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Relevant bibliographies by topics / Como (Italy)

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Academic literature on the topic 'Como (Italy)'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Como (Italy)"

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Santoro, Domenico, Raffaele Giura, Maria Chiara Colombo, Paola Antonelli, Maria Gramegna, Oscar Gandola, and Giulio Gridavilla. "Q Fever in Como, Northern Italy." Emerging Infectious Diseases 10, no. 1 (January 2004): 159–60. http://dx.doi.org/10.3201/eid1001.030467.

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Rozzi, A., F. Malpei, L. Bonomo, and R. Bianchi. "Textile wastewater reuse in northern Italy (COMO)." Water Science and Technology 39, no. 5 (March 1, 1999): 121–28. http://dx.doi.org/10.2166/wst.1999.0230.

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An extensive research programme has been carried out on advanced treatment of secondary effluents discharged by centralized activated sludge treatment plants fed on mixed textile/domestic effluents in order to produce a final effluent suitable for reuse in the textile factories. Activated carbon adsorption or membrane filtration (ranging from microfiltration to reverse osmosis) have been investigated at pilot plant scale in order to determine the most economical and performing advanced treatment. The increase in concentration of refractory pollutants and of salts discharged in the final effluents because of water recycling within the textile processes have been evaluated by relevant mass balances. A techno-economical analysis on the proposed treatment is also presented.

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VAILATI, G., R. BACCHETTA, and P. MANTECCA. "Sexual maturity in youngDreissena polymorphafrom Lake Como (N. Italy)." Invertebrate Reproduction & Development 40, no. 2-3 (December 2001): 181–92. http://dx.doi.org/10.1080/07924259.2001.9652718.

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Capobussi, Matteo, Roberto Tettamanti, Luca Marcolin, Luca Piovesan, Silvia Bronzin, Maria Elena Gattoni, Ilaria Polloni, et al. "Air Pollution Impact on Pregnancy Outcomes in Como, Italy." Journal of Occupational and Environmental Medicine 58, no. 1 (January 2016): 47–52. http://dx.doi.org/10.1097/jom.0000000000000630.

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Geerts, David. "History Meets The Future At Euroitv2013, Como, Italy, 24–26 June." International Journal of Digital Television 5, no. 2 (June 1, 2014): 179–83. http://dx.doi.org/10.1386/jdtv.5.2.179_7.

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Provini, A., S. Galassi, L. Guzzella, and G. Valli. "PCB profiles in sediments of Lakes Maggiore, Como and Garda (Italy)." Marine and Freshwater Research 46, no. 1 (1995): 129. http://dx.doi.org/10.1071/mf9950129.

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Single PCB congeners were determined in dated sediment cores taken from the three greatest Italian lakes. The PCB profile is fairly constant with time in the three lakes and similar to that of a mixture of Aroclor 1254 and 1260 (35 : 65). Qualitative and quantitative results are consistent with the amounts of Aroclor sold, showing a general trend towards less in recent sediments than in the 1970s. However, this decrease was sharper in Lakes Maggiore and Como, which in the past had PCB concentration peaks of 197 ng g-1 and 822 ng g-1, repectively, than in Lake Garda (peak 38 ng g-1). There is disequilibrium between the top sediment layer and the water column due to freshly settled algae, which can adsorb PCBs to a greater extent than can abiotic particulate matter. A comparison of PCB loads in rain and in sediment shows that there are still local sources of contamination in Lake Como. The net flux of less chlorinated PCBs from Lake Maggiore to the atmosphere indicates that this waterbody can be a source of pollution for the surrounding area.

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Marinoni, Nicoletta, Alessandro Pavese, Angelo Riva, Fiorenza Cella, and Tiziano Cerulli. "Chromatic weathering of black limestone quarried in Varenna (Lake Como, Italy)." Building and Environment 42, no. 1 (January 2007): 68–77. http://dx.doi.org/10.1016/j.buildenv.2005.07.028.

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Bettinetti, R., S. Quadroni, E. Boggio, and S. Galassi. "Recent DDT and PCB contamination in the sediment and biota of the Como Bay (Lake Como, Italy)." Science of The Total Environment 542 (January 2016): 404–10. http://dx.doi.org/10.1016/j.scitotenv.2015.10.099.

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SCHEFFLER, Wolfram, and Giuseppe MORABITO. "Topical observations on centric diatoms (Bacillariophyceae, Centrales) of Lake Como (N. Italy)." Journal of Limnology 62, no. 1 (February 1, 2003): 47. http://dx.doi.org/10.4081/jlimnol.2003.47.

