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Books on the topic 'Comics in translation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

European comics in English translation: A descriptive sourcebook. Jefferson, N.C: McFarland & Co., 2002.

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2

Bryan, Peter Cullen. Creation, Translation, and Adaptation in Donald Duck Comics. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73636-1.

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3

Mack, David. Kabuki.: Lost in translation. Orange, CA: Image Comics, 2002.

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4

Heinrich, Hoffmann. Struwwelpeter: In English translation. New York: Dover Publications, 1995.

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5

Shakespeare, William. A midsummer night's dream: A facing-pages translation into contemporary English. Los Angeles: Lorenz Educational Publishers, 1995.

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6

Bureibu sutōrī: Brave story. Tōkyō: Kadokawa Shoten, 2003.

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7

Miyabe, Miyuki. Brave story. San Francisco, Calif: VIZ Media, 2009.

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8

Miyabe, Miyuki. Brave story. San Francisco, Calif: VIZ Media, 2009.

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9

Yoichiro, Ono, Dorsey Bruce, and Swayze Alan, eds. Brave story.: A retelling of a classic. Hamburg: Tokyopop, 2007.

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10

Shakespeare, William. The tragedy of Macbeth: A facing-pages translation into contemporary English. Los Angeles: Lorenz Educational Publishers, 1995.

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11

Pavlovich, Chekhov Anton. The comic stories. Chicago: Ivan R. Dee, 1999.

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12

Gill, Robin D. Kyoka: Japan's Comic Verse: A Mad In Translation Reader. [S.l.]: Paraverse Press, 2009.

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13

Shakespeare, William. The tragedy of Hamlet, Prince of Denmark: A facing-pages translation into contemporary English. Los Angeles, CA: Lorenz Educational Publishers, 1996.

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14

Shakespeare, William. Macbeth: A facing-page edition : the original text and a translation into modern English. Whiting, Vt: Shakespeare-For-Today Trust, 1990.

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15

Carlo. The comic theatre of Carlo Goldoni. Youngsville, LA: Timelight Books, 2000.

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16

L'opera comica russa nel Settecento. [Parma]: MUP, 2010.

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17

Bidermann, Jakob. Cenodoxus: Comico-Tragoedia. Konstanz: Edition Isele, 2004.

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18

Gon underground. New York: Paradox Press, 1999.

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19

Out and about. Montreal: Drawn & Quarterly Publications, 2016.

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20

Werry, John, active 18th century, translator, Waldinger Evan, and Diaz Pancha, eds. Black Rose Alice volume 6. San Francisco, CA: Viz Media, 2015.

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21

Sprachspiel und Übersetzung: Eine Studie anhand der Comic-Serie Asterix. Tübingen: Stauffenburg, 1985.

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22

Pavlovich, Chekhov Anton. Five comic one-act plays. Mineola, N.Y: Dover Publications, 1999.

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23

Kwok, Jean. Girl in translation. Leicester: Thorpe, 2011.

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24

Kwok, Jean. Girl in translation. Thorndike, Me: Center Point Pub., 2010.

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25

Kwok, Jean. Girl in translation. Thorndike, Me: Center Point Pub., 2010.

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26

translator, Sivasubramanian Kumar, Simon Philip R. author, and Dutro Steve letterer, eds. I am a hero. Milwaukie, OR: Dark Horse Manga, 2017.

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27

Hanazawa, Kengo. I am a hero. Milwaukie, OR: Dark Horse Manga, 2017.

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28

Alethea, Nibley, Nibley Athena, and North Market Street Graphics, eds. Negima! omnibus. New York: Kodansha Comics, 2011.

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29

ONE. One-Punch Man, Vol. 10. SHONEN JUMP, 2017.

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30

N, Graham Earnest, ed. The unlikely chosen: A graphic novel translation of the Biblical books of Jonah, Esther, and Amos. New York, N. Y: Seabury Books, 2008.

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31

Tezuka, Osamu. Black Jack. New York: Vertical, 2009.

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32

Tezuka, Osamu. Black Jack. Grenoble: Glénat, 1996.

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33

The making of. Montréal: Drawn & Quarterly, 2012.

