Journal articles: 'Communications and the Arts'

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Kostecka, Keith. "Nanotechnology for Arts and Communications Students." Journal of Nano Education 8, no. 2 (December 1, 2016): 133–39. http://dx.doi.org/10.1166/jne.2016.1096.

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Rajbhandari, Jitendra Man. "Graphic Communications in the Context of Nepal." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (December 1, 2018): 50–57. http://dx.doi.org/10.3126/sirjana.v5i1.39743.

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Graphic communication, a powerful tool for conveying information through visual aids has undergone a radical change since its early application by cave artists of Paleolithic age. With the development of print technology, both the scope and significance of graphic technology have been expanding. In the context of Nepal, graphic communication has received an attention since the advent of printing press. Several artists, illustrators and graphic designers have made great contributions on the development of this form of Applied Arts. Since the last few years the Fine Arts institutions in Nepal have been introducing Graphic Communications into their curriculum which is sure to uplift the quality of graphic design in promotion of the products and services in the Nepali market.

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Fourmentraux, Jean-Paul. "L’œuvre en actes : arts, médias et communications numériques." Quaderni, no. 68 (January 5, 2009): 95–101. http://dx.doi.org/10.4000/quaderni.297.

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Yang, Qingyan, Virginia Sisiopiku, Jim A. Arnold, Paul Pisano, and Gary G. Nelson. "Assessment of Rural Intelligent Transportation System Wireless Communications Solutions." Transportation Research Record: Journal of the Transportation Research Board 1739, no. 1 (January 2000): 51–58. http://dx.doi.org/10.3141/1739-07.

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Rural transportation systems have different features and needs than their urban counterparts. To address safety and efficiency concerns in rural environments, advanced rural transportation systems (ARTS) test and deploy appropriate intelligent transportation systems (ITS) technologies, many of which require communication support. However, wireless communication systems that currently serve urban areas often are not available or suitable in rural environments. Thus, a need exists to identify communication solutions that are likely to address successfully the needs and features of ARTS applications. Current and emerging wireless communications systems and technologies have been systematically assessed with respect to rural ITS applications. Wireless communication functions associated with rural ITS functions are first identified. Then requirements for applicable communication technologies in the rural environment are defined. Existing and emerging wireless communication systems and technologies are reviewed and evaluated by a systematic process of assessing rural ITS wireless solutions. Finally, recommendations for future research and operational tests are offered. The analysis results are expected to benefit rural ITS planners by identifying suitable wireless solutions for different rural contexts.

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Oakes, Helen, and Steve Oakes. "Accounting and marketing communications in arts engagement: A discourse analysis." Accounting Forum 36, no. 3 (September 2012): 209–22. http://dx.doi.org/10.1016/j.accfor.2012.02.002.

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Jacka, Elizabeth, and Meredith Quinn. "Review & Booknote: Commonwealth Department of Communications and the Arts." Media International Australia 78, no. 1 (November 1995): 157. http://dx.doi.org/10.1177/1329878x9507800128.

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Inga, Danielle. "Dark Arts: Designed Communications and a New Rhetoric of Authenticity." Design and Culture 4, no. 1 (March 2012): 5–25. http://dx.doi.org/10.2752/175470812x13176523285075.

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Sprenger, Guido. "Communicated into being: Systems theory and the shifting of ontological status." Anthropological Theory 17, no. 1 (March 2017): 108–32. http://dx.doi.org/10.1177/1463499617699330.

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The inclusion of non-humans as persons into social systems raises the question: How exactly are they constituted as communicating beings? This article suggests an approach informed by Niklas Luhmann’s theory of autopoietic social systems. In particular, it addresses the question why some beings are more person-like in some contexts and more like objects or potencies in others. According to Luhmann, social systems consist not of persons but of self-reproducing, self-referential communications. Communicating beings emerge from communications that systems attribute to actors, not the other way around. The differentiated recognition of communication allows for a gradual, step-by-step ascription of personhood to non-human beings, with the possibility of shifting between ontological states. This approach is illustrated with rituals for agricultural spirits among Rmeet uplanders in Laos.

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Church, Scott Haden, and Jesse King Jones. "The Word is the Knife: Janus-Faced Communication in Sartre’s No Exit and Rose’s Twelve Angry Men." New Theatre Quarterly 36, no. 1 (February 2020): 84–95. http://dx.doi.org/10.1017/s0266464x20000123.