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Pini, Michele, Andrea Scalvini, Muhammad Usman Liaqat, Roberto Ranzi, Ivan Serina, and Tahir Mehmood. "Evaluation of Machine Learning Techniques for Inflow Prediction in Lake Como, Italy." Procedia Computer Science 176 (2020): 918–27. http://dx.doi.org/10.1016/j.procs.2020.09.087.

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Dissertations / Theses on the topic "Como (Italy)"

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Adiyanti, Sri. "A method to estimate chlorophyll-a concentration in the surface layer of a stratified lake from surface layer temperature time series, meteorogical fluxes, a knowledgeof blue-to-red peak absorption ratio and dissolved organic matter concentration /." Connect to this title, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0071.

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Locatelli, Chiara <1994&gt. "La moda Made in Italy in Giappone. L’artigianato come fondamento del lusso Made in Italy." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14224.

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Questa tesi analizza il mercato dell’abbigliamento di lusso giapponese nell’ultimo decennio, focalizzando l’attenzione sui prodotti artigianali Made in Italy esportati in Giappone. Il saldo legame tra artigianato italiano e piccole imprese non fornisce una rappresentazione realistica della situazione attuale, per cui l’obiettivo è di rivalutare l’artigianato Made in Italy, mostrando l’alto valore che possiede nel mercato giapponese. In particolare, si pone l’attenzione sull’artigianato tessile in quanto le case di moda italiane sono alcune tra le aziende al centro del mirino di acquisizioni da parte di multinazionali straniere. Loro Piana è l’esempio concreto di come la tecnica artigianale possa creare prodotti di lusso e mantenere l’”italianità”, pur facendo parte della multinazionale LVMH. Nello specifico, si cercherà di capire quale sia la percezione dei clienti giapponesi del Made in Italy e come i prodotti possano essere uno status symbol per coloro che li acquistano interrogandosi sul valore intrinseco che incarnano. La ricerca è condotta attraverso fonti occidentali e giapponesi, sia cartacee sia online che assicurino un lavoro il più recente possibile, e interviste ai manager di Loro Piana. Il risultato sperato è quello di portare ad una rivalutazione dell’artigianato Made in Italy, attraverso una descrizione esaustiva della percezione dei consumatori giapponesi dei prodotti italiani.

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Santanchè, Cecilia. "Ensino do português na Itália: programas, manuais e problemática no ensino do PLE." Doctoral thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/26808.

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Este trabalho reflete, analisa e trata de questões de ordem institucional e metodológica com relação à língua portuguesa como língua estrangeira e seu ensino na esfera das universidades italianas, combinadas com as experiências da autora. Partiu da iniciativa de construir o conhecimento a partir anotações da experiência de mais de 16 anos de ensino da língua em Itália. Com este trabalho pretende-se dar voz à prática como construção de métodos didáticos abertos e interativos, que proporcionem participação e engajamento na relação docente e discente. Para isso, estabeleceu-se um processo exploratório e integrador tendo como base a inventividade, dentro de uma proposta de avaliação de nível linguístico. Usaram-se pesquisas qualitativas e quantitativas, refletiu-se sobre as novas tecnologias do contexto educacional, e suas perspectivas teórico-concetuais. Somaram-se aos conceitos de linguística aplicada a contribuição de outras disciplinas, investigando o ensino da língua portuguesa como língua estrangeira. Concluiu-se da necessidade de buscar resultados através do cruzamento de fatores que envolvem temas diversos. A formação e o papel do docente na estrutura educacional, o conhecimento e utilização das novas tecnologias, a escolha do material didático são alguns deles. Notou-se a importância da forte compreensão de como o sistema educacional é organizado e o que se espera do ensino da língua enquanto ferramenta de comunicação na sociedade globalizada. Nesse contexto, o ensino/aprendizagem não se limita apenas no ato da aula, mas especialmente naquilo que a aula pode proporcionar enquanto vivência na consolidação de um novo código; Abstract: Teaching Portuguese in Italy: programs, manuals and practices in teaching Portuguese as a foreign language. This work reflects, analyzes and deals with institutional and methodological issues in relation to the Portuguese language as a foreign language and its teaching in the sphere of Italian universities. It combines all these issues with the author's experiences. It started from the initiative to build knowledge from notes on the experience of more than 16 years of language teaching in Italy. This work is intended to give voice to practice as construction of open and interactive teaching methods, which provide participation and engagement in the teacher and student relationship. In order to do so, a process of integration and exploration was established based on inventiveness, within a proposal for linguistic level evaluation. Qualitative and quantitative research were both employed, reflecting on the new technologies of the educational context, and their theoretical-conceptual current perspectives. The concepts of linguistics applied to the research was the contribution of other disciplines, investigating the teaching of the Portuguese language as a foreign language. It was concluded that there is a need to seek results through the intersection of factors involving various themes. The training and role of the teacher in the educational structure, the knowledge and use of new technologies, the choice of didactic material, are some of them. We learned the importance of a strong understanding of how the educational system is organized and what is expected of language teaching as a communication tool in globalized society. In this context, teaching/learning is not limited only to the act of class practice, but especially in what a class can provide as an experience in consolidating a new code.

