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Dissertations / Theses on the topic 'Comic novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Harper, Graeme. "'Moon Dance' and the comic mode of displacement." Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317978.

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2

Sina, Véronique. "Comic." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72982.

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Mit dem Begriff Comic wird eine kontingente und veränderbare künstlerisch-mediale Form bezeichnet, in der u. a. die Kombination von Bild und Text sowie eine sequentielle Bildfolge als zentrale formal-ästhetische Charakteristika gelten können. Die Kategorie Gender besitzt in Comics eine grundlegende strukturierende Funktion, die sich sowohl in der Produktion und Rezeption als auch in den Inhalten von und der wissenschaftlichen Auseinandersetzung mit Comics niederschlägt.

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3

Round, Julia Valerie. "From comic book to graphic novel : writing, reading, semiotics." Thesis, University of Bristol, 2006. http://hdl.handle.net/1983/749e82e7-e402-4129-9827-89588e2a8c10.

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4

Latham, Philip. "Void, a comic novel : practice-led research into humour." Thesis, Keele University, 2017. http://eprints.keele.ac.uk/4259/.

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This thesis comprises a critical essay and practice-led research in the form of a full-length novel, Void, that constitutes my original contribution to knowledge. The critical essay comprises three principal chapters, the first of which is a memoir that discusses the early comic influences that have shaped my creative imagination in the form of the films of Laurel and Hardy, Harold Lloyd and Will Hay. The second chapter considers humour and science fiction, concentrating on the origins and definitions of science fiction and then focussing on Douglas Adams’ The Hitch Hiker’s Guide to the Galaxy

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5

May, Regine. "A comic novel? : Roman and new comedy in Apuleius' Metamorphoses." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270113.

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6

Nace, Michael Thomas. "Comic aesthetics and the effect of realism in the novel." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1486385421&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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7

Connell, Daniel James. "Hypermasculinity and the hero in comic book fiction : this is it." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6573.

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This thesis examines occurrences of hypermasculinity in examples from the genre of comic book fiction, utilizing textual evidence to suggest the current collection has re-iterated the more negative hypermasculine components of their source material: comic books. In doing so, the thesis compares the present novels with the creative element of the PhD submission – This Is It – a novel which serves as a critique of the prevalence of hypermasculinity in heroic figures within comic book fiction. By analyzing the sociological reasons behind hypermasculinity, and its subsequent effects, this thesis a

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8

Jackson, Mary. "Forgotten Things: A Historian's Tale." Otterbein University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=otbnhonors1620458342340454.

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9

Mitchell, Holly. "I Didn't Grieve Wrong: Using the Graphic Novel For Personal Healing and Public Awareness." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1217.

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This paper discusses how the author created a comic as a way to explore their personal suffering and the suffering of those around them throughout schooling. It defines the inspirations, both personal and technical for how the comic was produced and how it will expand to a graphic novel after college.

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10

Fowler, Bo. "'The astrological diary of God' and the SciFi-satiric-comic-philosophical novel." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302089.

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11

Castleberry, Garret. "Incorporating Flow for a Comic [Book] Corrective of Rhetcon." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28405/.

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In this essay, I examined the significance of graphic novels as polyvalent texts that hold the potential for creating an aesthetic sense of flow for readers and consumers. In building a justification for the rhetorical examination of comic book culture, I looked at Kenneth Burke's critique of art under capitalism in order to explore the dimensions between comic book creation, distribution, consumption, and reaction from fandom. I also examined Victor Turner's theoretical scope of flow, as an aesthetic related to ritual, communitas, and the liminoid. I analyzed the graphic novels Green Lantern:

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12

Christian, George Scott. "The friendly companion : toward a comic poetics in the nineteenth-century English novel /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004239.

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13

Dycus, Dallas. "Chris Ware's Jimmy Corrigan: Honing the Hybridity of the Graphic Novel." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_diss/47.