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In this article the authors offer an analysis of Jean-Paul Sartre’s 1946 play Huis Clos (No Exit) and Reginald Rose’s 1954 play Twelve Angry Men, with particular attention paid to exploring the insights from each theatrical text about communication. The process of communication may be ambivalent or Janus-faced, and one of the objectives of this analysis is to consider communication in terms of its duality and incisive power. In doing so, the aim is to explore its antithetical tensions by amplifying the mythological, deliberative and philosophical dimensions of communication praxis. In particular, the archetype of the knife provides a useful metaphor for understanding the potentials and pitfalls of communication in human interaction. Scott Haden Church is an Assistant Professor in the School of Communications at Brigham Young University. He has recently published in Critical Studies in Media Communication. Jesse King Jones is in the Masters Programme of the School of Communications at Brigham Young University.

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Negrotti, Massimo. "Music and Naturoids: The Third Reality." Leonardo 45, no. 3 (June 2012): 269–73. http://dx.doi.org/10.1162/leon_a_00370.

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At a high level of abstraction, it can be shown by analogy that attempts to reproduce natural phenomena occur not only in technological endeavors but also in human communication and the arts, including music. This paper presents the parallel development of artificial devices—or “naturoids”—in the fields of technology, message communication and musical composition, highlighting the transfiguration that unavoidably affects the resulting device, message or musical work. In the technological field and, to an extent, in the communications field, the transfiguration of the natural object is taken as a more or less unsatisfying outcome. By contrast, in the arts, and mainly in music, the transfiguration effect is exactly what the artist pursues through placing him- or herself at a nonordinary observation level.

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Wilks, Linda. "Communicating an arts foundation’s values: sights, sounds and social media." Arts and the Market 6, no. 2 (October 3, 2016): 206–23. http://dx.doi.org/10.1108/aam-08-2015-0014.

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Purpose The purpose of this paper is to test and refine the long-established signal transmission model of the communication process by examining the ways in which a newly formed nonprofit arts foundation communicated its professed values to its stakeholders. Design/methodology/approach The study uses a mixed method case study approach. Interviews with key informants and observations of the foundation’s webpages enabled the identification of the professed values of the arts foundation. Next, a questionnaire survey established whether these values had been successfully decoded by stakeholders and identified the channels via which the values-related signals had been received. Findings The transmission model was found to be relevant as a model. However, to improve its fit within a nonprofit arts context, a modification to the model is suggested which highlights the importance of multi-sensory channels, the importance of context and the increasingly important role of the stakeholder. Research limitations/implications This study is a small-scale case study, although its mixed methods help to ensure validity. Practical implications The findings will help nonprofit arts organisations to decide how to best communicate their values to their stakeholders. Social implications The improved communications model will contribute to the enabling of organisations to uphold and transmit their values and thus improve society’s overall quality of life. Originality/value Literature which provides in-depth examination of the communication of values within a nonprofit arts context via a range of channels, including traditional, online and multi-sensory, is sparse. The opportunity to study a newly formed nonprofit arts organisation is also rare. The results of this study provide valuable evidence that even in today’s social media-rich world, people, sounds, sights and material objects in physical space still have a vital role to play in the communication of values.

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Parimi, Sruthi Sanhitha. "Gesture Vocalizer and its Visualization." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (June 30, 2021): 3265–68. http://dx.doi.org/10.22214/ijraset.2021.35837.

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People have the voice ability for communicating among one another. Tragically, not every person has the ability to talk and hear. Gesture based communication utilized among the local area of individuals who are distinctive abled as the methods for correspondence. Communication through signing is a motion portrayal that includes concurrent joining hand shapes and development of the hands, arms or body, and looks to communicate. The people who can't talk utilizes the gesture based communications to speak with other individual vocally hindered individual and even with other ordinary individuals who knows the implications of gesture based communications or an interpreter is expected to decipher the implications of gesture based communications to others who can talk and do comprehend the gesture based communications. In any case, it's anything but consistently workable for a person to associate with constantly to decipher the communications via gestures and not every person can gain proficiency with the communications through signing. In this way, another option is that we can utilize a gadget Gesture Vocalizer as an arbiter. The Gesture Vocalizer can take the motions a contribution from the vocally impeded individual and interaction it's anything but a literary and sound type of yield.

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13

Uhlar, Antoinette. "Arthouse: multimedia centre for the arts." Art Libraries Journal 25, no. 3 (2000): 11–15. http://dx.doi.org/10.1017/s0307472200011706.

