalies in wild Bufotes viridis from Western Poland are presented together with a discussion of their potential causes and a comparison with similar cases from the literature. The anomalies in question are color aberrations (pre- and post-metamorphic) and developmental pathologies (pre–metamorphic). The color anomalies include an ochre patch in a juvenile, leucism and albinism in both tadpoles and juvenile individuals. Developmental pathologies described in this paper include gigantism, edema, curvature of tail, and asymmetric bodies.

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Hughes, Tammy, Tara Raines, and Celeste Malone. "School Pathways to the Juvenile Justice System." Policy Insights from the Behavioral and Brain Sciences 7, no. 1 (2020): 72–79. http://dx.doi.org/10.1177/2372732219897093.

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School policies have increasingly criminalized students for common developmentally appropriate behaviors, such as talking back, public displays of affection, or repeated tardiness. Although their behaviors are no more problematic than their peers, children of color and children of color with disabilities are punished at higher rates. The increasing number of police in schools has also increased the number of arrests. In some cities, schools are the primary referral source to juvenile court. The literature on implicit bias, decision-making, and discipline disparities suggests new policy approac

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6

Gullar, Ferreira. "Color and Color-Structure." October 152 (May 2015): 121–24. http://dx.doi.org/10.1162/octo_a_00220.

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This text was originally published as part of Ferreira Gullar's 1959–60 serialized history of modern art published in the Sunday supplement of the Jornal do Brasil. Following on the heels of a previous entry that traced the move from the plane to the “non-object” in the recent work of Lygia Clark, Gullar turns his attention here to color as a structuring principle of both space and time in the work of Aloísio Carvão and Hélio Oiticica.

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Early, Gerald. "The Color Purple as Everybody's Protest Art." Antioch Review 50, no. 1/2 (1992): 399. http://dx.doi.org/10.2307/4612528.

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Early, Gerald. "The Color Purple as Everybody's Protest Art." Antioch Review 44, no. 3 (1986): 261. http://dx.doi.org/10.2307/4611610.

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9

Sultonqulova, Shaxnoza. "HARMONY OF POETRY AND ART OF COLOR." MODERN SCIENCE AND RESEARCH 3, no. 2 (2024): 1090–93. https://doi.org/10.5281/zenodo.10694578.

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<em>Fiction is closely related to other types of art. Just as fiction has a strong influence on the development of other types of art, other types of art also have their influence on the development of fiction. That is, literature lives in contact with other types of art and improves under their influence. Colors have always served as a tool of thought, a means of analogy for the artist. The article analyzes the use of color-image language, which is a similar feature of painting and poetry, and the symbolic expression of colors.</em>

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Zhao, Qian, and Amalia Qistina Castaneda Abdullah. "Metaphorical meanings of color symbols in literature." Chinese Semiotic Studies 20, no. 4 (2024): 625–46. http://dx.doi.org/10.1515/css-2024-2030.

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Abstract In literature, color words serve as important carriers for writers to convey their emotions. In this paper, color words in literary works written by over 30 famous writers from different countries and regions in world literature are selected as the research object. According to the frequency of their use in the selected literary works, our analysis divides the different color symbols into two types: high-frequency and low-frequency. Among the various color symbols, red, blue, white, black, and yellow are classified as high-frequency color symbols. Purple, gray, green, and brown belong

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11

Gaskill, Nicholas. "How Blue Is Read: Language and Sensation in Literature and Philosophy." Philosophy and Literature 47, no. 2 (2023): 294–309. http://dx.doi.org/10.1353/phl.2023.a913807.

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Abstract: Philosophers and art critics have long argued that the language of color misses or even mars the ineffable sensation of color. But a literary perspective shows otherwise. Starting with examples of colors read but not seen, and then discussing how philosophers have addressed (and often muddled) the so-called problem of color, I propose thinking of color terms as techniques for stabilizing and directing color sensations. I then show how William H. Gass and Maggie Nelson develop a version of this idea in their respective books about blue, which are really books about the relationship be

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Sedlovskiy, Anatoliy Anatolievich. "Space in Art and Cinema." Journal of Flm Arts and Film Studies 3, no. 2 (2011): 58–64. http://dx.doi.org/10.17816/vgik3258-64.

