Journal articles: 'Comparative literature Comparative literature Macaronic poetry'

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Hart, Jonathan Locke. "Poetry in English as Comparative and World Literature." University of Toronto Quarterly 88, no. 2 (2019): 229–45. http://dx.doi.org/10.3138/utq.88.2.10.

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LEONG, MICHAEL. "Contemporary Poetry and Comparative Iterature." Contemporary Literature 61, no. 3 (2021): 421–28. http://dx.doi.org/10.3368/cl.61.3.421.

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Bessière, Jean, and Stéphane Michaud. "Claude Pichois, Poetry, and the Art of Comparative Literature." Comparative Critical Studies 7, no. 2-3 (2010): 297–309. http://dx.doi.org/10.3366/ccs.2010.0013.

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hockx, michel. "virtual chinese literature: a comparative case study of online poetry communities." China Quarterly 183 (September 2005): 670–91. http://dx.doi.org/10.1017/s030574100500041x.

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this article looks at the practices of communities that employ internet technologies in order to produce, distribute, consume and value chinese poetry. the article is in three parts. the first part provides a brief general overview of the current state of research about the chinese internet. i take issue with the dominant tendency of english-language research to focus almost exclusively on questions of censorship. the second part looks at the development of “web literature” (wangluo wenxue) in china, briefly outlining the meaning of the term and the content of a protracted debate about web literature that took place in 2001. the debate illustrates the limited extent to which web literature is able to distinguish itself from conventionally published literature. paradoxically, this has led to “web literature” becoming a recognized genre within print culture. in the final part, i compare a prc online poetry community with a similar community based in the usa. i conclude by arguing that previous scholarship's biased focus on the transformative aspects of cyber culture has made it difficult to gain a clear insight into the many positive and culture-specific features of chinese web literature.

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Ghosh, Ritwik. "Contemporary Greek Poetry as World Literature." International Journal of English and Comparative Literary Studies 2, no. 3 (2021): 71–78. http://dx.doi.org/10.47631/ijecls.v2i3.247.

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In this paper, I argue that Greek poetry is a living tradition characterized by a diversity of voices and styles and that Greek poetry is a vital part of contemporary World Literature. The diversity of voices in contemporary Greek poetry gives it both aesthetic value and political relevance. Greek poetry, as it survives translation into a number of languages, including English, gives us a model for the successful translation of texts in both World literature and Comparative literature. A thematic analysis of some poems is presented in this paper. The aim is not to chronicle the contemporary Greek poetic production but to show how Greek poetic tradition continues to expand beyond national boundaries.

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THOMAS, ROSALIND. "Performance and written literature in Classical Greece: envisaging performance from written literature and comparative contexts." Bulletin of the School of Oriental and African Studies 66, no. 3 (2003): 348–57. http://dx.doi.org/10.1017/s0041977x03000247.

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This paper examines the nature of performance literature in Ancient Greece, comparing it with other modern and medieval examples. It concentrates on archaic Greek ‘song culture’, and especially choral praise poetry. It discusses the social and cultural significance of the original performances and, drawing on comparative examples, investigates the ‘gap’ between performance and text, possible cultural explanations and interpretations of ‘difficult’ performed literature—particularly competitive and religious—which stand out in comparison to performance literatures elsewhere.

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Pokrivčák, Anton, and Silvia Pokrivčáková. "Romantic imagination in a comparative perspective: English and Slovak Romantic literature." Journal of Language and Cultural Education 4, no. 3 (2016): 288–98. http://dx.doi.org/10.1515/jolace-2016-0037.

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Abstract The paper discusses Romantic imagination in two, relatively distant, national literatures. The first part is concerned with the problems comparative literature has faced in recent decades. In the second part, the work of two Slovak Romantic writers, Ján Kollár and Janko Kráľ, is compared to the poetry of Lord Gordon Byron and William Wordsworth. By identifying certain affinities between the discussed literary works, the authors point to the importance of the concept of national literature which has not lost its role even in contemporary literary studies.

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Yousefi, Hadi. "The Comparative Study of Borrowing in Hafez and Iraqi’s Poetry." International Letters of Social and Humanistic Sciences 29 (June 2014): 1–7. http://dx.doi.org/10.18052/www.scipress.com/ilshs.29.1.

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Undoubtedly, the precise survey indicates that there was an inseparable link among Persian literature, Islam and Quran verses and prophet's Hadith as well and it will be continued. The first individuals who adorned their poetries by verses and Hadith were some poets such as Rudaki, Abushakur Balkhi and Kesaie Maruzi. Borrowing is welcomed by the poets in the next eras and it has continued until now as we can observe Sohrab Sepehri's pliability from Quran in his works easily. The present study aims at investigating borrowing in the poetry of two Farsi literature poets, Hafez and Iraqi, the rate of their exploitation of verses and Hadith and also comparative methods of the issue. The results reveal that the names of Quran and prophets in Hafez's poetry have an increased frequency, also Hafez has excelled Iraqi at conceptual function and Iraqi has excelled Hafez at applying a part of verses.

