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Journal articles on the topic 'Color-mixing'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 May 2022

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1

Holtmann-Rice, D., and S. Zucker. "Color Flows and Color Mixing." Journal of Vision 14, no. 10 (August 22, 2014): 462. http://dx.doi.org/10.1167/14.10.462.

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2

Lin, Ta-Wei, and Chun-Wang Sun. "Color constancy, color-mixing ability, and color inference." Color Research & Application 36, no. 6 (November 12, 2010): 413–25. http://dx.doi.org/10.1002/col.20641.

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3

Arosa, Y., and R. de la Fuente. "Color mixing with glass." Optica Pura y Aplicada 48, no. 2 (June 30, 2015): 149–52. http://dx.doi.org/10.7149/opa.48.2.149.

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4

Williamson, Robert M. "Filters for color mixing." Physics Teacher 36, no. 1 (January 1998): 22. http://dx.doi.org/10.1119/1.879951.

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5

Middleton, A. Alan, and Samuel Sampere. "Color mixing via polarization." Physics Teacher 39, no. 2 (February 2001): 123–24. http://dx.doi.org/10.1119/1.1355174.

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6

Russell, Larry. "Color mixing with lasers." Physics Teacher 39, no. 8 (November 2001): 475. http://dx.doi.org/10.1119/1.1424596.

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7

Ammar, Khalid, Amira Duhair, and Lara Bilal. "Color Detection and Mixing System." International Journal of Computer Applications Technology and Research 6, no. 9 (September 1, 2017): 431–33. http://dx.doi.org/10.7753/ijcatr0609.1003.

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8

HOVIS, JEFFERY K. "Review of Dichoptic Color Mixing." Optometry and Vision Science 66, no. 3 (March 1989): 181–90. http://dx.doi.org/10.1097/00006324-198903000-00010.

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9

Wozniak, W. T., E. D. Siew, J. Lim, S. L. McGill, Z. Sabri, and J. B. Moser. "Color mixing in dental porcelain." Dental Materials 9, no. 4 (July 1993): 229–33. http://dx.doi.org/10.1016/0109-5641(93)90066-y.

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10

Hung, Chih Ching, Chi Chang Hsieh, Yan Huei Li, and Chyun Chau Lin. "LED Color Mixing Mechanism Design." Applied Mechanics and Materials 284-287 (January 2013): 2894–98. http://dx.doi.org/10.4028/www.scientific.net/amm.284-287.2894.

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LED is the solid-state light source of the 21st century that ranges from white light to any color in the entire spectrum. LED lights create static or dynamic illumination in indoor lighting applications. Modern indoor lighting fixtures not only provide illumination, but also are the primary elements that create the atmosphere. The use of gradual mixing of lights or different colors not only makes lights fit more people’s physical and psychological needs, but also improve one’s aesthetic perspectives. However, the LED color mixing technique based on RGB colors requires the package of the RGB chips in on single space for the creation of color mixing through the control of voltage and current. An innovative color mixing technique was proposed in this study. A linkage mechanism was introduced. The individual RGB chips were installed in 3 sets of four-bar linkages to enable color mixing by driving the RGB chips with the crank of the mechanism. The color mixing effects provide a continuing change of colors to meet people’s requirements for color mixing fixtures in certain scenarios. The fixtures incorporating this design can be used for stage lighting and biomedical engineering testing.
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11

Soe, Zar Chi, and Thae Thae Ei Aung. "Color and Height Control of Fluid Mixing System Using Fuzzy Logic." International Journal of Trend in Scientific Research and Development Volume-2, Issue-5 (August 31, 2018): 2184–89. http://dx.doi.org/10.31142/ijtsrd18260.

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12

Rosi, Tommaso, Pasquale Onorato, Luigi Gratton, and Stefano Oss. "Color mixing with four prisms redux." Physics Teacher 56, no. 7 (October 2018): 420–21. http://dx.doi.org/10.1119/1.5055317.