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Paiva, Juliana Zanetti de. "Os nossos antepassados, de Italo Calvino, como alegoria do sujeito moderno." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269949.

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Orientador: Eduardo Sterzi de Carvalho Júnior
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T13:30:16Z (GMT). No. of bitstreams: 1 Paiva_JulianaZanettide_M.pdf: 24170742 bytes, checksum: 3d3f48b1a21422af2dcf63d63f7ccaa0 (MD5) Previous issue date: 2015
Resumo: O objetivo do nosso estudo é refletir sobre as três personagens principais da obra Os nossos antepassados como figurações alegóricas do sujeito moderno. O percurso que escolhemos percorrer foi apresentar alguns elementos sobre Calvino e a relação entre real e ficional na sua trajetória a partir do ponto de vista da crítica italiana. Em seguida, como existem várias definições e entendimentos acerca do que se pode definir por modernidade, explicitamos em quais concepões nos apoiamos neste estudo. Quanto à discussão acerca das concepções de alegoria, foi mais frutífero para nosso estudo problematizar esse conceito com base nas elaborações de Walter Benjamin. Por acharmos que a obra calviniana em análise mantém uma relação tensa com o contexto social da época de sua escrita, buscamos situar tal contexto, notadamente a especificidade da modernidade italiana, destacando alguns acontecimentos históricos na época da escrita das três histórias, com destaque para o debate sobre o neorrealismo italiano. Em seguida, apresentamos algumas das análises realizadas sobre a obra em estudo e procedemos à nossa análise. A divisão de Medardo, entendida por nós como mutilação, é relacionada aos conceitos de indivíduo concreto, particular e forma-sujeito burguesa abstrata e universal. Para nós, a dinâmica da vida social moderna é também uma dinâmica da subjetividade, em que a forma social pretende exigir dos indivíduos o constante apagamento de seus rastros de individualidade em proveito de uma forma de subjetividade geral e abstrata. Entretanto, os indivíduos concretos não são máquinas que apagam sua história de vida em proveito do social, ou seja, existem tensões que para nós são advindas dessa mutilação entre as exigências do todo social universal e a vida particular. Cosme, por sua vez, é por nós interpretado tanto como uma alegoria do sujeito moderno da Razão Instrumental com sua tendência a submeter o mundo aos imperativos da Razão quanto como uma desilusão-aporia em relação a essa racionalidade: não se sabe se Cosme está desiludido porque não conseguiu fazer o mundo ser guiado pela Razão ou porque notou na racionalização do mundo também as raízes da irracionalidade. Agilulfo nos parece uma imagem alegórica do que se poderia chamar de armadura de caráter do sujeito moderno, de uma abstração de subjetividade, pois o cavaleiro expressa a negação da individualidade do ser humano, em proveito de uma forma-sujeito apta à vida moderna, um sujeito que tem ações e pensamentos em consonância com o ritmo moderno, com a aceitação da realidade vivida sem realizar atritos com ela
Abstract: The aim of our study is to reflect on the three main characters of the work Os Nossos Antepassados as allegorical figurations of the modern subject. The route we choose to follow was to present a brief overview of Calvino and the relationship between the real and the fictional in his trajectory from the point of view of the Italian criticism. After that, as there are several definitions and understandings of what can be defined as modernity, we made explicit in which conceptions we are supported in this study. For the discussion about allegory conceptions, it was more fruitful to discuss this concept based on Walter Benjamin¿s elaborations. As we think that Calvino¿s work, in analysis here, keeps a tense relation with the social context of his writing period, we seek to situate such context, notably the specificity of Italian modernity, highlighting some historical events at that period when those three stories were written, emphasizing the debate on the Italian neorealism. Then, we present some of the performed analyzes on the work in study and proceeded to our analysis. Medardo¿s division, understood by us as mutilation, it is related to the concepts of concrete individual, particular and abstract bourgeois and universal subject-form. For us, the dynamics of modern social life is also a dynamic of the subjectivity, where the social form intendeds to require the individuals the constant erasing of their traces of individuality in favor of a form of general and abstract subjectivity. However, the concrete individuals are not machines that erase their life story for the benefit of social, i.e., there are tensions that for us come from this mutilation between the demands of the whole universal social and the private life. Cosme, in turn, is interpreted by us both as an allegory of the modern subject of the Instrumental Reason with his tendency to submit the world to the imperatives of the Reason and as a disappointment-aporia for this rationality: it is not known if Cosme is disappointed because he could not make the world be guided by the Reason or because he also noticed in the world's rationalization the roots of irrationality. Agilulfo seems an allegorical picture of what might be called the modern subject character armor, a subjectivity abstraction as the cavalryman expresses the denial of the individuality of the human being, in favor of a subject-form capable to the modern life, a subject that has actions and thoughts in line with the modern rhythm, accepting the experienced reality without making friction with it
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária