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Cinema is a synthetic art form which has accumulated the experience of theatre, literature, music and fine arts. The article investigates the influence of painting on cinema in terms of filling the screen space and artistic assimilation of the linear, spatial and tonal perspective, light and color treatment.

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Ojha, Sandeep. "SIMILARITIES BETWEEN COLOR AND WORD COMPOSITIONS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3552.

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Painting and English Literature depict different aspects of nature and human life. Each color in painting and each word in literature plays an important role in this depiction but a single color or a single word in a work of art is not an absolute entity.The color and the word gain their complete artistic appeal and symbolic significance in a painting or a work of literature when combined and arranged coherently with other colors and words. Great painters and literary writers have dexterity in selection of colors and words of apt meaning and intensity as well as an ability to create the right

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Nasiba, Saburovna Jumatova. "Symbolic Images Associated with Color in Folk Songs." International Journal of Social Science and Human Research 04, no. 11 (2021): 3384–86. https://doi.org/10.47191/ijsshr/v4-i11-47.

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This article discusses the historical basis of the creation of symbolic images associated with color in Uzbek literature, the role of folklore in folklore. Symbolic images associated with color serve to enhance the art, charm and impact of Uzbek folk songs. In folk songs, color symbols have been explored using examples as a means of expressing ideas clearly, succinctly, and figuratively.

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Ge, Hanqing, Chusak Suvimolstien, and Jantana Khochprasert Khochprasert. "Art of Coloring: The Application and Evolution of Plant Dyes in Yunjin." Mekong-Salween Civilization Studies Journal 16, no. 1 (2025): 392–425. https://doi.org/10.71185/mscsj.2025.276016.

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Yunjin is a treasure in traditional Chinese silk weaving crafts. It originated in Nanjing and is famous for its exquisite weaving skills and gorgeous color patterns. It is one of the three famous brocades in ancient times. This study aims to analyze the symbolic meaning and ecological and cultural value of plant dyeing in Yunjin art, sort out the development trajectory of Yunjin color system in the Yuan, Ming and Qing dynasties, deeply explore the impact of plant dyes on the ecology, richness and uniqueness of Yunjin color system, and evaluate its environmental protection and sustainable devel

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Petrič, Jerneja. "Comic strip as literature : Art Spiegelman's Maus in Slovenian." Acta Neophilologica 42, no. 1-2 (2009): 69–81. http://dx.doi.org/10.4312/an.42.1-2.69-81.

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Until recently comic strips were predominantly categorized as either juvenile distraction or some odd adult enthusiasts' hobby. The genre experienced a minor revolution in the 1990s when on the one hand the mass visual media began to explore its rich potential whereas on the other hand the medium's ability to offer "tremendous resources to all writers and artists" (McCloud 212) came under scrntiny, prompting authors like Art Spiegelman to wage an experiment. His biographical Holocaust graphic novel MAUS l and II (1986, 1991) became a bestseller and Pulitzer Prize winner. The paper looks into i

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Sofia Daniati, Lola Aulia, and Widiati Alifah. "Kelayakan Kulit Salak Dalam Pembuatan Nail Art Sebagai Penunjang Tampilan Rias Fantasi." Garina 15, no. 2 (2023): 31–46. http://dx.doi.org/10.69697/garina.v15i2.33.

