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Dissertations / Theses on the topic 'Colour theory'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Brenner, S. D. "An eco-dispositional theory of colour." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596887.

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My thesis develops a novel theory of colours as real properties: ‘eco-dispositionalism’. This view construes colour-properties as response-dependent dispositions, but not as simple dispositions to cause colour-experiences. Instead, I hold that at least certain basic colour categories are ‘affordances’ or opportunities for environmental exploitation. Eco-disposition about the colours assumes a causal theory of properties that analyses a property as something that either is (or is individuated by) a set of causal powers. I argue for the existence of a special set of ‘contextual’ powers. These p

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2

Corvette, Michelle Nicole Anderson. "Consuming colour : a critical theory of colour concerning the legality and implications of colour in public space." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18804/.

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This thesis investigates the legality of colours and the implications of colours within public spaces. By legality of colours, this thesis references the quality or state of being in accordance and observance of laws that address colour. Colour is a phenomenon of visual light perception described in terms of hue, lightness, and saturation in tandem with the understanding that colour is a vibrating wavelength interpreted through the brain within a complex neurobiological construction. What are the impacts, force, and agency of colours in public spaces? How do colours re(produce) socio-cultural

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Starrett, Malin John. "Checking the facts in science : the experience of experimenting." Thesis, University of Ulster, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365940.

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4

Johnson, Antony. "Graph colourings using structured colour sets." Thesis, Open University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367216.

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5

Oulton, David. "Selected papers on colorimetric theory and colour modeling." Thesis, University of Manchester, 2010. https://www.research.manchester.ac.uk/portal/en/theses/selected-papers-on-colorimetric-theory-and-colour-modeling(e4f13600-5d8e-45a8-afce-846647130dfb).html.

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The annotated papers that are submitted as part of this thesis consider the phenomenon of colour at the fundamental, technical, and application levels, and they were written and published by Oulton between 1990 and 2009. The papers disclose significant insights by the author into colorimetric modeling theory and report aspects of the author's work that have led to commercially successful practical applications. The academic significance of these papers is evident in their citation record; their practical value is shown by a number of successful industrial collaboration programmes, and through

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6

Feng, Gaoyang. "Colour information in natural scenes : frequency of metamerism and colour gamut." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/colour-information-in-natural-scenesfrequency-of-metamerism-and-colour-gamut(0987f4cf-b0e3-49f9-b6c0-cc79a0b8d1a5).html.

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Colour is an important source of information in the natural world. It can be used for distinguishing and identifying surfaces and objects and separating one region from another. For instance, flowers and grasses in a garden can be distinguished by their colours despite a change in illuminant. Intuitively, the identifiability of surfaces in a scene can be described by their volumes of colour gamuts. But is this approximation of the identifiability accurate? On the other hand, the existence of metamerism in natural scenes shows that colour is sometimes unreliable for surfaces identification. Est

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Kleeman, R. "Generalized quantization and colour algebras /." Title page, table of contents and abstract only, 1985. http://web4.library.adelaide.edu.au/theses/09PH/09phk635.pdf.

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8

Meyer, Rüdiger. "Peter Paul Rubens and colour theory : an assessment of the evidence." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28850.

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Peter Paul Rubens' creative genius, as expressed with consummate mastery in his paintings, is but one of the many elements that have compounded to establish his fame. He is also renowned as a man of immense erudition. Indeed, his reputation is such that it is taken for granted that his great learning informed all aspects of his art in a fundamental way.<br>In accordance with this kind of thinking, current scholarship on Rubens accepts, as a matter of course, that the artist, whilst creating his painted works, followed the dictates of a colour theory, as we would know it today. In fact, on the

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9

Beckett, Jane. "Colour theory and foundations of the Dutch avant-garde 1990-1926." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267253.

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10

Roberti, Valentina. "Maxwell and Helmholtz and the birth ot the Theory of colour." Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3425389.