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The genre of comics has had a tumultuous career throughout the twentieth century: it has careened from wildly popular to being perceived as the source of society’s ills. Despite having been relegated to the lowest rung of the artistic ladder for the better part of the twentieth century, comics has been gaining in quality and respectability over the last couple of decades. My introductory chapter provides a broad, basic introduction to the genre of comics––its historical development, its different forms, and a survey of comics criticism over the last thirty years. In chapter two I clarify the n

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14

Younger, Jim. "Fair game for the whole hog : celebrating abjection and puerility in a comic novel." Thesis, University of Hull, 2011. http://hydra.hull.ac.uk/resources/hull:6904.

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15

Edholm, Rosalie. "Portrait: A Graphic Novel and Artist's Book." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/24.

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At this exact moment, graphic novels are enjoying a heyday of popularity, profusion and attention. As the graphic novel medium matures and detaches itself from the “non-serious” reputation of comics, it is becoming clear that graphic novels are a powerful and effective art form, using the both verbal and the visual to relay their narratives. Portrait, the short graphic novel that is my senior art project, is intended to emphasize the artist’s book character of the graphic novel, and serve as an example of how a graphic novel’s artist’s book characteristics allow communication of the artist’s

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16

Smida, Megan Alice Moore Alan. "(Re)telling Ripper in Alan Moore's From hell : history and narrative in the graphic novel." Dayton, Ohio : University of Dayton, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1272574121.

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Thesis (M.A. in English) -- University of Dayton.<br>Title from PDF t.p. (viewed 06/23/10). Advisor: James Boehnlein. Includes bibliographical references (p. 44-46). Available online via the OhioLINK ETD Center.

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17

Zullo, Valentino L. "The Comic(s) Shakespeare: Kill Shakespeare and Audience Experience in Adaptation Studies." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777.

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18

Prior, Tim J. "Classical and grotesque bodies, some aspects of courtesy literature and the mid-eighteenth-century comic novel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28039.pdf.

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19

Toublet, Cécile. "Le corps dans les histoires comiques au XVIIe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040209.

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Les histoires comiques forment, de 1612 à la fin du siècle, un genre narratif divertissant qui, bien que traversé par des influences diverses, trouve sa cohésion dans de nets partis pris esthétiques : une écriture naturelle, une attention portée aux réalités, une apparente vérité des lieux, des situations et des personnages, ainsi que la présence d’une thématique sérieuse sous une fantaisie de façade. La redécouverte de ces oeuvres par la critique moderne a permis de souligner le rôle qu’elles ont joué dans l’évolution du roman au XVIIe siècle, après plusieurs siècles d’oubli ou de dénigrement

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20

Juin, Maria. "Wunderland von Tom Tirabosco : eine Graphic Novel im schwedischen Deutschunterricht." Thesis, Högskolan Dalarna, Tyska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28246.

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Diese Arbeit untersucht, wie man mit einer Graphic Novel im schwedischen Deutschunterricht arbeiten kann. Heute beschäftigen sich Kinder und Jugendliche in ihrer Freizeit mit einer Vielzahl von verschiedenen Medien aus Wort und Bild. Dieses Interesse und Können der Schüler kann man im Klassenzimmer nutzen. Die Arbeit beschreibt, wie Wort und Bild in Graphic Novels zusammenwirken und geht näher auf das Werk Wunderland von Tom Tirabosco ein. Außerdem wird Literatur über Lernprozesse im Fremdsprachenunterricht untersucht, um anschließend Unterrichtsentwürfe zu entwickeln.

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21

Button, Andrea Noel Guziec. "Personal Experiences at the Intersection of Illness and Family: A Critical Rhetorical Analysis from Autoethnographic and Comic Memoir Perspectives." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1552840464935061.

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22

Horlacher, Stefan. "Slightly Quixotic: Comic Strategies, Sexual Role Stereotyping and the Functionalization of Femininity in David Lodge's Trilogy of Campus Novels under Special Consideration of 'Nice Work' (1988)." De Gruyter, 2007. https://tud.qucosa.de/id/qucosa%3A36417.