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One type of fruit that is liked by people in Southeast Asia, namely Salak. The development of nail art has become one of the supporting appearances for women. So that it becomes a source of ideas in new innovations in the world of nail art. The purpose of this study was to find out how to make nail art by utilizing zalacca peels. In this study using the method, observation, documentation, literature and experimental methods Utilization of zalacca skin in making nail art through three stages, namely preparation of material tools and manufacturing steps. The results of the feasibility test from

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Trouvé, Analía. "Brilliant grey: the color of documentary resources at the Fundación Espigas in Buenos Aires." Art Libraries Journal 30, no. 3 (2005): 8–13. http://dx.doi.org/10.1017/s0307472200014024.

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Grey literature, documentation published outside traditional commercial channels, is not very often taken into account by art librarians in Argentina, judging by searches on online databases. However, experience with grey literature at the Fundación Espigas, the highly specialized Argentinian art information center in Buenos Aires, is changing this point of view. The Center’s database offers access to a great corpus of such publications, especially to ephemera such as private view cards, pamphlets, auction catalogues, catalogues of solo and group exhibitions and posters. This ‘minimal document

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LI, YANAN. "Modern approaches to the development of color perception in professional art education: theory, practice, and digital innovations." Педагогика и просвещение, no. 2 (February 2025): 90–99. https://doi.org/10.7256/2454-0676.2025.2.74194.

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Color is one of the key elements of visual art, playing an important role in conveying emotions and creating artistic images. The subject of the study is contemporary approaches to the development of color perception in professional art education, including the integration of digital technologies and the improvement of teaching methods. The relevance of the study is due to the necessity of integrating new technologies, such as virtual reality and digital platforms, as well as developing objective assessment criteria. The purpose of the article is to analyze the current state of teaching color

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Todak, Natalie, and Katharine Brown. "Policewomen of color: a state-of-the-art review." Policing: An International Journal 42, no. 6 (2019): 1052–62. http://dx.doi.org/10.1108/pijpsm-07-2019-0111.

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Purpose The purpose of this paper is to offer a state-of-the-art review of the research on women of color in American policing. Directions for future research are also highlighted. Design/methodology/approach Using several online databases, a literature search was performed to collect all relevant empirical studies on the topic. The review includes only studies that examined research questions about minority women officers in their own right. Findings The review identified 12 studies focused on recruitment, hiring, retention and the on-the-job experiences of this population. Most studies focus

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21

Jalandoni, Andrea, Paul Taçon, and Robert Haubt. "A Systematic Quantitative Literature Review of Southeast Asian and Micronesian Rock Art." Advances in Archaeological Practice 7, no. 4 (2019): 423–34. http://dx.doi.org/10.1017/aap.2019.10.

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ABSTRACTEven though Southeast Asia is one of the most densely populated regions of the world, its rock art is relatively unknown, and the rock art of Micronesia is even less so. As a starting point for comparing Philippine rock art within the region, a systematic quantitative literature review (SQLR) was conducted to assess the current body of accessible publications. The SQLR resulted in 126 viable references, and characteristics of those references were quantified and analyzed to ascertain the qualities of research published to date. The SQLR results show that scholarship in Southeast Asian

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Pelassa, Simone, Federica Raggi, Chiara Rossi, and Maria Carla Bosco. "MicroRNAs in Juvenile Idiopathic Arthritis: State of the Art and Future Perspectives." Biology 12, no. 7 (2023): 991. http://dx.doi.org/10.3390/biology12070991.

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Juvenile Idiopathic Arthritis (JIA) represents the most common chronic pediatric arthritis in Western countries and a leading cause of disability in children. Despite recent clinical achievements, patient management is still hindered by a lack of diagnostic/prognostic biomarkers and targeted treatment protocols. MicroRNAs (miRNAs) are short non-coding RNAs playing a key role in gene regulation, and their involvement in many pathologies has been widely reported in the literature. In recent decades, miRNA’s contribution to the regulation of the immune system and the pathogenesis of autoimmune di

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Tiara Irawati, Kuswidyaningrum Naharina Jannati, and Agus Susanti. "Pemanfaatan Lem Bakar untuk Aksesoris Kuku 3D Nail Art." Garina 16, no. 2 (2024): 212–25. https://doi.org/10.69697/garina.v16i2.164.

