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Books on the topic 'Colour rendering'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Consult the top 42 books for your research on the topic 'Colour rendering.'

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1

Illumination, International Commission on. Method of measuring and specifying colour rendering properties of light sources. Commission internationale de l'éclairage, CIE Central Bureau, 1995.

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2

Entourage: A tracing file and color sourcebook. 5th ed. McGraw-Hill, 2011.

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3

Architectural rendering techniques: A color reference. Van Nostrand Reinhold, 1985.

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4

Burden, Ernest E. Entourage: A tracing file and color sourcebook. 4th ed. McGraw-Hill, 2003.

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5

Mattiello, Adolfo. Techniques of jewelry illustration and color rendering. DuMatt Corp., 1995.

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6

Color rendering: A guide for interior designers and architects : concept, exploration, process. McGraw-Hill, 1997.

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7

Albert, Lorenz. Drawing in color: Rendering techniques architects and illustrators. Whitney Library of Design, 1991.

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8

Color drawing: Design drawing skills and techniques for architects, landscape architects, and interior designers. 2nd ed. John Wiley, 1999.

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9

Color drawing: A marker/colored pencil approach for architects, landscape architects, interior and graphic designers, and artists. Van Nostrand Reinhold, 1993.

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10

Kasprisin, Ronald J. Design media: Techniques for watercolor, pen & ink, pastel and colored marker. John Wiley, 1999.

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11

The world of my illustrations: Colour rendering techniques. Jyotsna Prakashan, 2010.

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12

Badano, Luigi P., Roberto M. Lang, and Alexandra Goncalves. Three-dimensional echocardiography. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198726012.003.0007.

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The advent of fully-sampled matrix array transthoracic transducers has enabled advanced digital processing and improved image formation algorithms and brought three-dimensional echocardiography (3DE) technology into clinical practice. Currently, 3DE is recognized as an important echocardiographic technique, demonstrated to be superior to two-dimensional echocardiography in various clinical scenarios. This chapter focuses on the technology of 3DE matrix transducers, physics of 3D imaging, data set acquisition (multiplane, real-time, full-volume, zoom, and colour), and display (volume rendering, surface rendering and multislice) modalities. The chapter also addresses the issues of training in 3DE, and main clinical indications and reporting of transthoracic and transoesophageal 3DE.

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13

Abling, Bina. Fashion Rendering with Color. Prentice Hall, 2001.

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14

Fashion Rendering with Color. Prentice Hall, 2001.

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15

Guptill, Arthur Leighton. Color in Sketching and Rendering. Van Nostrand Reinhold, 1989.

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16

He, Xu. Color Rendering Capacity of Light. Lulu Press, Inc., 2010.

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17

He, Xu. Color Rendering Capacity of Illumination. Lulu Press, Inc., 2010.

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18

Lin, Mike W. Architectural Rendering Techniques: A Color Reference. Wiley & Sons, Incorporated, John, 2008.

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19

Architectural Rendering Techniques: A Color Reference. Wiley & Sons, Incorporated, John, 1985.

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20

Evans, Judith, Cy Cylkowski, and Adolfo Mattiello. Techniques of Jewelry Illustration & Color Rendering. Du Matt Corp, 1998.

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21

Macaire, Ludovic, Christine Fernandez-Maloigne, and Frederique Robert-Inacio. Digital Color: Acquisition, Perception, Coding and Rendering. Wiley & Sons, Incorporated, John, 2013.

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22

Macaire, Ludovic, Christine Fernandez-Maloigne, Frederique Robert-Inacio, and Frederique Robert-Inacio. Digital Color: Acquisition, Perception, Coding and Rendering. Wiley & Sons, Incorporated, John, 2013.

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23

Macaire, Ludovic, Christine Fernandez-Maloigne, and Frederique Robert-Inacio. Digital Color: Acquisition, Perception, Coding and Rendering. Wiley & Sons, Incorporated, John, 2013.

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24

Tone rendering and gamma calculator. Society for Information Display, 2012. http://dx.doi.org/10.55410/ikfp2784.

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Here we measure the gray scale (relationship between the stimulus gray level and the resulting gray shade), and the color scales of a display. The template has also has details for creating other numbers of levels. We use the term "gamma" to refer to the simple model found in §6.3 Log-Log Gamma Determination. Strictly speaking, we might always place the word "gamma" in quotation marks to remind the user that it is a sloppy notation and that we are not referring to the gamma function.