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Yahyapour, Marzieh, Janolah Karimi-Motahhar, and Lyudmila N. Korneeva. "A.S. Pushkin in Persian poetry." Philological Sciences. Scientific Essays of Higher Education, no. 6 (November 2020): 68–79. http://dx.doi.org/10.20339/phs.6-20.068.

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The authors of the article, in the theoretical framework of comparative literature, using the examples of the artistic reception of A.S. Pushkin’s works in Iranian poetry, show the ideological and artistic foundations of the interpenetration of the literature of Russia and Iran. The search context concretizes and develops a picture of the functioning of A.S. Pushkin’s artistic world in a foreign culture.

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Bachtin, Nicholas. "English Poetry in Greek: Notes on a Comparative Study of Poetic Idioms." Poetics Today 6, no. 3 (1985): 333. http://dx.doi.org/10.2307/1771900.

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Balbuena, Monique R. "Dibaxu: A Comparative Analysis of Clarisse Nicoïdski's and Juan Gelman's Bilingual Poetry." Romance Studies 27, no. 4 (2009): 283–97. http://dx.doi.org/10.1179/026399009x12523296128876.

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Birnbaum, Marianna D., Emery George, and Miklos Radnoti. "The Poetry of Miklos Radnoti: A Comparative Study." Slavic and East European Journal 33, no. 3 (1989): 470. http://dx.doi.org/10.2307/308749.

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Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, which he completed in 1989, is a staggering 734-page document. Professor Akwanya has also taught many literature courses, namely: European Continental Literature, Studies in Drama, Modern Literary Theory, African Poetry, History of Theatre: Aeschylus to Shakespeare, European Theatre since Ibsen, English Literature Survey: the Beginnings, Semantics, History of the English Language, History of Criticism, Modern Discourse Analysis, Greek and Roman Literatures, Linguistics and the Teaching of Literature, Major Strands in Literary Criticism, Issues in Comparative Literature, Discourse Theory, English Poetry, English Drama, Modern British Literature, Comparative Studies in Poetry, Comparative Studies in Drama, Studies in African Drama, and Philosophy of Literature. A Fellow of Nigerian Academy of Letters, Akwanya’s open access works have been read over 109,478 times around the world. In this wide-ranging interview, he speaks to Andrew Bula, a young lecturer from Baze University, Abuja, shedding light on a variety of issues around which his life revolves.

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Raham Dil Khan and Dr. Khan Sardaraz. "Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach." sjesr 2, no. 2 (2020): 125–43. http://dx.doi.org/10.36902/sjesr-vol2-iss2-2019(125-143).

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Previous literature is laden with research on Browning’s dramatic monologues from various perspectives. This paper will compare Browning’s dramatic monologues with Derwesh Durrani’s poetry from socio-literary perspective. Literary theories of analogy and variation will be used to find out similarities and differences in their poetry. Two poems from each poet have been selected for analysis through close reading technique on the model of theories of variation and analogy. Stratified sampling technique was used for taking the representative sample from the data. The findings reveals that Darwesh’s poetry exhibits most of the dramatic features of Browning’s dramatic monologues, but his poetry is more poetic, while Browning’s poetry is more dramatic; Browning invigorates the past, Darwesh recreates the present. In addition, Browning’s poems deals with domestic issues like gender violence, love and marriage, Darwesh’s poetry deals with social issues and patriotism, and contrary to Browning, he stands for women’s rights and sensibilities. This paper suggests further studies purely from socio-cultural perspective of Darwesh’s dramatic monologues, which will contribute to the existing literature on dramatic monologues.

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卢, 婕. "Research on the Dynamic Force for Chinese Visual Poetry from the Perspective of Comparative Literature." World Literature Studies 04, no. 01 (2016): 14–20. http://dx.doi.org/10.12677/wls.2016.41003.

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Dellapenna, Joseph W. "Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law." International Journal of Legal Information 36, no. 1 (2008): 156–79. http://dx.doi.org/10.1017/s0731126500002754.

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The last four decades have seen the emergence of the “law and literature” movement. Although numerous stories in the common law world turn on the trial of cases, many studies in the law and literature vein use stories that do not take place in a courtroom, and often do not even involve a lawyer, to illuminate significant features of the law or its practice. The emergence of the law and literature movement seems to have prompted a turn in legal education toward using pop culture to teach about law, or perhaps reflects that turn. Examples of such efforts include legal symposia devoted to the wisdom of Yogi Berra, of Bruce Springsteen, and of Harry Potter. Others have preferred to study lawyers who are poets. Yet others profess to find poetry in the law itself.

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Neethling, S. J. "Graduation poetry: a comparative view of two Xhosa Oral Poets." South African Journal of African Languages 23, no. 4 (2003): 199–207. http://dx.doi.org/10.1080/02572117.2003.10587218.

