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Journal articles on the topic 'Commissioning art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Figurina, Nataliya. "Creation of Work of Visual Art under Commissioning Agreement." RUSSIAN JUSTICE 123, no. 7 (2016): 81–93. http://dx.doi.org/10.17238/2072-909x.2016.7.81-93.

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2

Rajer, Anton. "Who Cares about Public Art? Commissioning and Conservation Concerns." Collections 4, no. 3 (2008): 201–9. http://dx.doi.org/10.1177/155019060800400303.

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3

Bantinaki. "Commissioning the (Art)Work: From Singular Authorship to Collective Creatorship." Journal of Aesthetic Education 50, no. 1 (2016): 16. http://dx.doi.org/10.5406/jaesteduc.50.1.0016.

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4

Katz, Dana E., and Michelle O'Malley. "The Business of Art: Contracts and the Commissioning Process in Renaissance Italy." Sixteenth Century Journal 38, no. 2 (2007): 612. http://dx.doi.org/10.2307/20478472.

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5

O'Malley (book author), Michelle, and David Packwood (review author). "The Business of Art: Contracts and the Commissioning Process in Renaissance Italy." Renaissance and Reformation 30, no. 2 (2006): 140. http://dx.doi.org/10.33137/rr.v30i2.9583.

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6

Sandle, Doug. "Axis: broadening the constituency and extending the sphere of influence of visual art." Art Libraries Journal 23, no. 2 (1998): 8–11. http://dx.doi.org/10.1017/s0307472200010890.

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The Axis database is the only national information resource on British artists and craftmakers. It contains visual-text data on over 2,500 contemporary British practitioners and is a rapidly growing source of data for researchers, students, curators, commissioning agents, architects, planners and patrons and purchasers of visual arts. Axis also has an important national role in promoting contemporary art and artists and widening access to visual culture.

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7

Crawshaw, Julie. "Working Together." Anthropological Journal of European Cultures 24, no. 2 (2015): 76–96. http://dx.doi.org/10.3167/ajec.2015.240206.

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A pragmatist study of art in regeneration, this article contributes a nuanced understanding of how art works as an ingredient of regeneration practice. To ameliorate post-industrial decline, commissioning art has become part of the work of the planner. In planning studies art is usually accounted for as completed artworks in relation to socio-economic agendas. But what of the effects produced in their making? Inspired by Actor-Network Theory, by tracing associations between human and non-human actors I reveal art as part of the translation process of regeneration. Drawing on a one-year ethnogr

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Smith, Terry. "An Introduction to Nicos Hadjinicolaou's “Art Centers and Peripheral Art” (1982)." ARTMargins 9, no. 2 (2020): 112–18. http://dx.doi.org/10.1162/artm_a_00266.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This

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Abele, E., G. Pfeiffer, R. Langer, et al. "Innovative Profilstahlträgerbearbeitung*/Innovative profile beam machining – Optimizing layout, virtual commissioning, design, HMI and component tracking in plants." wt Werkstattstechnik online 109, no. 01-02 (2019): 81–87. http://dx.doi.org/10.37544/1436-4980-2019-01-02-83.

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Im Bereich der Anlagen zur Profilstahlträgerbearbeitung liegen die Herausforderungen in der Erstellung effizienter Anlagenlayouts, den langwierigen Inbetriebnahmeprozessen sowie dem großen, weltweit verteilten Anwenderkreis. Eine neue Layoutmethode sowie die Möglichkeit der virtuellen Inbetriebnahme in Verbindung mit einer optimierten Konstruktion und erste Einblicke in eine neue Art der Bauteilnachverfolgung führen zu einem innovativen Gesamtkonzept für die Produktion von morgen. &nbsp; The challenges for profile steel beam processing plants lie in the creation of efficient plant layouts,

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10

Stanhope, Wesley. "The Art of Commissioning: A Cost Benefit Analysis of 23 Large-scale Federal Facilities." Strategic Planning for Energy and the Environment 34, no. 4 (2015): 58–80. http://dx.doi.org/10.1080/10485236.2015.11415543.