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The present research study offers an overall picture of Maxwell and Helmholtz’s fundamental contributions to the science of colour, which constitute the basis of modern colorimetry, colour photography and colour metrics. The first main part of the dissertation, which embraces chapter 2 and chapter 3, is dedicated to a chronological account of their pivotal achievements on the subject, giving special focus on how they interpreted and elaborated over the course of the years Newton and Young’s theories of colour, which represent a fundamental starting point for both Maxwell and Helmholtz’s rese

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11

Reining, Stefan. "Apriority and Colour Inclusion." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/246105.

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My central aim in this dissertation is to propose a new version of local scepticism regarding the a priori, namely, a version of scepticism regarding the apriority of (knowledge of) truths about certain relations between colours. The kind of relation in question is, for instance, expressed by sentences like ‘All ultramarine things are blue’ and ‘Nothing is both red all over and green all over’ – sentences that have, among defenders of the a priori, commonly been regarded as expressing paradigm examples of a priori truths. In the course of my argumentation for this kind of local scepticism

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12

Ward, David. "Action-space theory of conscious vision." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5604.

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I argue that conscious visual experience consists in a direct and noninferential grasp of the way one’s current perceptual contact with the environment poises one to pursue various intentional plans, goals and projects. I show that such a view of visual consciousness is supported by current work in cognitive neuroscience, affords a compelling account of colour perception, and suggests a way to bridge the ‘explanatory gap’ between consciousness and the language of the natural sciences. In chapter 1, I examine the reasoning that leads to the appearance of an explanatory gap between the phenomena

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13

Bui, Kim-Kim. "Colours in book design : An analysis of how colours are used on book covers within the topic of health to convey the content." Thesis, Mittuniversitetet, Institutionen för design, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-40923.

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In graphic design, colours can be used to communicate a message and attract attention. In book design, colours convey the content, just like they communicate the product’s information in packaging design. The purpose of this study is to analyse how colours have been used on book covers to convey the content, within the topic of health. A quantitative content analysis was made on the book covers of the top 11 bestsellers in Sweden. The colour theory analysis is based on Shigenobu Kobayashi’s work in Colour image scale. The result found that neutral hue was the one that was most commonly used. A

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14

Cao, Mengyuan. "Representation Theory of Lie Colour Algebras and Its Connection with the Brauer Algebras." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38125.

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In this thesis, we study the representation theory of Lie colour algebras. Our strategy follows the work of G. Benkart, C. L. Shader and A. Ram in 1998, which is to use the Brauer algebras which appear as the commutant of the orthosymplectic Lie colour algebra when they act on a k-fold tensor product of the standard representation. We give a general combinatorial construction of highest weight vectors using tableaux, and compute characters of the irreducible summands in some borderline cases. Along the way, we prove the RSK-correspondence for tableaux and the PBW theorem for Lie colour algebr

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Easton, Klazina Mae. "Psychological aspects of colour in fashion theory: Development of a general model of fashion." Thesis, Easton, Klazina Mae (1994) Psychological aspects of colour in fashion theory: Development of a general model of fashion. PhD thesis, Murdoch University, 1994. https://researchrepository.murdoch.edu.au/id/eprint/51499/.

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The Thesis explored psychological aspects of colour in fashion theory. Colour has an important fashion image which provides a tool to link all fashionable objects together in a Fashion Model. Fashion occurs in objects other than the clothing of females; cars, houses, colour & clothing for males. An original General Model of Fashion to account for fashion in all classes of objects was developed by examining various theoretical constructs of Fashion and then testing implications for generalisation to the wider fashion context. Two Preliminary Studies to investigate the match of fashionable o

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King, Julie. "Colour forecasting : an investigation into how its development and use impacts on accuracy." Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/5657/.

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Colour forecasting is a sector of trend forecasting which is arguably the most important link in the product development process, yet little is known about it, the methodology behind its development or its accuracy. It is part of a global trend forecasting industry valued recently at $36bn, providing information which is developed commercially eighteen months to two years ahead of the season. Used throughout the garment supply chain, by the yarn and fibre manufacturers, the fabric mills, garment designers and retailers, it plays a pivotal role in the fashion and textile industry, but appears i

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McLellan, Galyna. "Contemporary environmental colour design praxis in the urban context." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107047/1/Galyna_McLellan_Thesis.pdf.