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13

Birriel, Jennifer, and Ignacio Birriel. "Glow Sticks: Spectra and Color Mixing." Physics Teacher 52, no. 7 (October 2014): 400–402. http://dx.doi.org/10.1119/1.4895352.

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14

Luttikhuizen, Marinus G. "Color mixing using a single projector." Physics Teacher 26, no. 5 (May 1988): 296–97. http://dx.doi.org/10.1119/1.2342539.

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15

Yang, Chiu Jung, Chien Sheng Huang, Chih Wei Chen, and Po Wen Chen. "The Color Mixing White-Light LEDs." Applied Mechanics and Materials 378 (August 2013): 440–43. http://dx.doi.org/10.4028/www.scientific.net/amm.378.440.

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Thepaperis discussedin coloruniformity study.The experiment divided into two steps in this study,first is modules design and simulation. Second is fabrication and measurement.After measure the LEDs property, calculating the ratio of each colored LEDs by using Grassmanns Law,modeling by Solidworks, and simulating the front study by optical software TracePro.Using four-color mixing with self-developed formula to avoid the present white light emitting diode patent, and the four-color grains are Red, Green, Blue and adding Y to modify the overall quality of the mixed light.The phosphorproduceSteabler-Wronsk hardly in the high temperatureas compared tofour-color mixing.Using four-color mixing to producehigher color rendering index than yellow phosphor.Series-parallel array of grain arrangement adopted to achieve the high demand for uniformity, while simplifying the design conditions by a certain current instead of the general mixed light-driven complex driver circuit,the completion of the mixing module using integrating sphere, light spectrum on the spectrophotometer, optical power, color coordinates values, such as mixing uniformity measurements.The chromaticity coordinates errors after complete results of the mixing module measurement and simulation can be controlled under (0.01x, 0.01y).
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16

Greenslade, Thomas B. "The von Nardroff Color Mixing Apparatus." Physics Teacher 43, no. 9 (December 2005): 602. http://dx.doi.org/10.1119/1.2136458.

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17

Kiess, Thomas E., and Richard E. Berg. "Dominant color reversals and chromaticity cusps in interferometric color mixing." American Journal of Physics 64, no. 7 (July 1996): 928–34. http://dx.doi.org/10.1119/1.18103.

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18

Koirala, Pesal, Markku Hauta-Kasari, Birgitta Martinkauppi, and Jouni Hiltunen. "Color mixing and color separation of pigments with concentration prediction." Color Research & Application 33, no. 6 (December 2008): 461–69. http://dx.doi.org/10.1002/col.20441.

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19

MATSUMOTO, Mitsuhiro. "802 Development of variable color filter using subtractive color mixing and gradational color." Proceedings of Conference of Kyushu Branch 2015.68 (2015): 307–8. http://dx.doi.org/10.1299/jsmekyushu.2015.68.307.

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20

Hung, Chih-Ching, Yan-Huei Li, and Ping-Han Yang. "Application of the Mechanism Design to Develop the RGB LEDs Color Mixing." International Journal of Photoenergy 2015 (2015): 1–14. http://dx.doi.org/10.1155/2015/876364.

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The big advantage of LED is the flexible spectral design to make white light using different color mixing schemes. Recently, the color mixing of RGB LEDs is mostly done by sealing all three chips at single package and regulated the mix ratio of these three colors to produce the color of light. And, by changing the LEDs array alignment, RGB chips can achieve overlapping colors of light and create the fun of changing colors in light mixing. Therefore, the purpose of this study is to propose an innovative technique of light mixing. By applying the mechanism design, a RGB light mixing mechanism is produced. Each of the RGB LEDs lamp-type is installed on the couple link of the three mechanisms, respectively. By driving a crank makes the couple link and an output link to produce the relative motion, this will result in the fact that the RGB lamps can project lights on the same plane in order to obtain the color mixing. Unlike mixing technique by control system, this design generates light mixing and changes of color with the synchronized driving of three mechanisms, thus achieving the dazzling perception of single-color lights or mixing of multiple colors for creating ambience of a space.
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21

Muschaweck, Julius, and Henning Rehn. "Illumination design patterns for homogenization and color mixing." Advanced Optical Technologies 8, no. 1 (February 25, 2019): 13–32. http://dx.doi.org/10.1515/aot-2018-0051.