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Milentijević, Tijana. "Pessimism of Dimitrije Kantakuzin and Serbian modernists Dis and Pandurović: Comparative analysis." Zbornik radova Filozofskog fakulteta u Pristini 51, no. 2 (2021): 69–83. http://dx.doi.org/10.5937/zrffp51-30445.

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Although pessimism, which is the dominant motif of modernist poetry, is considered to have originated under the influence of Western models, we must not forget that it appeared in the Serbian literature of the Middle Ages. The motives of the transience of life, sin, anticipation of death, despair, and fear can be traced from the very beginnings of the formation of the original Serbian literature and were an expression of various social and historical troubles that gripped the Serbian people. This paper aims to examine how pessimism was realized in the poem Molitva Bogorodici by Dimitrij Kantakuzin and the poets of the Serbian modernism. The need to write this paper arose from the desire to determine the origin of the influence of the motif of the transience of life and death in the poetry of the Middle Ages on the one hand, and modernist poets, on the other.

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Roozbeh, Roohollah. "A Comparative Study of Taking Pride in One’s Own Poetry: Hafez and Shakespeare." International Letters of Social and Humanistic Sciences 82 (June 2018): 24–31. http://dx.doi.org/10.18052/www.scipress.com/ilshs.82.24.

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Pride is discredited in all cultures, but pride in poetic talent is praiseworthy in all areas. In poetry, the geniuses of all eras have enjoyed their poetry and have paid attention to and have taken great pride in their own poetry. Hafiz boasts of his poetry and is so sure of his poetry that he knows that so long as people reside on earth, the world will read and receive his poetry. The same parallel is found in Shakespeare's poetry so much so that Shakespeare is sure that his poem will be read so long as people can breathe and see. This belief in the immortality of poetry and its effects in the two poets are followed in this article. The dimensions of this issue and the reasons for the discourse of poetry and sonnet are explained in detail. The conclusion is that the two poets are proud of beautiful form and musicality of their poetry which will spread through the world. This is endorsed through the untranslatability of the poems of the two poets ’poetry. The methodology of this paper is based on the descriptive-analytical approach of the American comparative Literature School. The focus of this study is to compare pride in the poetry of Hafez and Shakespeare.

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Kallimani, Dr Madhushri. "Stopping by Woods on a Snowy Evening' by Robert Frost and 'Because I could not Stop for Death' by Emily Dickinson: A Comparative Study." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 127. http://dx.doi.org/10.24113/ijellh.v8i4.10529.

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The study of literature is obviously the study of life and death. Literature deals with several nuances of life, death and the philosophies connected. Literature mirrors life and that is how we can realize what life is in a very meaningful way. In literature most of the poetry enlightens the readers through such meanings. This paper focuses on two eminent poets of American literature, i.e. Robert Frost and Emily Dickinson, whose poetry mainly deals with life and death. Both the poets are known for their idiosyncrasies depicting their own style and content. Their poems are philosophical in nature, visualizing nature, relationship, divinity and spirituality. Both the poets were close to nature and spent their lives amidst the beauties of nature. Their poetry is simplistic and honest expressing the daily activities of life.

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Kasperski, Edward. "Poetry and Philosophy: Four Pillars of Tradition – A Comparative Study of Discourses." Tekstualia 1, no. 1 (2013): 91–109. http://dx.doi.org/10.5604/01.3001.0013.6132.

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It is now a very well known truth that poetry and philosophy are not, and have never been, linked through a stable algorithm1. Any discussion of the two must, then, inevitably start with the historical and synchronic diversity of poetic output, on the one hand, and with the diversity of philosophical concepts, languages, and world models, on the other. Other forms of poetry and philosophy have developed outside Europe and the Mediterranean world – in Islamic, Eastern, and Native American cultures – and must be also taken into account, with all their different rules and relations. It is also necessary to remember that poetry shapes its attitude towards philosophy by shaping its own relation to itself, while philosophy does a similar thing: it shapes its attitude towards poetry by shaping a relation to itself. In other words we can say that in poetry philosophy functions most often as a poetical argument, while in philosophy poetry works as a philosophical argument. The author of the article focuses on relations between literature and philosophy, and their tradiotions such as Plato's ideas, Giambattista Vico's concepts, Frierdich Schlegel's and Novalis's practice, Hegel's convictions and Wilhelm Dilthay works.

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Selimović, Ena. "Weltliteratur and Its Others: The Serbian Poem in Eckermann's Conversations with Goethe." PMLA/Publications of the Modern Language Association of America 136, no. 3 (2021): 356–69. http://dx.doi.org/10.1632/s0030812921000225.

