Dissertations / Theses on the topic 'Colorism'
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Tekie, Feven. "Colorism in Zanzibar - A Qualitative Field Study on The Effects of Colorism on Women's Identity and Ethnicity Construction." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22911.
Full textCanada, Dericka Denise. "Development and Psychometric Investigation of the Perceived Colorism Scale." Thesis, Boston College, 2017. http://hdl.handle.net/2345/bc-ir:107664.
Full textBlack women are often confronted with social-systemic barriers and differential treatment based on the shade of their skin color. Colorism, a derivative of racism, is the use of skin-color shade as the basis for interactions with and evaluations of Black women. Some theoretical and empirical literature suggests that Black women may encounter and respond to colorism in various social contexts. Nevertheless, without an adequate measure to assess these contextually based experiences, it is difficult to explore the complex dynamics of the colorism that Black women face. In the present study, socioecological theory (Brenner, Zimmerman, Bauermeister, & Caldwell, 2013) was adapted to frame a contextual model of colorism in order to develop a measure that assesses Black women’s perceptions of and responses to colorism across social contexts, including in their families, within and outside of their racial community, and in society. Black women (N = 299) responded to 98 contextual items derived from personal accounts of colorism, focus groups, and theoretical literature. Various scale development techniques including item analysis, exploratory factor analyses, and parallel analyses yielded four dimensions of perceived colorism experiences (i.e., racial out-group, family, racial in-group, society) and seven dimensions of perceived colorism responses (i.e., racial out-group/society, family and racial in-group cognitive-emotional reactions, family and non-family positive colorism, negative self-concept, attractiveness). To investigate validity evidence, multivariate multiple regression analyses (MMRAs) and hierarchical multiple regression analyses were conducted to examine relationships between the factor-derived subscales of the Perceived Colorism Scale and internalized colorism, racial identity, and self-esteem. Overall, results of the analyses supported the importance of four contexts for colorism experiences (racial out-group, family, racial in-group, and society). However, context-related responses to colorism were more complex than initially hypothesized. The factor-derived PCS subscales were predictive of internalized colorism, racial identity and self-esteem. Nonetheless, the subscales varied in the extent to which they were related to the validity measures and some of the significant relationships were not in hypothesized directions. Methodological limitations, along with implications for future theory, research, and practice are discussed
Thesis (PhD) — Boston College, 2017
Submitted to: Boston College. Lynch School of Education
Discipline: Counseling, Developmental and Educational Psychology
Reger, Wibke. "The black body of literature: colorism in American fiction." Paderborn München Wien Zürich Schöningh, 2009. http://d-nb.info/988677261/04.
Full textVoid, Ashley Nicole. "Colorism and Skin Tone Messages in Father-Daughter Relationships." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6696.
Full textEdwards, Cheri Paris. "Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609132/.
Full textBryant, Patience Denece. "The Impact of Colorism on Historically Black Fraternities and Sororities." NSUWorks, 2013. http://nsuworks.nova.edu/shss_dcar_etd/20.
Full textChristensen, Phaedra. "Interrelationships of Colorism, Violence, and Sexual Behaviors among Southern African American Women." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2959.
Full textJohnson, Jasmine Cherese. "Is it Really a Different World? Colorism Then and Now in Black Sitcoms." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609063/.
Full textFultz, Lauren A. "The Psycho-Social Impact of Colorism Among African American Women: Crossing the Divide." Wright State University Professional Psychology Program / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=wsupsych1375225026.
Full textMorris, Brian Kenneth. "Perceptions of Complexions: Consciousness and Self-Identification Among Dark-Skinned Blacks." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/959.
Full textInganji, Edna, and Natalie Sharro. "“Subconsciously, beauty is white and skinny.” : A qualitative study on colorism in makeup advertisements." Thesis, Mälardalens högskola, Akademin för ekonomi, samhälle och teknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-48425.
Full textSmit, Brittani Reniece. "Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30426.
Full textBarel, Stefania <1990>. "SKIN DEEP BLACK DESTINY. COLORISM AND ARTISTIC FATE IN THE WORKS OF WALLACE THURMAN." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10216.
Full textJimenez, Morales Laura Veronica. ""IT'S SO HARD TO BE ME": REBELDE AND THE SUBGENRE OF THE TEEN TELENOVELA IN MEXICO." OpenSIUC, 2019. https://opensiuc.lib.siu.edu/dissertations/1754.
Full textGillespie, Christian Hope. "Down to the Roots: A Qualitative Analysis of the Psychological Impacts of Messages Black Women Receive Regarding their Hair." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/dissertations/678.
Full textGray, Brittany C. D. "Navigating colorism on campus| The experiences of Black, Black biracial, and Black multiracial women in college." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10254708.
