Relevant bibliographies by topics / Comparative liturgy

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  2. Dissertations / Theses
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Academic literature on the topic 'Comparative liturgy'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Comparative liturgy"

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Silva, José Ariovaldo da. "“Sacrosanctum Concilium” e reforma litúrgica pós-conciliar no Brasil. Um olhar panorâmico no contexto histórico geral da liturgia: dificuldades, realizações, desafios." Revista Eclesiástica Brasileira 63, no. 250 (2019): 278. http://dx.doi.org/10.29386/reb.v63i250.1796.

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Para uma revisão dos 40 anos de aplicação da Constituição “Sacrosanctum Concilium” sobre a Sagrada Liturgia no Brasil – e quiçá em toda a América Latina –, o autor busca situar o documento no contexto histórico geral da liturgia. Primeiro verifica algumas características da liturgia no primeiro milênio da era cristã. Depois, constata como a liturgia foi tratada no segundo milênio, apontando alguns significativos deslocamentos de eixo na compreensão e vivência da mesma. A partir deste panorama histórico comparativo, pode-se entender o porquê da reforma litúrgica, proposta pelo Vaticano II, bem
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CAMERON-MOWAT, A. "Anton Baumstark's Comparative Liturgy." Questions Liturgiques/Studies in Liturgy 76, no. 1 (1995): 5–19. http://dx.doi.org/10.2143/ql.76.1.2003642.

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Celiński, Łukasz. "Modlitwa wiernych w strukturze obrzędowej Mszy rzymskiej w perspektywie liturgiki porównawczej." Teologiczne Studia Siedleckie 21, no. 2024 (2024): 123–39. https://doi.org/10.5281/zenodo.14905580.

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<strong><em>The Prayer of the Faithful in the ritual structure of the Roman Mass&nbsp;in the perspective of comparative liturgy</em></strong> Recently, there has been a renewed interest in the prayer of the faithful in its various aspects. After more than sixty years that have passed since the promulgation of the Constitution on the Sacred Liturgy of the Second Vatican Council, it is worthwhile to dwell on an element that, in a sense, has become one of the clearest signals of the idea of the conciliar reform expressed by the principle: <em>actuosa participatio fidelium</em>. This source study
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Pasichnyk, Vasyl. "Evolution of the anointing of the Sick Liturgie in the Liturgie Comparee dynamics: mystagogy." Good Parson: scientific bulletin of Ivano-Frankivsk Academy of John Chrysostom. Theology. Philosophy. History, no. 18 (December 2023): 77–89. http://dx.doi.org/10.52761/2522-1558.2023.18.7.

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The article presents an analysis of the history of the theology of the sacrament of Anointing, an interpretation of its mystagogy using the theory of liturgical evolution liturgie comparée, according to A. Baumstark. We conduct research using the adaptation of the modern method of comparative liturgy, liturgie comparée A. Baumstark. The original theological meaning and purpose of Anointing is reinterpreted - the return of the sick to the sacramental liturgical life of the Church, which is a condition for their holistic recovery. A similar theological understanding formed the basis of the entir
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Ivan, Davydov. "Comparative Liturgy as a Historical Discipline: An Epistemological Aspect." Novaia i noveishaia istoriia, no. 5 (2022): 5. http://dx.doi.org/10.31857/s013038640021043-5.

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The study focuses on Christian Liturgics and its methodology. The goal of clarifying the place of comparative liturgy among the historical disciplines has determined the main research tasks, namely: 1) to explicate the methodological approaches of leading liturgists of the so-called “liturgical renaissance” of the nineteenth and twentieth centuries as well as of contemporary scholars of liturgical history (Dom Prosper Guéranger, Dom Fernand Cabrol, Alexander Golubtsov, Anton Baumstark, Robert Taft, Fritz West, Carl H. Bieritz, Dom Alcuin Reid etc.), including the Catholic liturgical movement;
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Ahmadi, Amir. "On the coherence of Yasna: a critical assessment of recent arguments." Bulletin of the School of Oriental and African Studies 81, no. 1 (2017): 57–82. http://dx.doi.org/10.1017/s0041977x17001392.

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AbstractIn recent years a number of scholars have proposed more or less detailed schemas of the formation of the Zoroastrian ritual. These schemas offer accounts of the arrangement of the texts in the liturgy, the process of its formation, and even its function from an endogenous perspective. One way or another, they argue that the official Zoroastrian liturgy is an integrated ritual with a coherent text, and that the function of the ritual and the intention behind the arrangement of the texts can be determined by means of philological, literary and comparative analyses. The questions of forma
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Тарасова, Н. Ю., and А. В. Дубина. "Individuality of the implementation concerning the principles of the New direction from the choral music in the late 19th – the early 20th centuries into the Liturgy of St. John Chrysostom by P. Chesnokov." Музикознавча думка Дніпропетровщини, no. 15 (November 1, 2019): 76–90. http://dx.doi.org/10.33287/22196.