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AbstractA critical account of the Serbian poem in Goethe's conversations with Eckermann reveals the place of Balkan folk poetry in the discourse on world literature and adds a neglected narrative to the myriad genealogies of comparative literature. Building on Laura Doyle's concept of inter-imperiality, the essay foregrounds how language politics manifest the variegated contours Europe takes in Goethe's formulation of world literature. While recent scholarship in comparative literature largely examines Goethe's Eurocentrism through his invocation of an unnamed Chinese novel, an analysis of the inter-imperial and translational project of world literature gives form to multiple spheres of Orientalism.

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Arzamazov, Alexey Andreevich. "WAYS OF DEVELOPMENT OF “MINORITY” LITERATURE: POETRY BY NENETS PROKOPIY YAVTYSY." Yearbook of Finno-Ugric Studies 13, no. 4 (2019): 623–32. http://dx.doi.org/10.35634/2224-9443-2019-13-4-623-632.

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The study of the manifold ethnocultural heritage of Russia is one of the paramount tasks, potentially the most important area of Russian humanities. At the same time, the literary traditions of the peoples of our country, representing a unique civilizational integrity, spiritual wealth, are of significant scientific interest. Focusing on the problems of the development of "minority" literature and the contexts of its updating, it must be emphasized that this is a complex and theoretically insufficiently comprehended artistic and aesthetic, ethnopsychological, linguistic phenomenon. It should be recognized that at present there is a need for fundamental comparative studies and the development of new approaches to the study of close and distant cultures, literature, and models of the world. The article discusses the realities of the development of a separate "minority" literature at the turn of the twentieth and twenty-first centuries on the example of poetic texts by the Nenets poet Prokopiy Yavtysy. A brief description of the main stages of the formation of the Nenets literature is given, a number of its key features that are important for heterogeneous typological, comparative studies are highlighted. P. Yavtysy’s work represents a set of artistic features and codes of expressiveness that are common to many literary traditions of the native minorities of the Far North, Siberia, and the Far East, and there are also separate stadial and typological correspondences with Finno-Ugric literature of Russia. The main poetic methods and contexts of Yavtysy’s poems are established, the most representative figurative and symbolic strata, plot and situational blocks are determined, the linguistic and poetic component is interpreted. The deep genetic connection of the poetic system of the Nenets author with the folklore and mythological ideas of the Nenets is emphasized. The question of the influence of socialist realism on the artistic rhetoric of P. Yavtysy is raised. In the article, a separate place is occupied by the problem of translating the works by the Nenets author into Russian.

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Werner, Meike G. "Vom Annex zum Atelier." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 2 (2019): 399–409. http://dx.doi.org/10.1515/iasl-2019-0018.

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Abstract In 1960, two competing anthologies of modern poetry were published in an attempt to renew and internationalize German poetry: Günther Steinbrinker’s Panorama moderner Lyrik and Hans Magnus Enzensberger’s Museum der modernen Poesie. This essay argues that the success of Museum over Panorama was based on Enzensberger’s comparative approach to modernist poetry in the first half of the twentieth century as a “chrestomathy” (a textbook) for a “world language of poetry”. This chrestomathy also provided the blueprint for his own German-language poems, which he published the same year in a collection titled Landessprache.

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Islam, M. Adib Misbachul, Minatur Rokhim, and Muhammad Nida' Fadlan. "Literature and Society: Singir's Structure and Function for the Javanese Santri Community." Buletin Al-Turas 26, no. 2 (2020): 253–68. http://dx.doi.org/10.15408/bat.v26i2.15218.

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AbstractThis article aimed to examine the structure of Javanese singir as an adaptation work of poetry tradition originating from outside Javanese culture and its function for the reading community. This study compared the six Javanese singirs of the library of Universitas Indonesia (Singir Ahli Suwarga, Singir Dagang, Singir Kiamat, Singir Nasihat Jaman Akhir, Singir Patimah, and Singir Santri) with some Arabic and Malay poetry and then discussed them in the social context of Javanese coastal communities. Through a comparative structural approach and sociological studies, this article found that Javanese singir was structurally linked with Arabic poetry rather than with Malay poetry. This could be found in the metrum system which was close to the metrum of kamil majzu’, and various rhyming patterns which were a combination of murabba’ rhyme and muzdawij. The influence of Malay poetry in the six singirs seemed to have little effect, which was limited to aspects of the rhyme pattern a-a-a-a, b-b-b-b that were not fully used. Through an examination of the connection between the six singirs and the reading community, this article also found that there were two functions of singir; entertaining, and didactic functions that taught various social and religious aspects to the Javanese santri community.

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Meirbayev, B. "Philosophy and Poetry." Adam alemi 4, no. 86 (2020): 20–31. http://dx.doi.org/10.48010/2020.4/1999-5849.02.

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The article discusses the relationship between philosophy and poetry as specific ways of understanding the world and the ways in which words are similar and distinct. Based on a comparative analysis of the theory and methodology of the development of the world philosophy and the art of literature in national literary studies, the article examines the question of the nature and features of philosophical knowledge. The paper shows that poetic thinking and the ability to create symbols are both a unique feature of humans and one of the spiritual foundations of the study of the world and the representation of reality, and today they remain one of the bestpreserved qualities of poetry.

