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Books on the topic 'Community arts projects Art centers Artists and community'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Consult the top 37 books for your research on the topic 'Community arts projects Art centers Artists and community.'

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1

1940-, Acconci Vito, ed. Dialogues in public art: Interviews with Vito Acconci, John Ahearn ... MIT Press, 2000.

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2

Sŏksu At'ŭ P'ŭrojekt'ŭ Sirhaeng Wiwŏnhoe. Sijang esŏ yesul hagi: Doing art in the market : 2007-2009 Seoksu art project report. Ach'im Midiŏ, 2009.

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3

Community art: The politics of trespassing. Valiz, 2011.

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4

Pacific, Robin C. Duotopias: Artists + politicians. Visual Arts Centre of Clarington, 2004.

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5

1954-, Huebner Jeff, ed. Urban art Chicago: A guide to community murals, mosaics, and sculptures. Ivan R. Dee, 2000.

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6

Knight, Keith. Beginner's guide to community-based arts. New Village Press, 2005.

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7

Ltd, Ballymun Regeneration, ed. Hotel Ballymun: 31.03.07-28.04.07. Breaking Ground, Ballymun Regeneration Ltd. Art Commissions Programme, 2008.

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8

CAB 2000 (Toronto, Ont.). No frame around it: Process and outcome of the A Space Community Art Biennale. Edited by Fernandez Melanie, Ford Smith Honor, Methot Suzanne 1968-, and A. Space (Art gallery). A Space Gallery, 2001.

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9

Costello, Laura. Celebrating America's cultural diversity: Projects supported by state and regional arts agencies and the National Endowment for the Arts. National Assembly of State Arts Agencies, 1993.

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10

Schneider, Beth B. A place for all people. Museum of Fine Arts, 1998.

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11

Network, RAIN Artists' Initiatives, and Rijksakademie van Beeldende Kunsten (Netherlands), eds. Shifting map: Artists' platforms and strategies for cultural diversity = plataformas de artistas y estrategias para la diversidad cultural = plateformes d'artistes et stratégies pour la diversité culturelle. Rijksakademie van Beeldende Kunsten, 2004.

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12

Finkelpearl, Tom. Dialogues in Public Art. The MIT Press, 2001.

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13

Beaton, Joy. Community Foundation Arts Initiative: Program assessment report : April 1, 1984-September 30, 1989. 1989.

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14

William, Cleveland. Art in Other Places: Artists at Work in America's Community and Social Institutions. Praeger Publishers, 2000.

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15

Beginner´s guide to community-based Arts. newvillagepress, Oakland California, 2006.

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16

Caron, Atlas, Korza Pam, Fiscella John, and Bacon Barbara Schaffer, eds. Critical perspectives: Writings on art and civic dialogue. Americans for the Arts, 2005.

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17

Caron, Atlas, Korza Pam, Fiscella John, and Bacon Barbara Schaffer, eds. Critical perspectives: Writings on art and civic dialogue. Americans for the Arts, 2005.

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18

Critical Perspectives: Writings on Art And Civic Dialogue. Americans for the Arts, 2005.

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19

Community and the arts: History, theory, practice : Australian perspectives. Pluto Press, 1991.

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20

Korza, Pam. Art, Dialogue, Action, Activism: Case Studies from Animating Democracy. Americans for the Arts, 2005.

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21

Pam, Korza, Bacon Barbara Schaffer, and Animating Democracy (Initiative), eds. Art, dialogue, action, activism: Case studies from Animating Democracy. Americans for the Arts, 2005.

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22

Developing Civic Engagement in Urban Public Art Programs. Rowman & Littlefield Publishers, 2015.

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23

Knight, Keith, and Mat Schwarzman. Beginner's Guide to Community-based Arts. New Village Press, 2005.

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24

Klein, Deborah. Artists & communities: America creates for the millennium. 2003.

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25

Kerstin, Mey, Rohr Doris, and Morrow Ruth, eds. Creative transformations: Conversations on determination, risk, failure and unquantifiable success. University of Ulster, 2008.

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26

1960-, Rollig Stella, Sturm Eva, O.K Centrum für Gegenwartskunst., and Büro für Kulturvermittlung (Vienna, Austria), eds. Dürfen die das?: Kunst als sozialer Raum : art, education, cultural work, communities. Turia + Kant, 2002.

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27

Dialogue in Artistic Practice: Case Studies from Animating Democracy (Art & Civic Engagement). Arts, 2005.

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28

Pam, Korza, Bacon Barbara Schaffer, Americans for the Arts (Organization), and Animating Democracy (Initiative), eds. Cultural perspectives in civic dialogue: Case studies from Animating Democracy. Americans for the Arts, 2005.

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29

Korza, Pam. Cultural Perspectives in Civic Dialogue: Case Studies from Animating Democracy. Americans for the Arts, 2005.

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30

Beginner's Guide to Community-Based Arts: Ten Graphic Stories about Artists, Educators and Activists Across the U. S. New Village Press, 2017.

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31

Anne, MacDonald, and Artspace (Organization), eds. Artspace was artspace is: A place in time. Artspace Books, 2000.

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32

What We Want Is Free: Generosity And Exchange In Recent Art (S U N Y Series in Postmodern Culture). State University of New York Press, 2004.

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33

What We Want Is Free: Generosity And Exchange In Recent Art (S U N Y Series in Postmodern Culture). State University of New York Press, 2005.

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34

Lin, Jenny. Above Sea. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526132604.001.0001.

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Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visu

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35

Before I Die. St. Martin's Press, 2014.

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36

France, Morin, Farmer John Alan, and Museu de Arte Moderna da Bahia., eds. A quietude da terra, vida cotidiana, arte contemporânea e Projeto Axé =: The quiet in the land, everyday life, contemporary art and Projeto Axé. Museu de Arte Moderna da Bahia, 2000.

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37

Ndaliko, Chérie Rivers, and Samuel Anderson, eds. The Art of Emergency. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692322.001.0001.

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Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs—both international and local—commission arts projects to buttress their interventions and achieve greater reach and marketability. As a result, the key values of artistic expression become “healing” and “sensitization” measured in turn by “impact” and “effectiveness.” Such rubrics obscure the aesthetic complexities of the artworks and the power dynamics that inform their production. Clashes arise as foreign NGOs import foreign aesthetic models and preconceptions ab

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