Dissertations / Theses on the topic 'Comedy. eng'
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Rocha, Denise. "Arte sem fronteiras. Londres, Berlim, São Paulo e Rio de Janeiro : olhares estéticos e capitalistas sobre as células do poder lícito e ilícito (séculos XVIII e XX) /." Assis : [s.n.], 2004. http://hdl.handle.net/11449/103675.
Full textBanca: Maria Adélia Menegazo
Banca: Karin Volubuef
Banca: Tania Regina de Luca
Banca: Suely Fadul Villibor Flory
Resumo: O objetivo desse estudo é fazer um rastreio da história do gosto do leitor-comum, do leitor-autor e do leitor-adaptador através dos séculos, e apresentar a possibilidade de diálogo estético e histórico internacional por meio da análise da natureza da dramaturgia e suas relações com as outras artes -ópera, música e dança-, e com aspectos da encenação e da carpintaria teatral, reflexões baseadas na teoria da "estética da recepção", conforme Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. Para isso, será feito uma análise e pesquisa da viagem internacional através dos continentes de The Beggar's Opera, de John Gay (1728), uma moderna saga de anti-heróis, que ultrapassou a barreira da temporalidade e dos idiomas, e que reflete um processo de odisséia satírica, iniciado na Londres georgiana do início do século XVIII, com chegada triunfal até o século XX, com "recepções produtivas": Die Dreigroschenoper [A Ópera de Três Vinténs], de Bertolt Brecht (1928), na Berlim weimariana da década de 20; A Ronda dos Malandros, de Carla Civelli e Maurício Barroso, na São Paulo e seu mecenato industrial na passagem dos anos 40 aos 50; e Ópera do Malandro, de Chico Buarque (1978), no Rio de Janeiro militar dos anos 70, obras com nuances de nacionalismo, cosmopolitismo e universalismo, apoiadas nas idéias da incompreensível exploração humana do ciclo predatório (homo homini lupus) e da desumanizada exploração capitalista.
Abstract: This dissertation was carried out to investigate the history of bookishness of the common reader, the author-reader, and the adapter-reader troughtout centuries, and to present a possibility of international esthetic and historical dialog by analyzing the nature of dramaturgy and its relationship to other arts - opera, music and dance - and to aspects of stanging and to aspects to stanging and theater carpentry, reflections based on the theory of "esthetic reception" according to Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. With that purpose in mind, one will carry out an analysis and research of the international travel around the continents of The Beggar's Opera, by John Gay (1728) a modren saga of antagonists, which outreached the limits of temporality and foreign languages, and which reflects a process of satiric odyssey, started in Georgian London at the beginning of the 18 th century, triumphally reaching the 20 th century, with "productive receptions": Die Dreigroschenoper [A Ópera de Três Vinténs], by Bertold Brecht (1928), in Weimar Berlin in the 1920 s, A Ronda dos Malandros, by Carla Civelli and Maurício Barroso, in São Paulo and its industrial patronage along the 1940s and 1950s, and Ópera do Malandro, by Chico Buarque (1978), in Rio de Janeiro military uproar along the 1970s, works with hues of nationalism, cosmopolitanism and universalism, supported by ideas of the incomprehensible human exploitation of the predatory cycle (homo homini lupus) and the ruthless capitalistic exploitation.
Doutor
Oliveira, Jane Kelly de. "As funções do coro na comédia de Aristófanes /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/102382.
Full textBanca: Adriane da Silva Duarte
Banca: Marisa Giannecchini Gonçalves de Souza
Banca: Edvanda Bonavina da Rosa
Banca: Fernando Brandão dos Santos
Resumo: As funções do coro na comédia de Aristófanes é o título e o tema desta tese que investiga o coro no gênero que foi praticado na Grécia antiga. Nossa investigação pautou-se no princípio de que os textos da Comédia Antiga que chegaram à nossa época foram compostos para serem postos em cena e, por isso mesmo, têm peculiaridades que devem ser levadas em consideração no momento da análise. Os textos das onze comédias de Aristófanes preservadas registram um roteiro ficcional que pode ser recuperado apenas pela leitura, como é comum em todo texto teatral, mas, além disso, os enredos das peças deixam gravadas as estratégias cênicas de realização concreta da obra em um espaço teatral específico. Assim, a partir do texto, é possível depreender tanto o enredo quando elementos da performance. Quando observamos o coro neste gênero, notamos que, nestes dois aspectos da comédia, ele desempenha importantes funções: na narrativa, ele assume diferentes papéis actanciais de acordo com as exigências do roteiro ficcional da peça; e, na performance, assume funções técnicas que viabilizam a apresentação da peça em um espaço concreto. A estrutura narrativa das obras foi estudada pelo viés teórico da semiologia do teatro. Para o estudo das funções do coro na performance das comédias, foram levadas em consideração as condições materiais dos festivais teatrais do século V a.C. - espaço amplo da orquestra, aglomeração no theatron, restrição a, no máximo, cinco atores para desempenhar todas as personagens da peça - e, a partir dessas exigências concretas, observou-se que o coro é um elemento estrutural do gênero frequentemente usado pelo poeta para solucionar os problemas ligados às dificuldades espaciais próprias da realização teatral da Atenas do século V a.C.
Abstract: The functions of the chorus in the Aristophanes comedy is the title and the main subject of this thesis which study the chorus in the genre practiced in the Ancient Greece. Our investigation grounded in the principle the texts of the Ancient Comedy that survived until our time were made to be put in scene and for that reason they have some singular characteristics that needed to be considered in the analysis. The texts of the eleven preserved comedies of Aristophanes show a fictional script that can be recovered only by reading, as usual in every theatric text, but, more than that, the plot of the plays keep record the scenic strategies applied in its concrete realization. So, from the text it is possible to comprehend the plot and elements of the performance. When we focus the chorus in this genre we can notice that - in theses two aspects of comedy - it has important functions: in the narrative it took different actantial roles according to the demands of the script of the play; and in the performance it took some technical roles that make possible the presentation of the play in a concrete space. The narrative structure of the plays was studied using as theoretical support the theater semiology. To study the functions of the chorus in the performance of the comedies the material resources in the theater festivals during the 5th century B.C. were considered - and from theses concrete demands, we could see that the chorus is a structural element of the genre frequently used by the poet to solve some problems caused by space difficulties characteristic of the theatral realization in the 5th century B.C. Athens.