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Pincini, Giacomo. "Forecast of high-impact weather over Italy: performance of global and limited-area ensemble prediction systems." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16207/.

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The aim of this work is to assess the added value of the enhanced horizontal resolution in the probabilistic prediction of upper-level and surface fields. In particular, the performance of three different ensemble prediction systems were compared: ECMWF-ENS (51 members, 18 km horizontal resolution), COSMO-LEPS (16 members, 7 km horizontal resolution) and COSMO-2I-EPS (10 members, 2.2 km horizontal resolution). While the first 2 ensemble systems are operational, COSMO-2I-EPS is still in a development phase. Therefore, the intercomparison window covers a limited period, which ranges from 20 to 27 June 2016. In this work, both upper-level and surface variables are analyzed. As for upper-level, both temperature and the geopotential height at three different pressure levels are considered; the ensemble spread and the root mean square error are computed using the available Italian radiosounding data every 12/24 hours for verification. As for the surface, 2-metre temperature and precipitation cumulated over six hours are verified against the non-conventional station network provided by the National Civil Protection Department. The ensemble spread and the root mean square error of 2-metre temperature are computed, while a number of probabilistic scores (Brier Skill Score, Ranked Probability Score, Roc-Area, Outliers Percentage and others) are considered for precipitation. For both upper-level and surface verification, it turns out that the best scores are mainly obtained by the COSMO-based ensemble systems with higher horizontal resolution and lower ensemble size. The added value of high resolution in mesoscale ensemble systems seems to play a crucial role in the probabilistic prediction of atmospheric fields at all levels. In particular, the more detailed description of mesoscale and orographic-related processes in COSMO-ensembles provides an added value for the prediction of localised High-Impact Weather events.

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Souza, Fabio Rosa. "A ironia como forma em La Coscienza di Zeno de Italo Svevo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-16092015-170519/.

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La Coscienza di Zeno é o romance de Italo Svevo mais bem elaborado em termos formais, ocupando um lugar entre as grandes obras do início do século XX. O autor constrói um romance propriamente moderno ao arquitetar uma narrativa que tem como princípio formal a ironia, vinculada à matriz romântica do conceito. É a partir do mecanismo irônico que o romance estabelece um jogo constante de contradições, ambiguidades e reconfigurações negativas que revelam suas limitações e suas falhas. Assim, a noção tradicional de romance é desconstruída e reelaborada formalmente, mediante um gesto negativo e autorreflexivo caro à literatura do início do século XX. La Coscienza di Zeno, apesar de inicialmente aspirar à configuração da totalidade do arco de uma vida, opera ironicamente durante seu percurso o oposto disso, ou seja, revela o caráter fragmentário da vida, cuja unificação total não é nada mais que uma falsa imagem. O realce irônico maior está no fato de que, ao desconstruir o romance como tal, e apontar para seu falso status, a obra reconquista a capacidade de configurar a realidade, negativamente.
La Coscienza di Zeno is Italo Svevos most elaborate novel, and deserves a place among the great works of the early 20th century literature. Svevos truly modern novel elects the irony as its formal principle. The ironical mechanism, linked to the romantic matrix of the concept, establishes a series of contradictions, ambiguities and negative reconfigurations which reveals the novels fails and limitations. Thus, the traditional notion of the novel as genre is deconstructed and formally re-elaborated, trough a negative and self-reflexive gesture dear to the tradition of the early 20th century literature. La Coscienza di Zeno aims initially to configure the totality of ones life, but its course ironically reveals the opposite, the fragmentary character of life, whose total unification is nothing but sham. The strongest ironic trace lies in the fact that its exactly through the novels critical deconstruction that Svevo´s work reconquers the capacity to represent, negatively, the reality.