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Although the term ‘design praxis’ has been frequently used by design practitioners in relation to everyday practice, there is a lack of empirical works that provide a theoretical framework for understanding the multidimensional notion of this process. Using constructivist grounded theory, this study developed a conceptual model of the Environmental Colour Design Praxis that synthesised perceptual, pragmatic, creative and social domains related to design praxis. The robust conceptualisation of the ECDP with a focus on design thinking and analysis of design experiences within contemporary social

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Vassiliades, V. "Application of signal detection theory to the recognition of objects in colour-encoded X-ray images." Thesis, Nottingham Trent University, 2010. http://irep.ntu.ac.uk/id/eprint/245/.

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Aviation security personnel encounter problems when interpreting x-ray images of hand luggage. This research seeks to determine whether the performance of the human operator can be improved, in terms of both reliability and accuracy, through the employment of a novel multiple-view x-ray imaging technique. Thus, a series of experiments were undertaken with the aim of providing evidence for the feasibility of using KDEX displays to aid in the recognition of threatening objects in airport carry-on luggage; and furthermore demonstrate the real-world value of this technique. This thesis describes e

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Escott, Anthony James. "Alan Cuthbert : colour theory and practice [1957 -79] English art school change in the early 1960s." Thesis, Kingston University, 2005. http://eprints.kingston.ac.uk/20219/.

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The core of this research are the paintings and cultural context of Alan Cuthbert, a hitherto un-researched figure who trained in the English art school of the late 1950s under the Constructionists Kenneth and Mary Martin and subsequently became the Head of the Foundation course at Wimbledon School of Art from 1963-1979. Cuthbert produced a substantial body of over a hundred geometric abstract paintings, lecture papers and writing and played a significant role in training future generations of artists and designers from the 1960s onwards. This thesis proposes that Cuthbert is part of a broader

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Frisvold, Hanssen Eirik. "Early Discourses on Colour and Cinema : Origins, Functions, Meanings." Doctoral thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1261.

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This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as spe

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Huang, Kuei-ying. "A Brighter Truth : Considering Pre-Raphaelite Colour in the Theory and Practice of the Victorian Art World." Thesis, University of Essex, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520051.

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Müller, Tina. "Novel colour centres in diamond : silicon-vacancy and chromium centres as candidates for quantum information applications." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608164.

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Baba, Y. "Japanese colour television firms' decision-making from the 1950s to the 1980s : Oligopolistic corporate strategy in the age of microelectronics." Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372069.

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This thesis examines oligopolistic corporate stratgey in the age of microelectronics, based on the observation of the Japanese CTV firms whose oligopolistic behaviour has been, and will be among the most typical in the dawning era. Faced with the current tendency that (whereas the U.S. CTV firms have tended to restrain investment in technical innovation and to pursue short-term profits through their international locational strategy) the Japanese counterparts have consistently attached importance to technical innovation while expanding local production in developed countries, these questions h

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Meyer, Nils [Verfasser], and T. [Akademischer Betreuer] Wettig. "The QPACE Supercomputer : Applications of Random Matrix Theory in Two-Colour Quantum Chromodynamics / Nils Meyer. Betreuer: T. Wettig." Regensburg : Universitätsbibliothek Regensburg, 2016. http://d-nb.info/1104480581/34.

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Songur, Yasemin. "Waffle Contrasts : Reinterpreting the Traditional Waffle Weave through Technical, Material and Colour Research." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23801.

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Asking the question: How can the waffle weave be reinterpreted through material, technical and colour research, the investigation of this MA thesis revolves around the weaving technique with the aim of presenting a collection of various woven textiles, where the waffle has been used in different ways. The weave, with its three- dimensional structure creates an interesting canvas to experiment upon as its structure creates both texture as well as depth to the textile. Furthermore, the research is conducted through a systematic exploration of the different aspects mentioned above, where theory a

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Kiou, Jade L. "Embodiment and its Effects. How Creativity, Perception and Sensory Processing Sensitivity Link with Empathy and Theory of Mind Mechanisms." Thesis, University of Bradford, 2018. http://hdl.handle.net/10454/16919.