Full textThe purpose of this qualitative study was to explore the ways in which Black, Black biracial, and Black multiracial women experienced and navigated colorism in college. This is an important topic to explore given that colorism, or skin tone bias, has been found to impact the emotional, psychological, and social well-being of people of color. One-on-one interviews were used to gather data from 10 participants. Four themes emerged from the data analysis: (a) White colorism; (b) Colorism is ingrained in Black culture; (c) Emotional and psychological responses to colorism; and (d) Education is key. These four themes represent the participants’ experiences with colorism and provide insight into the ways they navigated encounters with colorism. This study adds to the research on colorism in higher education and offers implications for practice and directions for research.
Sumo, Iris. "WHAT ARE THE FACTORS OF COLORISM AMONGST AFRICAN AMERICAN WOMEN; AND HOW DOES THIS AFFECT THE LIVES OF AFRICAN AMERICAN WOMEN?" CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/906.
Full textCaste, Romina, and Nordin Jennifer Norgren. "Colorism bland latina-svenskar : En kvalitativ studie om inom-grupps diskriminering inom den latinamerikanska diasporan i Sverige." Thesis, Södertörns högskola, Institutionen för samhällsvetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34280.
Full textAbiola, Ufuoma. "The Monolith Myth and Myriad Manifestations of Melanin| Skin Tone Bias/Colorism and Black Ivy League Undergraduates." Thesis, University of Pennsylvania, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10687381.
Full textSkin tone bias or colorism is “the tendency to perceive or behave toward members of a racial category based on the lightness or darkness of their skin tone” (Maddox & Gray, 2002, p. 250). It is “the prejudicial treatment of individuals falling within the same racial group on the basis of skin color” (Thompson & Keith, 2004, p. 46) and “the allocation of privilege and disadvantage according to the lightness or darkness of one’s skin” (Burke & Embrick, 2008, p. 17). Skin tone bias/colorism is a form of discrimination based on skin tone that typically privileges lighter-skinned individuals and penalizes darker-skinned individuals within and across racial and ethnic groups (Hunter, 2007; Jones, 2000). For my study, I focused my investigation of skin tone bias/colorism in relation to Blacks in the United States of America.
I conducted semi-structured face-to-face individual interviews with 30 Black undergraduate students (15 men and 15 women) at the University of Pennsylvania using purposive sampling. To triangulate data for this study, participants’ skin color was determined by two self-report assessments: the Skin Color Satisfaction Scale (SCSS) (Bond & Cash, 1992; Falconer & Neville, 2000) and the Skin Color Assessment Procedure (SCAP) (Bond & Cash, 1992; Coard, Breland, & Raskin, 2001). These assessments were administered prior to the interview.
Contrary to societal myth, Blacks are not a monolithic group. The impetus for my dissertation was to develop a qualitative study that necessitates the acknowledgment of the heterogeneity of Black students’ backgrounds and experiences with college, to ultimately shed light on the potential challenges faced by varying Black students in college based on skin tone, and to provide recommendations for Black students to effectively navigate highly selective institutions of higher education – with hopes to increase their persistence and success in college. Recommendations for higher education institutions, faculty, and student affairs administrators to better support Black students are also provided.
My research questions were as follows: How do the academic, personal, and social experiences of lighter-skinned Black students at a highly selective higher education institution vary compared with the experiences of darker-skinned Black students? How does this variation in experiences between lighter and darker-skinned Black students matter within the higher education context?
Mathews, Tayler J. "The relationship between skin complexion and social outcomes: how colorism affects the lives of African-American women." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2013. http://digitalcommons.auctr.edu/dissertations/710.
Full textHairston, Tiffany R. "Counselor Education Students’ Perceptions of Wellness and Mental Health in African American Men: The Effects of Colorism." University of Toledo / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1463059743.
Full textHall, Alicia V. "Body image as a function of colorism [electronic resource] : testing a theoretical model / by Alicia V. Hall." [Tampa, Fla.] : University of South Florida, 2003. http://purl.fcla.edu/fcla/etd/SFE0000111.
Full textГалаган, Тамара, and Марина Колосніченко. "Особливості сприйняття кольорів при дизайн-проектуванні спеціального одягу." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10669.
Full textThe research is devoted to the issues of improving the design process of special clothing with improved aesthetic indicators, taking into account the peculiarities of psychophysiology of human perception of colors and the laws of coloring, which is an urgent task due to the lack of scientifically grounded approaches to its creation. The basic basic characteristics of the color palette, the influence and nature of the associations that arise in the perception of the main colors are determined.
Finkeldey, Jessica Grace. "The Influence of Skin Color on the Likelihood of Experiencing Arrest in Adulthood." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1403293558.