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Lazzarini, Mariangela <1991&gt. "Made in Italy: Il Punto Vendita come luogo e strumento cruciale di comunicazione." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9220.

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La presente tesi, si propone di studiare il significato di Made in Italy, in quanto brand rappresentativo della cultura italiana, e analizzare l’ influenza del Country of Origin sulle percezioni di acquisto del consumatore. Si è successivamente analizzato il ruolo del punto vendita, in quanto luogo e strumento per la rappresentazione del brand. Il punto vendita è il luogo fisico all’ interno del quale prende vita l’ incontro tra la marca e il cliente, permettendo così di riassumere gli stimoli che l’ azienda stessa voglia trasferire ai consumatori. L’ atmosfera ambientale in particolare, ha assunto un ruolo primario nel luogo di vendita, rendendo così il negozio non più solo luogo di acquisto, ma luogo d’ intrattenimento, in cui un’ adeguata organizzazione degli allestimenti, degli arredi, dei colori, ecc, contribuisce alla messa in scena di una vera e propria esperienza di consumo. Infine, si è verificato empiricamente come l’ identità di un brand Made in Italy e i valori ad esso connessi, si possano manifestare nel mix di comunicazione di una marca. A tal fine, si è utilizzato un framework dedicato ai tre livelli di significazione di una marca, per valutare come i valori culturali su cui si fonda la brand identity della marca veneziana dedicata all’ Arte Profumatoria, The Merchant of Venice, venissero manifestati attraverso alcuni dei canali comunicativi (punti vendita e sito web), di cui dispone l’ azienda Mavive, proprietaria del marchio.

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Trevisan, Eleonora <1995&gt. "Il Made in Italy in Norvegia. Come un'ambasciata promuove le eccellenze italiane all'estero." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20065.

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Questa tesi nasce dal desiderio di comprendere le modalità di promozione del Made in Italy all'estero ad opera delle ambasciate nell'era digitale. L’obiettivo dell’elaborato è quello di approfondire in che modo un’ambasciata valorizza l’immagine dell’Italia e i prodotti italiani nel paese in cui opera e quali strumenti utilizza per favorire la cooperazione in ambito economico-commerciale e culturale, presentando il caso dell'Ambasciata italiana in Norvegia. La tesi si articola in quattro capitoli. I primi due capitoli sono volti a inquadrare il contesto tecnologico e politico-internazionale in cui un’ambasciata opera oggigiorno; a questo scopo il primo capitolo è dedicato a uno studio dell'evoluzione del marketing negli ultimi decenni e alla rilevanza assunta dai social media nei processi di marketing, mentre il secondo analizza le conseguenze della globalizzazione culturale e l’importanza dell’immagine di un paese nei rapporti commerciali internazionali. Il terzo e quarto capitolo costituiscono il fulcro del progetto di ricerca; il terzo capitolo presenta le ambasciate come istituzioni e come attori fondamentali all’interno della Rete Estera del Ministero degli Affari Esteri per poi focalizzarsi sull’analisi delle attività svolte dall'Ambasciata d'Italia a Oslo per la valorizzazione dei prodotti e delle eccellenze italiane in Norvegia nel periodo gennaio-maggio 2021, mentre il quarto capitolo consiste in un approfondimento e commento riguardo alle dinamiche interne dell’ambasciata e alle difficoltà affrontate nello svolgimento della sua attività istituzionale (anche in considerazione della recente pandemia COVID-19). Ai fini della ricerca è stata consultata la letteratura nazionale e internazionale dedicata al marketing digitale, all’uso dei social media come strumenti di marketing, alla globalizzazione culturale e al cosiddetto “Country of Origin Effect”. Sono state altresì utilizzate le conoscenze acquisite durante cinque mesi di tirocinio svolti presso la suddetta ambasciata nel periodo di riferimento sovracitato, nonché dati e informazioni ottenuti tramite i profili social dell’ambasciata e documentazione resa disponibile dal personale amministrativo. Sono state infine svolte delle interviste in forma di colloqui individuali semi-strutturati con il personale disponibile dell’ambasciata per comprendere maggiormente le modalità di organizzazione e svolgimento di eventi promozionali e le difficoltà incontrate.