Doutor
Pirolla, Patricia Rocha. "Humor em poemas : um estudo do cômico em Carlos Drummond de Andrade /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/102369.
Full textBanca: Maria Adelia Menegazzo
Banca: Adalberto Luis Vicente
Banca: Fabiane Renata Borsato
Banca: Fani Miranda Tabak
Resumo: O objetivo desta tese de doutorado é a análise das categorias do cômico na obra do poeta mineiro Carlos Drummond de Andrade. Como sua produção é acima de tudo cerebral e não busca sentimentalismos ou provocar a emoção através das palavras, o poeta trata do cômico de uma maneira muito particular. Usando um trabalho minucioso com as palavras que se deixa transparecer nos versos cuidadosamente escritos, Drummond consegue criar um tipo específico de cômico, seja através da linguagem coloquial, prosaica, seja através de termos e construções rebuscadas. A primeira está presente na maioria de seus poemas, e só deixa espaço para o rebuscamento em algumas obras pontuais, consideradas, por alguns críticos, como um retrocesso neoclássico. Embora o estudo da teoria do cômico em Drummond tenha recebido a atenção da maioria dos críticos, sua análise, muitas vezes, não vai além de alguns parágrafos, capítulos ou estudos pontuais de alguns poemas, ou seja, partes que integram um estudo maior, voltado a outra temática. Este estudo, ao debruçar-se, especificamente sobre a análise do cômico em suas origens, seus efeitos e suas construções na obra poética do autor, viu a necessidade de definir suas categorias, como a ironia e o humor, bem como suas formas de expressão, como a sátira, o chiste e a paródia a fim de que, não tendo a pretensão de trazer-lhes uma conceituação definitiva, a análise dos poemas seja realizada de modo satisfatório, à luz delas, ampliando os estudos acerca da lírica reflexiva do poeta e das formas de comicidade por ele empregadas
Abstract: The objective of this thesis is the analysis of the categories of comedy in the work of the poet Carlos Drummond de Andrade. As his production is above all brain and do not look for sentimentality or search emotion through words, the poet comes to the comic in a very particular way. Using a detailed work with words that make it clear in verses carefully written, Drummond manages to create a specific type of comic, whether through colloquial language, prose, either through the terms and ornate buildings. That is present in most of his poems, and only leaves room for the occasional pretensions in some works, considered by some critics as a throwback neoclassical. Although the study of the theory of comedy in Drummond has received the attention of most critics, their analysis often does not go beyond a few paragraphs, chapters or specific studies of some poems, or parts of a larger study, focused the other subject. This study, as look into, specifically, on the analysis of the comic in its origins, its effects and its buildings in the poetic works of the author, saw the need to define their categories, as irony and humor, and its forms of expression, as satire, the wit and parody in order that, having no claim to bring a definitive conceptualization, the analysis of the poems be performed satisfactorily in the light of them, extending the studies of the poet's reflective lyric and about the ways of humor employed by him
Doutor
Giorgi, Antonio James. "Laughing at the End of the World: A Memoir." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619109129081548.
Full textBown, Alfie. "Eventual laughter : Dickens and comedy." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/eventual-laughter-dickens-and-comedy(b53f285d-bac9-43c8-827f-e63609226ea6).html.
Full textAlmeida, Lucilene Ferreira de. "Ponta do Abunã : no fim de Rondônia e no começo do Acre /." Presidente Prudente : [s.n.], 2007. http://hdl.handle.net/11449/89813.
Full textThe Amazon, throughout its history, has had the fluvial system as the main means of transportation. The opening of BR-364 Road represented a mark to the region as it provided access to the rest of Brazilian areas and it also made migration possible to several places towards the Amazon region. Ponta do Abunã village is one of the areas that has been developed since the rubber aural times, in the XIX century, and the settlement of a high flux of migrants from different areas around Brazil, mainly by the end of 1970, following the construction of BR-364 Road. The area, since then, has been considered as belonging to the State of Acre, by villagers and dwellers live there. Uncertainty regarding what State, Acre or Rondônia, that region would belong to has raised some geographical matters related to the time zone, as the State of Acre is one hour behind the State of Rondônia. In the 1980s, a discussion about the possession of the area between Acre and Rondônia came out and ten years later, it was legally decided that the State of Acre should all the public services installed in Ponta do Abunã Village. Despite that decision, commercial trades continued mainly because Ponta do Village is farther from the capital city, Porto Velho, than from Rio Branco, the capital city of Acre, and besides, because of the geographical barrier: the Madeira river. Indeed, analyzing the territory and its features that have been set is relevant to understand how, throughout its own history, that region has acquired territorial identities, as it was settled by migrants who initially founded an Acreanian territory, and later lived in a Rondonian territory - Ponta do Abunã Village. In doing so, it is noticeable the great role that the National State and the boundaries play on the construction of the territory.
Orientador: Eliseu Savério Sposito
Coorientador: Sílvio Simione da Silva
Banca: Eda Maria Góes
Banca: Jones Dari Goettert
Mestre
Brianezi, Gabrielli. "Desenvolvimento de um método de análise digital para o teste do cometa corado pela prata /." Botucatu : [s.n.], 2011. http://hdl.handle.net/11449/95843.