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This study uses hot glue as the main material for making 3D nail art accessories because of its ease of formation and its potential to reduce nailist dependence on 3D accessory techniques. The author made 3D nail art accessories with and without tool molding, with the aim of understanding the manufacturing process, assessing feasibility, and evaluating the level of public preference for this product. This study used observation, literature, documentation, questionnaire, experiment, and qualitative descriptive analysis methods. The results of the second experiment showed that nail art products

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Subi, Maria. "The Candid Hylas." Analele Universității de Vest. Seria Științe Filologice, no. 59 (January 2022): 93–105. http://dx.doi.org/10.35923/autfil.59.06.

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A recurrent presence in literature and art, the handsome Hylas, the youth abducted by the water nymphs, is portrayed in words which suggest the glowing white skin, the body’s striking candor, the fine hair, the innocence and juvenile vulnerability – each and every one attributes of a beauty in full bloom: a pubescent, delicate, effeminate charm.

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Castronovo, Russ. "Beauty along the Color Line: Lynching, Aesthetics, and the Crisis." PMLA/Publications of the Modern Language Association of America 121, no. 5 (2006): 1443–59. http://dx.doi.org/10.1632/pmla.2006.121.5.1443.

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“What have we who are slaves and blacks to do with Art?” asked DuBois in his 1926 essay “Criteria of Negro Art.” In an era of lynching, art hardly seemed appropriate for political struggle. Nevertheless, DuBois and his colleagues at the Crisis risked making connections between lynching and art by putting aesthetics to democratic use even as the theatricality of ritualized violence gave lynching an aesthetic dimension. Starting with DuBois's manifesto and reading in reverse chronological order every issue of the Crisis to its first issue in 1910, this article re-creates a critical narrative tha

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Zhang, Rong. "Computer Vision-Based Art Color in the Animation Film Performance Characteristics and Techniques." Journal of Sensors 2021 (September 13, 2021): 1–12. http://dx.doi.org/10.1155/2021/5445940.

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If an animated film wants to present extraordinary visual effects, the successful use of art colors is the key to the success or failure of an animated film. Although our country’s animated film started a short time ago, its development has been slow. In modern times, it is difficult to compete with excellent animation works of other countries; animation is an art form that requires the combination of modern technology and traditional cultural areas. Chinese cartoons are gradually declining today when the technology is taking off. The reason is that the traditional culture of the country has n

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Polushkin, Vladimir Georgievich, and Tatyana Ivanovna Strazhnikova. "Art-techniques in the preparation of a musician-performer." KANT 38, no. 1 (2021): 316–20. http://dx.doi.org/10.24923/2222-243x.2021-38.66.

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The authors of the article consider one of the directions of musical pedagogy - the use of art pedagogy in the process of training a musician-performer. Based on the analysis of the research literature and experience describes the possibility of using psychological reserves of music and performing activities, in particular, reception of musical color modeling of the emotional and figurative content of music, are revealed.

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Anosova, Nina Aleksandrovna, and Nina Alexandrovna Anosovа. "Color and Sound in Balzac's Novels." Journal of Flm Arts and Film Studies 2, no. 1 (2010): 66–83. http://dx.doi.org/10.17816/vgik2166-83.

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This paper analyzes the dramatic color of Honore de Balzac's novels "Shagreen" (1831) and "Father Goriot" (1834). Using symbolic colors, different color details and motives, color and light accents, decoloration Balzac creates dramatic contrasts, transforms the time, reveals the inner state of the characters. The writer's works are the result of the brilliant application of the reflex theory to literature suggested by Eugene Delacroix, a painter and Balzac's contemporary. Artistic intensity and the diversity of color elements in Balzac's novels are one of the vivid steps on the way to the chro

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Dolese, Melissa J., and Natalie A. Kacinik. "What Color as an Integrated Pictorial Element in Himalayan Art Can Communicate: Cross-Cultural Congruence of Color-Emotion Conceptualizations in Himalayan Art." Empirical Studies of the Arts 39, no. 1 (2019): 36–60. http://dx.doi.org/10.1177/0276237419868948.