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MYKHALCHUK, Tetiana. "Biblical Allusions in Expressionist Poetry in the Context of Austrian, German, and Ukrainian Literature: A Comparative Analysis." Theological Reflections: Euro-Asian Journal of Theology, no. 16 (May 26, 2016): 206–46. http://dx.doi.org/10.29357/issn.2521-179x.2016.16.206.

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Pretorius, W. J. "A comparative look at the development of heroic poetry in Northern Sotho." South African Journal of African Languages 10, no. 3 (1990): 125–31. http://dx.doi.org/10.1080/02572117.1990.10586844.

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Semenova, Valentina Grigorevna, and Aiaal Innokent'evich Molokotin. "The origin of satire in Yakut literature." Филология: научные исследования, no. 12 (December 2020): 146–55. http://dx.doi.org/10.7256/2454-0749.2020.12.34418.

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This article is dedicated to examination of the process of conception of satire in Yakut literature. The object of this research is the origin and evolution of satire in Yakut poetry. The subject is the satirical compositions of the founders of Yakut literature A. E. Kulakovsky and P. A. Oyunsky. The goal consists in determination of the role of the first writers in conception and development of satire. Yakut literary studies feature research dedicated to particular authors and works, rather than satire as a whole. Therefore, the relevance of this article lies in the holistic review of satire. The theoretical-methodological framework is comprised of the cultural-historical method, within the framework of which the conception of satire is considered a product of social life and cultural-historical conditions of Yakutia of the early XX century. The work also employs the specific-historical and comparative-typological methods of research. The scientific novelty is defined by the fact that the Yakut literary studies currently do not have a comprehensive and systemic research of satirical genre in national poetry. It is established that the pioneer satire in Yakut literature is the founder of Yakut literature A. E. Kulakovsky, who devoted his works to harsh criticism of the conservative traditions of patriarchal-feudal society, rapacity and inhumanity of the new capitalist relations. Kulakovsky was first to create gallery of the satirical portraits of social nature, such as socially classified images of stingy wealthy man, drunken bourgeois, etc. In the 1920s, the pioneer of Yakut Soviet literature P. A. Oyunsky composed works that of socially charged nature. The poet introduced the following new genres into Yakut literature: fable, pamphlet, and parody. Their works surged public thought and marked the birth of satirical genres in Yakut poetry.

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Haddi, Loubna. "Tackling Difficulties in Translating Culture-bound Metaphor in Nizar Qabbani’s Poetry: A Comparative Study." Ethical Lingua: Journal of Language Teaching and Literature 6, no. 2 (2019): 59–71. http://dx.doi.org/10.30605/25409190.v6.59-71.

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Arabic poetry has long taken precedence over other literary forms. It is the oldest form of literature known in the Arabic language, dating back to year 400 A.D. In the context of translation, poetry poses a few daunting hurdles in attempting to reach equally metaphorical meanings in the target language. This article seeks to illustrate the cultural problems witnessed in translating culture-bound metaphor. For this purpose, poetry by prominent Arab poet Nizar Qabbani is the main reference and the selected case study in the article for the poet’s place and contribution in Arabic poetry. The theoretical framework adopts two translation models— Newmark’s Semantic Translation and Den Broeck’s literal, paraphrase and substitution. In addition to illustrating difficulties emanating from translating culture-bound metaphor, the article will present a comparative analysis of two translations of one poetic text, thereby hopefully serving as a valuable contribution to the area of cultural metaphor translation by providing a range of translation possibilities starting from Dynamic Equivalence or idiomatic translation and continuing through literal and semantic translations. In doing so, the article has tackled strategies in the field of cultural metaphor translation, which will hopefully lead to further research.

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Khoury, J. "Zarqa' al-Yamama in the Modern Arabic Poetry, A Comparative Reading." Journal of Semitic Studies 53, no. 2 (2008): 311–28. http://dx.doi.org/10.1093/jss/fgn006.

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여순종. "A study of the comparative literature of "the bush warbler" to watch in poetry on Korea / a day." Journal of Japanese Language and Literature 69, no. 2 (2009): 329–47. http://dx.doi.org/10.17003/jllak.2009.69.2.329.

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KAMAL, Aysel, and Sinem ATIS. "Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries." European Journal of Multidisciplinary Studies 5, no. 1 (2017): 78. http://dx.doi.org/10.26417/ejms.v5i1.p78-84.