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Arthouse, the multimedia centre for the arts, is one of the most eye-catching buildings in Dublin’s Temple Bar area. A cultural centre using the latest in communications technology and software, it is the home of the Bureau of Arts Information which among other things has developed Artifact, a visual database of contemporary artists throughout Ireland. This will be available on-line this year. The centre also holds regular exhibitions and multimedia events, and is contributing to making the work of Irish artists better known at home and abroad.

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Dedić, Maja. "Absurd in the Function of Postmodern Visual Communications in Bosnia and Herzegovina." Društvene i humanističke studije (Online) 6, no. 3(16) (July 27, 2021): 577–84. http://dx.doi.org/10.51558/2490-3647.2021.6.3.577.

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This paper should offer an insight into the issue of the correlation of visual communications today and the principles that are given. The avant-garde way of shaping the visual content in the field of applied arts has not bypassed Bosnia and Herzegovina either. Shock, absurdity, and cognitive dissonance as techniques of advertising communication use the intensity of experience, mental imbalance, and the ability to read and understand the visual message as a powerful means of media manipulation. Revolt, defiance, a different view of the world create a simulacrum of new consumer values, leading the observer to identify with the artistic content.

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Wartika, E., I. Ridwan, and A. Apip. "Inheritance process of West Java local-arts values based on multimedia communications." Journal of Physics: Conference Series 1375 (November 2019): 012033. http://dx.doi.org/10.1088/1742-6596/1375/1/012033.

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16

O’Malley, Kieran, John Preisler, and Berni Larkin. "Communications headset." Journal of the Acoustical Society of America 82, no. 1 (July 1987): 409. http://dx.doi.org/10.1121/1.395490.

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17

Clough, Patrick V. F., and Natividade A. Lobo. "Communications systems." Journal of the Acoustical Society of America 89, no. 5 (May 1991): 2490. http://dx.doi.org/10.1121/1.400965.

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18

Wilson, Wesley T. "Communications headset." Journal of the Acoustical Society of America 84, no. 6 (December 1988): 2309. http://dx.doi.org/10.1121/1.396744.

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19

Gordon, Janey. "Department of Communications." Convergence: The International Journal of Research into New Media Technologies 4, no. 1 (March 1998): 38–43. http://dx.doi.org/10.1177/135485659800400106.

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20

Gidney, Eric, and Toni Robertson. "Computer communications for visual designers." Continuum 8, no. 1 (January 1994): 192–200. http://dx.doi.org/10.1080/10304319409365638.

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21

Goldman, John A., Gary Myerson, C. Gregoir, P. Hilliquin, C. Vallee, M. Renoux, and C. J. Menkes. "Concise Communications." Arthritis & Rheumatism 34, no. 9 (October 7, 1991): 1207–8. http://dx.doi.org/10.1002/art.1780340922.

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22

Dang, Howard, Michael J. Dauphinée, Norman Talal, Robert F. Garry, James R. Seibold, Thomas A. Medsger, Steven Alexander, et al. "Concise Communications." Arthritis & Rheumatism 34, no. 10 (October 10, 1991): 1336–41. http://dx.doi.org/10.1002/art.1780341022.

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23

Pohl, Lance R., Jackie L. Martin, and Sally J. Hargus. "Concise Communications." Arthritis & Rheumatism 37, no. 7 (July 1994): 1112. http://dx.doi.org/10.1002/art.1780370719.

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24

Rudd, Denis, Litzinger Litzinger, Richard Mills, Frank Flanegin, and Allen Lias. "Communication of Culture: Culinary Arts." International Journal of Environmental, Cultural, Economic, and Social Sustainability: Annual Review 1, no. 1 (2006): 14–21. http://dx.doi.org/10.18848/1832-2077/cgp/v01i01/54910.

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Herman, Gail Neary, and Robert Kirschenbaum. "Movement Arts and Nonverbal Communication." Gifted Child Today Magazine 13, no. 1 (January 1990): 20–22. http://dx.doi.org/10.1177/107621759001300106.

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26

Duchan, Judith, Marian Jennings, Ray Barrett, and Brian Butler. "Communication Access to the Arts." Topics in Language Disorders 26, no. 3 (July 2006): 210–20. http://dx.doi.org/10.1097/00011363-200607000-00005.

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You, Jang Shyong, and Chieh Lun Gu. "The Assessment of Communication Problem and Effect for Product Form." Advanced Materials Research 287-290 (July 2011): 2856–62. http://dx.doi.org/10.4028/www.scientific.net/amr.287-290.2856.