Full textLee, Kiara. "Dark on Campus: A Phenomenological Study of Being a Dark-Skinned Black College Student." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5752.
Full textMaxwell, Morgan. "Red Bones and Earth Mothers: A Contemporary Exploration of Colorism and its Perception Among African American Female Adolescents." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3076.
Full textChattopadhyay, Sriya. "Fair-Unfair: Prevalence of Colorism in Indian Matrimonial Ads and Married Women's Perceptions of Skin-Tone Bias in India." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1556039690313388.
Full textHansaward, Natcharee. "THE DAY I MET THAT CAT : The comic about colorism, one-sided standard and visual communication power in Thailand." Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6907.
Full textokbazgie, somit, and sarah tesfazion. "Svarta kvinnor i Mediebranschen : En kvalitativ studie om svarta kvinnors upplevelser av rasism i den svenska mediebranschen." Thesis, Uppsala universitet, Sociologiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-431302.
Full textHardarson, Jessica, and Frida Karlsson. "INTERSEKTIONELL ANALYS OM ICKE-VERBAL KOMMUNIKATION, KÖN OCH HUDFÄRG : Examensarbete inom huvudområdet Medier, estetik och berättande." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17066.
Full textSmith, Marisa A. "“Dark-Skinned People Be Like”: How Colorism-Promoting Internet Memes and Audience Feedback Influence African Americans’ Intragroup Attitude and Perception of Skin – Tone Bias." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1431002424.
Full textBiagas, David Edward Jr. "Status, racial hegemony, and phenotypical inequality: exploring the racial invariance hypothesis." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1827.
Full textWhite, Tiffany N. "Two Steps Forward, One Step Back: Effects of Skin Tone and Cross-Platform Self-Presentation on Evaluations of Black Job Applicants." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500574106470159.
Full textKramer, Angela C. "Everything Endlessly Rising." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu161659952570974.
Full textJohnson, Tonya M. "BLACK WOMEN ARE HUMAN BEINGS, NOT PROPERTY:A FEMINIST PERSPECTIVE OF SPIKE LEE’S 1986 AND 2017 PRODUCTIONS OF SHE’S GOTTA HAVE IT." University of Akron / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=akron1551869687395502.
Full textMuhammad, Ray. "African American Women Managers' Experiences in Predominantly Black Work Environments." ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5504.
Full textRoe, Angela E. "The Sound of Silence: Ideology of National Identity and Racial Inequality in Contemporary Curaçao." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2590.
Full textMaurilio, Rafael Hoffmann. "Música colorida." reponame:Repositório Institucional da UNISUL, 2014. http://www.riuni.unisul.br/handle/12345/466.
Full textEste trabalho toma a cultura jovem dos anos 60 ¿ mais especificamente o movimento psicodélico em São Francisco ¿ como objeto de estudo pelo fato de ser uma das primeiras manifestações jovens com características distintas na música e no comportamento e pelo fato de ser consolidada através de manifestações em diferentes campos, como o das artes gráficas. Ao analisar e compreender a formação do movimento mostrou-se como se deu o desenvolvimento da linguagem gráfica que seria característica desse grupo através de uma pesquisa exploratória bibliográfica com o cruzamento de autores e teorias para, além de entender a origem do movimento, estabelecer as suas influências na música e, principalmente, no design gráfico, identificando as principais características estilísticas (cores, formas, tipografia, etc.) da produção gráfica do período. Em um segundo momento é apresentada uma análise de pôsteres de shows produzidos em São Francisco entre 1965 e 1969, o auge do movimento, e criados pelos principais artistas da região ¿ Wes Wilson, Stanley Mouse e Alton Kelley, Rick Griffin e Victor Moscoso. Por fim, ao identificar e analisar essas características estilísticas pôde-se compreender como elas passaram a ser uma extensão visual da experiência estética e ideológica e da identidade cultural do movimento. Dessa forma, os pôsteres passaram a exprimir o que às vezes a canção não conseguia, servindo de apoio para narrar o contexto social e cultural no qual estava inserido, e acabaram tornando-se um contragolpe, provavelmente inconsciente, ao formalismo e rigidez do estilo de design que era referência na época. Esse resultado mostra que a análise da arte gráfica pode ser uma forma de conhecer melhor a cultura daqueles que a produziram, pois ela reflete e reage ao meio social e cultural em que está inserida.