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In view of the fact that David Lodge’s campus novels are renowned for their ability to make light of traditional gender stereotypes as well as for their purportedly liberal, pro-feminist, intertexual, dialogical and metatextual dimensions, this article seeks to explore more precisely the strategic and unavowedly political functions humour and the comic fulfil in Changing Places, Small World and Nice Work. What will be demonstrated is that Lodge’s light-hearted, tolerant and at times even progressive liberalism is little more than an effect produced by the textual surface structure. In the case

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23

Campbell, Maria E. "Inking Over the Glass Ceiling: The Marginalization of Female Creators and Consumers in Comics." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437938036.

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24

Dedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.

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Techronomicon Techronomicon is a science fiction novel that examines far-future military actions from several different perspectives. Human beings have colonized several planets with help from the enigmatic and more technologically advanced Zhir, who gave spaceships and habitable worlds to those they deemed suitable and their descendants. The Joint Expeditionary Force is the military arm of the Universal Faith, called in when conflicts arise that the Faith decides are beyond the local government and militia and require their intervention. Leneveldt and Roader are JEF officers assigned to Oper

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25

Guarino, Jeffrey Mark. "Comix in the classroom: A resource guide for graphic novels and comic books." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1503.

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26

Darowski, Joseph J. "The American Way: What Superman, Batman, Spider-Man, and the X-Men Reveal About America." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1515.pdf.

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27

Brito, Adélio Gonçalves. "A construção do herói no percurso narrativo da graphic novel Os 300 de Esparta: Do Dever à Vitória - uma jornada." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4426.

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Made available in DSpace on 2016-04-26T18:12:04Z (GMT). No. of bitstreams: 1 Adelio Goncalves Brito.pdf: 55870463 bytes, checksum: 4884765df8fcc405255c564841ce4601 (MD5) Previous issue date: 2012-08-10<br>The goal of this study is to investigate the semiotic building process of a hero in the graphic novel 300, by Frank Miller, through the identification of a unique style of the author, based on narrative protocols of this media. Object of the investigation and contextualization determinant of this construction, the language of comics is exposed and analyzed in what constitute it, that is, on

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28

Petiya, Sean. "Building a Semantic Web of Comics: Publishing Linked Data in HTML/RDFa Using a Comic Book Ontology and Metadata Application Profiles." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1416791055.

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29

Poulet, Françoise. "L'extravagance : enjeux critiques des représentations d'une notion dans le théâtre et le roman du XVIIe siècle (1623-1666)." Thesis, Poitiers, 2012. http://www.theses.fr/2012POIT5020/document.

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L'objectif de nos recherches consiste à définir la notion d'extravagance en l'inscrivant dans le contexte qui en voit l'essor littéraire, de l'année 1623 (avec L'Histoire comique de Francion de Sorel) à 1666 (avec Le Misanthrope de Molière et Le Roman bourgeois de Furetière) ; il s'agit de montrer comment cette notion rend compte des enjeux socioculturels, littéraires et esthétiques du premier XVIIe siècle. Nos travaux s'inscrivent dans une perspective pluridisciplinaire : l'extravagance convoque à la fois le domaine de la médecine, l'histoire des traitements et de l'enfermement du fou, la que

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30

Stephens, Wendy Steadman. "The Influence of Engagement with Graphic Narrative Text Formats on Student Attitudes Towards the School Library." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700038/.

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Comics, graphic novels, and manga differ appreciably from textual narrative formats, and materials with increasingly visual elements have found their way into progressive and student-centered library collections. But many educators and librarians still resist inclusion of graphic narratives in school libraries and devalue the reading practice of students who prefer more visual texts. Using the framework of radical change, which posits that both text conventions and reader expectations for text are increasingly multimodal as they possess characteristics of evolving digital media, this study con

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31

Lombard-Cook, Kathleen. "Interrogating and analysing narrative structure through comic books." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23507.