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Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first period aesthetics due to the contributions from western (French) writers. The influence of the western writers on him has also inspired his interest in the materialist culture of the West. In 1953 and 1959 he organized two tours to Europe in order to see places where Western thought and culture were produced. He shared his impressions that he gained in European countries in his literary works. In the literary works of Tanpinar, Europe comes out as an aesthetic object. The most dominant facts of this aesthetic are music, painting, etc. In this work, in the writings of Tanpinar about the countries that he travelled in Europe, some factors were detected like European culture, lifestyle, socio-cultural relations, art and architecture, political and social history and so on. And the effects of European countries were compared with Tanpinar’s thought and aesthetics. Keywords: Ahmet Hamdi Tanpinar, Europe, poetry, music, painting, culture, life

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Saif, Mohammad. "Modernism and Romanticism: A Comparative Study of the Selected Poems of W.B. Yeats and John Keats." SMART MOVES JOURNAL IJELLH 7, no. 6 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i6.8849.

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Romantic poetry was especially concerned with the themes of country life which is also known as pastoral poetry; moreover it also employed mythological and fantastic settings. Romanticism focuses more on the individual than society. The Romantics were fascinated especially by the individual imagination and individual consciousness. “Melancholy” was quite the exhortation for the Romantic poets. A firm loosening of the persistent rules of artistic expression, during earlier times, was observed in the Romantic era. In English literature, modernism has its roots in 19th and 20th century; the age was characterised by an unexpected and sudden release from conventional ways of viewing the world and interacting with it. Individualism and Experimentation, which were often heartily discouraged in the past, became the modern virtues. The modernist period in English literature was an intuitive response towards the prevailing aesthetics and culture of the Victorians culture of the 19th century. At the turn of the twentieth century, artists and intellectuals blamed the writers of earlier generation for misleading the society, thereby resulting in a dead end. They had the ability to predict hence they could foresee that world events were escalating into a mysterious territory.

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Gamsa, Mark. "Jacob Edmond A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative LiteratureA Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature. Jacob Edmond. New York: Fordham University Press, 2012. Pp. xv+272." Modern Philology 112, no. 1 (2014): E141—E144. http://dx.doi.org/10.1086/675963.

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Hambur, Fransiska Marsela, and Nurhayati Nurhayati. "Feminism thoughts in 20th and 21st century literary works: A comparative study." EduLite: Journal of English Education, Literature and Culture 4, no. 2 (2019): 183. http://dx.doi.org/10.30659/e.4.2.183-193.

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One of most arguable and observable social phenomena is gender inequality which is based on feminism thoughts. Considering how literature may portray human’s life along with its values, this study is purposed to elaborate and compare how feminism thoughts and gender inequality take place in various literary works. Based on the importance of feminism thoughts and gender inequality in cross cultural literature, then there is a necessity to conduct a comparative literature study which focused on feminism thoughts. This study took four kinds of literary works, namely drama, prose (short-story), movie, and poetry. Feminism approach as sociological approach was applied in this study altogether with comparative criticism and content analysis method. This study discussed how feminism thoughts got more supports and encouragement as the century progressed. By comparing literary works from 20th and 21st century, several important findings can be drawn, namely (a) feminism thoughts are getting stronger along with the progression of century, (b) feminism thoughts always oppose gender inequality as both are always found as binary oppositions in literary work, (c) both feminism and gender-inequality live through human’s values and repetitive actions, (d) personal and familial values are crucial in order to develop feminism thoughts and gender-inequality in an individual, and (e) the change of values, especially social and cultural values can bring changes in both feminism and gender inequality phenomena.

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Franek, Ladislav. "Estudios comparativos en la versología." Interlitteraria 23, no. 2 (2019): 233–46. http://dx.doi.org/10.12697/il.2018.23.2.3.

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Comparative research in versology. The place of comparative literature in Slovak literary studies from the 1960s. Mikuláš Bakoš’s inspiration by the model of historical poetics in his writing on the Slovak verse in the late 1930s. The influence of Russian formalism and Czech structuralism (J. Mukařovský, J. Levý). The focus on the stylistic and typological aspect in verse analysis. The effort towards the symbiosis of the structuraldevelopmental and the traditional historical-critical approaches. The inspiration by Jozef Felix’s emphasis on the universal message of the finest French and world literature for the development of Slovak literature. The contribution of the theory of literary communication for the analysis of Slovak reception of translations from Russian literature (A. Popovič). The re-evaluation of the term “influence” on the basis of a dialectical understanding of the roles of comparative literature (D. Ďurišin). The aspect of the developmental progress of national literatures. The central role of poetic rhythm through the specific application of metric accent in comparing Slovak verse with French and Spanish verse (L. Franek). The meaning of comparative study of poetry in symbiosis with objective-normative and subjective-critical criteria in relation to aesthetic level of translations. The unity of theoretical and empirical research as a reliable instrument in contemporary search for literary and cultural identity of nations (Slovak translations of Paul Claudel).

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Kuznetsova, T. N., and E. R. Mikhaylova. "WORKS OF F. SCHILLER IN THE CHUVASH LITERATURE: FEATURES OF TRANSLATION INTO CHUVASH LANGUAGE." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 982–85. http://dx.doi.org/10.35634/2412-9534-2019-29-6-982-985.

