Relevant bibliographies by topics / Composer

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Composer'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Composer"

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Stanley, Jane, and Judith Bishop. "‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE." Tempo 78, no. 309 (2024): 6–21. http://dx.doi.org/10.1017/s0040298224000020.

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AbstractThis is the transcript of an interview with Glasgow-based Australian composer Dr Jane Stanley. The interviewer is Dr Judith Bishop, an Australian poet and lyricist whose words appear in two of the works discussed: ‘14 Weeks’ (from Interval (UQP, 2018) and ‘The Indifferent’ (from Event (Salt Publishing UK, 2007)). The interview was recorded at the University of Glasgow on 29 May 2023 and edited for clarity, length and concision. It was recorded a day after the world premiere of Jane Stanley's 14 Weeks at the Glasgow School of Art Choir Composeher concert in City Halls, Glasgow. In respo
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Drajewski, Stefan. "Polskie kompozytorki baletów. Rekonesans." Polski Rocznik Muzykologiczny 20, no. 1 (2022): 205–22. http://dx.doi.org/10.2478/prm/2022-0002.

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ABSTRACT Female ballet composers. A Reconnaissance While Polish theoretical and musicological reflection seems to treat ballet music as a poor relation, ballet works composed by women appear as a complete tabula rasa. The present author decided to contribute to filling it by analysing works of Polish female composers of the 20th and 21st centuries. Statistical calculations based on three databases including Polish Music Information Centre (POLMIC), polishstage. pl (e-teatr) and taniecpolska.pl portals as well as own research have revealed 35 Polish female composers of the 20thand 21st centurie
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Drajewski, Stefan. "Polskie kompozytorki baletów. Rekonesans." Polski Rocznik Muzykologiczny 20, no. 1 (2022): 205–22. http://dx.doi.org/10.2478/prm-2022-0002.

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ABSTRACT Female ballet composers. A Reconnaissance While Polish theoretical and musicological reflection seems to treat ballet music as a poor relation, ballet works composed by women appear as a complete tabula rasa. The present author decided to contribute to filling it by analysing works of Polish female composers of the 20th and 21st centuries. Statistical calculations based on three databases including Polish Music Information Centre (POLMIC), polishstage. pl (e-teatr) and taniecpolska.pl portals as well as own research have revealed 35 Polish female composers of the 20thand 21st centurie
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May, Leopold. "The lesser known chemist-composers, past and present." Bulletin for the History of Chemistry 33, no. 1 (2008): 35–43. https://doi.org/10.70359/bhc2008v033p035.

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The article presents short biogs. of various less known chemist-composers, including their chem. and music. These chemists include George Berg, amateur chemist-composer, Sir Edward W. Elgar, amateur chemist-composer, Georges Urbain, inorg. chemist-composer, and Emil Votocek, org. chemist-composer. There are also three contemporary chemist-composers, E. L. Bearer and Morris Kates, both biochemists, and Carlo Botteghi, industrial chemist.
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Duchen, Jessica. "Developments and Dangers: The Training of Young Composers." Tempo, no. 171 (December 1989): 4–11. http://dx.doi.org/10.1017/s004029820001994x.

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As the 1980s draw to their close, contemporary music is becoming more eclectic than ever before. In the tremendous range of idioms, from symphonies to synthesizers via many ‘isms’ and ‘neos’, composers of the younger generation have a baffling choice of directions for their preferred moves. Ideologies have altered considerably during the past two decades; the demands of technology have left some institutions unable to keep up with the progress of electronic music in others; now the early musical experience of children in schools is changing too, with the introduction of GCSE placing emphasis o
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Scheuregger, Martin, and Litha Efthymiou. "Composer-composer collaboration and the difficulty of intradisciplinarity." Airea: Arts and Interdisciplinary Research, no. 2 (October 7, 2020): 23–35. http://dx.doi.org/10.2218/airea.5042.

