Relevant bibliographies by topics / Comic theory

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Comic theory'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Comic theory"

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Peterle, Giada. "Comic book cartographies: a cartocentred reading of City of Glass, the graphic novel." cultural geographies 24, no. 1 (June 23, 2016): 43–68. http://dx.doi.org/10.1177/1474474016643972.

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This article responds to the call for a deeper theoretical and methodological exchange between the disciplines involved in geohumanities research and proposes comic books as an environment for interdisciplinary, geo/cartographical and literary critical research practice. The analysis considers the emerging field of ‘comic book geographies’ and suggests a further opening to ‘comic book cartographies’. Hence, by referring to the ‘spatiocentred’ approaches emerging in literary theory and criticism, I propose a ‘geocritical’ and ‘cartocentred’ reading of comics to explore the ‘cartographies of the comic book’. I individuate the peculiar map-like features of comics’ spatial grammar to interpret the comic book as both a cartographer and a map. Moreover, taking into account the recent shift in cartographic theory towards an ‘emergent cartography’, I propose an ‘ontogenetic’ understanding of comics as maps. Through both their representational and non-representational map-like features, comics are intended ‘as always mappings’, providing the author/reader with a truly mapping experience. The analysis of the exemplary case study of City of Glass, the graphic novel transposition of Auster’s novel by Paul Karasik and David Mazzucchelli, counts as a first attempt to propose a ‘cartocentred’ reading of the cartographies inserted within and emerging from a comic book. This article suggests that a ‘cartocritical’ reading of comics could provide comic studies, cultural geography and literary theory with new insights, as well as cartographic theory with an unexplored laboratory to keep on ‘rethinking maps’ from an ‘emergent’ perspective.
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Khoiriyah, Saidatul, and Adhelia Karunia Sukma. "Science Fun: Theory of Light." Studies in Philosophy of Science and Education 1, no. 2 (April 13, 2020): 56–58. http://dx.doi.org/10.46627/sipose.v1i2.12.

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Schröer, Marie. "Illustrierte Persönlichkeiten. : Biografie im Comic." Zeitschrift für Germanistik 32, no. 2 (January 1, 2022): 352–74. http://dx.doi.org/10.3726/92171_352.

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Abstract Die Verhandlung biografischer Inhalte im Comic wird immer beliebter und sorgt für wachsende Aufmerksamkeit des Feuilletons für das Medium. Im Beitrag wird skizziert, wie welche Persönlichkeiten in Wort und Bild portraitiert werden; zudem werden Unterkategorien der Comic-Biografie herausgearbeitet. Die Sichtung einer Vielzahl aktueller Comics ermöglicht es, erste Antworten auf zwei einander ergänzende Fragen zu finden: Inwiefern profitiert der Comic von der Biografie; und inwiefern profitiert die Biografie vom Comic?Bio-Comics (or comic biographies) are becoming increasingly popular and are widely discussed in the media. The article outlines which and how personalities are portrayed in words and pictures and discusses possible subcategories. The review of a large number of current biographical comics makes it possible to find initial answers to two complementary questions: To what extent does the comic benefit from the biography; and to what extent does the biography benefit from the comic?
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Neo, Tiffany, and Alex Mitchell. "Expanding comics theory to account for interactivity: A preliminary study." Studies in Comics 10, no. 2 (November 1, 2019): 189–213. http://dx.doi.org/10.1386/stic_00002_1.

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Abstract Comics are a medium distinct from and yet tied to other forms of storytelling. A rich body of theory exists on the nature of the medium, its narrative techniques and the visual language unique to it. In light of the increasing interest in digital interactive technologies, however, there is a need to examine how the current theoretical understanding of comics is complicated by interactivity, as has been studied for other media such as text-based stories and games. This article outlines an exploratory study that introduced interactions, reminiscent of the Quick-Time Events found in games, into a four-panel comic. The results of this study, based on exposure to experimental prototypes, followed by retrospective protocol analysis and qualitative interviews, begin to shed light on various theoretical implications of including interactivity. These include empirical support that the notion of comics as an interconnected multiframe remains valid in the context of interactivity; the relative hierarchy between the iconic image and interactive elements; functions of interactivity within the comic form; the role of challenge; and the role of fluency and learning. These findings highlight possible ways in which the inclusion of interactivity expands current theory regarding the comic form, serving as openings for future theory-building.
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Wahyudi, Luqman, and Sri Hesti Heriwati. "Social Criticism about the 2019 Election Campaign in the Comic Strip Gump n Hell." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 16, no. 1 (May 5, 2021): 56–66. http://dx.doi.org/10.33153/dewaruci.v16i1.3231.