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The article is devoted to the features of translation of German poetry into the Chuvash language. Using the example of F. Schiller’s ballad “Der Handschuh” (“Glove”) and its translation into Chuvash, performed by the Chuvash poet S. Shavly, a comparative analysis of the translation and the original is carried out, and the quality of the translation of the work is determined. The purpose of the study is a comprehensive analysis of the translation of F. Schiller’s poem “Der Handschuh” into the Chuvash language, consideration of the linguistic features of the poetry translation. When translating a work, different types of lexical and grammatical transformations are used: omission of lexical units, transliteration, lexical addition, replacement of parts of speech, generalization, etc., which helped to reveal the content of the work and preserve the structure of the poetic work in the target language. S. Shavly made the German work accessible to the Chuvash audience, using the words and expressions most often found in colloquial speech of his native language.

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Machado, Roberto Pinheiro. "Hagiwara Sakutarô, Buddhist realism, and the establishment of japanese modern poetry." Estudos Japoneses, no. 35 (March 7, 2015): 71–103. http://dx.doi.org/10.11606/issn.2447-7125.v0i35p71-103.

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This article approaches the works of poet Hagiwara Sakutarô (1886-1942) from a comparative perspective that engages philosophy and literature. The philosophical dimension of Sakutarô’s poetry is analyzed by means of inter-textual readings that draw on the tradition of Buddhist epistemology and on the texts of logicians Dignāga and Dharmakīrti (5th century). The comparative analysis is considered under the perspective of the influence of Naturalism and the use of description in the emergence of Japanese modern poetry. Pointing to the possibility of a Buddhist realism that shares some common characteristics with Naturalism, the article emphasizes the Buddhist dimension of Sakutarô’s poetry, which appears in spite of the poet’s turn to Western philosophy (notably to Schopenhauer, Nietzsche, and Kant), as well as to his overt rejection of Buddhism as a necessary step to the modernization of the Japanese letters.

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김윤희. "Examining the Alba Literary Style in Korean Classical Poetry Based on a Comparative Analysis with Chinese Literature." Korea Journal 54, no. 2 (2014): 87–104. http://dx.doi.org/10.25024/kj.2014.54.2.87.

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김미자. "A Study of the Comparative Literature of Korean and Japanese Modern Poetry - Focusing on Hagiwara Sakutaro and Yoo Chihwan -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 78 (2017): 97–120. http://dx.doi.org/10.21792/trijpn.2017..78.006.

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Azouqa, Aida O. "Defamiliarization in the Poetry of 'Abd Al-Wahhāb Al-Bayātī and T. S. Eliot: a Comparative Study." Journal of Arabic Literature 32, no. 2 (2001): 167–208. http://dx.doi.org/10.1163/157006401x00060.

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Najman, Hindy, and Tobias Reinhardt. "Exemplarity and Its Discontents: Hellenistic Jewish Wisdom Texts and Greco-Roman Didactic Poetry." Journal for the Study of Judaism 50, no. 4-5 (2019): 460–96. http://dx.doi.org/10.1163/15700631-15051303.

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AbstractThis article sets up a dialogue between two bodies of ancient texts, i.e. Jewish wisdom literature and Greco-Roman didactic of the Hellenistic period, with an awareness of the scholarly and interpretive communities that have studied, taught and transformed these bodies of texts from antiquity until the present. The article does not claim direct influence or cross-pollination across intellectual, religious or social communities in the Hellenistic period. Instead, the article suggests four discrete frameworks for thinking about comparative antiquity: creation, the law, the sage and literary form. The comparative model proposed here intends to create the conditions for noticing parallels and kindred concepts. However, the article resists the temptation to repeat earlier scholarly arguments for dependency or priority of influence. Instead, the essay demonstrates remarkable alignments, suggestively similar developments, and synergies. Perhaps, the ideal first reader for this article is none other than Philo of Alexandria.

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Bryan, Beverley. "The Role of Context in Defining Adolescent Responses to Caribbean Poetry: A Comparative Case." English in Education 29, no. 1 (1995): 42–49. http://dx.doi.org/10.1111/j.1754-8845.1995.tb01138.x.

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Ratnikov, Aleksandr N. "PANEGYRIC TRADITIONS IN RUSSIAN LITERATURE OF THE 18TH CENTURY, PRECEDING THE FORMATION OF GAVRILA DERZHAVIN’S BATTLE ODE." Vestnik of Kostroma State University, no. 2 (2020): 126–31. http://dx.doi.org/10.34216/1998-0817-2020-26-2-126-131.