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How can the structures of graphic narratives help us to interrogate, analyse, and ultimately ground stories of ourselves and our world? By not relying solely on verbal or visual language, but the complex interplay between multiple signification strategies, comics open up possibilities for transcending the limits of any single linguistic mode and more fully enunciating the complex layers of superimposed truths that make up our lived experiences. In this doctoral project, I utilize media-specific analysis of graphic narratives and interrogate the multi-modal communication strategies inherent in

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REQUILIANI, VALERIA. "Libertà d'avventura e verosimiglianza dei caratteri nel romanzo del Seicento: il caso del Calloandro di Giovan Ambrogio Marini." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/928.

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La tesi mira a esaminare la genesi del Calloandro di Giovan Ambrogio Marini nel contesto del ricco e dinamico contesto sociale e culturale della Genova della prima metà del XVII secolo. Le pagine prefattorie premesse alle varie edizioni dell’opera rappresentano un contributo importante per la definizione di un genere la cui diffusione non fu accompagnata, in Italia, da uno studio teorico e sistemico. Dopo una ricognizione delle fonti sulla biografia e la produzione letteraria dell’autore, nel primo capitolo viene proposta una sintesi dettagliata della trama del romanzo che illumina gli element

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33

Kai, Kiyotaka. "Dickens's Pantomimic Vision in His Early Comic Novels." 京都大学 (Kyoto University), 2002. http://hdl.handle.net/2433/78293.

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34

Adams, Jeff. "Documentary graphic novels and social realism." Oxford Bern Berlin Bruxelles Frankfurt, M. New York, NY Wien Lang, 2003. http://d-nb.info/990541126/04.

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35

Lövgren, Stella. ""Symboler i en ordlös serienovell. Eric Drookers "Home" utifrån ett semiotiskt perspektiv." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22875.

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Uppsatsen behandlar den ordlösa grafiska novellen Home av Eric Drooker, en tecknad serienovell på 42 sidor där Drooker använder sig av specifika visuella medel för att kommunicera. Syftet med uppsatsen är att undersöka hur en berättelse kan formuleras med bildspråk där olika symboler hjälper läsaren att förstå innehållet. Med hjälp av en innehållsanalys utifrån en semiotisk metod kartläggs användandet och frekvensen av symboler. Resultatet visar att symbolerna Drooker använder är gester, ordbilder, siffror, skiljetecken, noter, emanata, grafiska och ikoniska symboler, paneler, ramar och sidlay

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36

Covich, Anna-Maria Ruth. "Alter/Ego: Superhero Comic Book Readers, Gender and Identities." Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7262.

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The academic study of comic books - especially superhero comic books - has predominantly focused on the analysis of these books as texts, as teaching and learning resources, or on children as comic book readers. Very little has been written about adult superhero comic fans and their responses to superhero comics. This thesis explores how adult comic book readers in New Zealand engage with superhero comics. Individual interviews and group conversations, both online and face-to-face, provide insights into their responses to the comics and the characters as well as the relationships among fans. A

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Andersson, Oscar. "ÖVERALLT PÅ JORDEN SAMTIDIGT." Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6941.

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38

Ollerenshaw, Emily Anna. "“That was a touching exhortation, dear Armadillo”: English translation of the graphic novel LA PROFEZIA DELL’ARMADILLO by Zerocalcare." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/12724/.

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The aim of this work is to present a translation into English of the graphic novel La Profezia dell’Armadillo by Zerocalcare, published in 2012 by Bao Publishing. It is worth specifying that the translation proposed in this dissertation is specifically targeted at the North American market. The first chapter offers a theoretical framework by giving a definition of the medium of comics and the medium of the graphic novel. It then briefly outlines the history of comics in the United States, and how the development of comics has led to the modern graphic novel. The second chapter outlines the d

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39

Jones, A. W. "Application of novel analysis techniques to cosmic microwave background astronomy." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605683.

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The data from Cosmic Microwave Background (CMB) experiments are becoming more complex with each new experiment. A consistent way of analysing these data sets is required so that direct comparison is possible between the various experimental results. This thesis presents several techniques that can be used to analyse CMB data. A summary of the processes involved in the formation of the fluctuations and the resultant radiation we expect to see in our sky maps is presented. This includes both the CMB and other emission components that operate at the frequencies covered by CMB experiments. These o

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40

Kodipaka, Santhosh. "A novel conic section classifier with tractable geometric learning algorithms." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024624.