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Abstract In illumination optics, color mixing is a key design task, but the realization can be a challenge. While tunable light sources based on multiple LEDs are commonplace, color homogenization is just as important for white LEDs, due to their spatial and angular color variation. In this tutorial, we first look at color mixing from an abstract, phase space-based viewpoint. From there, we derive a taxonomy of color mixing problems: How is the multi-color light source composed? What kind of homogeneity is required in the target? How is the homogenization influenced by source and target étendue? We categorize these problems and we present a toolbox: A selection of optical design elements, e.g. mixing rods and fly’s eye arrays, and we show for each design pattern how it fits into the taxonomy.
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22

Chao, Weichung, Sien Chi, Ching Yi Wu, and Chung J. Kuo. "Computer-generated holographic diffuser for color mixing." Optics Communications 151, no. 1-3 (May 1998): 21–24. http://dx.doi.org/10.1016/s0030-4018(98)00125-4.

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23

Razpet, Nada, and Tomaž Kranjc. "Partially Covered Lenses and Additive Color Mixing." Physics Teacher 55, no. 9 (December 2017): 537–40. http://dx.doi.org/10.1119/1.5011827.

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24

Bartels, Richard A. "A hallway display of additive color mixing." Physics Teacher 24, no. 9 (December 1986): 564–65. http://dx.doi.org/10.1119/1.2342129.

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25

Ding, Fujian. "Development of two-waveband color-mixing binoculars." Optical Engineering 47, no. 4 (April 1, 2008): 043201. http://dx.doi.org/10.1117/1.2904675.

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26

Eichmann, H., A. Egbert, S. Nolte, C. Momma, B. Wellegehausen, W. Becker, S. Long, and J. K. McIver. "Polarization-dependent high-order two-color mixing." Physical Review A 51, no. 5 (May 1, 1995): R3414—R3417. http://dx.doi.org/10.1103/physreva.51.r3414.

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27

Birriel, Jennifer. "Glow sticks: Spectra and color mixing revisited." Physics Teacher 59, no. 7 (October 2021): 586–87. http://dx.doi.org/10.1119/5.0047149.

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28

Wang, Chia-Sui, Yong-Ming Huang, and Kuei-Shu Hsu. "Developing a mobile game to support students in learning color mixing in design education." Advances in Mechanical Engineering 9, no. 2 (February 2017): 168781401668522. http://dx.doi.org/10.1177/1687814016685226.

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Chromatics provides a theoretical basis for the production of visual effects that is crucial to design education. As one of the pillars supporting chromatics, knowledge about color mixing is thus necessary for students who plan to design products. However, students tend to be bored by traditional learning methods in this regard. To remedy this deficiency, this study designed a mobile color mixing game to assist students in learning color mixing. On a more specific basis, this game not only enables students to learn color mixing anytime and anywhere but also provides them with an effective mechanism for exploring the potentials of this technology. Using the technology acceptance model, this study developed a questionnaire concerning the subjects’ perceptions of the mobile game, according to which the effectiveness of the game was evaluated. The research findings of this study showed that most of the subjects found the game not only easy to use but also of significant help for them to learn color mixing.
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29

Kornaga, V. I. "Color mixing models for smart lighting systems based on RGBW and WW LEDs." Semiconductor Physics Quantum Electronics and Optoelectronics 18, no. 3 (September 30, 2015): 302–8. http://dx.doi.org/10.15407/spqeo18.03.302.

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30

Kayaba, Yuki, Kenta Hojo, Kenta Ono, Manabu Ishizaki, Katsuhiko Kanaizuka, Shin-ichi Kondo, Masato Kurihara, Masaya Mitsuishi, and Jun Matsui. "Visible multi-color electrochromism by tailor-made color mixing at one electrode." Japanese Journal of Applied Physics 59, no. 9 (September 1, 2020): 091006. http://dx.doi.org/10.35848/1347-4065/abb034.