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Embodied cognition is the study of how actions and interactions with objects and individuals affect cognitive processing. Neuroaesthetics deals with the neural, biological and evolutionary aspects of aesthetic experience which occur through the senses and consist of the emotional value placed onto objects, for example the appreciation of art work, dance, or music. These are individual and differ depending on level of expertise and experience within the art. The main aim of the thesis was to investigate the link between embodiment and aesthetics through examining people’s level of creativity,

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Loske, Alexandra. "The decorative scheme of the Royal Pavilion, Brighton : George IV's design ideas in the context of European colour theory, 1765-1845." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48862/.

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This thesis investigates the use of colour in the interior decorations of the Royal Pavilion, Brighton. The building was created between 1785 and c.1823 by the Prince of Wales (1762 – 1830), later Prince Regent and George IV. The main aims of the thesis are firstly, to analyse the intense colour scheme of the building and set it in the historical context of colour theory and pigment production, and secondly, to establish to what extent personal tastes and fashion influenced these designs. Chapter 1 brings together nineteenth century descriptions of and reactions to the building from early guid

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Schellenberg, Renata. "The nature of a novel, reading Wilhelm Meisters Wanderjahre, 1821, in light of Goethe's scientific writings with particular emphasis on his colour theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/MQ33935.pdf.

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Martínez, Usó Adolfo. "Unsupervised Band Selection and Segmentation in Hyper/Multispectral Images." Doctoral thesis, Universitat Jaume I, 2008. http://hdl.handle.net/10803/10483.

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The title of the thesis focuses the attention on hyperspectral image segmentation, that is, we want to detect salient regions in a hyperspectral image and isolate them as accurate as possible. This purpose presents two main problems: Firstly, the fact of using hyperspectral imaging not only give us a huge amount of information, but we also have to face the problem of selecting somehow the information avoiding redundancies.<br/>Secondly, the problem of segmentation strictly speaking is still a challenging question whatever the input image would be.<br/>This thesis is focused on solving the whol

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Patch, Andrew Mark. "Nicolas Roeg : chromatic cartography." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/119850.

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The aim of this thesis is to analyse the function of colour in film through three films by British director Nicolas Roeg. To this end, this thesis has the following three correspondent aims: first to consider the theoretical relationship between colour and film within film studies as a discipline. Second, to propose a means of discussing film colour outside the dominant approach of restoration and degradation. Third to explore how Roeg’s implements colour within three of his films Performance, Don’t Look Now, and finally Bad Timing, and the ideological and aesthetic questions that emerge throu

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Lindqvist, Jonatan. "Är hälsa orange? : En kvalitativ studie av Norrbottens Läns Landstings byte av färg på Vårdcentralers logotyper i Norrbotten." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-87554.

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Colours have been proven to have both a great physical and psychological impact on human beings. This essay investigates the rebranding of 37 Health Care Centers, located in Norrbotten, Sweden, and how 10 interviewees have experienced the new choice of colour on the logotypes of these Health Care Centers. The theoretical framework used in this research process, consists of theories related to rebranding, the communication process, encoding/decoding and Goethe’s Theory of Colours. To gather information about how the 10 inhabitants have experienced the new choice of colour, a semistructured form

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Björkman, Anna. "Logotypens relationer - att designa en logotyp för ett undervarumärke." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-150559.

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The purpose of this study is to create a new logotype for the student-run organisation LinTek Näringsliv (LinTek Corporate Relations), a sub-brand of the Union of Science and Technology Students at Linköping University, by means of research through design. The course of the design work followed a defined process and began with a pre-study, establishing the groups current situation, their value words and wishes for the design. After a time an evaluation, in the form of a questionnaire distributed to the target audience, was made to review whether the new logotype had achieved its goals. The re

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Roussinova, Roussina. "The Art of Pleasing the Eye : Portraits by Nicolas de Largillierre and Spectatorship with Taste for Colour in the Early Eighteenth Century." Doctoral thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-123716.