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Comic strips are a top-rated entertainment product. Supported by growing information technology, comic strips today are very accessible to almost all people. In addition to serving as a medium of entertainment, comic strips are often used as a means of opinion and convey criticism creatively from the comic artist. One of the comic strips that are vocal in expressing social criticism is Gump n Hell comic strip by Errik Irwan Wibowo. This comic strip depicts political events that occur, then publishes the comics through social media. This research is qualitative descriptive research using Charles Sanders Peirce's semiotic theory to determine the meaning of social criticism in the comic strip Gump n Hell. The researcher took three Gump n Hell comic strip samples relating to the moment of the 2019 General Election to analyzed the meaning. From the study results, there was an implicit meaning in the comic strip, namely criticizing and satirizing specific political figures related to the phenomenon. Criticism in comics is represented subtly or indirectly through pop culture icons that become representations or parodies of exact political figures and wrapped in narratives according to political phenomena.
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Desiriah, Eka, Nurul Afifah, and Jelita Puspita Ningrum Choirunnisa. "Science Fun: Theory of Optics." Studies in Philosophy of Science and Education 1, no. 3 (December 8, 2020): 113–17. http://dx.doi.org/10.46627/sipose.v1i3.27.

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We, as budding researchers, try to present science in the form of comics. We present the theory of optics by Christiaan Huygens and Sir Isaac Newton in a short comic strip. As we know, the Huygens principle explains that each wavefront can be considered to produce new wavelets or waves with the same wavelength as the previous one. A wavelet can be likened to a wave generated by a rock dropped into the water. The Huygens principle can be used to explain the diffraction of light in small slits. When passing through a small gap, the wavefront will create an infinite number of new wavelets so that the waves do not just flow straight, but spread out. By doing so, Huygens discovered his telescope. In this paper, we then illustrate his telescope through a simple comic.
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Hague, Ian, Nancy Pedri, José Alaniz, Stefano Ascari, and Silke Horstkotte. "Book Reviews." European Comic Art 7, no. 1 (March 1, 2014): 112–26. http://dx.doi.org/10.3167/eca.2014.070106.

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Daniel Stein and Jan-Noël Thon, eds, From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic NarrativeBarbara Postema, Making Sense of Fragments: Narrative Structure in ComicsShane Denson, Christina Meyer and Daniel Stein, eds., Transnational Perspectives on Graphic Narratives: Comics at the CrossroadsMélanie Van Der Hoorn, Bricks and Balloons: Architecture in Comic Strip FormThomas Hausmanninger, Verschwörung und Religion: Aspekte der Postsäkularität in den franco-belgischen Comics [Conspiracy and Religion: Aspects of Post-Secularity in Franco-Belgian Comics]
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Aleixo, Paul A., Daniel Matkin, and Laura Kilby. "What do teachers think about the educational role of comic books?: A qualitative analysis." Studies in Comics 11, no. 2 (November 1, 2020): 387–404. http://dx.doi.org/10.1386/stic_00037_1.

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An exploratory, qualitative, study into the views of teachers on the use of comic books in education was carried out. Three secondary school teachers with varying experiences of comic books were interviewed using an open-ended format. Results of a thematic analysis indicated three clear areas of thinking around comic books: firstly, comic books are considered to be a medium of children’s entertainment, and not associated with educational practice; secondly, when the medium is employed in education, it should primarily be used with students that require extra support and thirdly, comic books represent a ‘missed opportunity in education’ and have not achieved their full potential due to a lack of comic book resources for use in the classroom. All three concepts are discussed in light of research evidence supporting the use of comics in educational contexts and concerns are highlighted that suggest these themes might represent a barrier to the future use of comics in these areas. Further qualitative and quantitative research to expand these initial findings is also suggested.
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Salam, Babus, Iwan Joko Prasetyo, and Daniel Susilo. "IInterpretasi Dan Makna Kritik Sosial Dalam “Komik Strip Untuk Umum (Kostum)” Periode 1 Desember – 31 Desember 2017." LONTAR: Jurnal Ilmu Komunikasi 6, no. 2 (December 26, 2018): 96. http://dx.doi.org/10.30656/lontar.v6i2.949.