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McNulty, Tom. "THE BUSINESS OF ART: CONTRACTS AND THE COMMISSIONING PROCESS IN RENAISSANCE ITALY. Michelle O'Malley." Art Documentation: Journal of the Art Libraries Society of North America 25, no. 1 (2006): 74–75. http://dx.doi.org/10.1086/adx.25.1.27949425.

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12

Rabinowitz, Barry, M. Kim Fries, Zorica Knezevic, and Francis Marshall. "Design and Commissioning of Calgary's New State-of-the-Art Biological Nutrient Removal WWTP." Proceedings of the Water Environment Federation 2011, no. 1 (2011): 723–39. http://dx.doi.org/10.2175/193864711802867586.

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13

Li, Jing. "Contemporary Curatorial Practice: A Case Study of Curation on Site-Specific Consideration—Research and Practice Based on Birmingham City, UK." Learning & Education 9, no. 3 (2020): 92. http://dx.doi.org/10.18282/l-e.v9i3.1587.

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This evaluation relates to the “...publication as a site” and contemporary art exhibitions for artists held on website and portfolios. I will discuss the concept development in the project within my role, through to the management of artists and the publication of design. This will also give consideration to “site-specific” curatorial practice theory and obtain comments from artists and audience. Moreover, the commissioning process is the significant considerable elements.

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14

Hadjinicolaou, Nicos. "Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]." ARTMargins 9, no. 2 (2020): 119–40. http://dx.doi.org/10.1162/artm_a_00267.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This

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15

Martins, Luciana. "Skin, paper, tiles: A cross-cultural history of Kadiwéu art." Journal of Material Culture 23, no. 3 (2018): 344–67. http://dx.doi.org/10.1177/1359183518782713.

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This article focuses on the global traffic in images relating to Kadiwéu culture in South America, analysing the extent to which they are entangled in the group’s continuing sense of presence. It begins with Kadiwéu designs as they appeared in the sketchbook of the artist–explorer Guido Boggiani in the late 19th century. It then explores the mapping of Kadiwéu territory and the practices and protocols informing a politics of land rights, cultural property and economic survival, looking in particular at the commissioning of Kadiwéu designs for a housing estate and an associated exhibition in Be

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Bansmer, Stephan E., Arne Baumert, Stephan Sattler, et al. "Design, construction and commissioning of the Braunschweig Icing Wind Tunnel." Atmospheric Measurement Techniques 11, no. 6 (2018): 3221–49. http://dx.doi.org/10.5194/amt-11-3221-2018.

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Abstract. Beyond its physical importance in both fundamental and climate research, atmospheric icing is considered as a severe operational condition in many engineering applications like aviation, electrical power transmission and wind-energy production. To reproduce such icing conditions in a laboratory environment, icing wind tunnels are frequently used. In this paper, a comprehensive overview on the design, construction and commissioning of the Braunschweig Icing Wind Tunnel is given. The tunnel features a test section of 0.5 m × 0.5 m with peak velocities of up to 40 m s−1. The static air

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Sjöblom, Peter, Gabriela Todorescu, and Samuli Urpelainen. "Understanding the mechanical limitations of the performance of soft X-ray monochromators at MAX IV laboratory." Journal of Synchrotron Radiation 27, no. 2 (2020): 272–83. http://dx.doi.org/10.1107/s1600577520000843.

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MAX IV is a fourth-generation, or diffraction-limited, synchrotron light source with a number of state-of-the-art beamlines. The performance of a beamline is, to a high degree, set by the energy resolution it can achieve, which in turn is governed to a large extent by the monochromator. During the design phase of a monochromator, the mechanical requirements must be fully understood and met with margin. During commissioning, the performance must be verified and optimized. In this paper, six soft X-ray monochromators at MAX IV beamlines (Bloch, Veritas, HIPPIE, SPECIES, FinEstBeAMS and SoftiMAX)

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18

Brown, Christopher Boyd. "Art and the Artist in the Lutheran Reformation: Johannes Mathesius and Joachimsthal." Church History 86, no. 4 (2017): 1081–120. http://dx.doi.org/10.1017/s0009640717002062.