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This study examines the interaction between portraits by the exponent of French colourist painting Nicolas de Largillierre (1656–1745) and elite spectatorship in the early eighteenth century as enactment of the idea of painting as an art of pleasing the eye. As developed in the theory of art of Roger de Piles (1635–1709), the idea of painting as an art of pleasing the eye coexisted with the classicist view, which in turn emphasised the potential of painting to communicate discursive meanings and hence to engage the mind. The idea of painting as an art of pleasing the eye was associated with a

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Malatesti, Luca. "The knowledge argument." Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/22.

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Frank Jackson’s knowledge argument is a very influential piece of reasoning that seeks to show that colour experiences constitute an insoluble problem for science. This argument is based on a thought experiment concerning Mary. She is a vision scientist who has complete scientific knowledge of colours and colour vision but has never had colour experiences. According to Jackson, upon seeing coloured objects, Mary acquires new knowledge that escapes her complete scientific knowledge. He concludes that there are facts concerning colour experiences that scientific knowledge can neither describe no

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Ellis, Hele. "Decentering the subjective: The transcendent experience of formlessness in an abstract expressionist painting practice." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107658/1/Hele_Ellis_Thesis.pdf.

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This practice-led research project is based on the experimental strategy of Formlessness within painting, a negation of representation within the compositions, which potentially act as a pathway to sensory immersion and without a subject-matter to an awareness of Self. The colour palette chosen for the colour fields introduces chromatic couplings that are specifically hung for maximum charge. The colours present as taking on their own lives, explaining the compelling force behind these works that lead to a pure sensation. Key tenets of Anthroposophy - with particular concern towards Steiner's

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Ramnath, Andrecia. "Exclusive J/Ψ Vector-Meson production in high-energy nuclear collisions: a cross-section determinaton in the Colour Glass Condensate effective field theory and a feasibility study using the STARlight Monte Carlo event generator". Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/9214.

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Includes bibliographical references.<br>The cross-section calculation for exclusive J /Ψ vector-meson production in ultra-peripheral heavy ion collisions is approached in two ways. First, the setup for a theoretical calculation is done in the context of the Colour Glass Condensate effective field theory. Rapidity-averaged n-point correlators are used to describe the strong interaction part of this process. The JIMWLK equation can be used to predict the energy evolution of a correlator. In order to facilitate practical calculations, an approximation scheme must be employed. The Gaussian Trunca

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Nanjwenge, Sean Evans. "The Four Colour Theorem." Thesis, Linnéuniversitetet, Institutionen för matematik (MA), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74999.

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Lewis, Ryan D. "An ontology of images and painterly subjectivity : towards a Bergsonian philosophy of art." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/2ebece1a-39f7-49ae-a282-88a8ac095b21.

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This investigation attempts to consider the identity of the contemporary Bergsonian philosophy of immanence by reflection on key conceptualisations from the work of Henri Bergson. From the view that thinking Bergsonian is an attitude of philosophy that anticipates the metaphysics of a philosophy of process, the demands of the emergence of thinking in art plays a role the directions of philosophical development. It is by this concern that key Bergsonian concepts serve as grounding of philosophical reflections of the related themes of time, images, and movement, and the change of thinking, towar

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Lewis, Mark E. "Color theory as applied to typographic letterforms /." Online version of thesis, 1988. http://hdl.handle.net/1850/11515.

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Hansson, Sanna, and Alice Krantz. "Ett rikare lärande med variationsteorin som vägledande princip!? : En Learning study om det vita ljuset och dess färgspektrum." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3700.

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<p>Utifrån arbetsmodellen Learning study, med variationsteorin som utgångspunkt har forskning genomförts i två klasser i Sverige med syftet att försöka identifiera kritiska aspekterna för elever i årskurs nio inom ämnesområdet det vita ljuset och dess färgspektrum. Studien är en vidareutveckling av en tidigare genomförd studie i Hong Kong och har därför även haft till syfte att undersöka om de identifierade kritiska aspekterna är generaliserbara från en skolkontext till en annan kontext.</p><p>Den svenska skolan styrs nationellt utifrån styrdokument, skollag, läroplan och kursplan för skolämne

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Loupekine, Feodor. "Approaches to the four colour theorem." Thesis, Open University, 1992. http://oro.open.ac.uk/57394/.