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In dealing with communications problems, this paper found through industry interviews that different form communication tools are used during the form phase in accordance with different product types and that external communication is more difficult than internal communication. In practice, communication tools of sketch and 3D computer graphics are most commonly used. While sketch can be used to quickly make a proposal, client understanding is somewhat inadequate. On the other hand, while 3D computer graphics can be used for clear expression, they require more work time on the part of designers. As a result, this paper introduces a communication tool of 2D and 3D integrated computer graphics to integrate the advantages of both types of tools and then assesses the effectiveness of the tool and sketch. Research results for communications effectiveness showed that the efficiency of sketch was increased. In terms of quality and satisfaction, different factors produced varying evaluation results. If computer graphics software can be integrated as one, realize details, and improve the 3D computer graphics capabilities of designer, then 2D and 3D integrated computer graphics can lead to great improvements in communications efficiency, quality, and satisfaction, achieving the advantages of instant feedback and common consensus with client. These results can be used as a basis and a reference for improvements in arts, design education and industry development.

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28

Robins, Kevin, and Frank Webster. "Broadcasting Politics: Communications and Consumption." Screen 27, no. 3-4 (May 1, 1986): 30–45. http://dx.doi.org/10.1093/screen/27.3-4.30.

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Çelik, Burçe. "Turkey’s communicative authoritarianism." Global Media and Communication 16, no. 1 (February 22, 2020): 102–20. http://dx.doi.org/10.1177/1742766519899123.

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The majority of current political communication studies focus on discursive dimensions of communications and disregard how communications partake in the governing of populations through economic, material and institutional practices. By focusing on Turkey’s case, here I move beyond this approach and examine the role of communications in the development of neoliberal capital accumulation, authoritarian welfare politics, political repression and the production of popular support. The article provides an empirical analysis of policy developments and plans and the restructuring of ownership and control of networks between 2002 and 2016 in Erdoğan’s Turkey.

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McCord, M., J. Schindall, T. C. Yang, P. Gendron, and W. ‐B Yang. "Underwater acoustic communication experimentation: The acoustic communications and data storage (ACDS) system." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2507. http://dx.doi.org/10.1121/1.4783105.

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NUZHINA, Irina A. "ABOUT COMMUNICATIONS OF ARTS ENTERTAINMENT AND NOTIONAL SOCIAL INSTITUTIONS IN THE TRANSFORMATIONAL PERIOD." Historical and social-educational ideas 7, no. 6/2 (December 16, 2015): 187–92. http://dx.doi.org/10.17748/2075-9908-2015-7-6/2-187-192.

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Rumbold, Kate. "The Arts Council England's “Arts Debate”." Cultural Trends 17, no. 3 (September 2008): 189–95. http://dx.doi.org/10.1080/09548960802362116.

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Lax, Stephen. "Democracy and Communications Technologies." Convergence: The International Journal of Research into New Media Technologies 4, no. 3 (September 1998): 30–37. http://dx.doi.org/10.1177/135485659800400305.

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Barnard, Michael E. "Personal communications apparatus." Journal of the Acoustical Society of America 118, no. 1 (2005): 22. http://dx.doi.org/10.1121/1.1999393.

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Strassburg, Tmy A. "Personal communications." Death Studies 10, no. 1 (January 1986): 79–83. http://dx.doi.org/10.1080/07481188608252802.

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Win, Charles. "Personal communications." Death Studies 10, no. 2 (March 1986): 197–99. http://dx.doi.org/10.1080/07481188608252814.

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Davidson, Glen W. "Personal communications." Death Studies 11, no. 5 (September 1987): 375–81. http://dx.doi.org/10.1080/07481188708252201.

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Davidson, Glen W. "Personal communications." Death Studies 11, no. 6 (November 1987): 471–78. http://dx.doi.org/10.1080/07481188708252211.

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Leff, Patricia. "Personal communications." Death Studies 11, no. 4 (July 1, 1987): 297–305. http://dx.doi.org/10.1080/07481188708253479.

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Davidson, Glen W. "Personal communications." Death Studies 12, no. 3 (May 1988): 271–77. http://dx.doi.org/10.1080/07481188808252241.

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Davidson, Glen w. "Personal Communications." Death Studies 13, no. 2 (March 1989): 203–5. http://dx.doi.org/10.1080/07481188908252296.