Full textBanca: Paula Helena Ortiz Lima
Banca: Marco Antonio Rodrigues Fernandes
Resumo: O teste do cometa é utilizado para estimativa de dano ao DNA nos protocolos de avaliação do risco toxicológico. É rápido, de baixo custo, de fácil realização, seguro e pode ser aplicado em diversos tecidos. Corantes fluorescentes são os mais empregados para o ensaio. É também descrita a utilização de sais de prata com vantagens operacionais, carecendo de sistemas automatizados validados para esta análise. Neste trabalho, desenvolveram-se dois algoritmos automatizados para a análise do cometa corado pela prata. Foram realizados ensaios do cometa para sete grupos com dois camundongos Balb/c machos cada, submetidos ao tratamento intraperitoneal com soro fisiológico (G1), e três doses crescentes de genotóxicos conhecidos: MNU (N-nitroso-N-metilurea) (G2 - 5 μg/g, G3 - 25 μg/g, G4 - 50 μg/g) e DEN (N-nitrosodietilamina) (G5 - 20 μg/g, G6 - 80 μg/g, G7 - 180 μg/g). As lâminas dos testes do cometa foram confeccionadas a partir do sangue total e coradas pela prata e SYBR Gold. As coradas pela prata foram analisados por três avaliadores e pelos algoritmos automatizados. Aqueles corados pela fluorescência foram analisados pelo software Comet IV®. Os avaliadores apresentaram alta correlação de suas estimativas. Os algoritmos se correlacionaram fortemente com a análise dos avaliadores, principalmente com os escores obtidos pela classificação visual. Houve alta concordância na avaliação da sua repetitividade. Os algoritmos apresentaram resultados semelhantes, não indicando superioridade entre si para a análise do teste. Todos os métodos avaliados se mostraram capazes de diferenciar as concentrações dos genotóxicos utilizados. Porém, os algoritmos desenvolvidos não apresentaram correlação com os resultados obtidos pelo sistema do teste do cometa corado pela fluorescência, sugerindo que os métodos de coloração discriminem diferentes estruturas... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The comet assay is used to estimate DNA damage in the protocols for toxicological risk assessment. It's fast, inexpensive, easily performed, safe and can be applied in most tissues. Fluorescent dyes are frequently used for testing. Silver salts have been reported with some operational advantages; however automated systems for its analysis were not sufficiently validated for this staining. In this study, we have developed two algorithms for automated analysis of the comet assay silver stained. The assay was performed for seven groups of two (Balb/c) mice each, treated with intraperitoneal saline (G1) and three different genotoxic doses: MNU (N-nitroso-N-methylurea) (G2 - 5 μg/g, G3 - 25 μg/g, G4 - 50 μg/g) and DEN (N-nitrosodiethylamina) (G5 - 20 μg/g, G6 - 80 μg/g, G7 - 180 μg/g). The slides of the comet assay were made with total blood and were stained with silver and SYBR Gold. The silver stained slides were analyzed by three evaluators and the automated algorithms. Those stained by fluorescence were analyzed through software Comet IV®. Evaluators showed high correlation of their estimates. Both algorithms were correlated strongly with the evaluators' analysis mainly on the scores obtained by visual classification. Moreover, their agreement was high when assessed by repetitivity. The algorithms showed similar results, demonstrating no superiority to each other for the analysis of the test. All methods evaluated proved able of differentiating genotoxic concentrations used. However, the algorithms were not correlated with the results obtained by the automated system of comet assay fluorescence stained, suggesting that the staining methods linkage different genomic structures or with different affinities. The automated algorithms developed proved valid for the direct analysis of comet assay silver stained, allowing their use in genotoxicity research
Mestre
Camargo, Daisy de. "Alegrias engarrafadas : os alcoóis e a embriaguez na cidade de São Paulo no final do século XIX e começo do XX /." Assis : [s.n.], 2010. http://hdl.handle.net/11449/103133.
Full textBanca: Célia Reis Camargo
Banca: Eduardo Romero de Oliveira
Banca: Luis Soares de Camargo
Banca: Jaime Rodrigues
Resumo: Esse trabalho trata das relações sociais que permeiam o consumo de bebidas alcoólicas na cidade de São Paulo, no final do século XIX e começo do XX, desvelando gestos e sensibilidades do cotidiano da cidade, captando costumes, modos de vida e sujeitos extintos. O objetivo é explorar uma cultura gestual, material e sensível, historicamente construída, ligada aos alcoóis, seus objetos, suas maneiras de saborear e lugares de consumo
Abstract: This work deals with the social relations that permeate the consumption of alcoholic beverages in the city of São Paulo in the late nineteenth and early twentieth centuries, unfolding daily gestures and sensitivities of the city, capturing customs, lifestyles and extinct subjects. The aim is to explore a gestural, material and sensitive culture, historically constructed, linked to alcohols, their objects, ways of enjoying, and places of consumption
Doutor
Polianovskaia, Jana. "The English Operetta and the Musical Comedy as a Reflection of the Russian Anglomania at the End of the 19th Century." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71972.
Full textCaritá, Renata. "Avaliação do potencial genotóxico e mutagênico de amostras de águas de recursos hídricos que recebem efluentes urbanos e industriais do pólo ceramista da cidade de Santa Gertrudes - SP /." Rio Claro : [s.n.], 2010. http://hdl.handle.net/11449/87723.