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31

Lee, Albert T. L., Huanting Chen, Siew-Chong Tan, and S. Y. Hui. "Precise Dimming and Color Control of LED Systems Based on Color Mixing." IEEE Transactions on Power Electronics 31, no. 1 (January 2016): 65–80. http://dx.doi.org/10.1109/tpel.2015.2448641.

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32

Son, Chang-Hwan, Hyung-Min Park, and Yeong-Ho Ha. "Improved Color Separation Based on Dot-Visibility Modeling and Color Mixing Rule for Six-Color Printers." Journal of Imaging Science and Technology 55, no. 1 (2011): 010505. http://dx.doi.org/10.2352/j.imagingsci.technol.2011.55.1.010505.

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33

Aït Aissa, Amara, Carl Duchesne, and Denis Rodrigue. "Polymer powders mixing part II: Multi-component mixing dynamics using RGB color analysis." Chemical Engineering Science 65, no. 12 (June 2010): 3729–38. http://dx.doi.org/10.1016/j.ces.2010.03.007.

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34

Song Pengcheng, 宋鹏程, 文尚胜 Wen Shangsheng, and 陈颖聪 Chen Yingcong. "Research on Color Mixing Based on RGBW-LEDs." Acta Optica Sinica 35, no. 9 (2015): 0923004. http://dx.doi.org/10.3788/aos201535.0923004.

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35

Melton, Lynn A., C. W. Lipp, R. W. Spradling, and K. A. Paulson. "Dismt - Determination of mixing time through color changes." Chemical Engineering Communications 189, no. 3 (March 2002): 322–38. http://dx.doi.org/10.1080/00986440212077.

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36

Reiner, Tim, Nathan Carr, Radomír Měch, Ondřej Št'ava, Carsten Dachsbacher, and Gavin Miller. "Dual-color mixing for fused deposition modeling printers." Computer Graphics Forum 33, no. 2 (May 2014): 479–86. http://dx.doi.org/10.1111/cgf.12319.

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37

Normann, R. A., I. Perlman, and S. J. Daly. "Mixing of color signals by turtle cone photoreceptors." Journal of Neurophysiology 54, no. 2 (August 1, 1985): 293–303. http://dx.doi.org/10.1152/jn.1985.54.2.293.

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The direct mixing of red and green cone signals in the outer plexiform layer of the turtle retina was studied by using intracellular recordings from red cone photoreceptors. Cone photoresponses were a function of the wavelength of the photons that stimulated them, even when small-diameter stimuli were used. The intensity response curves measured with red and green test flashes had different shapes. The kinetics of approximately equal amplitude red and green responses also differed. To quantify the short wavelength input onto red cones, differential chromatic adaptation was used. The relative sensitivity of the red cone to red and green test flashes was a function of the color and intensity of the background illumination; red backgrounds decreased relative red sensitivity, and green backgrounds increased relative red sensitivity. The spectral sensitivity of the additional short wavelength input onto red cones was determined by using differential chromatic adaptation, and was found to peak approximately 550 nm. We conclude that red cones receive an additional excitatory input from green cones (and possibly blue cones). A model of the cone mosaic suggests that approximately 50% of the red cone response (linear range) to a dim green test flash arises from neighboring green cones.
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38

Gilbert, P. U. P. A., and Willy Haeberli. "Experiments on subtractive color mixing with a spectrophotometer." American Journal of Physics 75, no. 4 (April 2007): 313–19. http://dx.doi.org/10.1119/1.2431654.

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39

Kang, Henry R. "Applications of color mixing models to electronic printing." Journal of Electronic Imaging 3, no. 3 (July 1, 1994): 276. http://dx.doi.org/10.1117/12.176273.

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40

Sui, Jian Hua, and Xiao Li Wen. "Study on the Surface Color Mixing Effect of Fabric with Different Colors of Warp and Weft." Advanced Materials Research 175-176 (January 2011): 389–93. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.389.