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The idea of art as a language of emotion has historical roots. This study asked if color, as an integrated pictorial element in Himalayan art, can communicate the intended emotions to North American viewers. To investigate the extent to which those emotions are congruent cross-culturally, participants were assigned to four conditions of varying levels of informativeness, based on whether they did or did not receive an informational brochure and a checklist of emotional terms to reference. Results were analyzed using Latent Semantic Analysis to assess the similarity of word meanings. Participan

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Gribkov, Vitaly S., and Vladimir M. Petrov. "Color Elements in National Schools of Painting: A Statistical Investigation." Empirical Studies of the Arts 14, no. 2 (1996): 165–81. http://dx.doi.org/10.2190/2udk-vpbk-ywjv-7l6q.

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A deductive model to explain the functioning of art brings forward regularities concerning the color elements which are used in paintings. To provide optimal perception both of individual paintings and of systems of paintings it is necessary to organize them in such a way that: each given painting consists of four spectral color elements and one or two non-spectral ones (black and/or white); each national school of painting should be based on its “color-and-light standard” which is nothing but white color representing sunlight, and the properties of this “standard” should respond to the parame

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Fine, Steven. "Menorahs in Color: Polychromy in Jewish Visual Culture of Roman Antiquity." Images 6, no. 1 (2012): 3–25. http://dx.doi.org/10.1163/18718000-12340001.

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Abstract In recent years, polychromy has developed as a significant area of research in the study of classical art. This essay explores the significance of this work for interpreting Jewish visual culture during Roman antiquity, through the focal lens of the Arch of Titus Digital Restoration Project. In July 2012, this project discovered that the Arch of Titus menorah was originally colored with yellow ochre paint. The article begins by presenting the general field of polychromy research, which has developed in recent years and resulted in significant museum exhibitions in Europe and the US. I

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Bakriyyeh, Rajaa. "THE KEYS OF ART IN THE INDUSTRY OF LITERATURE." International Journal of Language, Linguistics, Literature and Culture 04, no. 01 (2025): 39–52. https://doi.org/10.59009/ijlllc.2025.0097.

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This research focuses on the impact of the painting aesthetics on the content of the literary text. The research presents two samples of novels that adopted the storytelling painting, as opposed to one autobiographical sample whose cover adopted a photographic cover. The research issue aims to raise discussion on the close relationship between the artistic keys in the novel cover and the literary content. A comparison will be made between Western and Arab narrative works in order to answer the following research questions. The research aspires to achieve two goals: 1. Raising the issue of narr

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Ai-rong, Wu, and Wang Han. "Characteristic language means in Chinese “scar literature”: problems and strategies of translation into Russian." OOO "Zhurnal "Voprosy Istorii" 2023, no. 10-1 (2023): 244–57. http://dx.doi.org/10.31166/voprosyistorii202310statyi25.

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This article first classifies the characteristic language in Chinese “scar literature” as character-specific vocabulary, object-specific vocabulary, behavior-specific vocabulary, and characteristic slogans, then summarizes their characteristics: the use of numbers, color words, exaggeration, and abbreviations. On the material of several Chinese works of art and translated texts in Russian.

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Jiang, Shiyang. "A Study on the Language Expression of Chinese Vernacular Realistic Oil Painting." Spectrum of Art 1, no. 1 (2024): 57–66. http://dx.doi.org/10.69954/soa010104.

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Chinese vernacular realistic oil painting, as a unique art form, has become an important part of the Chinese art scene since the 1970s. This article aims to study the language expression of this art form in different periods, analyze its characteristics in composition, modeling, color, and emotional expression, and explore its status and role in the development of Chinese oil painting. Through literature review and analysis of classic works, this article reveals the historical context and future development directions of Chinese vernacular realistic oil painting.