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34

Federico, Zanettin, ed. Comics in translation. Manchester, U.K: St. Jerome Pub., 2008.

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35

Zanettin, Federico. Comics in Translation. Routledge, 2015. http://dx.doi.org/10.4324/9781315759685.

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36

Zanettin, Federico. Comics in Translation. Taylor & Francis Group, 2016.

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37

Comics in translation. Routledge, 2014.

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38

Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice. Inkshed, 2017.

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39

Töpffer, Rodolphe. Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice. Parlor Press, 2017.

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40

illustrator, Ryser Nicolas, and Gauvin Edward translator, eds. Ninjas and knock outs!: Laurent Richard ; illustrated by Nicolas Ryser ; translation, Edward Gauvin. Graphic Universe, 2014.

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41

Eysteinsson, Ástráður. Iceland’s Milton. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0012.

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Milton’s presence in Icelandic letters is largely limited to Jón Þorláksson’s translation of Paradise Lost, the first books of which were published in 1794–6. This translation is arguably one of the stepping stones in Icelandic literary history, emerging at a critical crossing point of Icelandic literary heritage, religious literacy, and a developing secular culture born of the Enlightenment and quickly heading towards Romanticism. This chapter analyses the historical and cultural context of Þorláksson’s enterprise; why he translated Milton through intermediary translations (Danish and German); why and with what results he opted for the Icelandic fornyrðislag metre, apparently so different from Milton’s blank verse; and how he actively delved into the language and material of Norse myths and medieval Icelandic literature in coming to terms with Milton’s classical and biblical discourse—in a translational dialogue that proved vital for Þorláksson’s successors, the Romantic poets who are often seen as rejuvenating Icelandic literature.

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42

Scafoglio, Giampiero. ‘Only a Poet Can Translate True Poetry’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0021.

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This chapter’s exploration of Giacomo Leopardi’s translation of the Aeneid tackles one of the most debated dilemmas in translation practice: whether or not one has to be a poet in order to translate poetry. Having undertaken the daunting task of translating the Aeneid, Leopardi shows himself to be a good philologist and, at the same time, also comes into his own poetic vocation as his translation progresses. The result of his translation is an impressive achievement, Scafoglio argues, a work that combines literary faithfulness to the original with the rendering of the expressive musicality and elusive fascination of Virgilian verse in Italian.

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43

Miyabe, Miyuki. Brave Story. VIZ Media LLC, 2007.

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44

Ono, Yoichiro, and Miyuki Miyabe. Brave Story Volume 1 (Brave Story). TokyoPop, 2007.

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45

Boucher, Daniel. Translation. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.32.

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The linguistic encounter between the Chinese and their neighbors begins from our earliest records. The Hua-Xia peoples of the central plain region came into contact with peoples of diverse language families, including Austroasiatic, Paleosiberian, Indo-European, and Tibeto-Burman, necessitating frequent interlinguistic exchange. The coming of Buddhism in the Later Han brought China’s first encounter with a significant literary other. The translation of Buddhist scriptures was carried out oral-aurally and by committee, leaving traces of the vernacular that would have noticeable impact on new genres of literature in the medieval period, even as the encounter with Sanskrit metrics would similarly transform Chinese poetry. Much of this work was carried out under imperial patronage. Finally, not all translation activity involved a one-way transmission from India to China. There is evidence of non-Indian translations carried out in Chinese territories and interest in non-Buddhist traditions as well.

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46

(Editor), William Shakespeare, and Jonnie Patricia Mobley (Editor), eds. Hamlet: Original text and facing-pages translation into contemporary English (Access to Shakespeare). Lorenz Educational Publishers, 1996.

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47

Shakespeare, William. Macbeth: Original text and facing-pages translation into contemporary English (Access to Shakespeare). Lorenz Educational Publishers, 2004.

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48

Pokémon Pocket Comics: Classic. VIZ Media - Children's, 2018.

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49

Irish comic poems. Indreabhán: Cló Iar-Chonnachta, 1995.

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50

Peter, Washington, ed. Comic poems. New York: A.A. Knopf, 2001.

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