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Gavrila Derzhavin’s creative work marked an important stage in the formation of Russian poetry. Raised in the works of previous generations of poets, Gavrila Derzhavin mastered the best samples of Russian and foreign solemn panegyric works, creating on their basis a special form of his own batal ode. What contributes to a full and deep understanding of the process of formation and development of Gavrila Derzhavin’s batal lyrics, is a study of the conception of the Russian odic tradition related to the time of Peter I. The place of poetry in the life of society had been rethought during this period; poetry had been rationalised at the service of the state. Poetry texts started to be used as musical and poetry accompaniment of holidays, solemn meetings of reigning persons or praise of military successes. Russian literature responded to this request by the appearance of various samples of solemn, panegyric poetry - cantos and other solemn poems. During the reign of Peter I, who were the most prominent representatives of the panegyric lyrics were Theophan Prokopovich (1681–1736), Stefan Yavorsky (1658–1722) and Dmitri Rostovsky (1651–1709). The chosen batal works of the above-mentioned authors as well as the batal lyrical poetry by Gavrila Derzhavin are the subject of research within the framework of this article. The numerous correspondences and elements of continuity between the panegyric cantos and the odes by Gavrila Derzhavin expressed in a similar system of allegorical image-symbols, as well as in orientation to antique specimens and to biblical motifs, are revealed in the comparative study of solemn panegyric works of batal subject matter and the batal ode of Gavrila Derzhavin.

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Hart, Matthew. "Internationalism after Internationalism: Response to Aarthi Vadde, Chimeras of Form." Cambridge Journal of Postcolonial Literary Inquiry 6, no. 1 (2019): 107–13. http://dx.doi.org/10.1017/pli.2018.30.

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Matthew Hart is an associate professor of English and comparative literature at Columbia University. He is the author of Nations of Nothing but Poetry (Oxford University Press, 2010) and Extraterritorial: A Political Geography of Contemporary Fiction (forthcoming from Columbia University Press). A founding co-editor of the Columbia University Press book series Literature Now, Matt is a former president of A.S.A.P.: Association for the Study of the Arts of the Present and currently vice president of the Modernist Studies Association.

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Yujie, Li, and Wang Feng. "On the English Translation of Li Qingzhao’s Ci-poems--A Contrastive Study on the Translations of the Ci-Poem “To the Tune of Tipsy in Flower Shade”." English Literature and Language Review, no. 55 (May 15, 2019): 64–70. http://dx.doi.org/10.32861/ellr.55.64.70.

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Li Qingzhao (1084-ca. 1155?) is widely lauded as the most celebrated and talented woman poet in the history of classical Chinese literature. This study, with the theoretical guidance of Dr. Wang Feng’s “Harmony-Guided Three-Level Poetry Translation Criteria”, focuses on a comparative analysis of the collected renditions of the ci-poem “to the tune of Tipsy in Flower Shade” at the macro, middle and micro levels, to further promote the translation and communication of classical Chinese literature. This study aims to exert far-reaching influences on the process of Chinese literature going global, which has unprecedented contemporary significance.

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Suzuki, Seiichi. "On the Emergent Trochaic Cadence / × in Old Norse Fornyrðislag Meter: Statistical and Comparative Perspectives." Journal of Germanic Linguistics 20, no. 1 (2008): 53–79. http://dx.doi.org/10.1017/s1470542708000020.

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Through statistical and comparative investigations of eddic poetry, I show that Old Norse fornyrðislag meter is sharply distinguished from its West Germanic cognates by its strong preference for the trochaic cadence lift + drop in the b-verse. This unique feature is claimed to have induced the radical redistribution and reorganization of the major metrical types, types A, B, and C in fornyrðislag. Furthermore, I suggest that this favored cadence served as a basis for the fixed cadence of dróttkvætt meter by generalization and reanalysis.*

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Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.

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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Persian and Arabic poets. In both Arabic and Persian literature, Modern poet expresses his surrounding issues according to the needs of the community. Attention to the culture of the West is a common point closing Forough Farrokhzad and Adunis as two contemporary poets. Due to the different cultural and intellectual situations as well as the degree of their familiarity with the West, they have differences and similarities in the methods and the effects of modernization in the West. Using a descriptive-analytical approach, this article will show that Forough and Adunis have used modern manifestations such as secularism, feminism, nihilism, freedom, deconstruction, city and nationalism in their poems due to their relations with the West under the influence of cultural-political developments in their own societies.

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Satybekov, Mukhtar. "THE MULTIVARIANCE OF THE LYRIC POETRY OF A.TOKOMBAEV." Alatoo Academic Studies 19, no. 3 (2019): 185–91. http://dx.doi.org/10.17015/aas.2019.193.18.

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The article describes the creative laboratory of the writer, which is one of the main problems of modern literary criticism, its theoretical and methodological aspects. First, a brief excursus on the scientific sources in which the problem of creative laboratory of the writer is investigated. And then this the problem, which is important from a scientific point of view, is revealed with the help of comparative analyses of several poems, which are the classic of Kyrgyz literature, the great poet Aaly Tokombaev's works. These analyses indicate specific features of creative writer's laboratory, a new level of the first option poems', which, by the year, reworked by the author again. Passed through the creative laboratory of the poet.

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Journal articles on the topic 'Comparative literature Comparative literature Macaronic poetry'

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