This work takes the youth culture of the 60s - specifically the psychedelic movement in San Francisco - as an object of study because this was one of the first youth demonstrations with distinct characteristics in music and behavior, besides being consolidated through demonstrations on different fields such as graphic arts. Analyzing and understanding the formation of the movement intend to show how was the development of graphic language that would be characteristic of this group. To reach this goal, a bibliographical exploratory research is presented with the intersection of authors and theories in seeking to understand the origin of the psychedelic movement, establish their influences in music and graphic design and identify key stylistic features (colors, shapes, typography, etc.) of the graphic production of the period. In a second step is presented an analysis of posters of shows produced in San Francisco between 1965 and 1969, the heyday of the movement, and created by leading artists of the region - Wes Wilson, Stanley Mouse and Alton Kelley, Rick Griffin and Victor Moscoso. Finally, identifying and analyzing these stylistic features, was possible to understand how they become a visual extension of the ideological and aesthetic of psychedelic experience and also an element of cultural identity of the movement. Thus, the posters help to express what sometimes the song couldn't, serving as support to narrate the social and cultural context in which was inserted, and becoming a backlash, probably unconscious, to the formalism and rigidity of the design style that which was reference at the time. This result shows that the analysis of the graphic art can be a way to better understand the culture that produced it, since it reflects and responds to the social and cultural environment in which it operates.
Jin, Yan. "Hybrid metaheuristic algorithms for sum coloring and bandwidth coloring." Thesis, Angers, 2015. http://www.theses.fr/2015ANGE0062/document.
Full textThe minimum sum coloring problem (MSCP) and the bandwidth coloring problem (BCP) are two important generalizations of the classical vertex coloring problem with numerous applications in diverse domains, including VLSI design, scheduling, resource allocation and frequency assignment in mobile networks, etc. Since the MSCP and BCP are NP-hard problems, heuristics and metaheuristics are practical solution methods to obtain high quality solutions in an acceptable computing time. This thesis is dedicated to developing effective hybrid metaheuristic algorithms for the MSCP and BCP. For the MSCP, we present two memetic algorithms which combine population-based evolutionary search and local search. An effective algorithm for maximum independent set is devised for generating initial solutions. For the BCP, we propose a learning-based hybrid search algorithm which follows a cooperative framework between an informed construction procedure and a local search heuristic. The proposed algorithms are evaluated on well-known benchmark instances and show highly competitive performances compared to the current state-of-the-art algorithms from the literature. Furthermore, the key issues of these algorithms are investigated and analyzed
Normann, Per. "Parallel graph coloring : Parallel graph coloring on multi-core CPUs." Thesis, Uppsala universitet, Avdelningen för beräkningsvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-227656.
Full textEley, Dikeita N. "Color (Sub)Conscious: African American Women, Authors, and the Color Line in Their Literature." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1486.
Full textJesurum, Caroline Esther 1969. "Coloring with defects." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/37006.
Full textPoon, Hoifung. "Coloring clique hypergraphs." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1494.
Full textBertrand, Mélanie. "Utilisation de granulats colorés pour la formulation d'enrobés bitumineux colorés." Mémoire, École de technologie supérieure, 2002. http://espace.etsmtl.ca/815/1/BERTRAND_M%C3%A9lanie.pdf.
Full textDekoli, Margarita 1973. "Coloring time with CodaChrome." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/61135.
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Includes bibliographical references (p. 127-128).
As new computationally enhanced tools become available, there is an opportunity to give more and more people access to new ways for personal, creative expression. We designed a new computational construction kit to allow children and adults to design and build interactive, dynamic color patterns on electronic jewelry and sculptures. We designed activities to introduce CodaChrome, our color pattern creation environment, along with ideas about color and material properties to children in the context of immersive design experiences. The process and product of these experiences reveal the way young people understand abstract concepts related to the notions of space, time and space-time interrelationships. This thesis reports on the design and evaluation of the activities, the development of the CodaChrome system, and the evolution of our methodology for investigating the formation of concepts like synchronicity and concurrency and their dependency on spatial connotations. The presented case studies contribute to the ongoing research on the media-dependence of classic epistemological questions regarding space and time, as manifested in the diversity of children's styles in making and thinking about dynamic color animations on light modules, which can be arranged in arbitrary spatial topologies.
by Margarita Dekoli.
S.M.
Montgomery, Bruce Lee. "Dynamic coloring of graphs." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2109.
Full textTitle from document title page. Document formatted into pages; contains viii, 52 p. : ill. Vita. Includes abstract. Includes bibliographical references (p. 51).
Carbonell, Martínez Pau. "La representació i comprensió de la forma en la pintura per capes." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/455138.
Full textXie, Xuzhen, Takao Ono, Shin-ichi Nakao, and Tomio Hirata. "NEARLY EQUITABLE EDGE-COLORING PROBLEM." INTELLIGENT MEDIA INTEGRATION NAGOYA UNIVERSITY / COE, 2006. http://hdl.handle.net/2237/10408.
Full textCasselgren, Carl Johan. "On some graph coloring problems." Doctoral thesis, Umeå universitet, Institutionen för matematik och matematisk statistik, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-43389.
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