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Research and practice involving parties from different disciplines is of increasing importance in many fields. In the arts, this has manifested itself in both increasing attention on established collaborative partnerships – composers, for example, collaborating with writers, choreographers and directors – and a move towards more overtly cross-, multi-, inter- and/or trans-disciplinary forms of working – a composer working with a physicist, philosopher or psychologist. Composer-composer partnerships are far less common, meaning intradisciplinary collaboration is little explored in relation to p
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Xintong, Wang. "VIOLA MINIATURE BY REBECCA CLARKE." Arts education and science 2, no. 35 (2023): 76–83. http://dx.doi.org/10.36871/hon.202302076.

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The work of English composers of the first half of the XXth century, who actively composed for viola, is little known to music lovers. The now popular English composers L. Tertis and W. Wilton were most prominent in large-form works for viola (primarily in the genres of sonata and concerto with orchestra). One of the pioneers of chamber music for this instrument is the talented, but now almost unknown composer and violist Rebecca Clarke, who established the viola miniature as a distinctive and striking artistic phenomenon. The relevance of the study lies in the urgent need to introduce into mu
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BRANSCOMBE, PETER, and Louise Collis. "Redoubtable Composer." Musical Times 127, no. 1715 (1986): 29. http://dx.doi.org/10.2307/965351.

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Miller, Jim. "Personal Composer." Computer Music Journal 9, no. 4 (1985): 27. http://dx.doi.org/10.2307/3679620.

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Minamitaka, Junichi. "Automatic composer." Journal of the Acoustical Society of America 90, no. 5 (1991): 2881–82. http://dx.doi.org/10.1121/1.401788.

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Dissertations / Theses on the topic "Composer"

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Hart, Sarah Marie. "The violist as composer." Thesis, University of Maryland, College Park, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3711607.

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<p> The search for interesting and rewarding repertoire is a lifelong process for the modern violist. Because of the viola's belated acceptance as a solo instrument, only the occasional solo viola piece appears in the Baroque, Classical, and Romantic periods, giving violists special incentive to embrace new sources of repertoire, including transcriptions of works for other instruments, new works by living composers, and rediscovered works by lesser-known composers. This dissertation explores another means by which violists have contributed to the concert repertoire: composing their own music.
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Lawrence, Mark. "Veljo Tormis, Estonian composer." Thesis, City University London, 2013. http://openaccess.city.ac.uk/2734/.

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The music of Veljo Tormis (b. 1930) became well-established in Estonia during the 1960s yet remained little known in the West during the Communist period. By incorporating traditional song, regilaul,into his works, Tormis’s name became closely associated for Estonians with upholding a sense of national identity against the Soviet regime. It is his vast output of some 500 choral songs for which he is most immediately recognised; indeed, once regilaul had come to dominate the ‘Tormis style’, he dedicated himself almost exclusively to choral composition. This study, building on the work of Mimi D
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Vane, Roland Edwin. "Composer-Centered Computer-Aided Soundtrack Composition." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/1168.

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For as long as computers have been around, people have looked for ways to involve them in music. Research in computer music progresses in many varied areas: algorithmic composition, music representation, music synthesis, and performance analysis to name a few. However, computer music research, especially relating to music composition, does very little toward making the computer useful for artists in practical situations. This lack of consideration for the user has led to the containment of computer music, with a few exceptions, to academia. <br /><br /> In this thesis, I propose a
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Åberg, Ellinor. "Game music: from composer to consumer." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27285.

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By conducting an experiment involving interviews with successful video game music composers about the emotions they wish to convey to the players with their music, and a survey questioning consumers about what emotions they actually experienced while listening to these musical pieces, this bachelor's thesis tries to provide a deeper understanding for music in games and the impact it has on the player and whether or not the three composers that has been interviewed has succeeded with conveying the emotions they wished to convey to their consumers. The results showed that each composer that has
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Pasieczny, Marek. "The duality of the composer-performer." Thesis, University of Surrey, 2016. http://epubs.surrey.ac.uk/811785/.

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The main focus of this submission is the composition portfolio which consists of four pieces, each composed several times over for different combinations of instruments. The purpose of this PhD composition portfolio is threefold. Firstly, it is to contribute to the expansion of the classical guitar repertoire. Secondly, it is to defy the limits imposed by the technical facilities of the physical instrument and bring novelty to its playability. Third and most importantly, it is to overcome the challenges of being a guitarist-composer. Due to a high degree of familiarity with the traditional gui
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Wilshere, Brian. "Brian Wilshere : the drummer as composer." Thesis, Goldsmiths College (University of London), 2007. http://research.gold.ac.uk/6599/.