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Theres many ways can be done to appreciate the voices of messages and criticisms through creative ways, one of them through comics. One of the Indonesian comic artists who used comics as a medium of social criticism was Haryadhi through his "Komik Strip Untuk Umum (KOSTUM)” creation. KOSTUM Comics record the events that are happening and pour them into comic strips spread through social media. This research is a qualitative descriptive type using Roland Barthes' semiotics theory with two-stage significance (two orders of signification). From the results of the study, researchers found the implicit meaning that is to criticize and satirize the behavior of Indonesian people in a subtle way. Criticism expressed to comics is directed directly at the actors but is delicately wrapped with humorous portrayals through their characters. From the KOSTUM comics examined can be concluded that the social criticism described in the comic is an expression of the condition of the community related to the values that are used as a guideline for living in community groups.Keywords: Comics, Social Criticism, Semiotics, Roland Barthes
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Et.al, Mohd Ekram AlHafis bin Hashim. "Applying Fuzzy Delphi Method (FDM) to obtaining the Expert Consensus in Aesthetic Experience (AX) and User Experience (UX) Elements in Augmented Reality Comic (AR Comic)." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 3 (April 11, 2021): 802–7. http://dx.doi.org/10.17762/turcomat.v12i3.787.

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This paper discusses the application of Fuzzy Delphi Method (FDM) to obtain the expert consensus inAesthetic Experience (AX) and User Experience (UX) elements for Augmented Reality Comic (AR Comic). Theoretically, AR and comics are two distinctive fields that represent the technology and art. The former is Human Computer Interaction (HCI) for AR and the later is an art form for comic. Consequently, the UX elements are commonly used by scholars to measure AR, while the AX elements are used for evaluate comics. The purpose of this study is to formulate a new elements in AR comic.Thus,both AX and UX elements are subsequently being merged and the consensus from expertsfrom both fields are required. The FDM was selected in this study based on the ability of this method to obtain the constructs and the elements objectively with suggestion and reflection from the selected experts. Expected results from expert consensus are the combination of both elements as a new framework of AR comic.
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Dissertations / Theses on the topic "Comic theory"

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Taylor, Ben. "Bakhtin, carnival and comic theory." Thesis, University of Nottingham, 1995. http://eprints.nottingham.ac.uk/11052/.

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In Rabelais and His World, Mikhail Bakhtin presents us both with a theory of carnival, and with an account of the historical decline of the carnivalesque since the Renaissance. This thesis uses Bakhtin's work as a point of departure for an analysis of particular moments in the history of post-Renaissance comic theory. It is argued both Bakhtin's account of carnivalesque decline provides us with a potent framework within which to perform such an analysis, and that this in turn facilitates a thorough interrogation of, and engagement with, Bakhtin's theory of carnival. Chapter One outlines Bakhtin's theory, identifying its historical and utopian dimensions, and exploring some of the problems which it generates. Chapter Two addresses some of the methodological issues relating to a historical analysis of comic theory, and situates Bakhtin's theory of carnival in relation to recent work in the area of comic theory. The remaining chapters focus on particular comic theory texts in the light of Bakhtin's thesis. Chapter Three contrasts Kant's analysis of humour with Schopenhauer's theory, relating the former to its Enlightenment context and the latter to its Romantic context. Chapter Four explores Bergson's discussion of laughter, situating it in relation to modernism, while Chapter Five reviews Freud's theory of jokes, examining the proximity between the structures of carnival and the structures of the Freudian joke. Chapter Six focuses on a Brechtian theory of comedy, assessing its relationship with the carnivalesque tradition, while Chapter Seven attempts to update Bakhtin's thesis in relation to contemporary configurations by exploring recent arguments concerning the comic credentials of postmodern culture. It is argued in conclusion that, if post-Renaissance culture has witnessed a decline in the significance of the carnivalesque, then the trajectory of that decline has undergone' a complex series of historical shifts and reversals.
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WEEKS, Mark. "Comic Theory and Perceptions of a Disappearing Self." 名古屋大学大学院国際言語文化研究科, 2012. http://hdl.handle.net/2237/17448.

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Goode, Rich W. IV. ""Little Things": Chekhov's Children and Discourse in the Comic Short Story." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1630.