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Luther's student Johann Mathesius, longtime pastor in the Bohemian mining town of Joachimsthal, provides a lens for seeing early modern art and artists through Lutheran eyes, challenging modern interpretations of the dire consequences of the Reformation for the visual arts.1For Mathesius, pre-Reformation art provided not only evidence of old idolatry but also testimony to the preservation of Evangelical faith under the papacy. After the Reformation, Joachimsthal's Lutherans were active in commissioning new works of art to fill the first newly built Protestant church, including an altarpiece fr

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19

McEwen, M., and I. Das. "TH-SAM-BRB-01: Commissioning and Calibrating a Linear Accelerator - State-Of-The-Art in 2010." Medical Physics 37, no. 6Part14 (2010): 3445. http://dx.doi.org/10.1118/1.3469458.

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20

Crack, Peter. "Westminster Abbey’s Quattrocento Altarpieces." Religion and the Arts 25, no. 3 (2021): 263–95. http://dx.doi.org/10.1163/15685292-02503002.

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Abstract Between 1935 and 1948, three devotional paintings, all Italian and from the fifteenth century, were installed in London’s Westminster Abbey. While these pictures are individually well known to art historians, it has yet to be asked how and why they came to be displayed in the modern church. This paper reconstructs that history and interrogates the motivations of those involved. It also asks what liturgical functions, if any, were assigned to these erstwhile Roman Catholic objects in their adopted Anglican surroundings. The findings show that a confluence of antiquarian sensibilities,

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21

Lovell, Vivien. "Artists and the Public Spaces of the City." Built Environment 46, no. 2 (2020): 54–68. http://dx.doi.org/10.2148/benv.46.2.214.

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The paper presents the variety of ways in which contemporary artists and curators are engaging with the city today. Public art, in its many manifestations, from monument to ephemeral sculpture, forms our mental image and memory of a city. Artists are contributing to the vibrancy of the city right across the public realm, from development, transport, health, sport, education and faith, and finding ways of engaging the public meaningfully in the creative process. Focusing on London, a sample of formal and informal commissioning practices in 'public art' is presented, from its procurement through

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22

Chekhab-Abudaya, Mounia, Amélie Couvrat Desvergnes, and David J. Roxburgh. "Sayyid Yusuf’s 1433 Pilgrimage Scroll (Ziyārātnāma) in the Collection of the Museum of Islamic Art, Doha." Muqarnas Online 33, no. 1 (2016): 345–407. http://dx.doi.org/10.1163/22118993_03301p011.

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A pilgrimage scroll (ziyārātnāma) dated 1433 in the name of Sayyid Yusuf b. Sayyid Shihab al-Din Ma Waraʾ al-Nahri records an ʿumra to Mecca and visits (ziyārāt) to Medina, Jerusalem, Hebron, Najaf, and Karbala. This document reflects a common phenomenon in the central Islamic lands of the post-Mongol and pre-Safavid period, namely, the non-sectarian veneration of the family of the Prophet Muhammad, and its narrative provides unusually rich details about the pilgrim’s objectives in commissioning it. Given the rarity of this document and the lack of any scholarly study of it, two art historians

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Comunian, Roberta. "Temporary Clusters and Communities of Practice in the Creative Economy: Festivals as Temporary Knowledge Networks." Space and Culture 20, no. 3 (2016): 329–43. http://dx.doi.org/10.1177/1206331216660318.