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The fabrics made of different color values of Lightness (L), Chromaticity (C) and hue angle (h) of warp and weft silks were designed to testify color mixing. According to Glassman’s two-color adding and mixing principle, theoretical values of L0, C0 and h0 for all yarns were calculated. After all yarns were weaved, L1, C1 and h1’s value of each fabric were measured by ultrascan PRO of Optoelectronic integration color measurement instrument. The differences between measured and theoretical values expressed by ΔL, ΔC and Δh were calculated. ΔL, ΔC and Δh characteristics were analyzed and the relationship between ΔL, ΔC and Δh and the colors of warp and weft were discussed. The effects of the relative portion of warp and weft silks, the collection and distribution of interweave points, the uniformity of organized points’ distribution on color mixing based on the measured and theoretical values of fabric were further investigated.
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41

Fathoni, Ahmad Faisal Choiril Anam. "Mengkaji Penggunaan Software Apple Color untuk Color Grading saat Pasca Produksi." Humaniora 2, no. 1 (April 30, 2011): 590. http://dx.doi.org/10.21512/humaniora.v2i1.3072.

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In post-production process, there is one process that is not as well known as the video editing process, the addition of animation, special effects enrichment, motion graphics or audio editing and audio mixing, an important process which is rarely realized called Color Correction or Color Grading. Various software have been made to handle this process, ranging from additional filters are already available for free in any editing software, to high-end devices worth billions of dollars dedicated for specifically conducting Color Correction. Apple Color is one of the software included in the purchase of Final Cut Studio package which also include Final Cut Pro for Video Editing, Soundtrack Pro for Sound Editing and Mixing, and Motion for compositing. Apple's Color is specially designed for color correction tasks after previously edited in Final Cut Pro. This paper is designed to introduce Apple's software as well as analyze the feasibility of Apple Color as a professional device in the world of production, especially post-production. Some professional color correction software will be compared briefly with Apple Color to get an objective conclusion.
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42

Zhu, Weijing, Qizheng Li, Feiyan Zhang, Xiaoke Jin, and Chengyan Zhu. "New Color Mixing Model to Predict Mixed Color Values of Yarn-Dyed Fabrics." Journal of Fiber Science and Technology 76, no. 10 (October 31, 2020): 335–42. http://dx.doi.org/10.2115/fiberst.2020-0036.

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43

Zhang, Ruihong, Xuanlyu Wu, Henry Shu-Hung Chung, and Xuewei Pan. "A Color-Theory-Based Chromaticity Coordinates Tracking Strategy for LED Color-Mixing System." IEEE Transactions on Power Electronics 36, no. 3 (March 2021): 3269–78. http://dx.doi.org/10.1109/tpel.2020.3014081.

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44

Ducci, Matthias. "Mixing Yellow and Blue Turns…White!“ – Experiments on Additive Color Mixing with Fluorescent Dyes." CHEMKON 26, no. 5 (April 11, 2019): 211–12. http://dx.doi.org/10.1002/ckon.201800083.

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45

Li, Zhiyong, Dawei Zhang, Liangchen Shao, and Shanling Han. "Experimental investigation using vibration testing method to optimize feed parameters of color mixing nozzle for fused deposition modeling color 3D printer." Advances in Mechanical Engineering 11, no. 12 (December 2019): 168781401989619. http://dx.doi.org/10.1177/1687814019896196.

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To improve the blockage and printing quality of the color mixing nozzle of fused deposition modeling color 3D printer, the feed parameters of fused deposition modeling color 3D printer were studied by vibration test. The acceleration sensor was fixed up the color mixing nozzle to analyze the vertical vibration of the nozzle. The vibration test of different feed speed, torque, and material were performed under the actual printing condition. Vertical vibration of the nozzle was characterized by an acceleration sensor. The comparative analysis of the actual testing results indicates that the optimum feed parameters are feed torque of triple torque extruder, feed speed of 20 mm/s, and feed material of ABS. Further analysis shows that higher feed torque can be used to improve the printing quality of the color mixing nozzle. The appropriate feed speed of the color 3D printer can not only reduce the accumulation of wire material at a lower speed but also reduce the blockage caused by too-high feed speed. It is proposed that the feed material with smaller flow behavior index and no phase transition in the melting process shows smaller vibration acceleration amplitude.
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46