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Lavorino, Francesca <1996&gt. "Italo Calvino e il viaggio come fuga dalla realtà." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19917.

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La tesi riguarda il tema della letteratura di viaggio, in particolare concentra l'interesse sui resoconti di viaggio di Italo Calvino in Francia, in URSS e in America nel corso del secondo Novecento. Nel primo capitolo si è ritenuto opportuno occuparsi della letteratura di viaggio, un genere letterario di difficile definizione e ricco di intersezioni con altre discipline. Si sono considerati i tre momenti chiave del viaggio e i sentimenti che essi suscitano nel viaggiatore: la partenza, il transito e l'arrivo. Si è poi analizzata la trasformazione del viaggio nel corso dei secoli, dapprima inteso come difficile prova da superare, quasi una punizione divina, e successivamente divenuto sinonimo di libertà e veicolo di conoscenza ed istruzione. A causa dei mass media scompare l'angoscia legata all'altrove e viene meno l'incontaminato da scoprire: il viaggio si trasforma in obbligo sociale associato al divertimento, allo svago e al relax. Come muta la concezione del viaggio, anche la scrittura si adatta ai tempi: si passa dal diario di viaggio al "travel blog". Siamo giunti alla fine dei viaggi? E attraverso quali tecniche compositive gli autori riescono a combattere il viaggio inteso come puro turismo? Nel secondo capitolo si analizza la figura di Italo Calvino, uno degli scrittori di maggior prestigio nel panorama della letteratura novecentesca per l'eccellenza stilistica, per la forte tensione inventiva e per la grande apertura culturale. In particolare si affronta un'analisi contenutistica, linguistica e stilistica degli scritti di viaggio "Eremita a Parigi", "Taccuino di viaggio in URSS" e "Un Ottimista in America".

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Reekmans, Charlotte Maria Costanza <1998&gt. "IL MADE IN ITALY E L'HERITAGE MARKETING NEL SETTORE ALIMENTARE: COME VIENE UTILIZZATA QUESTA LEVA STRATEGICA?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21908.

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In questa tesi verrà affrontato un argomento di grande rilevanza per l’economia del nostro paese: il Made in Italy. Verranno approfonditi le sue radici, le caratteristiche e i settori nei quali questo marchio ha maggiore successo, ovvero Fashion, Furniture e Food. L’attenzione verrà volta soprattutto all’ambito alimentare, focalizzandosi sull’importanza del turismo enogastronomico e sui player di questo importante mercato, ovvero buyers e traders. A sostegno dell’importanza del Made in Italy in ambito Food, si tratterà di due progetti italiani di successo: EATALY e FICO EATALY WORLD. Nel terzo capitolo di questa tesi ci si focalizzerà su una leva di marketing di fondamentale importanza, ovvero l'Heritage Marketing, e nello specifico su come quest’ultimo venga sfruttato dalle aziende Made in Italy in ambito Food. Per fare ciò, ci si concentrerà sull'analisi dei suoi strumenti e in particolare modo sui musei d’impresa e al loro contributo nel valorizzare il patrimonio culturale. Infine si porterà un caso aziendale che racchiuderà tutti gli elementi analizzati in questa tesi, ovvero Made in Italy, Food, Heritage Marketing e musei d’impresa.

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Books on the topic "Como (Italy)"

1

1932-, Futagawa Yukio, and Schumacher Thomas L. 1941-, eds. Giuseppe Terragni: Casa del Fascio, Como, Italy, 1932-36, Asilo Infantile Antonio Sant'Elia, Como, Italy, 1936-37. Tokyo: A.D.A. Edita, 1994.

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Adriano, Caprioli, Rimoldi Antonio, and Vaccaro Luciano, eds. Diocesi di Como. Brescia: La Scuola, 1986.

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Dr, Barone Vincenzo, and Ratcliffe Philip G, eds. Transversity 2005: Como, Italy, 7-10 September 2005. Hackensack, N.J: World Scientific Pub., 2006.

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Vittani, Veronica, and Francesca Testoni. Pinacoteca civica di Como: Selected works. Milan: Electa, 2021.

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Samir, Younés, Mazzola Ettore Maria, and University of Notre Dame. School of Architecture., eds. Como: La modernità della tradizione. Roma: Gangemi, 2003.

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Miozzi, Maurizio. Acqua passata non macina più: Vecchi mulini della Valle Veddasca. Varese: Josca edizioni, 1990.