Full textBanca: Silvia Tamie Matsumoto
Banca: Edson Guilherme Vieira
Resumo: A mutagenicidade é um efeito tóxico que danifica o material genético da célula, causando alterações no DNA ou no cromossomo. Existem inúmeras substâncias presentes em complexos de efluentes domésticos e industriais que podem causar sérios prejuízos no material genético. Testes biológicos de toxicidade e genotoxicidade são indispensáveis para estudos de monitoramento, que tem por finalidade avaliar a extensão da poluição ambiental e as reações dos organismos vivos frente a esta poluição. Águas que recebem descargas de diferentes fontes poluidoras, como efluentes industriais e urbanos, na sua maioria, são impactadas por misturas complexas compostas de químicos diversos. O córrego Santa Gertrudes e rios associados recebem efluentes industriais, de uma série de indústrias cerâmicas, e domésticos do município de Santa Gertrudes, SP. Os efluentes cerâmicos possuem efeito tóxico, sobretudo devido à presença de metais resultantes do processo de esmaltação dos revestimentos cerâmicos. As espécies Allium cepa e Oreochromis niloticus têm se mostrado bastante eficiente na avaliação da genotoxicidade ambiental. Neste trabalho foi avaliada a qualidade da água dos córregos Santa Gertrudes, Caju, Itaqui e do ribeirão Claro, por meio de testes desenvolvidos com estes bioindicadores. Pelos resultados obtidos, pudemos observar que os compostos presentes nas águas destes rios apresentam potencial tóxico, citotóxico, genotóxico e mutagênico para os dois organismos-teste. O teste com bulbos de A. cepa mostrou uma inibição no desenvolvimento das raízes, devido às substâncias tóxicas presente em águas coletadas após o despejo de efluentes. As amostras dos pontos correspondentes ao local de emissão de efluentes também induziram elevados índices de AC e MN em células meristemáticas de A. cepa, para todas as coletas realizadas. O ponto de coleta... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Mutagenicity is a toxic effect that damages the genetic material of the cell, causing alterations in either the DNA or the chromosome. There are several substances present in complexes of domestic and industrial effluents that may cause serious damage to the genetic material. Biological tests of toxicity and genotoxicity are essential for monitoring studies, which aims at assessing the extension of the environmental pollution and the reaction of the living organisms to this pollution. Waters that receive discharges from different sources of pollution, such as urban and industrial effluents, are mostly impacted by complex mixtures composed by several chemicals. Santa Gertrudes stream and associated rivers receive domestic effluents from the municipality of Santa Gertrudes (SP, Brazil) and industrial effluents from several ceramic industries. The ceramic effluents have toxic effects mainly due to the presence of metals resulting from the enameling process of ceramic coating. Allium cepa and Oreochromis niloticus species are very efficient in evaluating environmental genotoxicity resulting from pollution. In this study, the quality of the water of the Santa Gertrudes, Caju, Itaqui and Claro streams was assessed by tests developed with these bioindicators. Based on the results, we could observe that the compounds present in the waters are potencialy toxic, cytotoxic, genotoxic and mutagenic to both test organisms. The tests with bulbs of A. cepa showed an inhibition in root development due to the toxic substances present in the waters collected after the discharge of the effluents. Likewise, the samples from the effluent emission sites induced high indices of CA and MN in meristematic cells of A. cepa for all the collections made. The collection site located after the confluence of the Santa Gertrudes and Claro streams presented an increase in the alteration indices, especially for the August... (Complete abstract click electronic access below)
Mestre
Konta, Eliziani Mieko. "Efeito da polpa de maracujá amarelo (Passiflora. edulis f. flavicarpa Deg) sobre os danos genotóxicos e nefrotóxicos imediatos induzidos pela cisplatina em ratos espontaneamente hipertensos /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/95194.
Full textBanca: Maria de Lourdes Pires Bianchi
Banca: Eliana Aparecida Varanda
Banca: Heloisa Della Coletta Francescato
Resumo: Os antioxidantes, principalmente os encontrados na dieta, são agentes responsáveis pela inibição e redução dos danos oxidativos causados pelas espécies reativas nas células. A cisplatina (cDDP), um potente agente antineoplásico utilizado com frequência no tratamento de tumores sólidos, tem seu uso clínico limitado devido aos efeitos adversos como nefrotoxicidade, genotoxicidade e supressão da medula óssea. Como a geração de espécies reativas pode resultar em danos ao DNA pela ação destas espécies ou indiretamente via produtos de degradação da peroxidação lipídica, nosso estudo avaliou o possível efeito protetor da adição da polpa de maracujá amarelo na dieta de ratos espontaneamente hipertensos (SHR) e Wistar normotensos, contra a nefrotoxicidade e genotoxicidade induzida pela cDDP. Os resultados obtidos nas condições experimentais estabelecidas neste trabalho mostraram que a cDDP promoveu um aumento dos níveis das substâncias reativas aos ácido tiobarbitúrico, bem como decréscimo nos níveis de glutationa nos rins dos animais SHR, reforçando a hipótese que a peroxidação lipídica está relacionada com o mecanismo de nefrotoxicidade. O tratamento com doses múltiplas da polpa de maracujá amarelo não alterou os outros parâmetros da função renal no período analisado. Embora o efeito protetor da polpa de maracujá contra os danos induzidos ao DNA em células renais e hepáticas não tenha sido evidente nos resultados obtidos pelo Ensaio do Cometa, a polpa foi eficaz na redução de micronúcleos induzidos pela cDDP. Assim, umas das hipóteses para a redução da pressão arterial sistólica observada neste trabalho, poder ser atribuída à presença de alguns compostos fenólicos e outros ainda não identificados na polpa. Visto que, a interação entre os fitoquímicos presentes na polpa de maracujá demonstraram eficácia na redução da mutagenicidade e efeitos protetores antioxidantes.
Abstract: The antioxidants, particularly those found in the diet, are responsible for inhibiting and reducing the damage caused by reactive species in the cells. Cisplatin (cDDP), a potent anticancer agent often used in the treatment of solid tumors, has limited clinical use due to adverse effects such as nephrotoxicity, genotoxicity and myelosuppression. As the generation of reactive species can result in DNA damage by direct action of this or indirectly by degradation products of the lipid peroxidation, our study evaluated the potential protector of adding yellow passion fruit pulp to the diet of spontaneously hypertensive rats (SHR) and normotensive wistar rats, against the nephrotoxicity and genotoxicity induced by cDDP. The results showed that the cDDP promoted an increase in the levels of thiobarbituric acid reactive substances and a decrease in the levels of glutathione in the kidneys of the animals, reinforcing the hypothesis that lipid peroxidation be related to the mechanism of nephrotoxicity. The treatment with multiple doses of passion fruit pulp did not change the others parameters of renal function in the schedule. Although the protective effect of passion fruit pulp against the damage caused to the DNA of kidney and hepatic cells has not been evident in the results obtained by Comet assay, the pulp was effective in the reduction of micronuclei induced by cDDP. One of the hypotheses for the reduction in systolic blood pressure observed in the present study attributed this effect to the presence of some phenolic compounds and others not yet identified in the passion fruit pulp. Furthermore, the interaction between the phytochemicals of the pulp demonstrated effectiveness in reducing the mutagenic and antioxidant effects.
Mestre
Santos, Leslye Revely dos. "A pedagogia das máscaras por Francesco Zigrino : uma influência no teatro de São Paulo na década de 80 /." São Paulo : [s.n.], 2007. http://hdl.handle.net/11449/86888.