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While most critics agree that Anton Chekhov is a funny writer and much critical commentary about his comedic techniques identifies how Chekhov is humorous, none examines why readers find him so. Using the tools of cognitive science, this paper explores the cognitive processes behind humor and narrative, as well as Chekhov’s exploitation of them for comical effect in his early short stories – namely the very concise and blatantly humorous “Kids,” “Grisha,” “Vanka,” and “At Home” – and uncovers, in these early writings, the origins of his celebrated and oft-imitated authorial legacy.
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Draper, Christijan D. "Exploring Calvin and Hobbes : comic strip illuminates issues surrounding family recreation /." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2924.pdf.

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Plencner, Joshua. "Four-Color Political Visions: Origin, Affect, and Assemblage in American Superhero Comic Books." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18748.

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This project develops extant theories of political affect and relational identification and affinity formation by tracing how the visual images of an understudied archive--American superhero comic books--work to build multiple, alternative, fitful, inchoate, and sometimes radically creative spaces for visions of the political to take shape and develop over time. By analyzing and interpreting the generic superhero phenomenon of origin stories in comic books and by mapping the formal and narrative techniques used to construct origin stories, I show how received understandings of power, order, justice, violence, whiteness, masculinity, and heteronormativity often linger outside of language in an analytically untapped relational space between bodies--the space of political affect. Visual images of superheroes thus do more than take up space within political sign-systems; I argue them as material engines of affect, as engines of potential and usefully critical political identities and affinities. Superhero comic books, a cultural form often disregarded as childish or even ideologically dangerous, are thus recovered in this project as theoretically complex, offering speculative feminisms, anti-racism, and queer temporalities that link these popular objects of visual culture to ongoing traditions of utopianism and foundational revisionism within American political culture.
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Blaen, Anna Rose. "The theory and practice of comic sexual euphemism : a comparative study of English and French Renaissance texts." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/29379.

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This thesis is on the theory and practice of comic sexual euphemism in Renaissance France and England. The term ‘comic sexual euphemism’ means the use of non-literal descriptions for sexual topics for the purposes of comedy, similar to an innuendo or double-entendre. Crucially, instances are often more explicit than straightforward literal statement, so fail to be euphemistic. I use ancient, early modern, and modern theory, as well as my own theoretical insights, and apply this to three types of Renaissance text: texts associated with the court from England and France, medical texts from France and their English translation, and theatre from England and France. Primary authors include Baldesar Castiglione, Pierre de Brantôme, Sir John Harington (who translated Ludovico Ariosto into English – Ariosto is also translated into French by Jean Martin), Laurent Joubert, Jacques Ferrand (translated into English by Edmund Chilmead), Thomas Middleton, Ben Jonson, Edward Sharpham, John Marston, and Pierre de Troterel. At the court of both countries a dangerous line was walked between protecting women and gossiping about them, between proving yourself witty regarding sexual material and going too far. In the world of French medicine, where you might expect professional and clinical language, there is instead a trend towards outrageous sexual humour. As at court, if deemed to have exceeded social norms, this could get writers into trouble. The stage was in some ways a safer environment in which to use comic sexual euphemism, as it was expected more in comic drama. This does not, however, lessen how vibrant and multi-faceted such language could be in early modern drama. Interestingly, similar imagery is found across texts and genres. In this period overall there was a tension between the rhetorical rules which forbid the discussion of the sexually obscene and the clear delight writers took in breaking these.
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Feeman, Kelley Laurel. "ADAPTING IMAGINATION: A COGNITIVE THEORY FOR ADAPTING COMICS TO THE STAGE." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564738881854803.

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Hoffman, Yonina A. "The Voices of David Foster Wallace: Comic, Encyclopedic, Sincere." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565611733072015.

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Zullo, Valentino L. "The Comic(s) Shakespeare: Kill Shakespeare and Audience Experience in Adaptation Studies." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444777.

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Johnston, Patrick James. "Working with comics : labour, neoliberalism and alternative cartooning." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65444/.