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Alberto, Longatti, Cani Fabio, and Comerio Pierluigi, eds. Novecento quotidiano: Un giornale lombardo nella storia nazionale, 1892-2002. Como: La provincia, 2002.

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Ames, Butler. Una famiglia americana sul Lago di Como =: An American family on the Lake Como. Lenno: Comune di Lenno, Biblioteca comunale Vittorio Antonini, 1998.

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1577-1640, Rubens Peter Paul, and Villa comunale dell'Olmo (Como, Italy), eds. Rubens e i fiamminghi. Cinisello Balsamo, Milano: Silvana, 2010.

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Menopause Update '92 (1992 Como, Italy). Menopause Update '92: International Workshop : Como, Italy, May 13-15, 1992. Bologna: Monduzzi Editore, 1993.

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Book chapters on the topic "Como (Italy)"

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Bianchi, S., L. Capacci, M. Anghileri, F. Biondini, G. Rosati, C. Somaschini, G. Cazzulani, and L. Benedetti. "Structural health monitoring of a RC bridge in Como, Italy." In Bridge Safety, Maintenance, Management, Life-Cycle, Resilience and Sustainability, 1840–48. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003322641-228.

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Bianchi, Silvia, Fabio Biondini, Gianpaolo Rosati, Mattia Anghileri, Luca Capacci, Gabriele Cazzulani, and Lorenzo Benedetti. "Structural Health Monitoring of Two Road Bridges in Como, Italy." In Lecture Notes in Civil Engineering, 390–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-91877-4_45.

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Binelli, A., A. Provini, and S. Galassi. "Trophic Modifications in Lake Como (N. Italy) Caused by the Zebra mussel (Dreissena Polymorpha)." In The Interactions Between Sediments and Water, 633–40. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5552-6_64.

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Ferrario, M. F., L. Bonadeo, F. Brunamonte, F. Livio, and A. M. Michetti. "A Model of Como (N Italy) Urban Subsurface: A Multidisciplinary Tool for Hydraulic, Hydrogeologic and Subsidence Risk Management." In Engineering Geology for Society and Territory - Volume 5, 899–902. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09048-1_174.

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Fried, Jean J. "Report on the Seminar ‘Modelling for Water Management’, Organized by the European Institute for Water in Como, Italy, May 21 and 22, 1987." In Groundwater Contamination: Use of Models in Decision-Making, 37–38. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2301-0_5.

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Bordignon, Fabio, Luigi Ceccarini, and James L. Newell. "Introduction: Italian Voters—Where They Have Come From and Where They Are Going." In Italy at the Polls 2022, 1–22. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-29298-9_1.

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Della Rocca, Giuseppe, and Pierluigi Mastrogiuseppe. "Lavoro pubblico come lavoro diverso." In Idee di lavoro e di ozio per la nostra civiltà, 1543–52. Florence: Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0319-7.171.

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Public work has always been considered a "different work" because respond to the State and citizens through the law and administrative regulation. Insiders enjoy greater protection than in the private sector and autonomous work. Two main typologies are distinguished, administrative works, professional works, both have been subjected to a regime of collective bargaining in a content of market regulation, like wage performance relations. With those different dimensions the question is what is public work today? A process of more transparency in organization is important when public administration are considered indispensable, for Italy and for European Union, as a response to the national and international political and economic crisis.

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Tronti, Leonello. "Ezio Tarantelli: il lavoro come partecipazione." In Idee di lavoro e di ozio per la nostra civiltà, 1435–43. Florence: Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0319-7.161.

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Ezio Tarantelli, probably the most important Italian labour economist, dedicated his short life, tragically broken by a terrorist ambush, to a full participation of labour in the management of the economy, in accordance with the Italian Constitution. His studies on the Phillips curve demonstrated the sub-optimality of monetary policy as a tool to combat stagflation, highlighting - on the contrary - the role of the unions in directing expectations and giving credibility to disinflation announcements. His proposal for government-social partners shared targets on inflation and incomes policy, based on international comparative studies of industrial relations systems, profoundly influenced the social pacts which allowed Italy to tame inflation, recover from the 1991-92 crisis, and access the euro since its launch.

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Gusmeroli, Paolo. "Come si rende visibile l’omo-bi-transfobia? Nodi critici, sfide e riflessioni a partire da una ricerca empirica." In Quanti generi di diversità?, 45–56. Florence: Firenze University Press, USiena Press, 2023. http://dx.doi.org/10.36253/979-12-215-0362-3.07.