Full textResumo: Na década de 80, em São Paulo, atores grupos de teatro e diretores começaram a aproximar-se da máscara e da técnica do palhaço, circence para ampliar os recursos da interpretação. Essa busca efetivou-se tanto com os grupos procurando o circo, como tambem com a vinda de professores e diretores do estrangeiro, que já trabalhavam nessa vertente, para o Brasil. Entre eles, destaca-se o diretor italiano Franco Zigrino. Na capital Paulista ele desenvolveu cursos com máscara, além de realizar montagens de espetáculos. Nesse processo formaram-se vários profssionais que deram continuidades à aproximação da atuaçao teatral com máscaras e hoje são referências importantes no teatro paulistano. No primeiro momento, esta pesquisa investiga as origens e características da pedagogia das máscaras e sua contribuição para o teatro, auxiliando na formaçãode atores. Em seguida, realiza uma busca através de documentos oficiais, matérias de jornais e entrevistas com seus alunos e atores a respeito da passagem do diretor Francesco Zigrino no país e as principais características deixadas pelo seu trabalho. Como parte final, são colocadas reflexões acerca destas influências, que resultam em considerações sobre as características da pedagogia trazida pelo italiano e como elas foram absorvidas e adaptadas à realidade histórica e cultural do Brasil. As considerações finais enfantizam as influências do trabalho do diretor italiano na formação de atores.
Abstract: In the 1980's in São Paulo, actors, theatre groups and directors began to get closer to studyings masks and to the technique of the circus clown, so as to expand acting resources. This search was carried out both with the groups in search of the circus, and also with the teachers and directors arriving in Brazil from abroad, who had already worked with this art. Among them was the Italian director Francesco Zigrino. In the capital of São Paulo he developed courses on masks while also producing shows. Many professionals were trained in this process, and continued the work of bringing together treatrical acting and masks. Today, they have become important references on the São Paulo theatre scene. As a starrer, this research investigates the origins and characteristicas of the pedagogy of masks and its contribution th the theatre, while also helping to develop actors. Then, it searches through official documents, news paper articles and interviews with Francesco's students and actors about the journey of the director through Brazil, and the main characterístics that his work has left. Finally, there will be some reflection on those influences that lead to considerations as to the characteristics of the pedagogy brough by the Italian director, and as this was absorved and adapted to the historical and cultural reality of Brazil. The final considerations emphasize the influences of the work of the Italian director in the formation of actors.
Mestre
Maschio, Lucilene Regina. "Avaliação do potencial citotóxico, genotóxico e mutagênico das águas do Rio Preto na área de influência da região de São José do Rio Preto/SP. -." São José do Rio Preto : [s.n.], 2009. http://hdl.handle.net/11449/102733.
Full textAbstract: Due to increasing population and industrial expansion observed in recent decades, the environment has received a significant increased burden of domestic industrial and agricultural sewerage, which can cause severe impacts on ecosystems, and a potential damage to human health as well. A wide range of harmful pollutants can be found in domestic effluent, such as chemicals from various categories, in addition to contamination by various biological agents. On the other hand, industrial effluents contain organic and / or inorganic pollutants, depending on industrial activity. Based on these data, this study aimed to investigate, by means of biological tests with two test-organism, the possible presence of contaminants with cytotoxic, genotoxic and mutagenic potential, which are dumped along the Preto river, an important river that flows in the region of Sao Jose do Rio Preto/SP. The biological material used in this study consisted of seeds of Allium cepa (onion) and one specie of fish (Tilapia: Oreochromis niloticus). Water samples were taken seasonally in August 2006 and 2007 (dry season) and March 2007, and 2008 (rainy season), in six distinct sites: Site 1 (S1), 8 km before the damming, Site 2 (S2), 1 km before the damming, Site 3 (S3), place of sewerage discharge; Site 4 (S4), opposite margin of sewage discharge, Site 5 (S5), end of the damming; Site 6 (S6) 1 km after damming. Chemical analyses were performed for all collected samples. For the study, 100 seeds of A. cepa were submitted to germination in Petri dishes with samples water from six different sites of the Preto river, Ultra pure water (negative control), and with an aneugenic substance (Trifluralin - positive control). For most of collection points and periods studied, root meristems cells of A. cepa, exposed to water samples collected along the Preto river, showed no significant differences... (Complete abstract click electronic access below)
Orientador: Maria Aparecida Marin-Morales
Coorientador: Maria Tecília Vilela de Azeredo-Oliveira
Banca: Regina Teresa Rosim Monteiro
Banca: Carmem Silvia Fontanetti Christofoletti
Banca: Eduardo Alves de Almeida
Banca: Mary Massumi Itoyama
Doutor
Harrod, Mary. "Comedy and social change in French cinema 1990-2010 : the rise of the rom-com." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/comedy-and-social-change-in-french-cinema-19902010(0c778dc0-a8e4-46f7-81aa-a52e1ccf1aeb).html.
Full textJenkins, Kirsty Marie. "Ridikulus! : a comparative study of Roman comedy and Kyōgen through their techniques of fear-alleviation." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/ridikulus-a-comparative-study-of-roman-comedy-and-kygen-through-their-techniques-of-fearalleviation(6544c5de-9b8e-434e-b3e5-14a3d28ef4a1).html.
Full textNinin, Roberta Cristina. "Projeto Comédia Popular Brasileira da Fraternal Companhia de Arte e Malas-Artes (1993-2008) : trajetória do ver, ouvir e imaginar /." São Paulo : [s.n.], 2009. http://hdl.handle.net/11449/86873.