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Gómez, Salamanca Daniel. "Tebeo, cómic y novela gráfica: La influencia de la novela gráfica en la industria del cómic en España." Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/117214.

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La novel•la gràfica s’acostuma a presentar com la principal aposta de la indústria del còmic per aconseguir la legitimació cultural del mitjà. Aquesta tesi analitza el llenguatge del còmic, afirmant la seva legitimitat inherent, qüestiona els arguments utilitzats per la crítica per sostenir aquesta aposta i analitza des de diferents perspectives la indústria del còmic espanyola per esbrinar la influència de la novel•la gràfica en els diferents àmbits del sector.<br>La novela gráfica se presenta a menudo como principal apuesta de la industria del cómic para lograr la legitimación cultural del

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Isley, Edwin Lewis. "Noel le Breton de Hauteroche : seventeenth-century comic playwright and actor /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu148794815862877.

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Steiling, David. "Icon, representation and virtuality in reading the graphic narrative." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001818.

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Lucas, Justin. "Beneath the cape and cowl: Batman and the revitalization of comic book films." Ohio University Honors Tutorial College / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1244074493.

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Gruber, Phellip William de Paula. "“VOCÊ NÃO PRECISA MAIS DE MIM.” O SER, O PAI E A MORTE EM DAYTRIPPER." Universidade Estadual de Ponta Grossa, 2017. http://tede2.uepg.br/jspui/handle/prefix/2412.

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Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2017-12-05T11:29:48Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Phellip William.pdf: 9808108 bytes, checksum: 5bda02d255780c72862d06c76fd67ee8 (MD5)<br>Made available in DSpace on 2017-12-05T11:29:48Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Phellip William.pdf: 9808108 bytes, checksum: 5bda02d255780c72862d06c76fd67ee8 (MD5) Previous issue date: 2017-09-08<br>O presente trabalho visa analisar a obra Daytripper (2011), de Fá

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Idenden, David William. "Development of novel analytical techniques for use in searches for ultra high energy gamma ray sources." Thesis, University of Leeds, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305705.

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Capan, Emily. "COMICS AS VEHICLES FOR UNDERSTANDING SYNTHESIS: A RETROSPECTIVE STUDY." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2448.

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The purpose of this project is to argue the effectiveness of utilizing comics as a learning tool in the first-year composition classroom to help students better understand synthesis. The two main features of comics that help teach synthesis are comic panels and comic closure. Library research was conducted to give insight into the history and terminology of comics, the value of comics in the classroom and in the field of rhetoric and composition, the practicality of using visual rhetoric and literacy in the classroom, and synthesis in the first-year composition classroom. I furthered my resear

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Ahmed-Datta, Tazma. "Frances Burney : the politics of exile in the novels and the comic plays." Thesis, University of Reading, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263044.

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49

Wilson, Robyn Joan. "Last Man Hanging This exegisis is submitted to the Auckland University of Technology for the degree of Bachelor in Art & Design, Honours,(Graphic Design). 2005 /." Full dissertation Abstract, 2005.

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Dissertation (BA (Hons)--Bachelor of Art and Design) -- AUT University, 2005.<br>Print copy accompanied by CD. Includes bibliographical references. Also held in print (99 p. : col. ill. ; 20 cm. + CD (3 in.)) in City Campus Theses Collection (T 707 WIL)

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Phelps, Valarie L. "Pedagogy of Graphic Novels." TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.

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Graphic texts, or graphic novels, have spent many years on shelves with comic books about superheroes and adventurers. They officially gained notoriety in 1992 with Art Spiegelman’s Maus, and at this time, critics and scholars began to take notice. However, graphic novels have not been fully adapted by academia. Graphic novels have the ability to offer new levels of instruction and learning in upper-level classrooms.The following is a study in the multitude of uses of graphic text in academia. Chapter 1 looks at the history of graphic text to understand the present and future of graphic novels

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