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The 21st century has seen an unprecedented rise in the volume of comics and graphic novels being produced and consumed and in scholarly interest in the form, with the interdisciplinary field of Comics Studies rising to become a vibrant global community with a significant body of work and an established academic infrastructure. Alternative comics and graphic novels - those outside of the superhero genre-dominated corporate publishing structures of Marvel and DC - have driven this rise and the ensuing legitimation of the form. What defines the specific nature of alternative comics and what they are is the particular work and labour of alternative cartoonists. This work is, in turn, characterized and defined by specific tensions between auteurism (driven by neoliberalism and late capitalism's veneration of the individual and the entrepreneur) and collective production (driven by the sociological perspective of works of art always being the product of many hands). This thesis is an attempt to present specific examples of where these tensions are exhibited and, as a result, to offer new accounts of the specific nature of comics work. It is also an attempt to move away from the formalism that has dominated the field of comics studies and to move towards an understanding of comics as cultural work, informed by an understanding of comics through their creators and an approach that allows comics practice to inform comics theory. Each chapter of this thesis examines a specific aspect of the culture of working in contemporary comics, contextualised within neoliberal political economy and consistently bridging the gap between auteurism and collective production. These include the portrayal of art school and comics' engagement with institutions; the direct portrayal of work itself in alternative comics; the use of colour in comics, which here facilitates a reading of the effects of the technical conditions of production on the content and construction of comics; and finally, the effects of digital culture and new disruptive technologies on the production, distribution and consumption of comics, and how this contributes to a present and future understanding of the figure of the auteur cartoonist. Drawing these chapters together, the thesis concludes with a presentation of the auteur cartoonist as one who drives the contemporary culture of comics and graphic novels in the emerging dialectic of comics work. Comics work is thus situated as a political act and a site of resistance and rebellion through collective production.
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Books on the topic "Comic theory"

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Monsieur Jean: The singles theory. Los Angeles, CA: Humanoids, 2012.

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Evans, James E. Comedy, an annotated bibliography of theory and criticism. Metuchen, N.J: Scarecrow Press, 1987.

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Nobody gets the girl: A comic book novel. New York: Phobos Books, 2003.

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Readman, Mark St John. A partially annotated selective bibliography of some aspects of comic theory. [s.l.]: typescript, 1991.

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Flieger, Jerry Aline. The purloined punch line: Freud's comic theory and the postmodern text. Baltimore: Johns Hopkins University Press, 1991.

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The labyrinth of the comic: Theory and practice from Fielding to Freud. Tallahassee: University Presses of Florida, Florida State University Press, 1985.

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The idea of comedy : history, theory, critique. Madison, NJ: Fairleigh Dickinson University Press, 2006.

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Teaching comics and graphic narratives: Essays on theory, strategy and practice. Jefferson, NC: McFarland, 2012.

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1843-1931, Høffding Harald, ed. L'umorismo e la filosofia. Reggio Emilia Italia: Diabasis, 2009.

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From comic strips to graphic novels: Contributions to the theory and history of graphic narrative. Berlin: De Gruyter, 2013.

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Book chapters on the topic "Comic theory"

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Howie, Cary. "Rude Theory: The Rough Trade of the Fabliaux." In Comic Provocations, 163–74. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601178_11.

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Lewis, A. David. "The Comic Book Medium’s Glimpse of Eternity." In American Comics, Literary Theory, and Religion, 45–72. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137463609_3.

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Hornback, Robert. "Conclusion: A New Theory of Pre-Modern or Proto-Racism." In Racism and Early Blackface Comic Traditions, 243–69. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78048-1_8.

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Derrin, Daniel. "Comic Character and Counter-Violation: Critiquing Benign Violation Theory." In The Palgrave Handbook of Humour, History, and Methodology, 133–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_7.

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Dyer, Harry T. "Comic Theory: A New, Critical, Adaptive Theoretical Framework for Identity Presentation." In Cultural Studies and Transdisciplinarity in Education, 117–53. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5716-3_6.

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Chapman, Jane, Anna Hoyles, Andrew Kerr, and Adam Sherif. "A Proposed Theory and Method for the Incorporation of Comic Books as Primary Sources." In Comics and the World Wars, 15–34. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137273727_2.

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Milner Davis, Jessica. "Bergson’s Theory of the Comic and Its Applicability to Sixteenth-Century Japanese Comedy." In The Palgrave Handbook of Humour, History, and Methodology, 109–32. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_6.

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Charalambous, Michael G. "Cosmic Spaces and Dimension." In Dimension Theory, 171–81. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22232-1_23.

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Karimov, Azar. "Theory of Conic Finance." In Contributions to Management Science, 13–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65009-8_3.

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Shalchi, Andreas. "The Quasilinear Theory." In Nonlinear Cosmic Ray Diffusion Theories, 57–81. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00309-7_3.