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The article explores the role of art festivals as platforms for knowledge and network development in the creative industries and creative policy intervention using the case of a small street art festival ( Fuse Festival in Medway, UK). The analysis provides a broader perspective on the current research and debate on the impact and role played by arts festivals in local economic and cultural development—which usually concentrate on either their socioeconomic impact on local communities—to focus instead of their role in building knowledge communities and communities of practice. The results high

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24

Ghanimian, Levon. "Temür, Painter of Politics." Review of Middle East Studies 54, no. 1 (2020): 127–28. http://dx.doi.org/10.1017/rms.2020.9.

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Persia in the post-Mongol era is an ambiguous concept. The area is riddled with different ethnicities, religions, and seemingly endless claims to power. The Timurid Empire is no exception to this trend. Temür rises to power in 1370 using Central Asian nomadic styles of ruling and quickly dominates this geographic region inhabited by a plethora of ethnicities and religions. He understands the volatility of maintaining a large, diverse empire and takes key steps in securing his “united” rule. The key political move that this paper examines is Temür's commissioning of art. The art endorsed by the

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25

McDougall, Ruth. "Material matters: Commissioning contemporary artworks from Papua New Guinea for the 7th Asia Pacific Triennial of Contemporary Art." AICCM Bulletin 35, no. 1 (2014): 14–21. http://dx.doi.org/10.1179/bac.2014.35.1.002.

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26

Smithson, Georgia. "Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations." Arts 8, no. 3 (2019): 85. http://dx.doi.org/10.3390/arts8030085.

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This article is an overview of preliminary research undertaken for the creation of a framework for collecting and distributing new media art within regional art galleries in the U.K. From the 1960s, artists have experimented using computers and software as production tools to create artworks ranging from static, algorithmic drawings on paper to installations with complex, interactive and process-oriented behaviours. The art-form has evolved into multiple strands of production, presentation and distribution. But are we, as collectors, researchers, artists and enthusiasts facing an uncertain fut

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Yun, W., Z. Cai, B. Lai, J. Maser, and D. Legnini. "A State-of-the-art X-Ray Microprobe and its Applications at the Advanced Photon Source." Microscopy and Microanalysis 4, S2 (1998): 362–63. http://dx.doi.org/10.1017/s1431927600021930.

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We have developed a state-of-the-art x-ray microprobe with many unprecedented capabilities for a broad range of scientific applications. The combination of the high brilliance third-generation synchrotron radiation sources and the development of high performance x-ray focusing optics have led to the construction of a x-ray microprobe at Argonne National Laboratory with a FWHM focal size less than 0.25 μm and photon flux exceeding 5×l010 photons/cm2/sec/0.01% BW. The microprobe is very flexible and versatile and can be used simultaneously to perform x-ray diffraction microscopy, fluorescence mi

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Saerbeck, Thomas, Robert Cubitt, Andrew Wildes, Giuliana Manzin, Ken H. Andersen, and Philipp Gutfreund. "Recent upgrades of the neutron reflectometer D17 at ILL." Journal of Applied Crystallography 51, no. 2 (2018): 249–56. http://dx.doi.org/10.1107/s160057671800239x.

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The vertical sample-plane reflectometer D17 at the Institut Laue–Langevin in Grenoble, France, has undergone several major upgrades since its commissioning, which are summarized in this article. The three major improvements are (i) a new focusing guide, increasing the usable flux on the sample by a factor of 2.5; (ii) a new beam polarizer and new spin flippers, allowing for the use of polarized neutrons in time-of-flight mode; and (iii) a new detector with a particularly uniform response under homogeneous exposure, improved stability and state-of-the-art detector electronics. The combination o

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Fasano, A., M. Aguiar, A. Benoit, et al. "KISS: a spectrometric imager for millimetre cosmology." EPJ Web of Conferences 228 (2020): 00010. http://dx.doi.org/10.1051/epjconf/202022800010.