Full textBanca: Alexandre Luiz Mate
Banca: Sergio Ricardo de Carvalho Santos
Resumo: O principal objetivo da presente pesquisa é registrar e compreender a trajetória do Projeto Comédia Popular Brasileira (CPB) e, consequentemente, da Fraternal Companhia de Arte e Malas-Artes por meio das personagens criadas durante 15 anos de pesquisa estética (1993-2008). São objetos de análise os projetos específicos desenvolvidos a cada fase do Projeto CPB, suas respectivas peças e espetáculos, concepções de personagens, o trabalho e formação dos atores e a relação estabelecida com o alvo principal de sua vida teatral: o público. Em sua primeira fase (1993-1997) - VER, a Fraternal cria personagens-tipo brasileiras, influenciada pelos comediógrafos Martins Pena, Artur Azevedo e Ariano Suassuna, retomando o diálogo com os tipos fixos da commedia dell'arte. Na segunda fase (1998-2001) - OUVIR, as personagens-tipo cedem o protagonismo às personagens inspiradas nas festas populares medievais, pautadas no estudo teórico de Mikhail Bakhtin. E, na terceira fase (2002-2008) - IMAGINAR, atores saltimbancos apresentam as personagens por meio da narração e da representação. Neste período, a Cia. aprofunda sua prática no jogo cênico estabelecido entre personagens, atores e narradores para a construção dramatúrgica e interpretativa de seus espetáculos, inspirada em Bertolt Brecht e Luigi Pirandello. A escolha de personagens como interlocutoras dos anseios e da história do povo brasileiro refletiu, desde o início, a específica visão de mundo e de cultura popular adotada pela Fraternal, referendada no ponto de vista contrário ao da classe dominante, o da classe dominada, visão reveladora e regeneradora. Dario Fo (1999), Mikhail Bakhtin (1987), Walter Benjamin (1994) e Bertolt Brecht, pautados tanto no que concerne a uma apreensão da encenação e da interpretação cômica, quanto a seus posicionamentos críticos... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The present research aims at recording and understanding the trajectory of the Projeto Comédia Popular Brasileira (CPB) and, consequently, of the Fraternal Companhia de Arte e Malas-Artes, through the characters created during the 15 years of esthetical research (1993-2008). The objects of this analysis are the specific projects developed at each phase of the CPB Project, their respective plays and spectacles, the conception of the characters and actors' work and formation as well as their relation with their main target: the audience. During its first phase (1993-1997) - SEE, Fraternal creates Brazilian-type characters, influenced by the comedians Martins Pena, Artur Azevedo and Ariano Suassuna and reestablishing the dialogue with the fixed types of commedia dell'arte. In its second phase (1998-2001) - HEAR, the character-types give space to characters inspired by medieval popular parties/festivals, based on the study of Mikhail Bakhtin. Finally, in its third phase (2002-2008) - IMAGINE, acrobat actors introduce the characters through narration and acting. In this period, the Society deepens its practice through the scenic interplay between characters, actors and narrators for the dramaturgical and interpretive construction of its spectacles, which was inspired by Bertolt Brecht e Luigi Pirandello. The choice of characters as interlocutors of Brazilian people history and wishes reflected, since the very beginning, the specific world and popular culture view taken by Fraternal which is opposed to the dominant class' one. Conversely, it meets the dominated class' view in a revealing and regenerative way. Dario Fo (1999), Mikhail Bakhtin (1987), Walter Benjamin (1994) and Bertolt Brecht, guided by what concerns staging and comic interpretation/acting as well as by their critical view of the artistic activity, were... (Complete abstract click electronic access below)
Mestre
Chauhan, Gauri. "Stories of comedy and tragedy in therapy : psychological therapists' experiences of humour in sessions with clients diagnosed with a terminal illness." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/stories-of-comedy-and-tragedy-in-therapy(c8a9f149-bf42-43a7-83bb-53dcb604c2b5).html.
Full textMitchell, Robert. "Guilt and creativity in the works of Geoffrey Chaucer." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html.
Full textCamargo, Daisy de [UNESP]. "Alegrias engarrafadas: os alcoóis e a embriaguez na cidade de São Paulo no final do século XIX e começo do XX." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/103133.
Full textFundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Esse trabalho trata das relações sociais que permeiam o consumo de bebidas alcoólicas na cidade de São Paulo, no final do século XIX e começo do XX, desvelando gestos e sensibilidades do cotidiano da cidade, captando costumes, modos de vida e sujeitos extintos. O objetivo é explorar uma cultura gestual, material e sensível, historicamente construída, ligada aos alcoóis, seus objetos, suas maneiras de saborear e lugares de consumo
This work deals with the social relations that permeate the consumption of alcoholic beverages in the city of São Paulo in the late nineteenth and early twentieth centuries, unfolding daily gestures and sensitivities of the city, capturing customs, lifestyles and extinct subjects. The aim is to explore a gestural, material and sensitive culture, historically constructed, linked to alcohols, their objects, ways of enjoying, and places of consumption
Möslinger, Anja. "Particle Trajectory Simulations for SCIENA-N : Conversion surface design for an ENA sensor head." Thesis, Luleå tekniska universitet, Rymdteknik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-83034.
Full textHoshina, Márcia Miyuki. "Avaliação da atividade antimutagênica de alguns produtos naturais de origem animal por meio de ensaios com células HepG2 /." Rio Claro : [s.n.], 2012. http://hdl.handle.net/11449/100525.