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Qizi, Hamroyeva Sharifa Shukur. "THE ANALYSIS OF THE ENGLISH TRANSLATIONS OF ABDULLA KADIRI’S “O’TKAN KUNLAR”." American Journal Of Philological Sciences 03, no. 05 (2023): 82–87. http://dx.doi.org/10.37547/ajps/volume03issue05-15.

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Translation is considered to be almost on the same level as artistic creation in terms of its complexity and difficulty. The reason is that the work, which is the fruit of the author's talent and skill, needs to be recreated in accordance with the original using other language tools. Knowing the language is not enough for the translation of works of art. For this, it is required to be aware of creative talent and art science. According to the requirements of realistic translation, the translator must recreate the unity of form and content of the original as a work of art, and preserve national

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Dr. Arshad Mahmood Nashad. "Maulana Hali And The Art Of Ghazal." Dareecha-e-Tahqeeq 3, no. 2 (2023): 1–11. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i2.41.

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Maulana Altaf Hussain Hali is undoubtedly the founder of modern literature. He dedicated genres like criticism, poetry and biography with the taste of freshness. Muqadama Shair O Shairi is the first reliable example of theoretical criticism in Urdu. During his tenure in Lahore, he laid the foundation stone of the modern poetry movement along with Maulana Muhammad Hussain Azad. Although he was educated under the shadow of Eastern literature, he soon got tired of its monotony. Western literature began to feel close to his heart. He loved the utilitarian aspect of literature. Ghazal, which is the

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Koenderink, Jan J., Doris I. Braun, and Andrea J. van Doorn. "Affective Responses to Image Color Combinations." Art & Perception 9, no. 4 (2021): 293–352. http://dx.doi.org/10.1163/22134913-bja10030.

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Abstract Responses to colored patterns were collected for a group of 60 naive participants. We explicitly aimed at affective responses, rather than aesthetic judgments, so this is not ‘color harmony’ proper. Patterns were mainly spatially highly structured compositions, the color palettes reminiscent of what is found in generic ‘colorist’ art. Color combinations systematically cover mono-, di-, and trichromatic chromatic chords, whereas there was always an additional achromatic component. This sets the research apart from the bulk of the mainstream literature on ‘color harmony.’ Various ways o

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Alisher, Anna. "Art history dynamics of theater scenography." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 170–75. http://dx.doi.org/10.32461/2226-3209.2.2021.240004.

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The purpose of the article is to study the peculiarities of the dynamics of the development of theatrical scenography by the solution of plot compositions, art forms, metaphorical images, specific features of mizantsen, national color. The methodology is based on the study of art history literature, conference materials, monographs, thematic literature, which corresponds to the disclosure of this work. The method of cultural and historical analysis helps to explore the tendencies of the development of Ukrainian scenography of the XX-XXI centuries. The comparative method, based on the considera

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Diller, Christopher. ""Fiction in Color": Domesticity, Aestheticism, and the Visual Arts in the Criticism and Fiction of William Dean Howells." Nineteenth-Century Literature 55, no. 3 (2000): 369–98. http://dx.doi.org/10.2307/2903128.

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Given that William Dean Howells was the leading spokesperson for literary realism in the late nineteenth century, critics have traditionally cited him for his failure to define a formal aesthetic theory, or, more recently, they have located such a theory in its very absence. Neither view acknowledges how Howells appropriated a central tenet of genteel society-domesticity-as ground for a pragmatic appraisal of fine art under the impress of capitalism. Especially in his fictional descriptions of painting and illustration, Howells delineates how disinterested rationales of fine art like aesthetic

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Joo, Deh Won. "Analysis of Pantone Uncoated Color Guide for Korean Traditional Standard Colors of National Museum of Modern and Contemporary Art (MMCA)." Korea Institute of Design Research Society 10, no. 1 (2025): 156–67. https://doi.org/10.46248/kidrs.2025.1.156.