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Davidson, Glen W., Arnold Arluke, and Jack Levin. "Personal Communications." Death Studies 13, no. 3 (May 1989): 327–30. http://dx.doi.org/10.1080/07481188908252309.

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Jaramillo, Isa De. "Personal communications." Death Studies 13, no. 4 (July 1989): 407–12. http://dx.doi.org/10.1080/07481188908252318.

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Adams, Patch. "Personal communications." Death Studies 13, no. 5 (September 1989): 501–5. http://dx.doi.org/10.1080/07481188908252327.

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Zinzeleta, Janet P. "Personal communications." Death Studies 13, no. 6 (November 1989): 627–28. http://dx.doi.org/10.1080/07481188908252337.

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Takahashi, Yoshitomo. "Personal communications." Death Studies 14, no. 1 (January 1990): 83–91. http://dx.doi.org/10.1080/07481189008252347.

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Olson, Melissa, and Darrell Crase. "Personal communications." Death Studies 14, no. 3 (May 1990): 277–82. http://dx.doi.org/10.1080/07481189008252368.

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Carson, Ute. "Personal communications." Death Studies 14, no. 5 (September 1990): 469–70. http://dx.doi.org/10.1080/07481189008252386.

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Surahman, Sigit. "Determinisme Teknologi Komunikasi dan Globalisasi Media Terhadap Seni Budaya Indonesia." REKAM: Jurnal Fotografi, Televisi, dan Animasi 12, no. 1 (November 21, 2016): 31. http://dx.doi.org/10.24821/rekam.v12i1.1385.

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AbstrakPenelitian ini berfokus pada pengaruh terpaan teknologi komunikasi dan globalisasi media terhadap seni budaya Indonesia. Determinasi teknologi komunikasi atau terpaan teknologi komunikasi hadir di tengah-tengah masyarakat dan memengaruhi cara pandang dan perilaku manusia dalam kehidupan sehari-hari. Teknologi komunikasi dan media merupakan dwitunggal yang tidak dapat dipisahkan karena keduanya hadir saling melengkapi. Perkembangan media ini semakin pesat dan canggih seiring dengan perkembangan teknologi komunikasi saat ini. Terpaan teknologi dan media ini memengaruhi seni budaya dan perilaku masyarakat atau bangsa Indonesia. Analisis deskriptif kualitatif merupakan metode pengkajian yang digunakan dengan tujuan mengungkap fakta, keadaan, fenomena, variabel, dan keadaan yang terjadi saat penelitian berjalan dan menyuguhkan apa adanya. Variabel dalam penelitian ini adalah teknologi komunikasi, globalisasi media, dan seni budaya Indonesia. Dengan menggunakan analisis deskriptif kualitatif pengkajian ini akan mengungkap pengaruh terpaan teknologi dan globalisasi media terhadap seni budaya Indonesia. AbstractThe Determinism of Communication Technology and Media Globalization Towards Arts and Indonesian Culture. This study focuses on the effect of the exposure of media communications technology and the globalization of the art and culture in Indonesia. Determination of communications technology or the exposure of communications technology present in the midst of society and influence the worldview and human behavior in everyday life. Communication technology and media are a duumvire that cannot be separated, both present complementary. The increasingly rapid development of media and its advancement are along with the development of communication technology. The exposure of media and technology affects art and culture as well as the behavior of people or the Indonesian. Qualitative descriptive analysis is the method of assessment used to uncover the facts, phenomena, variables and circumstances that occurred while running the research and presenting it as what it is. The variables in this study are technology, media globalization, and Indonesian arts and culture. By using qualitative descriptive analysis, this study will reveal the influence of technology and media globalization exposure to the art and culture of Indonesia .

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Allinson, Julie. "Artifact – a subject guide for the arts and creative industries." Art Libraries Journal 29, no. 3 (2004): 4–9. http://dx.doi.org/10.1017/s030747220001899x.

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Artifact, which was officially launched in November 2003, is the arts and creative industries hub of the UK’s Resource Discovery Network. Variously described as a gateway, a hub and a subject guide, Artifact offers an alternative to commercial search engines, principally for those studying, teaching or researching arts, communications and other creative subjects within UK further and higher education, but also freely available to anyone seeking quality-assured resources online. With the support of a wide spectrum of professionals from both the educational and commercial arts sectors, Artifact is now developing into a comprehensive service that can help fulfil a wide array of information needs for potential customers from many spheres.

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Journal articles on the topic 'Communications and the Arts'

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