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The purpose of this article is composed by scientists into identifyingthe ways for individualizing the principles of the New direction in choral art from the late 19th– the early 20th centuries on the analytical material ofthe Liturgy of Svyatnor John Chrysostom P. Chesnokov. The methods areconceptually based on the ideas of human spiritual confession ofN. Berdyaev and P. Florensky, the ideas of human spiritual confession inthe culture of Kievan Rus and the theory of poetics and anthropologicalmeasurement of the spiritual ancient Russian literature and music ofD. Likhachev and S. Averintsev. T
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Tylyk, Ihor, and Vladyslav Lysenko. "Specificity of Artemii Vedel’s Performing Interpretation of Liturgical Works on the Example of the Liturgy of St. John Chrysostom’s (C-Dur) Artistic Presentation." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 53–64. http://dx.doi.org/10.31866/2616-7581.7.1.2024.303766.

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The purpose of the research is to highlight the peculiarities of the artistic interpretation of A. Wedel’s liturgical works, on the example of the artistic presentation of the Liturgy of St. John Chrysostom (C-dur). The research methodology is based on the universal methods of scientific knowledge: induction, deduction, synthesis, structural and comparative analysis, cultural reconstruction, principles of objectivity and historicism. The scientific novelty of the research lies in the formation of a clear idea of artistic and interpretive approaches to the performance presentation of A. Vedel’s
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Kuhar, Kristijan. "Utjecaj tekstova latinskih rimskih sakramentara na crkvenoslavensku rimsku liturgiju (9. – 14. stoljeće)." Slovo, no. 68 (2018): 171–97. http://dx.doi.org/10.31745/s.68.6.

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The liturgical texts of the Church Slavonic sacramentaries (Kiev Leaflets, Vienna Leaflets, Sinai missal Sin. Slav. 5N and others) from the early stages of the Slavic liturgy (9th to 14th century) with its textological and euchological content mostly belong to the Roman rite. These texts are euchological texts with proper liturgical function: texts are written and arranged for the celebration of the Mass and they are preserved in the liturgical book called sacramentary. The medieval Latin liturgical textological tradition is divided into two branches: Gelasian and Gregorian, which formed a uni
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Tylyk, Ihor, and Vladyslav Lysenko. "Specificity of Artemii Vedel's Performing Interpretation of Liturgical Works on the Example of the Liturgy of St. John Chrysostom's (C-Dur) Artistic Presentation." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 53–64. https://doi.org/10.31866/2616-7581.7.1.2024.303766.

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<strong>The purpose of the research&nbsp;</strong>is to highlight the peculiarities of the artistic interpretation of A. Wedel&rsquo;s liturgical works, on the example of the artistic presentation of the Liturgy of St. John Chrysostom (C-dur).&nbsp;<strong>The research methodology&nbsp;</strong>is based on the universal methods of scientific knowledge: induction, deduction, synthesis, structural and comparative analysis, cultural reconstruction, principles of objectivity and historicism.&nbsp;<strong>The scientific novelty&nbsp;</strong>of the research lies in the formation of a clear idea of
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Dissertations / Theses on the topic "Comparative liturgy"

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O'Donnell, Emma K. "The Liturgical Transformation of Time: Memory and Eschatological Anticipation in Christian and Jewish Liturgy." Thesis, Boston College, 2014. http://hdl.handle.net/2345/bc-ir:103614.

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Thesis advisor: John F. Baldovin<br>This dissertation examines the interaction of communal religious memory and eschatological anticipation within Jewish and Christian liturgical performance, and charts the ways that Jewish and Christian liturgical practices inform the experience of time. It proposes that the liturgical conjunction of the historical sense of time, which encompasses notions of the past, present, and future, and the observance of the cyclical passing of hours creates a unique experience of time. This liturgical experience of time arises through ritual meditation on the religious
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Daniel, Alastair Kevin. "A comparative study of the spatial semiotics of theatre and contemporary Church of England liturgy." Thesis, St Mary's University, Twickenham, 2008. http://research.stmarys.ac.uk/1020/.

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Meiring, Arnold Maurits. "Heart of Darkness a deconstruction of traditional Christian concepts of reconciliation by means of a religious studies perspective on the Christian and African religions /." Thesis, Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-10312005-093457/.

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Abdallah, Charbel. "Le Traité du patriarche Douai͏̈hy sur l'aménagement des églises maronites : l'aménagement et l'architecture de l'espace sacré des églises maronites au Liban d'après le Traité des églises et le Traité de l'autel du patriarche Stéphane Douai͏̈hy : édition et traduction du texte et notes : commentaire et approche comparative avec la tradition de l'Eglise." Strasbourg 2, 2003. http://www.theses.fr/2003STR20040.