Full textBanca: Silvia Tamie Matsumoto
Banca: Maria Izabel Souza Camargo
Banca: Grasiela de C. S. Aguiar
Banca: Mario Sergio Palma
Resumo: A exposição do homem às substâncias danosas, sejam estas substâncias de origem natural ou sintética, vem crescendo durante as últimas décadas. Esta exposição é capaz de induzir diversos efeitos deletérios nos organismos expostos, provocando diversas doenças e até mesmo a morte. Da mesma forma que aumenta a quantidade de substâncias promotoras de impactos ambientais, também crescem as pesquisas que buscam por novas substâncias que sejam capazes de proteger os organismos destes efeitos deletérios. Esse trabalho tem como objetivo avaliar a atividade citotóxica, genotóxica e antigenotóxica, mutagênica e antimutagênica de venenos de Hymenoptera (especificamente da abelha Apis mellifera e da vespa Polybia paulista), em diferentes concentrações, utilizando para essa avaliação o sistema teste de HepG2. Foi utilizado o ensaio do MTT para se avaliar a citotoxicidade tanto do veneno de A. mellifera como de P. paulista. As concentrações consideradas não citotóxicas (1, 5 e 10μg/mL de veneno de vespa e 0,1, 0,05 e 0,01 μg/mL do veneno de abelha) foram utilizadas para se avaliar o potencial genotóxico (ensaio do cometa) e mutagênico (teste do micronúcleo). Estas concentrações não citotóxicas mostraram-se genotóxicas e mutagênicas para o sistema teste utilizado. Foram utilizadas outras concentrações, mais baixas que as utilizadas nos testes de genotoxicidade e mutagenicidade (1ng/mL, 100pg/mL e 10pg/mL de veneno de vespa e 10pg/mL, 1pg/mL e 0,1pg/mL para o veneno de abelha), para a realização dos testes de antigenotoxicidade e antimutagenicidade com células HepG2. As concentrações utilizadas nesses ensaios mostraram que ambos os venenos, ao invés de inibirem e/ou diminuirem o efeito genotóxico e mutagênico da substância metilmetano sulfonato, aumentaram ainda mais os danos causados por esta substância... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Human exposure to harmful substances, natural or synthetic, is increasing in the last decades. This exposure is able to induce several deleterious effects on the exposed organisms, causing several diseases and even death. As the amount of substances that promote environmental impacts increases, researches seeking for new substances that are able to protect the organisms against these deleterious effects have also increased. This study aimed to evaluate the cytotoxic, genotoxic and antigenotoxic, mutagenic and antimutagenic of Hymenoptera venoms (specifically of the bee Apis mellifera and the wasp Polybia paulista), in different concentrations, using for this evaluation the HepG2 test system. The MTT assay was used to assess the cytotoxicity the venom of A. mellifera and P. paulista. The concentrations considered non cytotoxic (1, 5 and 10μg/mL of the wasp venom and 0.1, 0.05 and 0.01 μg/mL of the bee venom) were used to evaluate the genotoxic (comet assay) and mutagenic potential (micronucleus test). These non cytotoxic concentrations were genotoxic for the test system used. Other concentrations were used, lower than the ones used in the genotoxicity and mutagenicity tests (1ng/mL, 100pg/mL and 10pg/mL of the wasp venom and 10pg/mL, 1pg/mL and 0,1pg/mL for the bee venom), in order to perform the antigenotoxicity and antimutagenicity tests with HepG2 cells. The concentrations used in these assays showed that both venoms, instead of inhibiting and/or decreasing the gentoxic and mutagenic effects of the substance methylmethane sulfonate, increased even more the damages caused by this substance. In order to verify which would be the compound responsible for the effects registered for the venoms, it was also evaluated the effect of phospholipase A2 (PLA2 from A. mellifera)... (Complete abstract click electronic access below)
Doutor
Rojas, Martínez Mónica. "Analysis of forearm muscles activity by means of new protocols of multichannel EMG signal recording and processing." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/124507.
Full textVoluntary movements are achieved by the contraction of skeletal muscles controlled by the Central and Peripheral Nervous system. The contraction is initiated by the release of a neurotransmitter that promotes a reaction in the walls of the muscular fiber, producing a biopotential known as Motor Unit Action Potential (MUAP) that travels from the neuromuscular junction to the tendons. The surface electromyographic signal records the continuous activation of such potentials over the surface of the skin and constitutes a valuable tool for the diagnosis, monitoring and clinical research of muscular disorders as well as to infer motion intention not only regarding the direction of the movement but also its power. In the study of diseases of the neuromuscular system it is necessary to analyze the level of activity, the capacity of production of strength, the load-sharing between muscles and the probably predisposition to muscular fatigue, all of them associated with physiological factors determining the resultant muscular contraction. Moreover, the use of electrode arrays facilitate the investigation of the peripheral properties of the active Motor Units, the anatomical characteristics of the muscle and the spatial changes induced in their activation of as product of type of movement or power of the contraction.The main objective of this thesis was the design and implementation of experimental protocols, and algorithms to extract information from multichannel sEMG signals in 1 and 2 dimensions of the space. Such information was interpreted and related to pathological events associated to two upper-limb conditions: Lateral Epicondylitis and Repetitive Strain Injury. It was also used to identify the direction of movement and contraction strength which could be useful in applications concerning the use of biofeedback from EMG like in robotic- aided therapies and computer-based rehabilitation training.In summary, the most relevant contributions are:§The definition of experimental protocols intended to find optimal regions for the recording of sEMG signals. §The definition of indices associated to the co- activation of different muscles. §The detection of low-quality signals in multichannel sEMG recordings.§ The selection of the most relevant EMG channels for the analysis§The extraction of a set of features that led to high classification accuracy in the identification of tasks.The experimental protocols and the proposed indices allowed establishing that imbalances between extrinsic muscles of the forearm could play a key role in the pathophysiology of lateral epicondylalgia. Results were consistent in different types of motor task and may define an assessment framework for the monitoring and evaluation of patients during rehabilitation programs.On the other hand, it was found that features associated with the spatial distribution of the MUAPs improve the accuracy of the identification of motion intention. What is more, features extracted from high density EMG recordings are more robust not only because it implies contact redundancy but also because it allows the tracking of (task changing) skin surface areas where EMG amplitude is maximal and a better estimation of muscle activity by the proper selection of the most significant channels.
Miroslav, Radonjić. "Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2015. http://www.cris.uns.ac.rs/record.jsf?recordId=94108&source=NDLTD&language=en.