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This contribution intends to reflect on the attempt by social research in Italy to put the spotlight on violence and discrimination against LGBT+ people. The analysis is mainly based on two recent empirical research works: the first focuses on the critical analysis of the discourse on homophobia in Italy, both in the scientific sphere and in the public debate; the second aims at investigating, with a mixed methods survey, violence and discrimination determined by sexual orientation and gender identity in Emilia-Romagna.

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Corsi, Cecilia. "La cittadinanza come politica pubblica tra ius sanguinis, ius soli e ius culturae." In Studi e saggi, 53–74. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0112-4.10.

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The contribution aims to offer a critical analysis of the Italian discipline on the ways of acquiring citizenship. The paper analyzes the most problematic aspects of the 1992 law, showing its anachronisms and unreasonableness, and then highlights the profiles that most need reform. In particular, the status of the minor born or schooled in Italy and the naturalization procedure claim a profound revision.

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Conference papers on the topic "Como (Italy)"

1

Kosenko, Ivan, and Evgeniy Aleksandrov. "Implementation of the Contensou–Erismann Model of Friction in Frame of the Hertz Contact Problem on Modelica." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430006.

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Huchtemann, Kristian, and Dirk Müller. "Advanced simulation methods for heat pump systems." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430043.

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Braig, Thomas, and Jörg Ungethüm. "System-Level Modeling of an ICE-powered Vehicle with Thermoelectric Waste-Heat-Utilization." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430044.

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Harman, Peter. "The Role of Modelica in a Robust Engineering Process." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430045.

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Harman, Peter, and Michael Tiller. "Building Modelica Tools using the Modelica SDK." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430046.

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Beuter, Volker. "Point-to-Curve Constraints and other Contact Elements." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430047.

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Sjölund, Martin, and Peter Fritzson. "An OpenModelica Java External Function Interface Supporting MetaProgramming." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430121.

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Poland, Jan, and Alf J. Isaksson. "Building and Solving Nprintar Optimal Control and Estimation Problems." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430004.

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Kral, Christian, Anton Haumer, Bernhard Kubicek, and Oliver Winter. "Model of a Squirrel Cage Induction Machine with Interbar Conductances." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430003.

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Pitchaikani, Anand, Kingsly Jebakumar S, Shankar Venkataraman, and S. A. Sundaresan. "Real-time Drive Cycle Simulation of Automotive Climate Control System." In The 7 International Modelica Conference, Como, Italy. Linköping University Electronic Press, 2009. http://dx.doi.org/10.3384/ecp09430007.

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Reports on the topic "Como (Italy)"

1

De Luca, Luigi, Elaine S. Oran, M. Quinn Brewster, Mikhail K. Strelets, and Boris V. Novozhilov. International Workshop on Mathematical Methods in Combustion Held in Como, Italy on 18-22 May 1992. Fort Belvoir, VA: Defense Technical Information Center, May 1992. http://dx.doi.org/10.21236/ada258161.

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Matysiak, Anna, and Daniele Vignoli. Finding the "right moment" for the first baby to come: a comparison between Italy and Poland. Rostock: Max Planck Institute for Demographic Research, March 2009. http://dx.doi.org/10.4054/mpidr-wp-2009-011.

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Primer concurso y exposición de videoarte de América Latina y El Caribe. Inter-American Development Bank, April 2003. http://dx.doi.org/10.18235/0006123.

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Una exhibición de videoarte de América Latina y el Caribe, primera en su género presentada en Washington, D.C., mostró 53 videos, de menos de cinco minutos cada uno, seleccionados por un jurado internacional, de un total de 235 videos provenientes de 21 países. Los videos también se proyectaron en el Istituto Italo-Latinoamericano (IILA) de Roma, Italia y luego comenzarán un ciclo itinerante por varios museos internacionales. Se otorgaron dos primeros premios, cuatro menciones honoríficas y 5 premios por votación popular a artistas de Brasil, Colombia, Costa Rica, México, Panamá, Perú y Venezuela. El objetivo del concurso fue ampliar el debate en torno a los factores económicos y sociales que afectan a los países de América Latina y el Caribe a través de la tecnología basada en los medios visuales. El concurso y exposición establecieron un punto de referencia en el adelanto del videoarte como forma de expresión en esos países. El concurso y exhibición han sido organizados por el Centro Cultural del BID y la División de Tecnología de la Información y Comunicación para el Desarrollo del BID

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