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This thesis consists of a portfolio of compositions with the addition of 5 CD's, commentaries on selected compositions and additional written material placing submitted work in context. It is that context which supplies the title of the thesis. It is my contention that a composers' work is affected by the culture surrounding them, and that that culture contains a number of musical and social factors which impinge upon a composers' interaction with the world. In my case, I seek to show how a combination of my formative experiences and somewhat unusual musical background have influenced my work
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Wiggins, Kathryn Louise. "Alan Bush : activist, cultural diplomat, composer." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730835.

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Hand, Angela René. "Francis Hopkinson : American poet and composer /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983125.

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Weitner, Carol A. "Jacques Nicolas Lemmens : organist, pedagogue, composer /." Digitized version, 1991. http://hdl.handle.net/1802/3220.

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Thesis (D.M.A.)--University of Rochester, 1991.<br>Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3220
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Tu, Chia-Fang. "Observation and Evaluation of Two Composer-Teachers of Pre-College Piano." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214246893.

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Books on the topic "Composer"

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Orledge, Robert. Satiethe composer. Cambridge University Press, 1990.

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American Music Center (New York, N.Y.), ed. Composer packet. American Music Center, 1985.

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Orledge, Robert. Satie the composer. Cambridge University Press, 1990.

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Robert, Orledge, ed. Satie the composer. Cambridge University Press, 1990.

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Symons, David. Egon Wellesz: Composer. F. Noetzel, 1996.

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Peabody, David Barrett. Mark as composer. Mercer University Press, 1986.

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Salaman, William. The new composer. Boosey& Hawkes, 1990.

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David, Cope. The algorithmic composer. A-R Editions, 2000.

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Forum, Minnesota Composers, ed. Composer blue book. The Forum, 1987.

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Fux, John Joseph. The instant composer. Peter L. Alexander Publishing Inc., 1991.

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Book chapters on the topic "Composer"

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Khliupko, Viktor. "Composer." In Magento 2 DIY. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2460-1_6.

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Sinha, Sanjib. "Composer." In Beginning Laravel. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2538-7_1.

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Karam, Lina J., and Naji Mounsef. "Music Composer." In Introduction to Engineering. Springer International Publishing, 2008. http://dx.doi.org/10.1007/978-3-031-79315-8_7.

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Doolittle, Emily. "Composer, mother." In The Routledge Handbook of Women's Work in Music. Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-4.

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Seger, Linda. "The composer." In The Collaborative Art of Filmmaking. Routledge, 2019. http://dx.doi.org/10.4324/9781351207072-7.

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Volgsten, Ulrik, and Maria Eriksson. "What have I done? On Artistic Freedom, Authenticity and the Identification of Music, from Movable Type Print to Copyright and Digital Fingerprints." In Pop Music, Culture and Identity. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-66363-5_6.

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Abstract This chapter highlights the function of and field surrounding the “the composer” as they have transformed through the ages in relation to privilege and law. It shows how the composer’s function can be seen as an assembly of labour functions granting an individual composer the right of credit for the work done in the eighteenth century that changed to a “genetic function” a century later which enabled composers to claim the music played on a certain occasion as “their” creation and thus entitling them to monetary compensation. The creative composer, according to this logic, implies yet
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Milmeister, Gérard. "Rubato Composer GUI." In Computational Music Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00148-2_13.

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Jones, Daniel, Andrew R. Brown, and Mark d’Inverno. "The Extended Composer." In Computers and Creativity. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31727-9_7.

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Montgomery, Alan. "Comparing Composer Styles." In Opera Coaching. Routledge, 2019. http://dx.doi.org/10.4324/9780367809676-10.

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Uzayr, Sufyan bin. "Working with Composer." In PHP. CRC Press, 2022. http://dx.doi.org/10.1201/9781003308669-9.