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Clusters of galaxies are used to map the large-scale structures in the universe and as probe of universe evolution. They can be observed through the Sunyaev-Zel’dovich (SZ) effect. In this respect the spectro-imaging at low resolution frequency is an important tool, today, for the study of cluster of galaxies. We have developed KISS (KIDs Interferometer Spectrum Survey), a spectrometric imager dedicated to the secondary anisotropies of the Cosmic Microwave Background (CMB). The multi-frequency approach permits to improve the component separation with respect to predecessor experiments. In this

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Cohen, Michele. "Boys' and Girls' High School: Art and Politics in the Civil Rights Era." Prospects 30 (October 2005): 715–49. http://dx.doi.org/10.1017/s0361233300002246.

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The story of public art in the United States is also the story of American democratic institutions. Our public schools in particular, malleable and shifting under changing societal expectations, provide clues about the nature of our educational enterprise in their very design and the commissioned art that enhances them. In New York City, home to the nation's largest public school system and one of the first, art in schools is a barometer of aesthetic preferences and a measure of larger social issues. The constellation of events that led to the decentralization of New York City's schools in 197

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Cross, David, and Cameron Bishop. "A pleasant coach journey across the political frontier: Public art and suburban dissensus." Art & the Public Sphere 8, no. 2 (2019): 147–61. http://dx.doi.org/10.1386/aps_00013_1.

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‘Six Moments in Kingston Town’ was an art project developed by the Public Art Commission in May 2019 that sought to collectively speak to the diverse cultures and shared histories of the City of Kingston, south of Melbourne. A series of leading Australian artists were commissioned to work with local community groups to develop projects that spoke to the complex, rich and interwoven social fabrics of this region, concentrating on the period of the mid-1970s to early 1980s. Using as key case studies events such as the election of Moorabbin’s first female councillor in 1976, a selection of nation

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Kana'an, Ruba. "The de Jure 'Artist' of the Bobrinski Bucket: Production and Patronage of Metalwork in pre-Mongol Khurasan and Transoxiana." Islamic Law and Society 16, no. 2 (2009): 175–201. http://dx.doi.org/10.1163/092893809x12469547140955.

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AbstractThe Bobrinski bucket, made in Herat in 599/1163, is one of the most iconic metalwork objects studied by historians of Islamic art. To date, art historical scholarship on the bucket has focused on interpreting its decorative programme and identifying the decorator, Mas'ud ibn Ahmad, whose name is inscribed on the bucket, as the 'artist' who had the intellectual property of the design and its application. In this essay, I investigate the meaning of signatures left by 'artists' by examining the range of possible relationships between four men whose names appear in the dedication inscripti

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Paryanto, Jochen Merhof, Matthias Brossog, and Christian Fischer. "An Integrated Simulation Approach to the Development of Assembly System Components." Advanced Materials Research 769 (September 2013): 19–26. http://dx.doi.org/10.4028/www.scientific.net/amr.769.19.

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Commonly, a modelling and simulation approach is used for parameter optimization and system behavior analysis of assembly system components. However, such simulation approaches are often not well integrated or its analysis is still based on a specific physical domain. This paper proposes an integrated simulation approach that can be used for designing, analyzing and optimizing the entire physical domain as well as the control system of mechatronic components in an assembly system. The state-of-the-art, requirements, our concept and the limitations of an integrated simulation approach are expla

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34

Prizer, William F. "Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece." Early Music History 5 (October 1985): 113–53. http://dx.doi.org/10.1017/s0261127900000681.

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The Order of the Golden Fleece, a chivalric order that flourished in Burgundy and the Low Countries from 1431 to 1559, has attracted the attention of historians of politics, culture and art since the nineteenth century, but it has been little explored by music historians, who have contented themselves with a mention of the order's existence and with descriptions of one of its more famous, but less characteristic, events: the Feast of the Oath of the Pheasant. Nevertheless, the order had a strong influence on sacred music during the period of its greatest activity, requiring polyphonic music fo

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35

Stern, Karen B. "Jews, Ships, and Death: A Consideration of Nautical Images in Jewish Mortuary Contexts." IMAGES 11, no. 1 (2018): 189–209. http://dx.doi.org/10.1163/18718000-12340087.