WANG, LINXIANG, YURUN FAN, and YING CHEN. "ANIMATION OF CHAOTIC MIXING BY A BACKWARD POINCARE CELL-MAP METHOD." International Journal of Bifurcation and Chaos 11, no. 07 (July 2001): 1953–60. http://dx.doi.org/10.1142/s0218127401003139.

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A Backward Poincare cell-mapping (BPCM) method has been developed for animating chaotic fluid mixing. The chaotic mixing field considered is induced by periodically rotating the secondary flow of incompressible fluids in a curved pipe. The pipe's cross-section is transformed into a cell space where each cell is initially assigned with a color code and mapped by integrating the velocity field forward in time. The mixing process is thus animated efficiently with each cell being painted with its color on a computer screen. We propose the backward Poincare cell-mapping instead of direct Poincare cell-mapping as a useful tool for probing the chaotic fluid mixing and for animating the phase deformation of nonlinear dynamical systems.
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47

Peruzzi, Giulio, and Valentina Roberti. "The Color Top and the Distinction Between Additive and Subtractive Color Mixing [Historical Corner]." IEEE Antennas and Propagation Magazine 61, no. 5 (October 2019): 138–45. http://dx.doi.org/10.1109/map.2019.2932304.

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48

Muramatsu, Jumpei, and Hiroaki Onoe. "Microfluidic multicolor display by juxtapositional color mixing with a pattern of primary color pixels." Journal of Micromechanics and Microengineering 32, no. 2 (December 21, 2021): 025002. http://dx.doi.org/10.1088/1361-6439/ac4007.

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Abstract This paper describes a microfluidic multicolor display utilizing juxtapositional color mixing of pixels. Our display has a 14 × 14 array of pixels (2.5 mm in pixel diameter, 8.46 ppi) on the display surface where multicolor is expressed by controlling the pattern of the four primary color inks (cyan (C), magenta (M), yellow (Y), and black (= key plate, K)) that fill the pixels. The microfluidic display has a three-layer structure composed of a top layer with pixels for displaying images, a middle layer that serves as a background screen, and a bottom layer with microchannels that connect the pixels. In order to express multicolor by combining CMYK primary colors, we optimized the concentration of the inks used as the primary colors. By designing patterns of pixels filled with CMYK ink, color gradations and multicolor images were displayed on our display. The proposed microfluidic display could be applied to eye-friendly and low-energy-consumption flexible display applications including multi-purpose sign boards used in outdoors, wearing objects, and exterior/interior of vehicles and architects.
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49

Mohammed Ali, Abdalftah Hamed. "Design and Implementation of Color Mixing and Painting Automatic Machine." FES Journal of Engineering Sciences 10, no. 1 (January 13, 2021): 13–19. http://dx.doi.org/10.52981/fjes.v10i1.12.

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In this paper we represent a design and implementation of color mixing and painting machine, which shall work automatically, efficiently and lower the cost. The machine mixes Red, Green, and Blue RGB colors with a base to produce the required color defined by the user, and then pumps it through pipes in painting machine with a robotic arm, this painting machine will do the painting job. The model is designed and implemented using a Programmable Logic Controller (PLC-S7300) which controls the process of mixing the required color, these colors is filled in container tanks, five tanks, three for each RGB colors, one for the base, and one for the cleaning liquid. The mixer uses a DC motor to rotate mixing fins. Although the robotic arm uses 5 DC motor to move the arm joints.
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50

Chae, Youngjoo. "Visual Color Mixing Effect of Yarns in Textile Fabrics." Journal of the Korean Society of Clothing and Textiles 43, no. 03 (June 30, 2019): 373–83. http://dx.doi.org/10.5850/jksct.2019.43.3.373.

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