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Conference papers on the topic "Composer"

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Galajda, Jacob Edward, and Kien Hua. "Automated Thematic Composer Classification Using Segment Retrieval." In 2024 IEEE 7th International Conference on Multimedia Information Processing and Retrieval (MIPR). IEEE, 2024. http://dx.doi.org/10.1109/mipr62202.2024.00032.

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Christmann, Guilherme, Ying-Sheng Luo, and Wei-Chao Chen. "Expert Composer Policy: Scalable Skill Repertoire for Quadruped Robots." In 2024 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2024. http://dx.doi.org/10.1109/icra57147.2024.10611039.

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Zhang, Yuyou, Yaru Niu, Xingyu Liu, and Ding Zhao. "COMPOSER: Scalable and Robust Modular Policies for Snake Robots." In 2024 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2024. http://dx.doi.org/10.1109/icra57147.2024.10611040.

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Zhang, Jincheng, György Fazekas, and Charalampos Saitis. "Composer Style-Specific Symbolic Music Generation using Vector Quantized Discrete Diffusion Models." In 2024 IEEE 34th International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2024. http://dx.doi.org/10.1109/mlsp58920.2024.10734713.

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Shabani, Mohammad Amin, Zhaowen Wang, Difan Liu, Nanxuan Zhao, Jimei Yang, and Yasutaka Furukawa. "Visual Layout Composer: Image-Vector Dual Diffusion Model for Design Layout Generation." In 2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2024. http://dx.doi.org/10.1109/cvpr52733.2024.00881.

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Chan, Hoi. "Sensor composer." In the ACM international conference companion. ACM Press, 2011. http://dx.doi.org/10.1145/2048147.2048151.

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Li, Feng, Dali Wang, Feng Yan, and Fengguang Song. "X-composer." In PASC '21: Platform for Advanced Scientific Computing Conference. ACM, 2021. http://dx.doi.org/10.1145/3468267.3470621.

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Norton, Juliet, Sahand Nayebaziz, Sean Burke, B. Jack Pan, and Bill Tomlinson. "Plant guild composer." In CHI '14: CHI Conference on Human Factors in Computing Systems. ACM, 2014. http://dx.doi.org/10.1145/2559206.2574826.

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Tanaka, Shoji, Jun Kurumizawa, and Seiji Inokuchi. "Image re-composer." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312146.

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Soga, Asako, Bin Umino, Takami Yasuda, and Shigeki Yokoi. "Web3D dance composer." In ACM SIGGRAPH 2006 Research posters. ACM Press, 2006. http://dx.doi.org/10.1145/1179622.1179628.

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Reports on the topic "Composer"

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Lubell, Joshua. SCAP composer user guide. National Institute of Standards and Technology, 2020. http://dx.doi.org/10.6028/nist.ir.8290.

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Nachtigall, Susan D., and Beth A. Brucker. Requirements Composer: User's Manual. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada480136.

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Lubell, Joshua. SCAP Composer User Guide. National Institute of Standards and Technology, 2022. http://dx.doi.org/10.6028/nist.ir.8290-upd1.

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Nachtigall, Susan D., and Beth A. Brucker. Layout Composer User's Guide: Through Beta Version 0.22. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada478062.

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Nachtigall, Susan D., and Beth A. Brucker. Planning Composer User's Guide: Through Beta Version 0.22. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada478242.

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Myrick, Stephanie, Marlin Gendron, Maura Lohrenz, and Jessica Watkins. The Moving-Map Composer: A GUI-Based Map Design System for Navy Aviators. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada390012.

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Catán, Daniel. Composing Opera: A Backstage Visit to the Composer's Workshop. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0007926.

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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Myrick, Stephaine A., Jessica L. Watkins, Maura C. Lohrenz, Michael E. Trenchard, and Marlin L. Gendron. AV-8B Map System II: Moving-Map Composer (MMC) Version 3.5, Software User's Manual (Third Edition). Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada415697.

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Trenchard, Michael E., Stephanie A. Myrick, Geary Layne, and Maura C. Lohrenz. Moving Map Composer -- Personal Computer (MMCPC) Version 1.0 Training Manual Developed for the Finnish Air Force. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada464114.

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