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AbstractRecurrences of ancient ship carvings and drawings in Jewish burial caves are curious phenomena, which rarely capture the attention of scholars. Few narrative Jewish texts, which might otherwise illuminate this pattern, explicitly describe any link between ships and death. The ubiquity of nautical images in graffiti and monumental art throughout the ancient Mediterranean, moreover, obscures their particular significance in any mortuary context, whether associated with Jews or their neighbors. This article suggests that consistent appearances of ship imagery in Jewish burial contexts thr

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Tenchini, Francesco, and Jo-Frederik Krohn. "Decay Chain Reconstruction at Belle II." EPJ Web of Conferences 214 (2019): 06023. http://dx.doi.org/10.1051/epjconf/201921406023.

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The Belle II detector underwent commissioning in 2018. Featuring a state of the art vertex detector with innovative pixel sensors, it will record collisions of e+e- beams from the SuperKEKB accelerator which is slated to provide luminosities 40 times higher than KEKB. This will bring new opportunities and challenges for physicists seeking to perform precision measurements, as increasingly precise vertex position reconstruction and background rejection power is needed to take advantage of the unprecedented statistics provided. We discuss the vertex reconstruction techniques available that make

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Foulon, F., H. Ben Abdelouahed, M. Bogovac, et al. "IAEA Nuclear Science and Instrumentation Laboratory: Support to IAEA Member States and Recent Developments." EPJ Web of Conferences 225 (2020): 10005. http://dx.doi.org/10.1051/epjconf/202022510005.

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As part of the International Atomic Energy Agency's (IAEA) Physics Section, the Nuclear Science and Instrumentation Laboratory (NSIL) helps Member States (MSs) to establish, operate and maintain various nuclear instrumentation and spectrometry techniques in support of a wide range of applications such as health care, food, agriculture, environment, forensics, cultural heritage, and materials science. NSIL is contributing to capacity building, transfer of knowledge and expertise sharing, including the development of instruments and validation of analytical methodologies. This paper describes NS

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Mrnjavac, Teo, Konstantinos Alexopoulos, Vasco Chibante Barroso, and George Raduta. "AliECS: a New Experiment Control System for the ALICE Experiment." EPJ Web of Conferences 245 (2020): 01033. http://dx.doi.org/10.1051/epjconf/202024501033.

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The ALICE Experiment at CERN’s Large Hadron Collider (LHC) is undertaking a major upgrade during LHC Long Shutdown 2 in 2019-2021, which includes a new computing system called O2 (Online-Offline). To ensure the efficient operation of the upgraded experiment and of its newly designed computing system, a reliable, high performance, and automated experiment control system is being developed. The ALICE Experiment Control System (AliECS) is a distributed system based on state of the art cluster management and microservices that have recently emerged in the distributed computing ecosystem. Such tech

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Thoburn, Nicholas. "Ceci n’est pas un magazine: The politics of hybrid media in Mute magazine." New Media & Society 14, no. 5 (2011): 815–31. http://dx.doi.org/10.1177/1461444811427532.

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What are the possibilities for a political magazine in the new media environment? This article addresses that question through a study of the London-based art and politics magazine Mute, an experimental publishing venture that currently exists as a ‘hybrid’ of Web and print platforms. The politics in question resides not only in the magazine’s content, but throughout its media form. For Mute’s coverage of the evolving political and aesthetic capacities of new media has intersected with an insistent self-critique and remodelling of its magazine form, a reflexive orientation it set out in its ‘h

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40

Ayres, Jennifer. "A Fashion Exhibit Without Fashion." Fashion Studies 1, no. 1 (2018): 1–35. http://dx.doi.org/10.38055/fs010114.