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"Dans son ouvrage "Candélabre des Saints Mystères (Manârat al-Aqdâs)" qui traite essentiellement de l'interprétation de la Sainte liturgie selon le rite de l'Eglise maronite, le patriarche Stéphane Douai͏̈hy (1636-1704) a consacré au 2ème Candélabre deux Traités, le Traité des églises et le Traité de l'autel, pour parler de l'aménagement des églises et de leur origine historique et liturgique. Dans un premier temps nous faisons une présentation générale de l'ouvrage. Par la suite, nous faisons une édition critique de ces deux Traités. Cette étape débouche sur un établissement du texte des deux
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Moreira, Paulo Estudante Dias. "Les pratiques instrumentales dans la musique sacrée portugaise dans son contexte ibérique : XVIe et XVIIe siècles : le ms. 1 du fond Manuel Joaquim (Coimbra)." Paris 4, 2009. http://www.theses.fr/2007PA040137.

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Cette thèse présente une étude sur l’activité instrumentale de quatre importantes institutions portugaises, les cathédrales de Braga, Coimbra et Évora ainsi que le monastère de Santa Cruz, à Coimbra. Réparties géographiquement dans tout le pays, elles donnent les points de repère nécessaires pour une compréhension des processus d’admission, d’organisation des instrumentistes et de leurs pratiques musicales respectives. Cette information, pour la plupart inédite, est alors l’objet d’une mise en contexte ibérique afin de permettre la définition d’une première vue d’ensemble de la participation d
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Anazodo, Alfred C. [Verfasser]. "Liturgy of the Hours and Islamic Salat : a comparative study of public-liturgical worship of Christians and Muslims / Alfred C. Anazodo." 2005. http://d-nb.info/975188119/34.

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Books on the topic "Comparative liturgy"

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West, Frederick Sommers. The comparative liturgy of Anton Baumstark. Grove Books, 1995.

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Lightstone, Jack N. Ritual and ethnic identity: A comparative study of the social meaning of liturgical ritual in synagogues. Wilfrid Laurier University Press, 1995.

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Lightstone, Jack N. Ritual and ethnic identity: A comparative study of the social meaning of liturgical ritual in synagogues. Wilfrid Laurier University Press, 1995.

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Grażyna, Habrajska, ed. Tekst sakralny: Tekst inspirowany liturgią. Wydawn. Uniwersytetu Łódzkiego, 1997.

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F, Taft Robert, and Winkler Gabriele, eds. Comparative liturgy fifty years after Anton Baumstark (1872-1948): Acts of the international congress, Rome, 25-29 September 1998. Pontificio Istituto Orientale, 2001.

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Taft, Robert F. The precommunion rites. Pontificio istituto orientale, 2000.

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Sanctis, Michael Edward De. Some artistic aspects of Catholic liturgial reform: A comparative study of the influence of Vatican Council II on the music and architecture of the liturgy [microform]. University Microfilms International, 1986.

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Nitzan, Bilha. Tefilat Ḳumran ṿe-shiratah. Mosad Byaliḳ, 1996.

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de, Clerck Paul, Gerhards Albert, Brakmann Heinzgerd, et al., eds. Prex eucharistica. Academic Press Fribourg, 2005.

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Riley, Hugh M. Christian initiation: A comparative study of the interpretation of the baptismal liturgy in the mystagogical writings of Cyril of Jerusalem, John Chrysostom, Theodore of Mopsuestia, and Ambrose of Milan. Catholic University of America Press, 1991.

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Book chapters on the topic "Comparative liturgy"

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Boynton, Susan. "Liturgy, drama, preaching, and narration." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.27boy.

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Abstract Medieval Latin liturgy, drama, and preaching are living, oral arts of performance as well as texts. They all constitute forms of storytelling and draw on narrative texts. In different yet related ways, liturgy, drama, and preaching are all exegetical in nature and share aspects of Biblical commentary. The written record offers insight into the performance of liturgy, drama, and preaching, which took on their full meaning in the moment of celebration and utterance.
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Boynton, Susan. "Chapter 27. Liturgy, drama, preaching, and narration." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.27boy.

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Medieval Latin liturgy, drama, and preaching are living, oral arts of performance as well as texts. They all constitute forms of storytelling and draw on narrative texts. In different yet related ways, liturgy, drama, and preaching are all exegetical in nature and share aspects of Biblical commentary. The written record offers insight into the performance of liturgy, drama, and preaching, which took on their full meaning in the moment of celebration and utterance.
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Taft, Robert F. "Comparative Liturgy Fifty Years after Anton Baumstark (d. 1948): A Reply to Recent Critics." In Divine Liturgies - Human Problems in Byzantium, Armenia, Syria and Palestine. Routledge, 2024. http://dx.doi.org/10.4324/9781003556374-13.

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Taft, Robert F. "The βηματίκιον in the 6/7th c. Narration of the Abbots John and Sophronius (BHGNA 1438w). An Exercise in Comparative Liturgy*." In Divine Liturgies - Human Problems in Byzantium, Armenia, Syria and Palestine. Routledge, 2024. http://dx.doi.org/10.4324/9781003556374-12.

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"5. Comparative Liturgy: Practice." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-006.

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"4. Comparative Liturgy: In Theory." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-005.

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"3. An Interlude: The Comparative Method." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-004.

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"Introduction." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-001.

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"1. An Intellectual Biography." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-002.

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"2. Early Methodological Thought." In The Comparative Liturgy of Anton Baumstark. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219598-003.

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