Relevant bibliographies by topics / Como (Italy). Cathedral

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Academic literature on the topic 'Como (Italy). Cathedral'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Como (Italy). Cathedral"

1

Bezoari, Giorgio. "The check of important monuments with topographical methodologies." Facta universitatis - series: Architecture and Civil Engineering 2, no. 5 (2003): 365–72. http://dx.doi.org/10.2298/fuace0305365b.

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The static control of architectural monuments has some important and impressive applications in topographical methodologies. Two interesting examples of the topographic control methods concern the very famous Byzantine S. Marco Basilica in Venice and the Cathedral of Como, situated in the North of Italy. The measurements carried out in the static control field are in reference to the: lengths variation, transversal variation according to a specific direction and height variation. In the paper, one can find the description of the instruments and of the methodologies employed in the static contr
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2

De Nicolo, Francesco. "Obras y artistas italianos en Arequipa entre los siglos XIX y XX." Illapa Mana Tukukuq, no. 18 (December 21, 2021): 32–43. http://dx.doi.org/10.31381/illapa.v0i18.4419.

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El ensayo pretende investigar la presencia artística italiana en Arequipa, entre los siglos XIX y XX. Las obras y artistas procedentes de la península italiana han desempeñado un papel determinante en la reconstrucción de la ciudad y en la orientación del gusto de la élite local. Destacan, de modo particular, las obras de muchos arquitectos, como Martino Pietri, quien realiza la Iglesia de San Camilo, así como de Teófilo Fioretti, Giovanni Albertazzi y otros empeñados en la reconstrucción tras el terremoto del 1868. Entre las obras importadas de Italia hay que recordar, en cambio, el grupo del
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3

Eskandari, R., and M. Scaioni. "VALIDATION OF FULL-RESOLUTION DINSAR-DERIVED VERTICAL DISPLACEMENT IN CULTURAL HERITAGE MONITORING: INTEGRATION WITH GEODETIC LEVELLING MEASUREMENTS." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-M-1-2023 (June 23, 2023): 79–86. http://dx.doi.org/10.5194/isprs-annals-x-m-1-2023-79-2023.

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Abstract. Towards revealing the potential of satellite Synthetic Aperture Radar (SAR) Interferometry (InSAR) for efficient detection and monitoring of Cultural Heritage (CH) encouraging resilient built CH, this study is devoted to the validation of InSAR-derived vertical displacements with a full-resolution perspective taking advantage of high-precision geodetic levelling measurements. Considering the Cathedral of Como, northern Italy, as the case study, two different Persistent Scatterer Interferometry (PSI) techniques have been applied to Cosmo-SkyMed high-resolution SAR images acquired in b
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4

Martindale, Andrew. "Theodolinda: the fifteenth-century recollection of a Lombard Queen." Studies in Church History 33 (1997): 195–225. http://dx.doi.org/10.1017/s0424208400013267.

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This paper arises out of an art historian’s interest in the frescoes of ‘Queen Theodolinda’s chapel’ in the cathedral of Monza, executed c. 1444 by the brothers Zavattari. Although these paintings have aroused intense regional interest, outside Italy they are possibly less well-known than they deserve to be. They call forth the questions of how and why Theodolinda – a ‘barbarian’ queen who lived in the late sixth and early seventh centuries – could have come to assume such a central role for the church of Monza. The interpretation and re-interpretation of her story – perhaps the projection of
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5

Rynkowski, Michał. "Religious Courts in the Jurisprudence of the European Court of Human Rights." Brill Research Perspectives in Law and Religion 2, no. 1 (2018): 1–72. http://dx.doi.org/10.1163/24682993-12340005.

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AbstractReligious courts have for centuries been part of the European legal landscape. Almost all churches and religious communities have their own judicial systems, often composed of courts or tribunals ordered hierarchically. The aim of this paper is to present cases from the jurisprudence of the European Court of Human Rights, in which a religious court was involved at the stage of domestic proceedings. The twelve cases in question originate from a number of European States, from Italy to Finland and from the UK to Turkey—and in one particular case, Israel. The applicants belonged to many d
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6

Nash, Penelope. "The Ottonians turn their Gaze West to the court of al-Andalus." Journal of the Australian Early Medieval Association 12 (2016): 53–68. http://dx.doi.org/10.35253/jaema.2016.1.3.

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The Ottonian dynasty, whose members ruled Germany and northern Italy in the tenth and early eleventh centuries, were not only concerned with their eastern borders and their relations with Byzantium, but also sought news from and alliances with the West. Inhabitants of the Iberian Peninsula informed the ideas of the Ottonian court in a number of ways and contemporaries documented the interactions. Hrotsvitha, a canoness in the Ottonian royal monastery of Gandersheim, recorded the martyrdom of a young Spanish Christian, Pelagius, who met his death at Cordoba in 925. Hrotsvitha wrote that she had
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7

Riis, P. J., and Thomas Riis. "Knud den Helliges ørnetæppe i Odense Domkirke – Et forsøg på en nytolkning." Kuml 53, no. 53 (2004): 259–73. http://dx.doi.org/10.7146/kuml.v53i53.97501.

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Saint Canute the King’s Eagle Cloth in Odense CathedralA new interpretation The eagle silk cloth in Odense Cathedral (Fig. 1) is believed to have been part of the contents of the shrine of Saint Canute (King Canute the Holy); it was perhaps a cape used as a shroud. Today it measures 110 by 133 cm, but originally it was larger, at least 130 by 195 cm. The purple fabric with its blue-black eagle pattern and decoration is generally regarded as a “pannus imperialis ad aquilas magnas” – a term known from medieval texts. The style of its decorative motifs dates it to the 11th or 12th century. Otto v
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8

Arpaia, Christian. "Storie di confine_Critical Zones // Historias de confines_Zonas críticas." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 2 (2016): 176–82. http://dx.doi.org/10.37536/ecozona.2016.7.2.1100.

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I took these pictures while travelling on my motorbike in Southern Italy. Except for the first two (“Caged_N,” a view of Naples from behind the bars of an ancient cloister now hosting one of the city’s universities; and “Ashes,” a view of Naples’ Città della Scienza), they were all taken in the summer. Summer, in fact, is the season during which contrasts and colors are most powerfully sublimated against these lands’ vast horizon, disclosing sceneries made of abandonment, forgetfulness, and stubborn elemental creativity. This is the fate of the South: to be alive in spite of everything, in spi
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9

Vežić, Pavuša. "Memorije križnoga tlocrta na tlu Istre i Dalmacije." Ars Adriatica, no. 3 (January 1, 2013): 21. http://dx.doi.org/10.15291/ars.459.

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Generally speaking, paleochristian memoriae have emerged out of the funeral traditions of the pagan world of Antiquity with its particular expression of the cult of deceased, sustained with the culture that had come out of Christian theology and aesthetics. It came together withnew architectural forms some of which were characterized with cross-like forms, not only as a general symbol of new faith, but also as the spatial projection, model after which one had to build. It is defined by two axes that cross at the right angle, the framework of the overall architecturalcomposition, factor of buil
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10

Bezoari, Giorgio. "The check of important monuments with topographical methodologies." August 8, 2008. https://doi.org/10.2298/fuace0305365b.

Full text
Abstract:
The static control of architectural monuments has some important and impressive applications in topographical methodologies. Two interesting examples of the topographic control methods concern the very famous Byzantine S. Marco Basilica in Venice and the Cathedral of Como, situated in the North of Italy. The measurements carried out in the static control field are in reference to the: lengths variation, transversal variation according to a specific direction and height variation. In the paper, one can find the description of the instruments and of the methodologies employed in the static contr
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