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In this review, I critically examine the fashion and art exhibition “fashion after Fashion,” April 7–Aug 27, 2017 at the Museum of Arts and Design in New York City, curated by Hazel Clark and Ilari Laamanen. The exhibition design was commissioned work by six interdisciplinary artists/designers who incorporated a mix of sculpture, performance, and audiovisual material into their installations. The different installations, taken together and experienced together, acted back and upon each other in interesting ways in the exhibition, which was a strength of the curators’ method; the use of commiss

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Compton, Ann. "Revisiting the relationship between art and industry in nineteenth-century Britain from the manufacturer’s perspective." Sculpture Journal 30, no. 1 (2021): 31–52. http://dx.doi.org/10.3828/sj.2021.30.1.3.

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The mid-nineteenth century critical discourse compartmentalized art and industry by crediting each with specific powers. Manufacturing was identified with the development of technologically advanced processes, materials and products, while fine artists were given authority over the aesthetic aspects of industrial design. The idea that the two sectors had separate areas of responsibility has proved extremely enduring, and continues to influence our perceptions of Victorian manufacturing. This article contributes to the wider task of re-evaluating the relationship between art and industry in nin

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Taylor, Kris P. "Interview." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 195–202. http://dx.doi.org/10.33178/alpha.19.17.

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Kris P. (formerly Puszkiewicz) Taylor moved to New York from London in 1980. She was working at Island Records in the Publicity and Artist Development department when MTV was launched in 1981. The department quickly expanded to include Music Videos and she was soon promoted to Director of Music Video Promotion and Production. She left in 1985 to work as Executive Producer at Zbig Vision in New York after commissioning Zbigniew Rybczyński’s first music video, the MTV-award-winning Close to the Edit (1985) by Art of Noise. After successfully working together on fourteen videos over two years Kri

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Jacob, W. M. "Henry Styleman le Strange: Tractarian, Artist, Squire." Studies in Church History 28 (1992): 393–403. http://dx.doi.org/10.1017/s0424208400012584.

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The life of Henry Styleman le Strange illustrates a number of significant factors in the development of the Tractarian Movement and its relationship with the arts. He was a devout layman who wished to advance the practice of Tractarian worship and spirituality. He did this by encouraging Tractarian worship in the churches on his estates and by appointing Tractarian clergy to livings of which he was patron. He was himself a distinguished amateur artist and architect, who was modesdy influential in the nineteenth-century ideal for exploring the interrelationship between the self-dedication of th

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Kukhotskyi, O., I. Bilodid, A. Shepitchak, and S. Nemtsova. "Licensing of the Neutron Source in Ukraine: Challenges and Solutions." Nuclear and Radiation Safety, no. 4(84) (December 19, 2019): 18–24. http://dx.doi.org/10.32918/nrs.2019.4(84).03.

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A research nuclear facility, the Neutron Source Based on the Subcritical Assembly Driven by a Linear Electron Accelerator (Neutron Source), is under commissioning in the National Scientific Center “Kharkiv Institute of Physics and Technology” (NSC KIPT), Ukraine, as an international collaborative project of NSC KIPT and the Argonne National Laboratory (ANL), USA. The Neutron Source is intended to study subcritical systems and generate neutrons to be used in applied and fundamental research in physics, chemistry, biology, and medicine. The construction of a state-of-art nuclear research facilit

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Tickle, Simon, Louise Howells, Victoria O’Dowd, et al. "A Fully Automated Primary Screening System for the Discovery of Therapeutic Antibodies Directly from B Cells." Journal of Biomolecular Screening 20, no. 4 (2014): 492–97. http://dx.doi.org/10.1177/1087057114564760.

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For a therapeutic antibody to succeed, it must meet a range of potency, stability, and specificity criteria. Many of these characteristics are conferred by the amino acid sequence of the heavy and light chain variable regions and, for this reason, can be screened for during antibody selection. However, it is important to consider that antibodies satisfying all these criteria may be of low frequency in an immunized animal; for this reason, it is essential to have a mechanism that allows for efficient sampling of the immune repertoire. UCB’s core antibody discovery platform combines high-through

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Piecychna, Beata. "Cosmetic Translation Competence – A Theoretical Model and Implications for Translator Training." Forum Filologiczne Ateneum, no. 1(8)2020 (November 1, 2020): 101–26. http://dx.doi.org/10.36575/2353-2912/1(8)2020.101.