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Conference papers on the topic "Comic theory"

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"Automatic Text Localisation in Scanned Comic Books." In International Conference on Computer Vision Theory and Applications. SciTePress - Science and and Technology Publications, 2013. http://dx.doi.org/10.5220/0004301308140819.

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Egorova, S. D., A. Lock, and M. G. Nechaev. "COMICS DEVELOPMENT FACTORS IN RUSSIA FOR THE INTERNATIONAL MARKET." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1011.

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The comic combines the features of such art forms as literature and fine art. They have long been present in the media and, as a rule, are now being worked on in large editions. In America, Japan and Europe, the comics industry is no less developed than the cinema and television industry, literature and video games. In Russia, comics as a genre arestill in their infancy.
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Kolesnikov, Andrey Vitalievich. "Nonlinear sociodynamics of competitive sociotypes of molecular and cosmic human." In 4th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/future-2021-19.

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As one of the most important factors determining the nature of the dynamic behavior of a social system, the article considers the competitive relationship of two alternative sociotypes, conventionally designated as molecular human and cosmic human. The molecular sociotype is understood as the personality of the average consumer, whose behavioral determinants are largely determined by the selfish gene. The cosmic human is a person who has realized the dependence on the selfish gene. Representatives of the cosmic sociotype consider the products of their own mind, their contribution to culture, as a more significant function than gene replication. This explains the different values ​​of the coefficients of reproduction of the total resource of the system by molecular human and cosmic human. Three possible scenarios for the evolution of a social system have been identified for different values ​​of the coefficients of reproduction of the total resource of the system by both sociotypes with a constant share of the population. In this case, the aggregate resource is understood as the entire intellectual, cultural and economic product produced by the social system during a certain conditional cycle of reproduction. The dynamics of a social system with a variable value of the share of a productive comic sociotype is considered in the work on the basis of a nonlinear two-dimensional model. The mathematical model demonstrates complex nonlinear quasicyclic behavior.
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Smith, Charles W. "Quasi-linear theory and transport theory." In Particle acceleration in cosmic plasmas. AIP, 1992. http://dx.doi.org/10.1063/1.42759.

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TOWNSEND, PAUL K. "Cosmic acceleration and M-theory." In XIVth International Congress on Mathematical Physics. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812704016_0067.

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MRIA, Luke Drury. "Galactic Cosmic Rays - Theory and Interpretation." In 35th International Cosmic Ray Conference. Trieste, Italy: Sissa Medialab, 2017. http://dx.doi.org/10.22323/1.301.1081.

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Webb, G. M., J. A. le Roux, G. P. Zank, Xianzhi Ao, and Gary Zank Ross Burrows. "Drift Kinetic Theory and Cosmic Rays." In SHOCK WAVES IN SPACE AND ASTROPHYSICAL ENVIRONMENTS: 18th Annual International Astrophysics Conference. AIP, 2009. http://dx.doi.org/10.1063/1.3266788.

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Токко, Наталия. "Влияние пандемии коронавируса на пословичный фонд немецкого и русского языков." In Россия — Германия в образовательном, научном и культурном диалоге. Конкорд, 2021. http://dx.doi.org/10.37490/de2021/024.

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The author of the article analyzes the Russian and German anti- proverbs that arose in the wake of the coronavirus pandemic, identifies the causes of their appearance, their functions, and attempts to reveal the mechanisms that create the comic effect.
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Shakura, N. I., and Konstantin Postnov. "Wind Accretion - Observations Vs Theory." In Accretion Processes in Cosmic Sources. Trieste, Italy: Sissa Medialab, 2018. http://dx.doi.org/10.22323/1.288.0040.

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Jones, Frank C. "A review of transport theory." In Particle acceleration in cosmic plasmas. AIP, 1992. http://dx.doi.org/10.1063/1.42758.

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Reports on the topic "Comic theory"

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Frolov, A. Is it Really Naked? On Cosmic Censorship in String Theory. Office of Scientific and Technical Information (OSTI), September 2004. http://dx.doi.org/10.2172/833055.

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Desilets, Darin. Radius of influence for a cosmic-ray soil moisture probe : theory and Monte Carlo simulations. Office of Scientific and Technical Information (OSTI), February 2011. http://dx.doi.org/10.2172/1011220.