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This study aims to analyze the Pantone uncoated color guide by examining the minimum color difference based on the Munsell notation(H V/C) of Korean traditional standard colors of National Museum of Modern and Contemporary Art (MMCA). This research follows a previous study that analyzed the Pantone coated color guide. The matte Pantone color guide is widely used across various design fields, including graphics, products, fashion, automobiles, architecture, interior, and environmental design. The research methods include literature review, color management software conversion, and website analy

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Firstov, Valeriy, Victor Firstov, Alexander Voloshinov, and Paul Locher. "The Colorimetric Barycenter of Paintings." Empirical Studies of the Arts 25, no. 2 (2007): 209–17. http://dx.doi.org/10.2190/10t0-2378-0583-73q4.

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The locations of the colorimetric barycenter or “center of gravity” of the pictorial fields of paintings were compared graphically with the geometric centers of the art works. The art stimuli consisted of reproductions of 1332 paintings of different compositional genres created by renowned Russian artists. It was observed that artists' manipulation of a color palette and their spatial control of color within a composition resulted in the location of the colorimetric barycenter of a painting corresponding closely to its geometric center for both representational and abstract paintings. This fin

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Gewu Zhang. "Optimizing Color Matching and Color Effects in Oil Painting Using Computer Vision Technology." Journal of Electrical Systems 20, no. 6s (2024): 405–11. http://dx.doi.org/10.52783/jes.2664.

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The fusion of traditional oil painting techniques with computer vision technology presents an exciting frontier in the realm of artistic expression. This paper explores the intersection of these disciplines, focusing specifically on optimizing color matching and manipulating color effects in oil painting through computational means. By leveraging algorithms and image processing techniques, artists can enhance their creative process, enabling precise color measurement, nuanced color analysis, and predictive modelling of color combinations' visual impact. Through a comprehensive review of releva

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Grallert, Margot. "Catching the Light: “Doing Art” and Education." Leonardo 42, no. 2 (2009): 138–44. http://dx.doi.org/10.1162/leon.2009.42.2.138.

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Drawing upon the author's experience as a painter and visual art consultant in a public elementary school, this paper describes how “doing art” applies to the artistic thought process. The artwork of Joseph Beuys provides an historical perspective. The author shows how Beuys' use of three-dimensional form parallels her own work with color; like Beuys, she identifies an educational value behind “doing art.” She also reviews cognitive-science literature in light of her experience. She hopes that this paper will encourage scientists to design research projects to explore the artistic thought proc

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Sugito, Sugito, and Wahyu Tri Atmojo. "The Paramaters of Visual Art Assessment as a Measurement Instrument for Learning Products of Art Painting, Sculpture, Ceramic and Batik." Lakhomi Journal Scientific Journal of Culture 2, no. 1 (2021): 17–34. http://dx.doi.org/10.33258/lakhomi.v2i1.421.

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Assessing learning products of visual art was unlike evaluating other learning products. Due to its relation to visual outcomes, the first assessment required proper sensitiveness and measurable references. The research was intended to be the effort to acquire parameters of visual art assessment, especially of art painting, sculpture, ceramic, and batik assessments. The findings could be used as instruments in various visual art learning activities. Data were collected by distributing a list, interviewing the informants, and having Focus Group Discussion. The respondents were visual art lectur

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Greeley, Robin Adèle. "The Color of Experience: Postwar Chromatic Abstraction in Venezuela and Brazil." October 152 (May 2015): 53–59. http://dx.doi.org/10.1162/octo_a_00216.