Full textNamera studije jeste da se celokupni dosadašnji dramski opus Vide Ognjenovićsagleda u širem kontekstu savremene srpske dramaturgije i književne tradicije. Ovakavzadatak podrazumeva analizu primenjenog literarno-dramaturškog postupka, tematsko-motivskih odrednica, žanrovskih i stilskih osobenosti, jezičkog izraza,karakterizacije likova, odnosa prema istorijskim, političkim, ideološkim, kulturnim,socijalnim i drugim društvenim fenomenima. Za realizaciju tako definisanog ciljaistraživanja, bilo je neophodno formirati svojevrsni koordinatni sistem. Unutarsistema jedna osa predstavlja najznačajnije autore i njihova reprezentativna dela, koji suključni za razvoj savremene srpske drame od Drugog svetskog rata do prve decenije ovogveka, a druga osa označava književnu tradiciju kao nedvosmislenu ishodišnu tačku ikreativnu inspiraciju. Rad je podeljen u tri organski povezane celine: „Savremenasrpska drama”, „Dramski opus Vide Ognjenović” i „Književna tradicija kao kreativnainspiracija
This study is aimed at offering an overview of the entire dramatic oeuvre of VidaOgnjenović to date within the wider context of the contemporary Serbian dramaturgy and literarytradition. This objective entails an analysis of the literary-dramatic procedure used, as well as thethematic-motif determinants, distinctive features in regard to genre and style, linguisticexpression, characterisation, attitude towards historical, political, ideological, cultural, social andother societal phenomena. In order to accomplish the objective of research thus formulated, itwas necessary to form a singular coordinate system. One coordinate axis represents majorauthors and their representative works, which bear crucial significance for the development ofthe contemporary Serbian drama from World War II to the first decade of this century, while theother axis represents literary tradition as an unambiguous point of origin and creative inspiration.The study is divided into three organically related units: ‘Contemporary Serbian drama’,‘Dramatic oeuvre of Vida Ognjenović’ and ‘Literary tradition as creative inspiration’.
Alexander, Steven Ralph. "Painting and the Comedia in the Spanish Golden Age with particular reference to the portrait in the theatre of Lope De Vega and other contemporary dramatists." Thesis, King's College London (University of London), 1997. https://kclpure.kcl.ac.uk/portal/en/theses/painting-and-the-comedia-in-the-spanish-golden-age-with-particular-reference-to-the-portrait-in-the-theatre-of-lope-de-vega-and-other-contemporary-dramatists(14181cda-ee96-42ec-b333-186387d8370e).html.
Full textSpring, Nicole. "Investigating the origin and distribution of primordial noble gases and volatiles in asteroids and comets : a comparative study of interplanetary dust particles (IDPs), Antarctic micrometeorites (AMMs) and carbonaceous chondrites." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/investigating-the-origin-and-distribution-of-primordial-noble-gases-and-volatiles-in-asteroids-and-comets-a-comparative-study-of-interplanetary-dust-particles-idps-antarctic-micrometeorites-amms-and-carbonaceous-chondrites(dcf34411-3b83-416d-a5cf-02b78ceeb252).html.
Full textSneller, Christopher David. "Let the world come to Union and Union go into the world : Union Theological Seminary in the city of New York and the quest for indigenous Christianity in twentieth century China." Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/let-the-world-come-to-union-and-union-go-into-the-world(a5854f5b-bc01-4a36-aa3a-13a10622b2cd).html.
Full textGaspar, Andrea Marques. "'Where does the new come from?' : an ethnography of design performances of 'the new'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/where-does-the-new-come-from-an-ethnography-of-design-performances-of-the-new(cd77bec4-ba9b-48ed-b2c4-f53ed0eb7e03).html.
Full textŠmihula, Michal. "Kulturně společenské centrum u brněnské přehrady - architektonická studie objektů pro kulturně společenské i sportovní akce." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215678.
Full textHierlwimmer, Heike Anna [Verfasser]. "Geschlechterkampf mit Happy-End : die angelsächsische Sittenkomödie von der Restoration-Comedy bis zur Screwball-Comedy of manners / Heike Anna Hierlwimmer." 2005. http://d-nb.info/976885735/34.
Full textWinkler, Michaela. "Einfluss einer fortgesetzten Benfotiamintherapie auf die Konzentration zirkulierender Advanced Glycation Endproducts, proinflammatorischer Zytokine und DNA-Läsionen bei Hämodialysepatienten." Doctoral thesis, 2007. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-27563.
Full textIt has been shown in animal models, that Benfotiamine, a precursor of the vitamine B1, prevents typical complications of diabets, like nephropathy, retinopathy and neuropathy. This effect is attributed to the increased activity of the enzyme trankelotase. The latter is also suppressed in patients of the hemodialysis program who are not diabetic. The goal of this thesis was to show the effects of an oral administration of benfotiamine on longterm hemodialysis patients. Fifteen patients were treated with 300 mg per day of benfotiamine which was increased in the following two months to 450 mg per day. The patient group consisted of a sub-group of diabetic and non-diabetic individuals. Advanced glycation endproducts (AGEs) and proinflammatory cytocines were measured in patients full-blood to show the impact on the inflammation and the oxidative stress situation. The DNA-damage in peripheral lymphocytes was determined using the alkaline comet-assay and the micronucleus-assay. The rate of micronuclei was diminished in both patient groups which could be attributed to the reduction of DNA-damage by benfotiamine and so eventually to a reduced risk of cancer. However, this result does not agree with the comet-assay experiments. The relative DNA-damage increased in the course of the study and so seems to be unaffected by the benfotiamine therapy. This may be attributed to the high sensitivity of the comet-assay technique. Therefore, further investigations with a bigger patient group in a double-blind study are necessary. Additionally, there should be a greater focus on diabetic patients that showed a faster and increased reduction of micronuclei which were underrepresentated in this study. The slight reduction of CRP and the increased protein and serum-albumine concentration correlates to a better nutritional status. On the other hand, the increasing neopterine and interleukine 6 level do not agree to the changes in the inflammatory situation. Against all expectations there was no reduction of AGEs and AOPPs in patients serum. Following studies should focus on rapidly changing direct markers like the glutathione level. In summary, benfotiamine reduces DNA-damage in peripheral lymphocytes in hemodialysis patients with or without diabetes. The plasma protein concentration was increased but unexpectedly the inflammatory situation was stable. These effects may be due to a reduction of oxidative stress or its causes like diminished ureamic toxines. One of Benfotiamines advantages is its good tolerance, even in increased dosages. Furthermore it seems to diminish neuropathic pain which is frequent in hemodialysis patients. However, more clinical studies are neccessary for a use in daily practice
Snyman, Mmabatho Charity. "Awareness and training: the influence on end-user' attitude towards information security policy compliance." Diss., 2017. http://hdl.handle.net/10500/24107.
Full textInformation Technology
M. Tech. (Information Technology)