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Simancas González, E., and B. Novella Serrano. Del product placement al brand placement: el caso de DC Comics en la sitcom The Big Bang Theory. Revista Latina de Comunicación Social, December 2016. http://dx.doi.org/10.4185/cil2016-063.

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Velinov, Peter I. Y., and Lachezar Mateev. Modelling of the Maximum Spectrum of Cosmic Rays and Their Ionization during the Minimums of Solar Cycles 23/24 and 24/25. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, December 2021. http://dx.doi.org/10.7546/crabs.2021.12.09.

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Miles, Gaines E., Yael Edan, F. Tom Turpin, Avshalom Grinstein, Thomas N. Jordan, Amots Hetzroni, Stephen C. Weller, Marvin M. Schreiber, and Okan K. Ersoy. Expert Sensor for Site Specification Application of Agricultural Chemicals. United States Department of Agriculture, August 1995. http://dx.doi.org/10.32747/1995.7570567.bard.

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In this work multispectral reflectance images are used in conjunction with a neural network classifier for the purpose of detecting and classifying weeds under real field conditions. Multispectral reflectance images which contained different combinations of weeds and crops were taken under actual field conditions. This multispectral reflectance information was used to develop algorithms that could segment the plants from the background as well as classify them into weeds or crops. In order to segment the plants from the background the multispectrial reflectance of plants and background were studied and a relationship was derived. It was found that using a ratio of two wavelenght reflectance images (750nm and 670nm) it was possible to segment the plants from the background. Once ths was accomplished it was then possible to classify the segmented images into weed or crop by use of the neural network. The neural network developed for this work is a modification of the standard learning vector quantization algorithm. This neural network was modified by replacing the time-varying adaptation gain with a constant adaptation gain and a binary reinforcement function. This improved accuracy and training time as well as introducing several new properties such as hill climbing and momentum addition. The network was trained and tested with different wavelength combinations in order to find the best results. Finally, the results of the classifier were evaluated using a pixel based method and a block based method. In the pixel based method every single pixel is evaluated to test whether it was classified correctly or not and the best weed classification results were 81% and its associated crop classification accuracy is 57%. In the block based classification method, the image was divided into blocks and each block was evaluated to determine whether they contained weeds or not. Different block sizes and thesholds were tested. The best results for this method were 97% for a block size of 8 inches and a pixel threshold of 60. A simulation model was developed to 1) quantify the effectiveness of a site-specific sprayer, 2) evaluate influence of diffeent design parameters on efficiency of the site-specific sprayer. In each iteration of this model, infected areas (weed patches) in the field were randomly generated and the amount of required herbicides for spraying these areas were calculated. The effectiveness of the sprayer was estimated for different stain sizes, nozzle types (conic and flat), nozzle sizes and stain detection levels of the identification system. Simulation results indicated that the flat nozzle is much more effective as compared to the conic nozzle and its relative efficiency is greater for small nozzle sizes. By using a site-specific sprayer, the average ratio between the spraying areas and the stain areas is about 1.1 to 1.8 which can save up to 92% of herbicides, especially when the proportion of the stain areas is small.
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Cameroon: Peer education and youth-friendly media reduce risky sexual behavior. Population Council, 2003. http://dx.doi.org/10.31899/rh2003.1009.

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Cameroonian researchers at the Institute of Behavioral Studies and Research (IRESCO), with support from FRONTIERS, conducted an operations research project between 2000 and 2002 to assess strategies to encourage abstinence, increase contraceptive use, and reduce sexually transmitted infection (STI) rates among sexually active youth. The intervention combined peer-education strategies with media campaigns to promote healthy behavior among youth in the Mokolo neighborhood of Yaoundé. IRESCO trained 49 peer educators aged 19–25 in reproductive health (RH) communication strategies. The team coordinated educational talks, counseling sessions, conferences, and cultural and athletic events; produced comic books and brochures; and sold French and English editions of Among Youth magazine, featuring celebrity interviews and information on RH, unwanted pregnancy, and STI transmission. IRESCO evaluated the intervention’s impact through baseline and endline surveys of 2,500 youth in Mokolo and the control site, New Bell, in Douala. This brief concludes that urban youth in Cameroon are knowledgeable about HIV/AIDS and the risks of early pregnancy, but their behavior often fails to reflect their knowledge. Peer-education programs targeting youth through one-on-one counseling, theatrical performances, youth magazines, and sporting events increases abstinence and fidelity and improves consistent and correct condom use.
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