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In the aftermath of World War II, South American artists and critics saw color as a key to liberation from the crisis of the art object and the related crisis of modernity. In so doing, they resisted an entrenched postwar suspicion of color's expressive qualities that elsewhere resulted in color either being repositioned as readymade or purged outright. The essays comprising “Color and Abstraction in Latin America” investigate what was at stake in this resurgence, in 1950s and '60s South American abstraction, of color as a central problem of perceptual experience and subject construction. Firs

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Purbasari, Mita, and R. A. Diah Resita I. K. Jakti. "Warna Dingin Si Pemberi Nyaman." Humaniora 5, no. 1 (2014): 357. http://dx.doi.org/10.21512/humaniora.v5i1.3034.

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Color is a form of non-verbal communication. It is not a static energy and its meaning can change from one day to the next with any individual. Human experiences color through vision. Color is not something that is fixed to an object or surface, but an event that is triggered only in the observer. Human’s eyes all work in the same way, what happens after that is another matter. A color and composition in color can mean something quite different to every person who looks at it. Different cultures endow color with different meanings depend on a lot of things. This research is all about Purple, B

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Shevchenko, Mikhail. "COLORONYMS AND LUXONYMS AS A MEANS OF CREATING ARTISTIC IMAGE IN HISTORICAL PROSE BY V. IPATOVA AND V. KARATKEVICH." Philological Review, no. 1 (May 31, 2021): 157–62. http://dx.doi.org/10.31499/2415-8828.1.2021.232714.

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The article examines the color and light vocabulary, with the help of which the authors create a figurative system of artistic text. It is a universal tool for creating a figurative and expressive characteristics of a real, ethnocultural space. The use of coloronyms and luxonyms in the historical prose of the authors, their linguistic interpretation indicates the determination of the individual author’s specificity of the perception of color by the writer and the adequate associative connection of color combinations arising from the reader. Creating a masterfully figurative picture or mo

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Pennamon, Tiffany. "Womanist Therapies in Alice Walker’s The Color Purple : Black Art as Spiritual Revival." Callaloo 42, no. 3 (2024): 36–49. https://doi.org/10.1353/cal.2024.a947905.

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Abstract: Alice Walker’s literature evinces the power of storytelling, painting, singing, dancing, and other art forms not only as a salvific balm but also as a way to make meaning of distressing experiences due to racism, gender violence, colonialism, and climate disaster, among other interlocking forms of oppression. Yet, despite the depths of everyday artistic genius embodied by many of Walker’s characters, few scholars have observed how Walker elevates Womanist-oriented “art therapies” as rituals of spiritualized care for Black healing. Walker’s characters’ engagement in these non-traditio

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Nestayko, Markiyan. "Photos of Julian Dorosh on the pages of Lviv periodicals on the example of a magazine “Literature and Art”." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 14(30) (December 2022): 346–59. http://dx.doi.org/10.37222/2524-0315-2022-14(30)-14.

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The article reveals to the peculiarities of photography as an artistic direction and a component of a periodical publication, highlights the characteristic features of photographs that are used as illustrations for journalistic texts. Special attention is focused on the development of photography in the first half of the last century. Illustrative photos of Julian Dorosh on the pages of Lviv periodicals, using the example of the “Literature and Art” publication, were analyzed on specific examples. On the basis of the analysis, the methods and forms of the transmission of color pictures with th

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Ageeva, A., and A. Patrikeeva. "Pragmatics of coloronyms in art spaces (based on the French and English languages)." Philology and Culture, no. 2 (September 17, 2023): 7–12. http://dx.doi.org/10.26907/2782-4756-2023-72-2-7-12.

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This article considers formation and evolution vectors of lexical units belonging to the semantic field “Color” in English and French. The purpose of this study is to describe the functional status and pragmasemantic parameters of the color vocabulary in the French and Russian-speaking art space. The relevance of the presented work is due to the intensive transformation of the extralinguistic space today. We gain deeper knowledge of it and more complicated structure of this knowledge, which leads to the evolution of the language systems themselves whose vocabulary shows the most sensitive reac

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