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Pérez, Benito Cristina. "Color Image Processing based on Graph Theory." Doctoral thesis, Universitat Politècnica de València, 2019. http://hdl.handle.net/10251/123955.

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[ES] La visión artificial es uno de los campos en mayor crecimiento en la actualidad que, junto con otras tecnologías como la Biometría o el Big Data, se ha convertido en el foco de interés de numerosas investigaciones y es considerada como una de las tecnologías del futuro. Este amplio campo abarca diversos métodos entre los que se encuentra el procesamiento y análisis de imágenes digitales. El éxito del análisis de imágenes y otras tareas de procesamiento de alto nivel, como pueden ser el reconocimiento de patrones o la visión 3D, dependerá en gran medida de la buena calidad de las imágenes

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Bartel, Paul R. "Analysis of Umberger's theory for subtractive color reproduction /." Online version of thesis, 1990. http://hdl.handle.net/1850/10963.

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Lambrant, Andreas. "A preferred visual appearance for game avatars based on color theory." Thesis, Blekinge Tekniska Högskola, Institutionen för kreativa teknologier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1048.

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Context Colors are an important aspect of video games, they have a key roll when designing everything from characters to world objects. Therefore designers and developers need to know what colors that are preferred over others. Objectives This paper tries to determine which color setting that is the most preferred on a game avatar. Methods To do this an experiment conducted with 15 participants. They conducted a two alternative forced choice test (2AFC) with 236 pairs of pictures. All of the 236 pairs were based on color harmonies and displayed on an avatar and a cube. The different color harm

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Nieh, Ari. "Fractional Analogues in Graph Theory." Scholarship @ Claremont, 2001. https://scholarship.claremont.edu/hmc_theses/131.

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Tait showed in 1878 that the Four Color Theorem is equivalent to being able to three-color the edges of any planar, three-regular, two-edge connected graph. Not surprisingly, this equivalent problem proved to be equally difficult. We consider the problem of fractional colorings, which resemble ordinary colorings but allow for some degree of cheating. Happily, it is known that every planar three-regular, two-edge connected graph is fractionally three-edge colorable. Is there an analogue to Tait’s Theorem which would allow us to derive the Fractional Four Color Theorem from this edge-coloring re

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Bowens, Karessa Natee. "Interactive musical visualization based on emotional and color theory." [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-3254.

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Okamura, Renee Miyuki. "People of color in alliance : from theory to practice." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/69284.

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Leward, Oscar. "Graph TheoryThe Four Color Theorem." Thesis, Uppsala universitet, Algebra och geometri, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-232809.

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Glotzbach, John William. "A Color Filter Array Interpolation Method Based on Sampling Theory." Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/4785.

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Digital cameras use a single image sensor array with a color filter array (CFA) to measure a color image. Instead of measuring a red, green, and blue value at every pixel, these cameras have a filter built onto each pixel so that only one portion of the visible spectrum is measured. To generate a full-color image, the camera must estimate the missing two values at every pixel. This process is known as color filter array interpolation. The Bayer CFA pattern samples the green image on half of the pixels of the imaging sensor on a quincunx grid. The other half of the pixels measure the red an

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Falomir, Llansola Zoe. "Qualitative Distances and Qualitative Description of Images for Indoor Scene Description and Recognition in Robotics." Doctoral thesis, Universitat Jaume I, 2011. http://hdl.handle.net/10803/52897.

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<p>The automatic extraction of knowledge from the world by a robotic system as human beings interpret their environment through their senses is still an unsolved task in Artificial Intelligence. A robotic agent is in contact with the world through its sensors and other electronic components which obtain and process mainly numerical information. Sonar, infrared and laser sensors obtain distance information. Webcams obtain digital images that are represented internally as matrices of red, blue and green (RGB) colour coordinate values. All this numerical values obtained from the environment need

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