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In the last decade, cosmetic translation has become increasingly significant as the beauty and cosmetic industry has grown exponentially across the globe. The expansion of international cosmetic brands in many countries around the world necessitates commissioning competent, well-prepared translators, who are able to handle translation problems typical of various types of cosmetic translation, both specialized and those requiring skills specific to a more creative rendition. The main objective of this paper is to discuss a novel theoretical model of cosmetic translation competence, a type of tr

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Lombardo, S., D. Küsters, M. Kowalski, et al. "SCALA: In situ calibration for integral field spectrographs." Astronomy & Astrophysics 607 (November 2017): A113. http://dx.doi.org/10.1051/0004-6361/201731076.

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Aims. The scientific yield of current and future optical surveys is increasingly limited by systematic uncertainties in the flux calibration. This is the case for type Ia supernova (SN Ia) cosmology programs, where an improved calibration directly translates into improved cosmological constraints. Current methodology rests on models of stars. Here we aim to obtain flux calibration that is traceable to state-of-the-art detector-based calibration. Methods. We present the SNIFS Calibration Apparatus (SCALA), a color (relative) flux calibration system developed for the SuperNova integral field spe

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Kriyt, Vladimir E., Yu N. Sladkova, E. A. Badaeva, V. V. Smirnov, and E. V. Zaritskaya. "ON THE ISSUE OF HYGIENIC REQUIREMENTS FOR AIR QUALITY OF ENCLOSED SPACES AT HOUSING CONSTRUCTION PROJECTS AT THE STAGE OF COMMISSIONING." Hygiene and sanitation 98, no. 6 (2019): 608–12. http://dx.doi.org/10.18821/0016-9900-2019-98-6-608-612.

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Introduction. In accordance with Presidential Decree No. 204 of May 7, 2018, one of the national development goals of the Russian Federation is to improve the living conditions of citizens. The increase in the volume of standard housing construction and the introduction of advanced technologies in the design and construction will lead to the need to develop clear rules for conducting laboratory and instrumental studies of human-environment parameters when commissioning construction or renovation facilities. The emission of harmful substances in the air of closed premises, which should not have

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Morris, Blake. "The Walking Institute: a reflexive approach to tourism." International Journal of Tourism Cities 4, no. 3 (2018): 316–29. http://dx.doi.org/10.1108/ijtc-11-2017-0060.

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Purpose The purpose of this paper is to discuss Deveron Project’s (DP) Walking Institute, the only programme in the UK dedicated to commissioning artists to create walks. The author argues that the Walking Institute offers a model for tourism practices that engage local and international stakeholders in the creation of new global relationships. His research expands current critical discourse around the intersection between walking, tourism and art, and argues for DP’s approach as a way to create community-based, critically reflexive modes of tourism. Design/methodology/approach This paper is b

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Ferraro, Diego, Patricio Alberto, Eduardo Villarino, and Alicia Doval. "A multi-physics analysis for the actuation of the SSS in opal reactor." EPJ Nuclear Sciences & Technologies 4 (2018): 8. http://dx.doi.org/10.1051/epjn/2018003.

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OPAL is a 20 MWth multi-purpose open-pool type Research Reactor located at Lucas Heights, Australia. It was designed, built and commissioned by INVAP between 2000 and 2006 and it has been operated by the Australia Nuclear Science and Technology Organization (ANSTO) showing a very good overall performance. On November 2016, OPAL reached 10 years of continuous operation, becoming one of the most reliable and available in its kind worldwide, with an unbeaten record of being fully operational 307 days a year. One of the enhanced safety features present in this state-of-art reactor is the availabil

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