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25

Macaire, Ludovic, Christine Fernandez-Maloigne, and Frederique Robert-Inacio. Digital Color: Acquisition, Perception, Coding and Rendering. Wiley & Sons, Incorporated, John, 2013.

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26

Macaire, Ludovic, Christine Fernandez-Maloigne, and Frederique Robert-Inacio. Digital Color: Acquisition, Perception, Coding and Rendering. Wiley & Sons, Incorporated, John, 2012.

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27

Doyle, Michael E. Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers. Wiley & Sons, Incorporated, John, 2010.

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28

Doyle, Michael E. Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers. Wiley & Sons, Incorporated, John, 2011.

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29

Doyle, Michael E. Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers. Wiley & Sons, Incorporated, John, 2009.

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30

Narale, Arvind. For the Love of Water Colour: The Art of Water Colour Renderings. Canadian Stage&Arts Pubns Ltd, 1996.

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31

Doyle, Michael E. Color Drawing. Wiley & Sons, Incorporated, John, 2014.

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32

Morphew, Otis. Upshur: A Rendering of Justice. Xlibris Corporation LLC, 2010.

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33

Dong, Wei. Color Rendering : A Guide for Interior Designers and Architects. Harmony Art & Design Studio, 2004.

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34

None. Fashion Rendering: Mix, Match, and Color Your Own Fashion Line. Collins Design, 2008.

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35

3d Modeling Animation And Rendering An Illustrated Lexicon Color Edition. Createspace, 2010.

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36

Golub, Mark. The Limits of Brown. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190683603.003.0004.

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Chapter 4 examines the rise of color-blind constitutionalism in the context of school desegregation and the Supreme Court’s post–Brown v. Board implementation cases. As typically understood, color-blindness supplies the initial and authentic desegregation vision, against which affirmative action’s reintroduction of racial consciousness appears as a betrayal or corruption of core democratic values. In contrast, this chapter situates color-blindness discourse within the coordinated efforts of white southern moderates to denounce the open racism of massive resistance while at the same time thwarting court-ordered integration of public schools. Paradoxically, color-blind constitutionalism gained prominence first as a technique for rendering segregation consistent with federal law.

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37

In a Modern Rendering: The Color Woodcuts of Gustave Baumann - A Catalogue Raisonné. Rizzoli International Publications, Incorporated, 2019.

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38

Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers. Wiley, 2006.

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39

Color Drawing: A Marker/Colored-Pencil Approach for Architects, Landscape Architects, Interior and Graphic Designers, and Artists. Wiley & Sons, Incorporated, John, 1993.

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40

NoteBooks, Sappuris. Notebook 200 Pages, 3d Rendering Luxury New Abstract Background Red Color 3d Illustration Cover, Large(8. 5 X 11 Inches). Independently Published, 2021.

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41

Kasprisin, Ronald J. Design Media. Wiley & Sons, Incorporated, John, 1998.

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42

Foster, Travis M. Genre and White Supremacy in the Postemancipation United States. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838098.001.0001.

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Even as Black Lives Matter thinkers underscore white supremacy’s manifestation in the unremarkable and all-too-often unnoticed unfolding of ordinary life, literary critical methods remain impeded by longstanding biases toward unconventional texts, visionary writers, and nonconforming ideas. The result is that we’re left without adequate methods, vocabularies, and archives for apprehending white supremacy’s urgent ordinariness. In Genre and White Supremacy in the Postemancipation United States, Travis M. Foster suggests that genre provides the best route out of this impasse. Through rigorous new interpretations of four popular literary and cultural genres—campus novels, the Ladies’ Home Journal, Civil War elegies, and gospel sermons—Foster unpacks how conventionality played a crucial role in both reconstituting and resisting taken-for-granted operations of white supremacy and antiblackness in the wake of emancipation. Arguing that genre provides a scale and a method for rendering ordinariness newly available to close analysis, Foster reveals the specific conventions and strategies through which antiblackness constitutes white social worlds far removed from the color line, while also surveying whiteness’s remarkable capacity to adapt itself to new conditions and incorporate internal differences. Simultaneously, using genre analysis to trace forms of black resistance that manifest within the radical collectivity of black social worlds, rather than through more familiar liberal politics of dissent, he highlights practices of freedom and community that refuse the very political conditions proffered by white supremacist logic. The result is an original and important new account of popular literature’s role in refashioning and resisting white supremacy in an emergent postemancipation climate.

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